Review: There are some movies that just come along at the right time in your life, appearing when you need them the most and the week that I was set to see Barb and Star Go to Vista Del Mar was a rough one. It just wasn’t great, let’s leave it at that and so I selfishly looked to a film, of all things, to cheer me up. Putting all my eggs in one basket, I bet the farm on this pastel-colored comedy that had all the makings of a winner but also could have easily gone into stink bomb mode pretty quickly too. Let me tell you, perhaps I’d watch the movie now with a slightly more critical eye but after all the junk we’ve been through these past few months and all my own hang-ups from the week, the film was like a peach-scented salve to my soul for two hours. It’s also rip-roaringly, smile so wide your cheek burns, hysterically funny.
In 2011, Kristen Wiig and Annie Mumolo were dark horse Oscar nominees for their original screenplay of Bridesmaids, the blockbuster comedy hit that set off a wave of female-led funny flicks. It was almost as if Hollywood and movie-goers discovered that women could make you laugh and not just by acting like men or always resorting to foul, gross-out humor (which Bridesmaids totally did, let’s be honest). It was a well-earned nomination and while Mumolo turned up in a small but memorable role as a airline passenger with a fear of flying and was seated next to Wiig, it isn’t hard to imagine the two writing the movie with themselves in mind as the stars instead of the inimitable Maya Rudolph playing opposite Wiig..
Since that time, Wiig has gone on to become one of the rare alums of Saturday Night Live to find an interesting career after her tenure on the show has ended and while she continues to make challenging choices in film, the roles haven’t always panned out in her favor. Perhaps her most intriguing character was just recently as the more interesting of the two villains in Wonder Woman 1984 but that movie was so unjustly ignored that her contributions were also left by the wayside. For Mumolo, she’s continued a bit under the radar, acting in films like Bad Moms and writing the script for Joy, the Jennifer Lawrence/David O. Russell misfire that still managed to nab Lawrence an Oscar nom.
Thankfully, during their busy schedule the two managed to find time to collaborate on the script for Barb and Star Go to Vista Del Mar and both share the screen as the co-leads. What is immediately clear is that the two women have a deep understanding of not just their talents but in what the other is capable of and every inch of the movie plays to these strengths. Recognizing that nothing gets done in a vacuum, they’ve also created some wonderfully weird supporting characters that are taken on by some obvious choices and by others that may not make sense at first. Have no fear, because director Josh Greenbaum (The Short Game) has only the best intentions and steers even those not known for comedy into funny waters and gets them swimming fast.
You may think you’ve hit “play” on the wrong movie once this begins, as the opening features one of the first surprises the film has to offer. (It’s worth it to note that while the trailers for the film were riotous, hardly any of that material is in the actual film). I’m not even going to mention what (or who) that surprise is here and by holding that back it keeps certain other plot developments off limits. That means much of the rest of this review will be working around what I can’t talk about and going heavy on what I can. I figure if the trailers have gone to great lengths to keep aspects of the movie a secret, it’s worth it for your benefit to let you discover what the movie is on your own…but just know that eventually you’re going to meet our fabulous ladies, recently unemployed and daring to try something new.
Arriving in Vista Del Mar to great fanfare and a musical welcome from the ritzy resort hotel’s manager (Michael Hitchcock, Waiting for Guffman), Barb (Mumolo) and Star (Wiig) waste little time getting to know the layout of the space and meet a handsome stranger (Jamie Dornan, Fifty Shades Freed) in town for business. As a romance develops between the stranger and one of the women, the other is left to go from mild to wild as she chucks her inhibitions and becomes a coal-walking, parasailing risk-taker. What will the women do, though, when they realize they’ve come all this way to experience the trip of a lifetime together and have spent much of their vacation apart?
I was worried in early previews that the film would be too broad and feature comedy that amused the actors making the movie more than the audience watching the film, but the laughs are so sharp and so perfectly pitched that you have to really respect how nicely the movie is put together. There are some seriously big laughs to be had and whether this was edited with a theater-going public in mind or not, you are always able to hear the next joke — it’s a rare marvel to find that every punchline is clear without any throwaway jokes. Wiig and Mumolo don’t like wasted gags so they maximize the chuckles in each chintzy chortle.
