The Silver Bullet ~ Justice League

Synopsis: Fueled by his restored faith in humanity and inspired by Superman’s selfless act, Bruce Wayne enlists the help of his newfound ally, Diana Prince, to face an even greater enemy.

Release Date: November 17, 2017

Thoughts: With Wonder Woman becoming the top-earning movie at the summer box office, the producers behind the DC Comics franchise are riding a wave of positivity right now.  Let’s hope they can keep that goodwill going strong as the November release of Justice League draws near.  I didn’t mind Batman vs. Superman: Dawn of Justice nearly as much as my colleagues did but the unrelenting darkness of this franchise has kept it from truly taking off. Wonder Woman was a nice reminder of what these films could be while director Zac Snyder deals with a family tragedy, Avengers mastermind Joss Whedon was brought in to oversee postproduction so I’m hoping Whedon can bring a little Marvel spark to the DC Universe.  This extended look at Justice League gives a few more clues for audiences to decipher and one cliffhanger that already has the internet abuzz.

Movie Review ~ The Danish Girl

danish_girl

The Facts:

Synopsis: A fictitious love story inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda’s marriage and work evolve as they navigate Lili’s groundbreaking journey as a transgender pioneer.

Stars: Eddie Redmayne, Alicia Vikander, Ben Whishaw, Sebastian Koch, Amber Heard, Matthias Schoenaerts

Director: Tom Hooper

Rated: R

Running Length: 119 minutes

Trailer Review: Here

TMMM Score: (6.5/10)

Review:  I gotta say, I feel like the best way to enjoy The Danish Girl is to read nothing about it before and nothing about it after.  Reading nothing beforehand will help keep the story at the heart of the movie a secret for that much longer, allowing the rich performances to reveal themselves slowly.  Looking deeper into the real life events that led to the construction of the piece is bound to be disappointing as you learn how many liberties were taken with characters that have gained your trust over the previous two hours.

It was only after I’d seen The Danish Girl that I discovered the movie, adapted by Lucinda Coxon from David Ebershoff’s novel was a mostly fictitious retelling of the lives of Einar Wegener (Eddie Redmayne, Fantastic Beasts and Where to Find Them) and his wife Gerda (Alicia Vikander, The Man From U.N.C.L.E.).  Artists in 1920’s Denmark, the movie presents the two as a lovely young couple that support their individual work and have an open honesty that allows them to speak truths both private and painful.  A more successful artist than his wife, Einar keeps painting the same landscape over and over again while Gerda struggles with finding her own voice through her canvas.

What begins as a silly bit of harmless dress-up uncovers a secret desire Einar has harbored that will change the path not only of his life and his marriage, but the path of many men and women in the decades that followed.  Einar spends time transitioning between himself and his female alter-ego, Lili Elbe, first behind closed doors and then in public until the line between the male side and female side is blurred and the choice to live one life becomes a necessity for survival.

An Oscar winner for his stellar work in 2014’s The Theory of Everything, Redmayne takes a similar immersive approach in his portrayal of Einar/Lili.  There’s no holding back when taking on a role with a certain set of requirements and Redmayne meets all of these challenges with believable grace and dignity.  Redmayne presents Einar/Lili not as a stereotype or freak of nature but of a human being struggling with a duality of identity that there is no precedent for.  It’s become cliché to call a performance brave but that’s simply what it is.

He’s matched step-by-step with Vikander’s layered performance as a wife supportive at the outset but who begins to have doubts as her marriage takes on a new direction and the question of what it means to be female is floated between the couple.  Some of her own value as a woman is examined and Vikander takes us through each one of these stages of transformation with a realistic hand.

Director Tom Hooper (reunited with his Les Miserables star Redmayne) is a bit too focused on the production design (which, by the way, is gorgeous from the intricate set design to the period perfect costumes) and less concerned with the narrative motion of the piece.  It’s teeters into a languid stage near its middle section when it should be ramping up its pace.

Then we get to the overall validity of the story being told and, I’m sorry to say, as important as the piece is it’s just not honest and the way the movie presents itself as truth is disappointing considering it’s a story about authenticity.  Taken as fact, the movie greatly misses the mark.  Taken as a work of fiction, The Danish Girl is a strongly acted work of revisionist history.  Here’s hoping that one day down the line a more fact-based retelling is attempted.

The Silver Bullet ~ The Danish Girl

danish_girl

Synopsis: The remarkable love story inspired by the lives of artists Lili Elbe and Gerda Wegener. Lili and Gerda’s marriage and work evolve as they navigate Lili’s groundbreaking journey as a transgender pioneer.

