2015 – Best of the Best, Worst of the Worst, Grand Totals

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Well hello there!  I wound up skipping my Best of 2014 list because when 2015 rolled around there were still too many “2014” movies that I hadn’t been able to catch.  Then one thing lead to another…and it was March!

So here we are starting the fifth year of this blog!  Hard to believe it and boy, does time fly.  Below I’ve compiled my list of the best and worst of 2015.  At first I was going to do a Top 10 for both because I absolutely had candidates to fill all the slots, but then I decided to stick with five each to truly highlight the best of the best and worst of the worst.

As always, I’ve appreciated your feedback, your patronage, and your general presence in my blog. Even if you read this everyday but have never commented or made contact I can still tell you’ve been here and that means a lot.  My readership and subscriptions continue to increase every month and it’s all thanks to your word of mouth, likes, and shares.  If you haven’t already, make sure to follow this blog, follow me on Twitter (@joemnmovieman), and like my Facebook page so you can help me continue spreading the news about The MN Movie Man.

Best Wishes to you and yours for a most Happy New Year!

~Joe (The MN Movie Man)

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5. Mad Max: Fury Road – like a lightning rod, the fourth Mad Max film conducted the kind of electricity that could fuel a dozen other pictures.  Director George Miller upped the ante for not only summer blockbusters but for filmmaking as a whole with his non-stop action flick that took no prisoners and left most 2015 films in its fiery dust. Starring Tom Hardy but owned by Charlize Theron, this Mad Max signaled the start of the summer season with a rocking battle cry. Truly amazing.

4. Creed – the best unexpected TKO of the year, Creed is really Rocky 7 but don’t let that stop you from entering the ring.  Star Michael B. Jordan brings a blistering intensity to the role of a young boxer trying to make a name for himself out from under the shadow of his legendary father’s career.  The biggest surprise is original star Sylvester Stallone stepping into the mentor role for his best performance since the original Rocky.  Stallone is valiant, vulnerable, and, under the direction of writer/director Ryan Coogler, fairly unforgettable.  A champion of a film.

3. Carol – anchored by two of the strongest performances of 2015, this love story between young Therese and married Carol is an achingly beautiful achievement from director Todd Haynes.  Delicate as a flower but steely enough to cut deep, it’s a picture about the understanding and acceptance of one’s own desires. Unlike anything else I’ve seen this year, it’s a gorgeous looking film that lingers in the memory long after you’ve left the theater.

2. Brooklyn – the most charming film of 2015, Brooklyn is a sweet love story set against the backdrop of Ireland and New York in the 1950’s.  It’s funny, sad, poignant, and delightfully underplayed so that by the time it reaches its emotional climax the tears it wrings from you are well earned.  Superbly acted and glowing with grace, it’s a wonderful wonderful period piece.

1. The Martian – the best film I saw in 2015 (twice) is Ridley Scott’s grand space adventure adapted from Andy Weir’s best-selling novel.  A full meal of a movie, there’s a little bit of something for everyone here from comedy to action to drama to suspense and even some surprisingly emotional arcs.  Powerfully led by Matt Damon and a small army of familiar faces, movies like The Martian are the reason why we go to movies, to be transported and changed. 

Honorable Mentions: Paddington, Kingsman: The Secret Service, Cinderella, Jurassic World, Magic Mike XXL, Far From the Madding CrowdThe Visit, Sicario, Crimson Peak, RoomStar Wars: The Force Awakens

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5. Love the Coopers – arriving like a stale piece of fruitcake, this turkey is reason enough for even the sweetest Christmas fan to say “Bah Humbug”.  It’s an obnoxious and lazy attempt at creating a warm family togetherness film with neither the direction nor the performances to help it rise from the sludge. Wasting the talents of its diverse ensemble cast, this is a White Elephant of a yuletide film.

4. Point Break – making the original 1991 film look like High Noon in comparison, this atrocious remake diverts so far from its dopey origins that it should have just ditched the title and shrugged off the obvious comparisons from its detractors.  With his unforgivable man-bun, heinous fake tattoos, and not good enough for the Sci-Fi channel acting, Luke Bracey leads the film right off a cliff sans parachute.  More focused on being an eco-message film than a heist flick, it sports beautiful cinematography but is overall a lamentable effort.