That’s not to say it’s a perfect film. There’s at least one character I would have excised completely because not only is his role markedly unfunny and he has the stalest jokes out of everyone in the picture, his ultimate value-add to the plot is pretty slim. And while I enjoyed the “talking club” of ladies led with strongly pursed lips and a leveled stare by Vanessa Bayer (Office Christmas Party) in Barb and Star’s hometown, their contribution again felt unresolved and more filler than forwarding of the plot. That whole broad business I was talking about a few lines up? The film teeters slightly that way for its finale where it finds a wrap up that earns the warranted laugh (and a bonus surprise) while at the same time feeling like a bit of a cheat.
Small imperfections aside, there’s so much good and goodness on display that you won’t mind or have much time to ponder these items. The film moves so fast and the performances by the two leads are right on target, not to mention the full-on revelation that Dornan is quite talented when he lets his guard down and takes his serious shirt and slacks off (quite literally to the screaming delight of those in the film and, I’m sure, watching it). In a film of many worthwhile surprises, his hidden talent displayed on a beach is perhaps the most impressive of all.
It’s a cliché to say you didn’t want a movie to end but it’s true, I was sad to see my journey with these ladies come to a conclusion and I can only hope that there’d be another adventure at some point down the road. I know the two politely declined to write a follow-up to Bridesmaids and I can understand there not being another story there…but Barb and Star are just getting started. So while Barb and Star Go to Vista Del Mar may look a bit iffy from the outside looking in, trust me when I say that you’ll be glad you traveled with them…and it might even do wonders for your spirit as well. Mine sure felt lifted after.
Synopsis: Best friends leave their small midwestern town for the first time and soon find themselves tangled up in adventure, love, and a villain’s evil plot to kill everyone in Vista Del Mar, Florida.
Release Date: February 12, 2021
Thoughts: At one point in time, I couldn’t imagine being late for a movie because it meant missing the all-important previews. This was back when they didn’t give everything away in nearly three minutes. Personally, I don’t think any trailer needs to be longer than 1:45; anything more than that tells me the movie needs extra help selling itself to audiences. Now that I exclusively watch films at home, I have the luxury of being able to skip previews but one of the last times I was in a theater I remember seeing a short teaser for Barb and Star Go to Vista Del Mar and finding it a total gas. Though I looked for it so I could do a short write-up, it never made its way online in any kind of good quality. Thankfully, with its On Demand release date approaching in February, Lionsgate has posted a brand-new preview clocking in at…wait for it, 1:47. Perfection.
Reuniting Kristin Wiig (Wonder Woman 1984) and Annie Mumolo (Bad Moms), the Oscar-nominated writers of Bridesmaids who star in the film together, the film looks incredibly silly but also incredibly necessary for the current climate. A more grown-up version of Romy & Michelle’s High School Reunion, there’s not a whole lot of plot covered in the trailer because the title pretty much speaks for itself. What is on display appears to be a colorful comedy with broad broads living it up in paradise and, hopefully, uncovering the same kind of intelligent laughs found in Wiig/Mummalo’s previous outing. I’m not expecting this to be another Bridesmaids and it looks all together different but while much of the country in shivering indoors waiting out a pandemic, this could prove to be the warm burst of fresh salty sea air that gets us through to summer. My bags are packed and I’m ready for a vacation with these two.
Synopsis: When his uptight CEO sister threatens to shut down his branch, the branch manager throws an epic Christmas party in order to land a big client and save the day, but the party gets way out of hand…
Stars: Jennifer Aniston, Jason Bateman, Vanessa Bayer, Jillian Bell, Jamie Chung, Rob Corddry, Abbey Lee, Kate McKinnon, T.J. Miller, Olivia Munn, Karan Soni, Courtney B. Vance, Matt Walsh, Da’Vine Joy Randolph
Director: Josh Gordon, Will Speck
Running Length: 105 minutes
TMMM Score: (6.5/10)
Review: In the new comedy Office Christmas Party, Kate McKinnon (Ghostbusters) plays Mary, a Human Resources manager at a mid-range tech company that’s business in front and no party in the back. When branch manager Clay (T.J. Miller, Daredevil) and CTO Josh (Jason Bateman, This Is Where I Leave You) want to throw a bad-ass Christmas party to impress a much-needed new client (Courtney B. Vance, Terminator Genisys), Mary’s HR violation antennae pop up and she tries her hardest to derail the frivolity before giving in and just having fun with it all. Plenty of critics venturing out of their hovels to catch OCP will be Mary’s and implore you to stay home but ‘tis the season to be jolly and this critic thinks this Party is worth an HR write-up.
