31 Days to Scare ~ Scream (2022) – First Look Trailer

Synopsis: Twenty-five years after a streak of brutal murders shocked the quiet town of Woodsboro, a new killer has donned the Ghostface mask and begins targeting a group of teenagers to resurrect secrets from the town’s deadly past.

Release Date:  January 14, 2022

Thoughts: It’s been 10 years since we’ve heard that familiar voice on the phone calling the latest batch of doomed flavors of the month (quick…how many of the teenage cast members of Scream 4 are still a ‘thing’?) and so the return of Ghostface is being met with an expected marked frenzy.  Going the 2018 Halloween and 2020’s The Grudge route and leaving off any numerical suffix, 2022’s Scream is the first not to be directed by Wes Craven who passed away in 2015.  In the hands of Matt Bettinelli-Olpin & Tyler Gillett (also known as Radio Silence, the team behind 2019’s Ready or Not), we’re back in Woodsboro for a new series of murders that tie into the events from a generation earlier. 

As excited as I am for this new installment, I almost wish I hadn’t watched the lengthy preview because…boy does it show a lot more than I wanted to see.  I know this cast is huge and the body count has the potential to be plentiful but seeing the fates of several characters (and perhaps a healthy bit of the opening) feels like we’re being served far too much before we’ve even sat down to eat.  Fingers crossed the twists make up for the trailer spoilers, but this is the last time I’ll watch any promo materials for the film before it is released.

Movie Review ~ kid 90

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The Facts
:

Synopsis: As a teenager in the ‘90s, Soleil Moon Frye carried a video camera everywhere she went. She documented hundreds of hours of footage and then locked it away for over 20 years.

Stars: Soleil Moon Frye, David Arquette, Stephen Dorff, Balthazar Getty, Mark-Paul Gosselaar, Brian Austin Green, Tori Leonard, Heather McComb

Director: Soleil Moon Frye

Rated: NR

Running Length: 71 minutes

TMMM Score: (7/10)

Review:  Although I know now there was a lot going on the world I wasn’t aware of when I was a young child in the early ‘80s, it holds so many warm memories of growing up that I’d be lying if I said I wouldn’t want to go back and relive that time of my life.  Yes, the fashion was “truly outrageous”, the hairstyles were ghastly (or was that just mine?), and taste in general leaned toward gaudy excess but…what fun it all was!  Moving into the ‘90s is when reality started to set in for my sphere of consciousness and more self-awareness led to less freedom of expression.  You can see the shift in movies, television, and music as well, especially as the early part of the decade gave way to the mid ‘90s. When I tell you that I love the ‘80s it’s only because my current relationship with the ‘90s is…complicated.

A documentary like Hulu’s Kid 90 is both a blessing and a curse for someone like me who devoured pop culture throughout the ‘80s and ‘90s because it allows me to marvel at the stars I used to think were the “cool kids” but also feel the sting seeing the flip side to what all that adoration can do to someone so young.  While we’ve read many a cautionary tale of brilliant artists that have been taken too soon, either by accident, by their own purposeful hand, or through the overindulgence in substances that led to their eventual demise, it was always different when it was an actor your own age because it was often your first reality check with mortality.

Directed by and largely framed within the context of the life and career of child star Soleil Moon Frye who broke big early on with her starring role on Punky Brewster, it begins with Frye recounting her trajectory to fame and interspersing interviews she conducted with her old Hollywood friends throughout.  While it may have been obnoxious to her friends and family back then, Frye carried her video camera with her everywhere and has hundreds of hours of footage of the people she hung out with, and many of them happen to be stars we were used to seeing on hit television shows and blockbuster movies.  Seen at their unfiltered best and most at-ease worst, Frye isn’t out to shame anyone for their actions from years ago (mostly, more on that later) but more to just document what life was like off set when the professional cameras weren’t rolling.

What struck me most was the lack of female friends Frye has throughout the years.  While we see several during the course of the movie, Frye mostly hung around with guys and a number of the films divergent themes cover her romances that either soured or faded.  In the final act, she bravely recounts for the first time on camera an act of sexual violence toward her at an early age and the impact that had on her relationships for the ensuing years.  There’s also closure to be found in brief passages with some exes and hoped for loves that doesn’t feel stagey or forced in any way. More often than not, it feels as if everyone is happy to be walking down memory lane with a friendly companion, one that knows the pitfalls and won’t let them be hurt or led onto dangerous ground.

Once Frye gets to the segment showing just how many of these teen and young adults she knew and captured in her video memories didn’t live to see their thirtieth birthday, the sweetness of the nostalgia turns to sadness. What a shame that for whatever reason they didn’t make it and it’s no good now relitigating who is to blame because decades have passed.  That seems to be Frye’s take on the situation as well and where she finds herself as Punky Brewster begins a revival on television.  In the end, Kid 90 feels like a brisk, tightly edited way to put a few of the demons that have been circling her to rest, giving her control of the narrative as is her right, while at the same time honoring a generation that grew up in the public eye.