3. The Lazarus Effect – Kudos to you, Olivia Wilde.  You appeared in two of my least favorite films of the year.  Beautiful as she is, Wilde just can’t seem to find a film that suits her in the acting department and The Lazarus Effect is a prime example. Barely 80 minutes long, there’s no amount of spiritual help that could raise this one from the graveyard of bad horror thrillers.

2. Aloha– pay no attention to the critics that championed this gigantic turd of a film in 2015…they’ve been blinded by a devotion to a filmmaker that has lost his way.  Cameron Crowe’s colossal misfire makes every wrong turn in the book, from casting pale Emma Stone as a Native Hawaiian with a half-Asian father to an inability to assemble a movie that makes any kind of sense.  Legendary in its production for going through titles and reshoots like candy, the final product was more of an ‘adios’ to Crowe’s storied status in Hollywood.

1. The Water Diviner – this waste of a film won three Australian Academy Awards.  Three.  And one of them was Best Picture.  Well, turnabout is fair play and I’m awarding Russell Crowe’s directing debut with Worst Picture of the year honors.  An interminable slog through an incomprehensible plot and ridiculously banal performances, I was praying for some sort of divine intervention to cut the screening short.  It’s bad from the moment it starts until it releases us from our agony.

(Dis)Honorable Mentions: Inherent Vice, Blackhat, The Boy Next Door, Woman in Gold, Terminator Genisys, The Gallows, Dark Places, American Ultra, Freeheld, Jem and the Holograms, Victor Frankenstein

 

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Most Misunderstood

Hot Pursuit – Ok, so I’m not going to sit here and waste my time telling you that Hot Pursuit is a good movie because it’s fairly derivative from countless other female buddy pictures, too broad for words, and in the end is an inconsequential blip on the careers of stars Reese Witherspoon and Sofia Vergara.  Where I took issue was how the movie was dragged through the grime by critics that would laud the same type of movie had it been released with males in the leading roles.  People took actual offense that Witherspoon went from an Oscar nominated turn in Wild to something so lightweight as Hot Pursuit and I kinda just wanted to tell ‘em all to scoot up a tree.  The film plays right into the strengths (and assets) of both leading ladies and is ultimately harmless.  It’s not great entertainment, but it’s not the garbage mess that people would have you believe.

Honorable Mention: San Andreas

Joe’s Humble Pie Award of 2015

The D Train – I’m a die-hard anti-Jack Black fan but even I had to admit that The D Train was one of the more unexpected small victories of 2015.  Black is winning as a lovable loser running his class reunion that makes a bid to get a famous-ish classmate to attend.  Flying out to California to convince the guy (James Marsden) to make an appearance, the film takes an unanticipated turn that audiences just won’t see coming.  The film has a dark charm and strong performances to justify your seeking it out.  I think you’ll be surprised…I was.

Honorable Mention: Mistress America

Movies You Probably Haven’t Seen But Should:

The Diary of a Teenage Girl

I’ll See You in My Dreams

Song of the Sea

The Hunting Ground

Beyond the Lights

Playing by Heart

Good Kill

Starry Eyes

The Taking of Deborah Logan

Click HERE for a full listing of films seen in 2015

Total Movies Seen in the Theater: 146

Total Movies Seen at Home: 176

Grand Total for 2015 (not counting films seen multiple times): 317

Where I Saw the Most Movies: Showplace ICON – 66!

Movie Review ~ Victor Frankenstein

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The Facts:

Synopsis: Told from Igor’s perspective, we see the troubled young assistant’s dark origins, his redemptive friendship with the young medical student Viktor Von Frankenstein, and become eyewitnesses to the emergence of how Frankenstein became the man – and the legend – we know today.

Stars: Daniel Radcliffe, James McAvoy, Jessica Brown Findlay, Andrew Scott, Freddie Fox

Director: Paul McGuigan

Rated: PG-13

Running Length: 109 minutes

Trailer Review: Here

TMMM Score: (2/10)

Review: If you’re looking for someone to blame for Victor Frankenstein, might I suggest Sherlock Holmes?  A character brought to life so vividly in a series of novels and notable screen adaptations, Holmes has been resurrected to popular effect three times in the last decade.  On the small screen he’s a present-day on the spectrum detective in two television series, one for the BBC (effectively launching Benedict Cumberbatch’s career in the process) and one for CBS  (a more commercial offering, but no less successful) and on the big screen he’s a wise-acre troublemaking sleuth in Guy Ritchie’s two Holmes films.  Possibly trying to exist in the same Victorian England Ritchie world, Victor Frankenstein is a slapdash creation, stitched together with little inspiration or motivation.  It’s a true snoozer…and I know from experience because I fell asleep for part of it.

