Synopsis: Based on the best-selling pair of memoirs from father and son David and Nic Sheff, Beautiful Boy chronicles the heartbreaking and inspiring experience of survival, relapse, and recovery in a family coping with addiction over many years.
Stars: Steve Carell, Timothée Chalamet, Maura Tierney, Kaitlyn Dever, Amy Ryan
Director: Felix Van Groeningen
Running Length: 120 minutes
TMMM Score: (6.5/10)
Review: After so many landmark films about the perils of addiction have been made featuring numerous memorable performances, it takes a special story not to mention top flight actors and on-the-ball filmmakers to make the case for another entry. What is different about this story that sets it apart from what has come before? Where and what is the message? Is there a lesson to be learned? A final thought to hold tight to? It’s an uphill battle of questions for even the most talented of professionals to answer which is why the final take-away from Beautiful Boy is that it’s a respectably well made film of a story that feels too familiar.
Based on the popular memoirs from journalist David Sheff and his son Nic Sheff, Beautiful Boy documents the journey both men go through as they deal with Nic’s addiction to alcohol and drugs. A child of divorce, Nic was a bright young man who became entangled with narcotics at a young age and continued to use through his attempts at going to college and after his various stints in rehab. Bouncing between his parents that tried in their own flawed way to pull their son out of his darkness, Nic (Timothée Chalamet, Call Me By Your Name) continually hit rock bottom but couldn’t stay sober for long stretches of time. He becomes homeless, despondent, overdoses, and watches as friends (some of whom he brought into his drug orbit) overdose as well. It’s a pattern that repeats itself often throughout the film, to intentionally maddening results for David (Steve Carell, Foxcatcher), his wife (Maura Tierny, Insomnia), and his ex-wife (Amy Ryan, Goosebumps)
Chronicling this frustrating journey, screenwriter Luke Davies (Lion) effectively blends elements from both memoirs that give a narrative through line but never truly fleshes out the lasting effects Nic’s addiction has on the two men and the people in their lives. I almost wish they had chosen one perspective to focus on and stuck with that or done a better job at sectioning off David’s story and telling that in parallel to Nic’s side of things at the same time. As it stands, we get bits of pieces of this long road the Sheff family traveled without being able to stop and explore the territory.
Directed by Felix Van Groeningen (director of the stunning Oscar nominated The Broken Circle Breakdown), the movie is slow to get started but does have some highly effective moments when it starts to cut its own path. We’ve all seen movies about addiction but the recovery aspect isn’t something covered in detail that often. The film works best when we see Nic on the other side of his binges and trying to put his life back together. These passages work so well because when he eventually falls victim to his addictions again we feel that grief right along with everyone else. When David finally stops trying to aggressively parent Nic and treats him like an adult with consequences, it’s a powerful moment for him (and the actor playing him) – I wish there were more moments like this throughout the movie but they are few and far between.
As indicated, the performances are good but not totally revelatory. While I applaud Chalamet’s approach to the role I didn’t fully find myself immersed in his performance as I thought I would. So unforgettable in his Oscar-nominated role in Call Me By Your Name, his work here feels like aspiring actor effort instead of fully formed. He hits the notes and looks the part but doesn’t quite deliver from the inside. I have much the same issue with Carrell, though the comedic actor fares better because he’s given a less obvious arc toward ownership of his shortcomings to help his son. Carrell has more moments to shine and work though some of the pain David experienced as he struggles to be a considerate parent to his troubled son but also an attentive father to Nic’s young half siblings. Ryan and especially Tierney provide strong support as well as the maternal figures in Nic (and, let’s be honest, David’s) life.
It’s Oscar season so it’s not hard to see why Beautiful Boy is being released near the end of the year. It feels like Oscar material that we’re supposed to like because it has so many prestige people involved. It’s a good film and one I’d ultimately recommend, but in several key areas it misses the mark to be something to consider in the “best of” lists critics and audiences are starting to make for themselves.