Movie Review ~ 12 Mighty Orphans

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The Facts:

Synopsis: Haunted by his mysterious past, a devoted high school football coach leads a scrawny team of orphans to the state championship during the Great Depression and inspires a broken nation along the way.

Stars: Luke Wilson, Vinessa Shaw, Wayne Knight, Jake Austin Walker, Jacob Lofland, Levi Dylan, Robert Duvall, Martin Sheen

Director: Ty Roberts

Rated: PG-13

Running Length: TBD

TMMM Score: (7.5/10)

Review:  Having seen enough sports movies to be able to at least write a small children’s chapter book on which ball goes with which game, I looked at the upcoming 12 Mighty Orphans and felt like pointing at it and saying, “I know what you are and all the cliché tricks you’re going to play”.  Because, after all, there’s not a lot that’s been left unsaid in the case of these football movies about a rag-tag group of misfits that have to band together to rise above adversity.  Plenty of films before it have gone the distance, scored the field goal, made the touchdown, and knocked it out of the park (oops, wrong sport) and while the entertainment might be passable, it was likely going to be fleeting.

Let me tell you that 118 minutes after I began 12 Mighty Orphans, based on Jim Dent’s ‘Twelve Mighty Orphans: The Inspiring True Story of the Mighty Mites Who Ruled Texas Football’, I was the guy sitting in his living room in the dark watching the credits with tears drying on my face.  Yes, this film got me and got me good, and it was for no other reason than it’s a well-made audience pleaser that steers clear of cheap sentiment in favor of heart on the sleeve compassion.  It’s almost shockingly benign and while I’m not sure this approach would have worked with a more modern story, the period-set drama is the perfect playing field for the real-life events to unfold.

Arriving at the Texas Forth Worth Masonic Home for orphans in 1938 with his family, teacher and coach Rusty Rusell (Luke Wilson, The Goldfinch) has an uphill battle creating a team from scratch and gathering enough interest from the boys who’d rather do anything but play an organized sport.  Forge forth he does, with assistance from a wised teacher nursing a not-so-secret fondness for drink (Martin Sheen, The Dead Zone) and his caring wife (Vinessa Shaw, Hocus Pocus) but with a number of roadblocks from crooked employees and, eventually, a local coach that fears Rusty’s “Mighty Mites”. 

There’s a run-of-the-mill playbook for any kind of biographical sports film and director Ty Roberts follows that fairly close for the majority of 12 Mighty Orphans, but along the way he doesn’t forget to coax generous and gallant performances out of Wilson and Sheen, offering both men wonderful opportunities to shine.  Roberts also handles some of the more saccharine turns with a stronger hand, not letting the film go slack as a result – we all know there’s going to be something that knocks things down before the final build-up, but the screenplay from Roberts, Lane Garrison (who co-stars as the Big Bad coach), and Kevin Meyer, doesn’t make that the true climax of the piece. 

A film like 12 Mighty Orphans is one my dad would have loved to see and I’m sorry he’s not around for me to recommend it to him.  Maybe that’s another reason why I was so sad near the end and also why I appreciated the film’s detailed information on where all of the characters we’ve come to know wound up in their lives.  It’s more than just a “Dad” movie though, it’s one that all would be able to enjoy with equal pleasure.

In Praise of Teasers ~ Jurassic Park (1993)

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I have a serious problem with movie trailers lately.  It seems like nearly every preview that’s released is about 2:30 minutes long and gives away almost every aspect of the movie, acting more like a Cliff Notes version of the movie being advertised rather than something to entice an audience into coming back and seeing the full product.

In this day and age where all aspects of a movie are fairly well known before an inch of footage is seen the subtlety of a well crafted “teaser” trailer is totally gone…and I miss it…I miss it a lot. So I decided to go back to some of the teaser trailers I fondly remember and, in a way, reintroduce them. Whether the actual movie was good or bad is neither here nor there…but pay attention to how each of these teasers work in their own special way to grab the attention of movie-goers.

Jurassic Park (1993)

Here’s my favorite kind of teaser: one that shows no actual footage from the movie itself.  I had all but forgotten this ad for 1993’s Jurassic Park, a clever intro to audiences not only that the movie was coming their way but in how the dinosaurs would be coming back to life in the first place. Though the movie did take ample time to explain the process, having the teaser give some info up front that there was some science behind it all couldn’t have hurt.