Movie Review ~ You Cannot Kill David Arquette

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The Facts
:

Synopsis: Following his infamous championship as part of a marketing stunt for the film Ready to Rumble, actor David Arquette returns to the professional wrestling ring for a series of matches.

Stars: David Arquette, Courteney Cox, Patricia Arquette, Rosanna Arquette, Ric Flair, Diamond Dallas Page, Christina McLarty Arquette, Jack Perry, Luke Perry, Jerry Lawler

Director: David Darg & Price James

Rated: NR

Running Length: 90 minutes

TMMM Score: (8/10)

Review:  Over the years, I’ve had a complicated relationship with the Arquette family.  For a while, when I was younger and browsing the video store I was totally confused over Rosanna (Draft Day) because the VHS cover of Desperately Seeking Susan made me think she was Madonna and vice versa.  What can I say, I was an easily confused child that didn’t see that particular film until I was an adult.  It wasn’t until the cult film The Big Blue arrived in 1988 that I finally figured out who she was and by that time I was already into Nightmare on Elm Street 3: Dream Warriors which starred her younger sister, Patricia.  Now this Arquette I really didn’t understand.  Over time, she’d occasionally pop up in something that would interest me but I largely found her a grating presence…until I saw 2014’s Boyhood in an early, early screening and knew right then and there it would win her an Oscar.  Father Lewis was a dependable character actor in so many movies including The China Syndrome and Waiting for Guffman and late sister Alexis also appeared in a fair share of eyebrow raising movies over the course of her career.

The really strange one, and I mean really strange, was David.  Now, I first remember him all the way back in the original film version of Buffy the Vampire Slayer but he’s since become synonymous with both the Scream franchise and his future ex-wife Courteney Cox whom he met while filming the first of the four films (a fifth one is in the planning stages).  With the popularity of Scream, Arquette’s film career opened up and he became a go-to person for silly and outright stupid fare…pretty much anything Tom Green or Pauly Shore had turned down because they thought it was beneath them.  One such film was 2000’s wrestling comedy Ready to Rumble and that became a calling card pivot point of sorts because it was on that film where the producers of World Championship Wrestling did what some fans consider a terrible, horrible, no-good, very bad thing.  They decided to fix it so Arquette (a huge wrestling fan in the real world) would be named WCW World Champion as a way to generate publicity for them and for the movie.  It didn’t go well.  Though Arquette donated all the money WCW had paid him for the stunt, the damage had been done and he became a joke within the wrestling industry and in some Hollywood circles.

The new documentary You Cannot Kill David Arquette takes a novel idea, that David could return to the wrestling world and do it for real this time, and creates something magical both for the viewer and for the actor himself.  Before the movie I considered Arquette to be a kind of clown.  Yes I admit it and I know that’s not a very nice thing to say sitting here from my perch in midwest MN.  Still, he’d fallen into a semi-slump in terms of high profile roles and suffered several medical and pharmaceutical setbacks in recent years and I just couldn’t take him that seriously.  At the beginning of the film, it appears that a lot of people were in my camp as well.  Even his no-nonsense, supportive wife Christina McLarty Arquette has serious doubts about Arquette’s plan to revive his wrestling character and give it another go in the ring.  I mean, the man had a heart attack but still pushes himself far past the limitations of endurance…sometimes just for a gag.

Directors David Darg and Price James follow Arquette over the next year and lets us watch as the actor suffers numerous beatdowns in amateur rings, south of the border lucha libre fights, and makes the rounds on the bloody indie deathmatch circuit.  It’s a brutal redemption tour and Arquette gamely puts his body, mind, and spirit to the test time and time again.  At first, I was sort of put off by the whole thing and found Arquette to be another washed up star looking for that final four minutes of fast fame.  Then, I dunno, something clicked and I saw the concerned people he was surrounding himself with and the sincerity in which he listened to their thoughts.  There’s a sadness in him that eventually becomes a winning quality and it transforms him from the outside in.  The Arquette at the end of the movie is totally different than the beginning…and I think the same goes for this viewer’s opinion of the actor himself.

With brief appearances from his ex-wife, sisters, and even the late Luke Perry in the kind of misty-eyed cameo you may only realize happened after the fact, You Cannot Kill David Arquette is a very Hollywood documentary that reaches far beyond the confines of the city for its best material.  Watching Arquette (also appearing in the recently released Spree) travel around the country to Podunk towns with makeshifts wrestling rings that fall apart on impact, you marvel at his willingness to put himself out there…and to be filmed while doing it.  In the end, it’s compulsive and oddly compassionate filmmaking that taps out at just the right time.

Movie Review ~ Spree

Available In select theaters, drive-ins, on demand, and digital August 14, 2020

The Facts:

Synopsis: Thirsty for a following, Kurt Kunkle is a rideshare driver who has figured out a deadly plan to go viral.