Opening with the line “You know the story” and then, like all reimaginings must, going on to tell a totally different version of a time-worn tale, at first I was thinking that Victor Frankenstein was on to something.  Told from the perspective of the man who would be Igor (Daniel Radcliffe, What If, The Woman in Black), starting out as a nameless and mistreated hunchback circus clown that studies medicine and dreams of a life with a  pretty trapeze artist (Jessica Brown Findlay, Winter’s Tale), the first, oh, two minutes of the movie are visually impressive and intriguing.  Then our titular character enters (James McAvoy, Trance) and our interest (and the scenery) gets shredded to bits.

Rescuing the deformed man and employing him as his assistant, Frankenstein names him Igor (after his absent flat mate) and attends to his hunchback and crooked stance.  Standing upright with a flat back, clean clothes, and a self-applied haircut delivered by straight razor that suggests a future as a coiffeur, Igor quickly gets up to speed with Frankenstein’s work in bringing the dead back to life.  Originally working on a chimp hybrid that goes ape when roused from an eternal slumber, the two men are soon hired by a wealthy family to create something…bigger.

In between gathering the pieces to assemble the ultimate creation, Igor continues to woo the trapeze artist (now living as a ward to a wealthy businessman) and avoid a fire and brimstone detective (Andrew Scott, Spectre) that believes what Igor and Frankenstein are doing is against God’s will.  There’s the requisite backstory to explain the method behind Frankenstein’s madness and some moral quandaries that are quickly vanquished, it all leads to a rain soaked finale aiming to be electrifying but can’t find a strong current.

As much as Radcliffe tries to distance himself from the boy wizard that made him a household name, I’ve yet to be truly impressed by any of his post-Harry Potter work.   Trapped by an outlandish script by Max Landis (Chronicle) and tonally blunt direction by Paul McGuigan, Radcliffe doesn’t have much to do but peer out from behind his shabby wig, gasp in horror at Frankenstein’s insanity, and make goo-goo eyes at his love.  Brown Findlay has the presence of a rogue dust bunny and Scott simmers with a too-serious biblical rage that leans more toward hysterics than histrionics.

Nothing compares to McAvoy’s unhinged, abysmally over-the-top performance, though, and like it or not you have to give the actor credit for not being afraid to fail.  Possibly recognizing the only way to be memorable in an otherwise dull creature feature is to be more outsized than his muscle bound creation, McAvoy is amped up from frame one and ready to go for the campy gold.  Were the rest of the film less serious in nature, McAvoy’s take might have worked better but here is feels like the actor is out of control.

Technically sound with a good eye for period detail, the money in Victor Frankenstein was clearly spent in the right places like Jany Temime’s (Skyfall) pleasing costumes and Eve Stewart’s (Les Misérables) sumptuous production design. It’s just a shame that all of the funds went to waste in a film with no pulse.

The Silver Bullet ~ Victor Frankenstein

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Synopsis: Told from Igor’s perspective, we see the troubled young assistant’s dark origins, his redemptive friendship with the young medical student Viktor Von Frankenstein, and become eyewitnesses to the emergence of how Frankenstein became the man – and the legend – we know today.

Release Date: November 25, 2015

Thoughts:  Did we learn nothing from Van Helsing, the campy 2004 disaster that almost ended Hugh Jackman’s burgeoning career as a stand-alone action star? Apparently not, because the makers of Victor Frankenstein seem to think that all Mary Shelley’s tale needed was a few wisecracks and a healthy dose of Sherlock Holmes-ian production design to create a new take on the oft-told classic. James McAvoy (Trance) and Daniel Radcliffe (What If) are appealing actors but first impressions from this trailer find them resting on their laurels, with Radcliffe doing his best turn-of-the-century Harry Potter. I love a good monster tale, don’t get me wrong, but this looks pretty cornball.