Now that the movie has spawned two (inferior) sequels, had an IMAX 3D re-release of its own, and is readying for an all-new adventure (Jurassic World) in 2015 it’s nice to be able to look back and see how Steven Spielberg’s groundbreaking adventure first caught the eye of moviegoers.

Miss my other teaser reviews this week?

Check out my musings on Alien, Misery, Bram Stoker’s Dracula, and Showgirls!

Movie Review ~ Jurassic Park 3D

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The Facts:

Synopsis: During a preview tour, a theme park suffers a major power breakdown that allows its cloned dinosaur exhibits to run amok.

Stars: Sam Neill, Laura Dern, Jeff Goldblum, Richard Attenborough, Bob Peck, Martin Ferrero, Joseph Mazzello, Ariana Richards, Samuel L. Jackson, BD Wong, Wayne Knight

Director: Steven Spielberg

Rated: PG-13

Running Length: 127 minutes

TMMM Score: (9.5/10)

Review:  It’s hard to believe that Jurassic Park is celebrating its 20th Anniversary this  year – I still remember like it was yesterday seeing one of the first showings at the Edina Theater and going back a few more times that weekend to see the dino action, bringing my friends along to see their reaction.  I saw the film a total of 10 times that summer and have revisited it dozens in the years since but I still was a little leery of the movie being re-released in 3D and IMAX to celebrate two decades of T-Rex and Raptor filled scares.  The film was so entertaining to begin with; did it really need 3D/IMAX to increase the entertainment value?

The answer is “no” but that doesn’t mean I didn’t greatly enjoy seeing the film digitally restored with booming sound and a carefully thought out 3D conversion overseen by its director.  You see, Jurassic Park is such an old-fashioned thrill ride of a film that it could be played backwards and still give you a big bang for your buck…though the term “popcorn film” was coined years before it’s one of the best ways to describe the experience.

Most people are probably already familiar with the plot involving a theme park in the South Pacific home to cloned dinosaurs.  What looks to be a huge advancement in science and consumer marketing turns deadly as the aggressive dinos break free during a tropical storm…much to the terror of a small group of men, women, and children that have stopped in for a visit.

What works about the film (wide-eyed wonder, excellent action sequences, state-of-the-art visuals) still works and what was once iffy (the film has a tendency to feel overwhelming in its scope) feels corrected by seeing the movie again on the big screen.  Though I still feel that the movie is less concerned with its calculated leaps in narrative than it is about dropping the jaws of their audience, there’s no denying that the movie has lost little even after countless viewings.

I was struck at how solid Neill was in his lead role as conflicted Paleontologist Dr Alan Grant.  Though the role could have gone to a real name star (Harrison Ford), Spielberg made the right choice by choosing the understated Neill to really ground the film.  While I’ve grown to like Dern (check her out in The Master and especially Smooth Talk), I do still cringe a bit at her overzealous line readings delivered with a lilt that sends a shiver up my spine.  Goldblum’s kooky theorist goes down easier than it did back in the day thanks to our exposure to similar actors like Johnny Depp who have probably would have played the role if it were made today.  Oscar winning director Attenborough (A Chorus Line) hits the right notes as the man behind the park, wisely toned down by screenwriter David Koepp from his evil genius characterization in Michal Crichton’s source novel.  Mazzalo and Richards performances have retained their mostly pleasant early 90’s feel though the efforts of both feel a bit light when surrounded by such impressive special effects.  Jackson, Wong, Peck, and Ferrero are nice supporting players while Knight’s performance feels the most stuck in the past.

The Oscar winning effects still look incredible and the various thrill sequences that had you on the edge of your seat will make you climb right over it as you witness a T-Rex attack that feels more up close and personal than ever.  The 3D is used sparingly but to great effect as the textures and depth of the park are increased, giving the film some needed strength in its slightly slower middle third.

Looking back it’s amazing to think that Spielberg directed Jurassic Park and his Oscar winning Schindler’s List in the same year…two enormously popular films for very different reasons.  It only speaks to his talents as a director that he could produce such tonally different movies yet keep the undeniable Spielberg touch intact.

Only in theaters for a few weeks, there’s every reason to get your tickets to Jurassic Park whether it’s your first or thirty-first time you’ve seen it.  The surprises are still there, the unexpected scares are present, and you may even find yourself getting that warm fuzzy feeling of retuning to something that reminds you of one great summer and one great film.