Stars: Joe Keery, Sasheer Zamata, David Arquette, Kyle Mooney, Mischa Barton

Director: Eugene Kotlyarenko

Rated: NR

Running Length: 93 minutes

TMMM Score: (6.5/10)

Review:  Being famous for doing nothing used to be seen as something trivial, what you’d snicker at silently and roll your eyes over while reading about it in a wrinkled magazine at your optometrist’s office while you waited for your pupils to slowly dilate.  As your vision became blurrier and the words became harder to read, all you could focus on were the pictures and in the end that’s all that mattered because it was the visuals of the do-nothing-for-fames that managed to get them where they were.  Now, after years of watching people ascend to the rank of celebrity on their skills as an “influencer”, it’s no longer something to laugh about.  It almost makes you want to cry.

That’s why a movie like Spree will likely be interpreted in a number of different ways by anyone who views it.  It all depends on what you personally think about the current culture of social media and how it has the power to affect the actions of others.  Whether it’s deciding what to buy or where to go, more and more there is a reliance on these internet influencers to call the shots and it’s crazy to think it’s a money-making business for some.  It’s definitely not making money for the likes of people like Spree‘s Kurt Kunkle, the twenty-something wannabe star who takes his desire for fame too far over the course of one bloody night.

Though it’s framed like a “found footage” sort of package, don’t let that scare you off right away (there may be other things that do that, so beware) because Spree gets off to an entertaining start taking us through our introduction to Kurt (Joe Keery, Stranger Things, Molly’s Game) and his YouTube show “Kurt’s World”.  Attracting minimal viewers and netting next to no followers on his various social media accounts, Kurt’s hopes of becoming famous seem to be fading fast and he knows he needs to do something big to get noticed.  Maybe he can use his connection as former babysitter to internet sensation @bobbybasecamp (Josh Ovalle) to drum up some new followers but how to get the attention of the world?

The answer shows up in what Kurt dubs #TheLesson.

Working as a driver for a rideshare service, Kurt tricks out his car with video cameras and livestreams his fares…who he begins to kill, first with poisoned water and then with the clock ticking and his follower count not rising fast enough, via other methods that get progressively more gruesome and desperate as the night goes on.  Throughout the day, Kurt encounters a number of faces that will be familiar to viewers and it’s not a spoiler to say that some of them make it out of the car alive.  Some of them die out of the car, too.  No, really, there are interesting cameos from Kyle Mooney (Hello, My Name Is Doris) as a hapless jokester, David Arquette (star of the equally meta documentary You Can’t Kill David Arquette arriving soon) as his Dad, a loser DJ that bribes his son for a ride by promising him an Instagram mention from a visiting DJ playing at the same (strip) club.  Mischa Barton (Notting Hill), Frankie Grande, and Lala Kent (Hard Kill) all show up at one point or another, too…a random mix of the very influencer-celebrities the film is taking aim at.

The most important fare is comedian Jessie Adams (from SNL player Sasheer Zamata, excellent in a honest to goodness breakout role) because she’s exactly the kind of social media star he isn’t.  Easy-going, self-aware, honest, edgy, and maybe a little meaner than she has to be, she’s also worked her way to get to the comedy show she’s performing in that evening and an early encounter with Kyle doesn’t end well for him.  Quickly becoming fascinated with Jessie, Kurt turns his attention from wondering why his star struggles to rise to fixating on how hers manages to ascend with little trouble.  That’s when the real madness of Spree truly takes over.

Spree is a move that is all fun and games…until it isn’t and then you suddenly realize you’ve been playing along with something very dark and dangerous.  It’s exactly the kind of response the movie wants you to have and I admit I fell head first into its well-designed snap trap.  Writer/director Eugene Kotlyarenko doesn’t have any observances that are hugely revelatory but it’s the way he goes the extra mile in depicting the lengths to which Kurt will go for fame and the alarming coldness in his dispatching of human life that gives Spree those extra jolts to make you shudder.  Along with Keery, Kotlyarenko and cinematographer Jeff Leeds Cohn have amassed a tremendous amount of footage to establish Kurt’s online presence – I can’t even imagine how many hours/days it took to film all of it, yet alone for editor Benjamin Moses Smith to cut it together into the cohesive narrative it is.  That is isn’t just a 90-minute exercise in eye-ball gouging obnoxiousness is a miracle unto itself.

Still…it’s hard to get over the truth the movie is made up of bits and pieces of other films that have done this whole 15 minutes of fame nonsense in better (though more subtle) ways.  You don’t have to squint too hard watching Spree to see the elements of Taxi Driver, Maps to the Stars, American Psycho, Joker, Nightcrawler, or even Chicago that have been brought into the mix.  Yes, Spree may deliver the same message with the volume turned up a little louder and is far more in your face than Travis Bickle ever was…but those understated characters were often more unnerving because of their stillness.  Spree’s Kurt Kunkle is a ball of energy wanting to be noticed and it’s hard not to see him in front of you.  Same goes for the movie.