Look, Office Christmas Party isn’t the be-all, end-all of raucous, growth-stunted juvenile comedies but it has its fair share of laughs and rambles along for most of its 105-minute running time with an inordinate amount of goodwill. Maybe because I saw it on a Monday with a busy week at my own 9-5 job staring me down, but I (usually so averse to ribald druggy humor) found myself entertained by Miller, Bateman, and co who have set out not to redefine the raunchy comedy but to give audiences who can’t stomach the sight of Billy Bob Thornton in Bad Santa 2 an alternative option. Then again, stomaching Thornton in anything is a feat in and of itself.
When Clay’s CEO sister Carol (Jennifer Aniston, We’re the Millers, yet again reveling in a role with a mean streak) announces plans to reduce the workforce at her brother’s failing branch right before the holidays, Clay and Josh make a play to nab a high-profile client (Vance) by showing him how well their company rewards its employees. Trouble is, most of their workforce is already disgruntled and apathetic in their antiseptic office so whatever Clay and Josh do it has to be big…really big. Along with the head of technology (Olivia Munn, X-Men: Apocalypse), they pull out all the stops in a few hours to put on a boffo holiday gathering that quickly devolves into a Sodom and Gomorrah style bash complete with co-worker make-outs, drug- fueled stunts of stupidity, and a bevy of genitals photocopied on the office machine. Sounds kinda nasty, right? I have a real nose for the overly lewd and while I got a few good whiffs I never thought this tipped the scales into plain bad taste.
It’s a minor affair to be sure, written and directed without much originality…but it’s the performances that help to elevate this one slightly higher than its peers. I’ve found that a little Miller goes a long way but even in his more ADD moments the actor never lets us forget his character it good natured and the kind of people pleasing boss we’d all like to buddy up to. Bateman is at his most Jason Bateman-y here, again playing the straight man at the center of some very zany periphery performances. Bateman’s dirty scene with an ice sculpture and egg nog lets the actor venture slightly out of his comfort zone and for that alone I appreciated it. McKinnon, Vanessa Bayer (Despicable Me 2), Jillian Bell (22 Jump Street), Rob Corddry (Warm Bodies), Abbey Lee (The Neon Demon), and Karan Soni (Safety Not Guaranteed) are but a few of the party goers that make an impression. Only Munn disappoints…I continue to be stumped at what makes Munn in any way appealing aside from the fact that she always seems to be happy with being just one of the guys.
While it isn’t the kind of movie you could see as a holiday outing sponsored by your work, Office Christmas Party is a decent choice for adults looking for an R-rated holiday romp. Like most parties, it might end up being one you want to leave early but being the last one out the door won’t kill you either.
We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.
I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.
So sit back, relax, and enjoy the ride read.
I just wasn’t prepared for July. It hit me like a ton of bricks, a wave of cinematic excursions that made my head spin. So many movies were released that it was hard to keep track from week to week what was arriving and what was still waiting for its release date. As you can see below, I had a lot of catching-up to do
The month began with the disappointment of Terminator Genisys. I’m not sure exactly what I was expecting from the return of Arnold Schwarzenegger but it for sure wasn’t the muddled misfire that was supposed to reboot this franchise. Badly cast with shoddy special effects, this was supposed to be the beginning of something but should likely be the end (though it did do well overseas so we may yet get another one of these in a few years).
A few summers back I lamented how bad the original Magic Mike was. Trading eye candy entertainment for any semblance of watchable narrative, it was another dud (for me) from Steven Soderbergh. So you’d understand why I wasn’t keen on Magic Mike XXL because I felt we’d already been there done that. Much to my delight, the sequel was much better than its predecessor, maintaining the fun frivolity of the world of male strippers while injecting some personality into the proceedings. Quite possible the biggest surprise of the summer for me.
