Synopsis: A man seeks out his exact look-alike after spotting him in a movie.
Stars: Jake Gyllenhaal, Mélanie Laurent, Sarah Gadon, Isabella Rossellini
Director: Denis Villeneuve
Running Length: 90 minutes
Trailer Review: Here
TMMM Score: (8/10)
Review: After Prisoners became one of my favorite films of 2013, I could not have been more on board for this second pairing of star Jake Gyllenhaal and director Denis Villeneuve. Actually, Enemy is really their first project together because it was on this film the two began discussing joining forces on the dark kidnapping mystery. Though I find Prisoners to be the superior of their two collaborations, Gyllenhaal & Villeneuve have cooked up a patience testing mystery that may not be your cup of tea but was fine red wine to me.
Based on Portuguese writer José Saramago’s 2002 novel The Double and reminiscent of Brian De Palma’s 1973 thriller Sisters, Enemy finds Gyllenhaal (End of Watch) in sullen form as a college professor going about the routine of someone that’s settled in for an unfulfilled life. He goes to work, comes home to his barely furnished apartment, and often spends the night with a woman (Mélanie Laurent) that rarely stays the night.
One day a random colleague makes an even more random movie suggestion and what Gyllenhaal sees on in the movie is someone that looks an awful lot like him…setting into motion a tricky mystery with layers upon layers to uncover and can’t be revealed here. What I can say is that the movie holds its cards so close to its chest that it will be difficult for some to accept that not everything has (or deserves) an answer/explanation.
Making good use of its Canadian setting (Toronto has never looked so foreboding even in the beige tones and glowing amber palette Villeneuve and cinematographer Nicolas Bolduc employ), Enemy started to feel like a Where’s Waldo book after a while as I sought meaning in almost everything seen on screen. Doing the same when you see the movie (and you should) would be a mistake because you’ll may miss Gyllenhaal’s rich performance and good supporting work from the intriguing Sarah Gadon and Isabella Rossellini who pops up in a role that sets the movie on its ear in such a way that it would make David Lynch drool.
You’ll hear a lot about Enemy’s ending and it’s admittedly a doozy of a WTF moment that left me impressed with its moxie rather than baffled at its meaning. At a trim 90 minutes, the film flies by so that when the ending does come it’s a shock in its execution and that the film has run its course. Worthy of your time and your intelligence, this is one to take you identical twin to.