Movie Review ~ Body Cam


The Facts
:

Synopsis: When a routine traffic stop results in the unexplained, grisly death of her colleague, a cop realizes footage of the incident will play for her eyes only. As the attacks mount, she races to understand the supernatural force behind them

Stars: Mary J. Blige, Nat Wolff, David Zayas, David Warshofsky, Demetrius Grosse, Anika Noni Rose

Director: Malik Vitthal

Rated: R

Running Length: 96 minutes

TMMM Score: (6/10)

Review:  Before this whole pandemic, when you heard a moving was “skipping a theatrical release” that was often industry code for a turkey being served up to audiences as a TV dinner instead of as a restaurant meal.  The film likely had a rough gestation and the studio wasn’t confident it would be able to see a marginal return on its investment during the opening weekend, even if some sliver of good word of mouth could propel it forward.  All the big studios would have one or two of these movies a year and no big name star or project was totally immune from it.

If there’s one good thing to come out of this recent pandemic, it’s that this swift shift to streaming isn’t looked on as a death knell as easily as it was before.  This could be the studio simply wanting to keep pushing content out in a slim market to eager consumers tiring of the binge watch instead of just the usual content dump.  With a severe lack of new movies coming out week to week we’re already seeing movies that otherwise would have been overlooked do quite well thanks mostly to their availability, to say nothing of their overall quality.

That’s one way to look at the recent quieter than usual release of the supernatural cop thriller Body Cam, a movie I just heard about a few weeks ago when Paramount released a not entirely gripping trailer.  Starring music icon and two-time Oscar nominee Mary J. Blige, it was originally meant for a summer release but was made available mid-May with VOD to follow in June.  Now, a movie that would surely have been dismissed quickly had it played in your local multiplex has an opportunity to be evaluated within a different set of qualifiers.  Despite being tiresomely formulaic at it’s core, it isn’t half bad.

Back on the active duty after an altercation with a civilian earned her an eight-week suspension, Officer Renee Lomito-Smith (Blige, Rock of Ages) is paired with rookie Danny (Nat Wolff, Semper Fi) for her first night back.  The two are first on the scene where a fellow cop was murdered by a supernatural force we got a brief glimpse of in the film’s opening sequence.  Renee sees it too in the dashcam footage that mysteriously is erased when her superiors try to view it later.  After more murders take place that involve members of the force, Renee launches her own private investigation and brings Danny along with her, eventually leading to a missing healthcare worker (Anika Noni Rose, Ralph Breaks the Internet) who has suffered a terrible loss.  As Renee gets closer to discovering how the worker is tied to her fellow cops, her own troubled past which she’s tried to shut away comes back to haunt her…in increasingly terrifying ways.

You get the feeling watching Body Cam that it’s a mash-up of two scripts that were missing key elements.  The original writer, Richmond Riedel, is known more as an editor and while the producers brought in Nicholas McCarthy (The Prodigy) to rewrite the material, it never quite succeeds as either a cop thriller or supernatural horror film.  Though McCarthy has a firm foothold in the horror genre based on his resume, you’d think he would have been able to tip the scales toward creating a better terror mythology to liven up an otherwise realistic movie.  I kept expecting a twist regarding Renee that never came, and I think viewers savvy to this type of movie will know what I mean…though maybe with The Woman in the Window coming out shortly that angle was a bit passé.

Thankfully, director Malik Vitthal delivers in several key spooky sequences, knowing just when to reveal frights and not going for cheap scares.  As is the case with so many of these movies, people go where they shouldn’t go and for the love of God why do they insist on heading into a basement without turning all the lights on just because they hear a floorboard creak?  The violence is surprisingly gory, with one especially graphic make-up effect being particularly chilling – the image stuck with me long after the movie ended.  Brief attempts at social commentary regarding relations between the police and minorities feel shoehorned in and the movie would be far more interesting (especially considering where it winds up) if more attention was paid to this very pertinent topic.

A titan in the music industry who has long earned her title as the Queen of Hip Hop Soul, Blige still isn’t as strong an actress as she is as singer.  That tentativeness works at times with this character who is riding the edge of emotional trauma; it was a strange dichotomy of a performance. I completely bought her as this cop on a mission but for the most part her line readings come off as strangely stilted.  This isn’t meant as a dig but Blige is best when she wasn’t saying anything at all.  Her reactions to what was going on and when she is in pursuit were the most intriguing part.  The oddball relationship with her and Wolff was interesting to see develop and I wish we got to see more of Rose throughout the film.  Actually, in a perfect world Rose and Blige would have swapped roles because Rose is silent for the majority.  It goes back to the script being half-baked and not fully developing Blige’s emotionally bruised cop/mother as much as they could – there’s little resolution to either side of her persona by the conclusion.

At 96 minutes, the pacing in Body Cam could be tightened up a bit, especially in the final act with a totally unnecessary epilogue but the take away is that this comes across as an easy-going weekend watch.  Joining other recent above average on demand thrillers like 1BR, The Wretched, and We Summon the Darkness, it has the requisite thrills to make you consider turning the lights on and enough of a plot that you won’t completely put it all together before our leading lady does.  It may turn out to be rather routine but up until a certain point, it has its moments.

Movie Review ~ Rampage (2018)


The Facts
:

Synopsis: A primatologist shares an unshakable bond with a silverback gorilla who has been in his care since birth. But a rogue genetic experiment gone awry mutates this gentle ape into a raging creature of enormous size.