I learned a lot from the wise documentary Amy, chronicling the rise and fall of Amy Winehouse, the singer with the bluesy voice and broken butterfly backstory. She had a lot to overcome and the film made a compelling argument that she would still be here today had she had a better support system.
Though I loved the Minions in the Despicable Me films, I didn’t care for their solo outing with its half-baked story and less that inspired vocal work. It felt like a quick cash-grab and it looks like it accomplished its goal. Hopefully next time they’ll come back with a better story and more convincing actors.
The found footage horror movie had its death knell with The Gallows, a brainless exercise in tedium peppered with cheap scares and lousy acting. Could have (and should have) been much better.
Now we approach a stretch where I checked out for a bit – but I’m atoning for it now with these mini-reviews.
Movie Review ~ Batkid Begins The Facts: Synopsis: On one day, in one city, the world comes together to grant one 5-year-old cancer patient his wish. Batkid Begins looks at the ‘why’ of this flash phenomenon. Stars: Miles Scott Director: Dana Nachman Rated: PG Running Length: 87 minutes TMMM Score: (7/10) Review: Can I admit something to you and not have you hate me? When I first saw the media frenzy around this back in 2013 I remember rolling my eyes are the saccharine nature of the whole endeavor. Why would an entire city be brought to a screeching halt because of one kid’s wish to be Batman for a day? Well, the documentary Batkid Begins showed me why and by the end I was feeling like a lout for my initial feelings and wiping away the happy tears the film easily brings forth from the viewer. Following the planning and execution by the Make-A-Wish Foundation to give a 5 year old leukemia survivor the day of his dreams, viewers get a glimpse at what goes into even the smallest wish granted by the organization. While it at times comes off like a big advertisement, it’s heart is most certainly in the right place and I found myself getting choked up with each good deed and promise fulfilled by a host of people involved in making the day come off without a hitch. An audience-pleasing winner.
Movie Review ~ The Overnight The Facts: Synopsis: A family “playdate” becomes increasingly interesting as the night goes on. Stars: Adam Scott, Jason Schwartzman, Taylor Schilling, Judith Godrèche Director: Patrick Brice Rated: R Running Length: 79 minutes TMMM Score: (7/10) Review: There and gone in an instant, The Overnight is a film better suited for home viewing anyway. A couple (Adam Scott and Taylor Schilling) new to the area meet Jason Schwartzman at a local playground where both of their children are playing. Their kids have hit it off so Schwartzmann invites the family over for more fun, but when the kids go to bed Schwartzman and his wife Judith Godrèche have more interesting games to play for the unsuspecting couple. Saying more would spoil the fun but it’s an adults only evening with oodles of twists and turns as both couples bare their secrets (and their bodies) before the night is over. Already famous for its full frontal shots of Schwartzman and Scott (sorry, both are wearing prosthetics), at 79 minutes the movie is short but does start to feel long in the middle section. It helps immensely that all four actors are competent and comfortable with the material…the story doesn’t hold back and neither do they.
Movie Review ~ Ant-Man The Facts: Synopsis: Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, con-man Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world. Stars: Paul Rudd, Michael Douglas, Michael Pena, Evangeline Lilly, Corey Stoll, David Dastmalchian, T.I. , Judy Greer, Bobby Cannavale, Martin Donovan, Wood Harris, John Slattery, Gregg Turkington, Abby Ryder Fortson Director: Peyton Reed Rated: PG-13 Running Length: 117 minutes TMMM Score: (6/10) Review: Early troubles with the start of production with Ant-Man and some seriously questionable teasers/trailers didn’t get me very excited for this mid-summer superhero movie. I think Marvel was hoping that Ant-Man would score along the lines of last summer’s Guardians of the Galaxybut it’s sadly missing the humor that made Guardians so much fun. It’s not a total wash though because for every 10 minutes of standard origin-story developments, there’s a solid 5 minutes of exciting action sequences to wake audiences up from their slumber. I know that with an origin story you need to cover a lot of ground and Ant-Man, to its additional credit, doesn’t waste much time in getting to the goods…but it’s a cheap-o undertaking and one that feels like a second-string entry in Marvel’s blockbuster universe. Paul Rudd makes for a surprisingly solid action lead as does Corey Stoll as Rudd’s nemesis, but Evangeline Lilly labors too much under her severe wig (that seems to change lengths multiple times, in the middle of scenes) and isn’t a good enough actress to carry some weighty responsibilities. A decent entry as far as Marvel films go…but I’m not clamoring for a sequel any time soon.
