Synopsis: The story of Chelsey Sullengerger, who became a hero after gliding his plane along the water in the Hudson River, saving all of the airplane flights 155 crew and passengers.
Stars: Tom Hanks, Aaron Eckhart, Laura Linney, Mike O’Malley, Anna Gunn, Holt McCallany, Jamey Sheridan, Katie Couric
Director: Clint Eastwood
Running Length: 95 minutes
Trailer Review: Here
TMMM Score: (6.5/10)
Review: While I love to travel and have been fortunate enough to visit destinations near and far there’s one nagging thing that always hampers my trip…flying. I wouldn’t say I hate it, I just strongly dislike it and would prefer to road-trip my way across the U.S. and cruise my way over to European destinations. The irony is that I have a particular fondness for movies where airplanes are the central focus. So while I get a sheen of panicked sweat when the plane door closes and I’m locked in for the long haul, I get a nice little rush when I fire up a flick where the stewardess has to fly the plane or Wesley Snipes kicks terrorist butt.
I let you in on this little secret of mine because after seeing Sully, my biggest take-away is that I’d like to have a captain/crew just like the one from U.S. Airways Flight 155 on all my flights moving forward. Showing how captain Chelsey “Sully” Sullenberger, first officer Jeff Skiles, and the flight crew kept calm in the face of clear and present danger is one of the many things that director Clint Eastwood (Jersey Boys, American Sniper) and company gets right…even if the overall film winds up being more economy than first class.
Adapted by screenwriter Todd Komarnicki from “Highest Duty: My Search for What Really Matters,” by Sullenberger and Jeffrey Zaslow, Eastwood’s film is a straightforward by-the-numbers affair and that’s likely where it lost a little spark for me. Sure, it would have been easy to overdramatize things and that wouldn’t have been right either…but instead of a smooth ascent Eastwood reaches his cruising altitude and goes on auto-pilot. (I think that’s the end of my flight-related metaphors/puns…maybe)
In a trim 95 minutes, Komarnicki and Eastwood take us through the events of that day in January 2009 when shortly after take-off Flight 155 hit a patch of birds that caused both of its engines to fail, leaving the plane gliding without power. Drawing on forty years of service, Sully (Tom Hanks, Saving Mr. Banks) navigates the plane to a miraculous water landing on the Hudson River, saving everyone on board. Over the course of the film this incident is replayed several times to heart-pounding effect and largely without a booming score to tell you how to feel.
It’s the investigation after the landing as the NTSB/ insurance companies search for someone to blame that disappoints, waffling between holding Sully and Skiles (Aaron Eckhart, London Has Fallen) accountable and vindicating them as the heroes they certainly were/are. Hearings with the NTSB, headed by Mike O’Malley (Concussion), Jamey Sheridan (Spotlight), and Anna Gunn feel like acting exercises to see which of the three can glare, grimace, and judge all at the same time. For the record, O’Malley wins but only because Gunn never bothers to raise her voice (or her pulse) past a stage whisper.
Komarnicki puts in some awkward encounters Sully has with a public that wants to thank him but doesn’t know quite how to put that into words. So we have uncomfortable scenes where he’s kissed on the cheek by a make-up artist, hugged by a hotel manager, and lauded at a pub by local NYC bar huggers. Katie Couric pops up as herself recreating her exclusive sit down with Sully and the flight crew appearance on Letterman is shown with less than seamless integration between archive footage of the host and the Hollywood actors.
On the acting side of things, Hanks scores with his understated delivery and inherent dignity. Admittedly, it isn’t a big stretch for Hanks but in his own Hanks-ian way, he gives a powerful performance that’s more than a little reminiscent of 2013’s Captain Phillips. Hanks has an easy rapport with Eckhart…even when Eckhart’s Swedish Chef moustache threatens to take over the scene. Perhaps stymied by her scenes being entirely comprised of phone conversations, Laura Linney (Teenage Mutant Ninja Turtles: Out of the Shadows) is particularly bad as Sully’s wife. Holding down the homefront while Sully deals with the NTSB, Linney’s character could be excised all together and nothing would be lost. In fact, Komarnicki’s barely-there rough sketches of Linney and a handful of other minor players/passengers is so poor you begin to fault the acting when it’s actually the writing that’s a failure.
Though some of the performances and directorial choices kept the film grounded (yeesh…why is Eastwood still composing those dirge-like scores, ahem, themes for his movies?), it’s Hanks that will make you want to check your luggage and hop on board. The recreations of the events of that day gave me that thrill I was looking forward to, I just wish everything else was as tight as those sections.