Stars: Dwayne Johnson, Naomie Harris, Malin Akerman, Jake Lacy, Joe Manganiello, Jeffrey Dean Morgan, P.J. Byrne, Marley Shelton, Breanne Hill, Jack Quaid, Matt Gerald, Jason Liles, Demetrius Grosse, Will Yun Lee

Director: Brad Peyton

Rated: PG-13

Running Length: 107 minutes

Trailer Review: Here

TMMM Score: (7/10)

Review: We’re at an interesting point in 2018. After emerging from the stuffy cloud of more serious minded Oscar-y fare, we had a January and early February that stirred little interest. Then Black Panther hit and became the kind of audience-uniting game changer we often have to wait far into the year for. With studio hits like Ready Player One and A Quiet Place making bank as well good business being drummed up for indie films such as Isle of Dogs and Chappaquiddick, there was a little something to please everyone if you chose to buy a ticket.

Now along comes Rampage and it seems like we’re all going to have to pick a side again. You’re either going to go along for its silly but entertaining ride or you’ll spend an unusually brisk 107 minutes counting the seconds until your escape. I’m of the mind that you don’t necessarily need to lower your expectations to like what Rampage has to offer, you just have to go in with the right frame of mind. If you do, there’s a good popcorn movie waiting for you.

Honestly, it’s been so long since I’ve played the popular video game that inspired this film that I had forgotten nearly everything about it. What I did remember is spending quite a few quarters to keep the game going, even when it was clearly a futile attempt by an average arcade gamer like myself. It doesn’t really matter how familiar you are with the game, though, because aside from a few key characters and several winking nods to its source material it’s largely a modernized take on the game. Still, fans of the classic monsters should get a kick out of how they are incorporated into the action.

Opening in space with an action sequence that could have been the finale of a previous film, a scientist (Marley Shelton, Decoding Annie Parker) is frantically trying to return to earth with an experimental gene-splicing gas while being hunted by a genetically modified lab rat exposed to the pathogen. Without giving too much away, three of the canisters fall to earth and infect a wolf in Wyoming, an alligator from the Everglades, and an albino gorilla named George living in a California wildlife sanctuary. Lucky for us that the gorilla’s handler is the buff and brainy Davis Okoye (Dwayne Johnson, Jumanji: Welcome to the Jungle) and he’s pretty protective of his ape pal.

While Davis works with geneticist Dr. Kate Caldwell (Naomie Harris, Skyfall) and twangy government agent Harvey Russell (Jeffrey Dean Morgan, Peace, Love, & Misunderstanding), a brother and sister (Jake Lacy, Love the Coopers and Malin Ackerman, Rock of Ages) in charge of a Chicago-based bio-engineering initiative (known as Project Rampage) activate a beacon meant to lure the creatures to the heart of the city. A cross-country race ensues as Davis and his crew tries to beat the beasts to their destination while seeking a cure to restore the otherwise kind hearted George to his former self.

If you can’t tell already, the movie is incredibly bonkers but credit should be given to director Brad Peyton (reteaming with Johnson for a third time after San Andreas and Journey 2: The Mysterious Island) for getting the right team assembled for this Rampage. Working with four (!!) screenwriters, there’s a bit more meat to the plot bones and I was grateful that the eye-rolling dialogue is kept to a bare minimum. Sure, there are some big plot holes and your brain should be stowed under your seat for the duration of the flight but I found myself more than a little entertained at the various thrills on display.

Few actors today have the “It” factor that made so many stars in the heyday of Hollywood but with each new film released Johnson is proving himself to possess the power of “It”. His good-natured demeanor translates nicely into action superstar when needed and an early career tendency to oversell a line of dialogue has all but vanished. He’s a true A-Lister and I’ve a feeling most people will be lining up for Rampage based solely on his presence alone…and those people will definitely get their money’s worth.

Harris received an Oscar nomination last year for her understated work in Moonlight but she gleefully jumps feet first into this lighter material. While Morgan is the most cartoony of the bunch as a secret agent initially set-up as an antagonist to Johnson, he wisely stops chewing the scenery long enough to let the monsters take center stage. As a smug villainess, cool as ice Ackerman is part of a great visual comeuppance while Lacy is terribly miscast as a nervous sidekick to his more take-charge sister.

Unlike the dull sameness of the monsters in Pacific Rim: Uprising, Rampage has a smaller but more engaging stable of fiends to threaten our main characters. The main beasts are fantastically rendered, from the more realistic George to the zonked out wackiness of the wolf and alligator, both morphing into nightmarish creatures that plow through crowds and buildings in the final act.

There’s quite a few nice action sequences leading up to the battle royale that takes up the last ¼ of the film but I just wish the preview hadn’t revealed quite so much. I won’t get into specifics but there are several great scenes that don’t play as strongly if you’ve seen the trailer more than once. It’s not often a disaster film destroys a less internationally recognizable city like Chicago but having just visited several days before I saw Rampage, it was fun to see some familiar landmarks topple.

Movies adapted from video games often get bad raps, often with just cause (see the recent Tomb Raider for proof) but Rampage has more than a few secret weapons. With Johnson as committed as ever, a plucky ensemble cast of humans and digital monsters, above average CGI effects, and more jump scares and thrills than you might expect going in, you’re not likely to be in a rage when Rampage is over. Just go in with the right attitude, I beg of you.