Movie Review ~ Irrational Man The Facts: Synopsis: A tormented philosophy professor finds a will to live when he commits an existential act. Stars: Joaquin Phoenix, Emma Stone, Parker Posey, Jamie Blackley, Betsy Aidem, Ethan Phillips, Sophie von Haselberg Director: Woody Allen Rated: R Running Length: 96 minutes Trailer Review:Here TMMM Score: (6/10) Review: It happens every year and every year you never quite know what to expect. I’m speaking, of course, of the annual Woody Allen release and like many of the directors works, it’s a hit or miss affair. I’m constantly in awe that Allen has churned out a film a year (sometimes two a year) for the last three decades and even the really bad ones aren’t as terrible as the other dreck dumped on us during the summer. Last year Magic in the Moonlight was dismissed as too slight even for Allen but I enjoyed its frothy charm…something that was missing from the more serious-minded Irrational Man. As a boozy professor that gets into hot water in his New England college town, Joaquin Phoenix was perhaps the wrong choice because the actor plagues himself far too much for Allen’s light material. At least co-star Emma Stone helps keep Phoenix from the quicksand of his own creation but she can’t be in every scene and it’s when Phoenix is on his own that the film goes slack. Then there’s Parker Posey who I’m becoming convinced is simply not of this earth and doesn’t try to hide it anymore. Bizarre line readings and the tendency to let her mouth hang open are only the tip of Posey’s strange acting iceberg. Very much in line with the dark humor of Allen’s Crimes and Misdemeanors, Irrational Man should hold your interest for a time but it’s quickie ending feels like Allen was ready to move on to his next film rather than put a period at the end things.
Movie Review ~ Trainwreck The Facts: Synopsis: Having thought that monogamy was never possible, a commitment-phobic career woman may have to face her fears when she meets a good guy. Stars: Amy Schumer, Bill Hader, Brie Larson, Mike Birbiglia, Colin Quinn, Tilda Swinton, Ezra Miller, John Cena, Vanessa Bayer, Jon Glaser, LeBron James, Method Man Director: Judd Apatow Rated: R Running Length: 125 minutes Trailer Review:Here TMMM Score: (6.5/10) Review: One of the true success stories of the summer has to have been Amy Schumer, not so much for writing and starring in Trainwreck but the collective impact she’s had on the comedy scene. Unapologetic in her crassness and wise in her observations, Schumer is a comic moving like a shooting star and it’s nice to report that I think she’s a pretty decent actress as well. As much as I enjoy Schumer I was nervous that she was attaching herself to director Judd Apatow because Apatow, as we all know, has a way of turning in muddled work. Unfortunately, Apatow’s influence led the film to be about 20 minutes longer than it needed to be and ultimately overstaying its welcome. I don’t care what anyone says about the appearance of LeBron James as a bona fide supporting player, his entire storyline should have been excised and the film wouldn’t have suffered at all. The problems get worse because Apatow likes to cast non-actors in his film and put in cameos when you least expect it…to the detriment of the flow of the narrative. He stumbles badly in several places here but is saved by Schumer and Bill Hader as the opposites attract duo that confidently lead the film. Special mention must, again, be made to Tilda Swinton for disappearing within her role as Schumer’s glam yet grim boss. Worth it for Schumer, Swinton, and Hader…but watch it at home so you can fast forward through the slow Apatow-ish parts.