Release Date: November 27, 2015

Thoughts: Could Eddie Redmayne (The Theory of Everything) be the first actor in two decades to win back-to-back Oscars? Based solely on the trailer for The Danish Girl, it may just happen. I know, it’s bold to make that serious of a suggestion so early into the awards season and only going off a 2 ½ minute trailer…but this looks like a seriously majestic performance from the young actor. Based on the true story of one of the first male-to-female gender confirmation surgeries, it’s directed by Tom Hooper (Les Miserables) and co-stars Alicia Vikander (Ex-Machina, herself getting awards buzz), Matthias Schoenaerts (Rust & Bone), and Ben Whishaw (Skyfall). With transgender people figuring so prominently into the mainstream media in the last few years, this long in development film feels timely and valuable.

Movie Review ~ Magic Mike XXL

magic_mike_xxl_ver10

The Facts:

Synopsis: Three years after Mike bowed out of the stripper life at the top of his game, he and the remaining Kings of Tampa hit the road to Myrtle Beach to put on one last blow-out performance.

Stars: Channing Tatum, Amber Heard, Adam Rodriguez, Matt Bomer, Joe Manganiello, Kevin Nash, Gabriel Iglesias, Jada Pinkett Smith, Andie MacDowell, Elizabeth Banks, Donald Glover, Michael Strahan

Director: Gregory Jacobs

Rated: R

Running Length: 115 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review: You only need to glance at my 2/10 review of 2012’s Magic Mike to know that Steven Soderbergh’s scuzzy stripper drama wasn’t my favorite movie of that year.  An ugly looking film that tried to supplant its grim slime by tossing toned abs around with aplomb, I wasn’t distracted enough to be convinced that the movie was anything more than a last gasp effort from Soderbergh to instill some meaning into a meandering career.  Thankfully, after pounding the nail into his coffin with 2013’s dismal Side Effects Soderbergh took leave of the director’s chair, allowing us to attempt to fondly remember the director that gave us a string of dynamic films (like Erin Brockovich before petering out.

Well, while Soderbergh isn’t directing Magic Mike XXL his presence is still felt in his cinematography an editing  (both contributed under pseudonyms) and it turns out the audience is all the better for it.  Magic Mike XXL is that rare unicorn of a sequel that’s better than its predecessor in every way imaginable, leaving the original to be looked at as a curious exposition film that laid the groundwork for this superior sequel.

Picking up three years after Mike (Channing Tatum, 22 Jump Street) hung up his thong and tried to start his own business, we soon see that times are tough, his girl is gone, and a chance meeting with his old dancing buds rekindles a need in Mike to put some Magic back into the daily grind.  Accompanying his crew to a stripper convention in Myrtle Beach, FL (because, of course it’s there) with stops along the way to vogue at a gay bar, hob nob with some mature Southern Belles (including a scene stealing Andie MacDowell), and reconnect with an old employer (the dynamite Jada Pinkett Smith) Mike and his gang of booty shakers take audiences along for a road trip adventure that’s pretty damn entertaining.

Though it features less nudity (sorry ladies and gents) than the first film, there’s no shortage of seriously raunchy dancing, the kind of bump and grind action that had my preview audience squealing with delight when they weren’t laughing.  I had low expectations going into this one based off of my disdain for Mike’s first movie but almost from the get-go it was obvious this was a whole new ballgame with a roster of MVPs in the waiting.

Over the past three years Tatum has become a true blue movie star and that self-assuredness is put to good use here.  I felt the first film (and Tatum’s performance) was more arrogant than confident but here the opposite is true.  Tatum knows he has the moves, looks, and body to make this character a living breathing entity and it shows…but without that self-congratulatory glint in his eye he had last time.  This is a character that’s evolved by leaps and bounds over the years and Tatum easily shimmies and shakes his way to another star performance.

Though he’s the headliner, Tatum is more than generous with screen time for his co-stars.  Joe Manganiello (What to Expect When You’re Expecting) may have Tatum beat in the overall handsome department but what he’s lacking in dance moves he makes up with an awareness for his ability to sweep in and steal a scene or two.  His convenience store seduction of an otherwise tuned out store clerk is a highlight of the film.  Kevin Nash and Adam Rodriguez are given the spotlight as well but Matt Bomer edges them out for the third supporting role and that’s where the film falters a bit.  Bomer is built like a studly Ken doll and has the plastic personality to go along with it.  His scenes have a false quality to them, not helped by Bomer’s inability to truly convince us of the character he’s playing.  I kept waiting for him to reveal himself as gay but instead we’re treated to him waxing philiosopical via New Age catch phrases and singing too much, especially in the finale.