Movie Review ~ Mr. Holmes The Facts: Synopsis: An aged, retired Sherlock Holmes looks back on his life, and grapples with an unsolved case involving a beautiful woman. Stars: Ian McKellen, Laura Linney, Hiroyuki Sanada, Roger Allam, Frances de la Tour, Hattie Morahan, Patrick Kennedy, Philip Davis, Milo Parker Director: Bill Condon Rated: PG Running Length: 104 minutes Trailer Review:Here TMMM Score: (8/10) Review: In reality, I probably should have given Mr. Holmes a more thorough review than I’m about to give here…but I have a feeling I’ll have a chance to discuss it more over the next few months because if all is right with the world Ian McKellen will find himself nominated in a few Best Actor categories during the end of the year awards round-up. McKellen plays an aged Sherlock Holmes living in the country, attended to by a no-nonsense housekeeper (Laura Linney) and entertained by her young son. There’s actually three Holmes on display here as the present Holmes recalls two previous cases he was involved with that had an impact on his life. With a smart script from Jeffrey Hatcher adapted from a popular novel, it’s directed with a mellow grandeur by Bill Condon. Condon and McKellen scored before with the fascinating Gods and Monsters and here’s hoping they go the distance with this one too. An interesting tidbit, at one point Holmes ventures out to see a Sherlock Holmes movie…and the actor playing Holmes on screen (Nicholas Rowe) played the detective in 1986’s fun frolic Young Sherlock Holmes.
Movie Review ~ Paper Towns The Facts: Synopsis: A young man and his friends embark upon the road trip of their lives to find the missing girl next door. Stars: Nat Wolff, Halston Sage, Austin Abrams, Cara Delevingne, Justice Smith Director: Jake Schreir Rated: PG-13 Running Length: 109 minutes TMMM Score: (7/10) Review: After The Fault in Our Stars became a runaway hit last summer movie studios were looking for the next big alt-teen romance that could lure YA audiences away from summer action flicks. Turns out they didn’t have to look far because Paper Towns was adapted from the novel by the same author as The Fault in Our Stars. While Paper Towns doesn’t center around a disease that threatens to tear our lovebirds apart, it has its own mystery about it as Nat Wolff goes looking for his recently vanished neighbor (Cara Delevingne) that he’s been enamored with (or more like fascinated by) since they were children. Following the clues she seemingly left for him, Wolff and his friends embark on a journey of discovery where they Learn Life Lessons. The film kept my interest for most of the running length and it’s only in the final passages when all is explained does it feel a little like a letdown. Still, there’s a smart air of riskiness that elevates the film and more often than not it lands on the good side of taking that risky step.
Movie Review ~ Pixels The Facts: Synopsis: When aliens misinterpret video feeds of classic arcade games as a declaration of war, they attack the Earth in the form of the video games. Stars: Adam Sandler, Brian Cox, Kevin James, Michelle Monaghan, Peter Dinklage, Josh Gad Director: Chris Columbus Rated: PG-13 Running Length: 105 minutes TMMM Score: (3/10) Review: A movie where everyone involved should hang their head in shame. There’s actually some semblance of a good idea here with aliens attacking earth with classic arcade games but unfortunately it gets trampled by Adam Sandler’s lazy acting, Kevin James bad acting, and Josh Gad’s awful everything. Michelle Monaghan looks positively embarrassed to be sharing scenes (especially romantic ones) with Sandler and only Peter Dinklage comes out relatively unscathed in a campy, mullet wearing performance. For fans of ‘80s nostalgia there are some pleasant diversions as video game characters pop up in (supposedly) comical ways and I think that director Chirs Columbus really did give the material a chance to be something interesting…but Sandler and his crew suck the life out of everything and are so devoid of any vested interest that you wonder why you should care at all either.
Movie Review ~ Southpaw The Facts: Synopsis: Boxer Billy Hope turns to trainer Tick Willis to help him get his life back on track. Stars: Jake Gyllenhaal, Forest Whitaker, Rachel McAdams, Curtis “50 Cent” Jackson, Clare Foley, Miguel Gomez, Victor Ortiz, Rita Ora, Naomie Harris Director: Antoine Fuqua Rated: R Running Length: 123 minutes TMMM Score: (6.5/10) Review: By now, we know that Jake Gyllenhaal is a smart actor. With role after role from Prisoners to Nightcrawler to End of Watch we’ve seen that he’s up for most any challenge and likes to dive deep into his roles. So it’s not surprising that he was drawn to this tale of redemption concerning a famous boxer at the top of his game dealt a series of terrible blows (in more ways than one) and his eventual path back to himself. What is surprising is that while the performances are very good you can’t get away from the fact that the story feels recycled and originally intended for a different set of lower string stars. I’m always on the fence regarding Forest Whitaker but as the wise boxing manager that grudgingly comes to Gyllenhaal’s aid, the actor reminds us why he so deserved his Best Actor Oscar for The Last King of Scotland. Also turning in a great performance in Rachel McAdams (The Vow) as Gyllenhaal’s high school sweetheart, mother of his daughter, and the only one that seems to have his best interest at heart.
Southpaw was also at the center of some controversy that arose this summer about movie trailers that give away too much of the film. If you have seen the trailer for Southpaw you know what I’m talking about…if you haven’t, please go into the movie blind. I had a faint idea what the spoiler was and even that made the first ¼ of the film much less involving. Worth it for the performances but gets knocked out by an also-ran plot.
Movie Review ~ Samba The Facts: Synopsis: Samba migrated to France ten years ago from Senegal, and has since been plugging away at various lowly jobs. Alice is a senior executive who has recently undergone a burn-out. Both struggle to get out of their dead-end lives. Samba’s willing to do whatever it takes to get working papers, while Alice tries to get her life back on track until fate draws them together. Stars: Omar Sy, Charlotte Gainsbourg, Tahar Rahim, Izia Higelin, Isaka Sawadogo Director: Olivier Nakache, Eric Toledano Rated: R Running Length: 118 minutes TMMM Score: (5.5/10) Review: Of all the movies I’m talking about in this wrap-up this is one I’d bet dollars to donuts that you’ve never heard of. And you couldn’t be blamed because this barely made a blip on the usually forgiving art-house circuit. From the star and directors of 2012’s dynamite The Intouchables comes this story of an immigrant man living in France who crosses paths with a burned out executive when the man is discovered to be an illegal alien. Omar Sy (Jurassic World) and Charlotte Gainsbourg don’t have that much chemistry but in a weird way it works for the oddball romance that develops over the course of the film. I never could get a real feel if the movie was a comedy, drama, or something in between…and neither could most of the people involved. Slightly recommended but only if the plot or stars appeal to you.
That almost did it for July…but there was still one weekend to go! Moving up several months from its planned December release, the fifth installment of the Mission: Impossible franchise had its brains in the right place but at times forgot to bring its brawn. I still prefer Ghost Protocol to Rogue Nation but as long as star Tom Cruise keeps making these films interesting I’ll keep accepting future missions. Here’s hoping he brings along Rebecca Ferguson again because finally there is a female that is every bit a match to Cruise’s daring agent.
I wasn’t sold at all when I heard that Warner Brothers was planning on remaking National Lampoon’s Vacation but as time went on I heard more that it was more of a sequel than a reboot (resequel?) and I started coming around to the idea of a new Vacation. I enjoyed Ed Helms and Christina Applegate as the hapless couple traveling cross-country with their children…but audiences and most critics didn’t. It wasn’t a great movie and was probably too crude to be part of your Vacation marathons…but I have to say the worst part about it was when original stars Chevy Chase and Beverly D’Angelo showed up. Still, I’m hoping it made enough money to warrant a holiday themed sequel. In any event…it’s a damn sight better than European Vacation.
Wow – July didn’t skimp on variety, did it? Arguably the hottest month for releases, it carried over the promise of May and June and laid a path for August to do quite well…but could it top the three months that came before it?
Synopsis: Since she was a little girl, it’s been drilled into Amy’s head by her rascal of a dad that monogamy isn’t realistic. When she finds herself starting to fall for the subject of the new article she’s writing, Amy starts to wonder if other grown-ups, might be on to something
Release Date: July 17, 2015
Thoughts: There’s little love lost between me and director Judd Apatow. Though he’s got a better track record as a producer, in my book his directorial efforts are long, languid, lugubrious, and lame. Sure, his first few films had a certain freshness to them but by the time we got around to the seriously dreadful This is 40 I literally threw my hands up in exasperation at Apatow’s inability to deliver a movie with true insight or a running length of less than two hours.
With any luck, Apatow is merely the silent conductor on writer/star Amy Schumer’s (Seeking a Friend for the End of the World) comedy train. The raunchy comedienne would seem to be a natural fit with Apatow’s style but I’d hope she insisted on bringing in an editor to keep the film as compact as possible. Sadly, I’m not inspired by the overly long trailer or a stream of cameos by famous faces not known for their acting chops. Still, check out Tilda Swinton (Only Lovers Left Alive)…with her modern feminine look the actress shows again that she’s operating outside the expected.