The finale.  Now here’s where the film really accomplishes something spectacular.  Once they arrive at the stripper convention (what exactly IS a stripper convention?  I sorta wanted to see the guys walking around a trade show setting looking at next-gen thongs that double as a FitBit) Mike and co. work out a five ring circus of a routine that finishes the film off with a major bang, giving each member of the group a moment in the naked spotlight to show off his special talent.  It’s a boffo extravaganza of flesh and good-natured raunch, possibly the best example yet in 2015 of a movie giving the audience exactly what they came for.

Director Gregory Jacobs (Soderbergh’s long-time assistant director) keeps things lively and appealing, and I’ll admit that Soderbergh’s cinematography is visually pleasing and very much in line with his famous style.  The soundtrack to the original film was a heinous mix of awful cover songs but the soundscape here fits right in with the breezy atmosphere.

It’s just a whole lot of fun.  Where the previous film was more concerned with showing the seedy underbelly of the world of male strip clubs, the sequel couldn’t care less about it.  I thought I’d leave Magic Mike XXL with the same bad taste in my mouth that I had after taking in the gross original but instead I felt like making it rain for Tatum and his pals…something I’m sure audiences will have no trouble doing this weekend.

The Silver Bullet ~ Magic Mike XXL

1

magic_mike_xxl

Synopsis: The continuing story of male stripper, Magic Mike.

Release Date:  July 1, 2015

Thoughts: I wasn’t the biggest fan of 2012’s stripper-palooza Magic Mike, finding it to be one of director Steven Soderbergh’s (Side Effects) worst looking and worst sounding films to date.  Between the garish production design and general stupidity of the entire affair, it was just a gigantic dud in my book.  Still, Magic Mike was a perfect example of creators knowing exactly who their target audience is and going in for the kill – which is why it’s not a shocker that the further adventures of Mike (Channing Tatum, The Vow) and his crew of perfect peelers are returning with an XXL entry this summer.  Sadly, Matthew McConaughey (Dallas Buyers Club), the lone presence from the previous chapter that was the least bit interesting, isn’t along for the ride.  The first look at the sequel shows off some of Tatum’s moves before going, um, balls out into overstimulation mode.  Though my overall interest may be XXS, I’m have to admit some mild interest in seeing what Tatum and co. have worked up.

The Silver Bullet ~ 3 Days to Kill

three_days_to_kill

Synopsis: A dying Secret Service Agent trying to reconnect with his estranged daughter is offered an experimental drug that could save his life in exchange for one last assignment.

Release Date:  February 21, 2014

Thoughts: When I first saw the trailer for 3 Days to Kill I kept thinking what a great Liam Neeson impression Kevin Costner was doing.  Then I started to wonder if Neeson had turned this one down.  Then I thought about the plight of the Black rhinoceros.  Then the preview was over and I went on with my life.

It sort of makes sense that this looks like the kind of Euro-trashy action film that Neeson would have sunk his teeth into because both 3 Days to Kill and Neeson’s Taken films were written by Luc Besson (The Family), a director that favors style over any sort of substance.  The beginning of this trailer has a few good moments before forgetting totally what kind of film its trying to market itself as.  The once bankable Costner is clearly hoping for the kind of career renaissance Neeson enjoyed but taking his also-rans isn’t going to get the job done.

The Silver Bullet ~ Machete Kills

machete_kills_ver5

Synopsis: The U.S. government recruits Machete to battle his way through Mexico in order to take down an arms dealer who looks to launch a weapon into space

Release Date:  September 13, 2013

Thoughts: Though 2010’s Machete was far from a blockbuster, director Robert Rodriguez is bringing the character back that was first introduced in a faux trailer attached to his Grindhouse collaboration with Quentin Tarantino.  I found the first film to be typical Rodriguez: messy, over-the-top, and exactly the kind of film that it was advertised to be.  This sequel looks to be more of the same with craggy faced Danny Trejo being surrounded by busty babes (including Sofia Vergara, Amber Heard, and Lady Gaga in her film debut) and lots and lots of weapons of physical destruction.  Its grimy feel fits right into the throwback movement that Rodriguez and Tarantino have such an affinity for so expect another small win for the loopy duo.