Synopsis: After being involuntarily discharged from the Army, James Harper joins a paramilitary organization to support his family in the only way he knows how.
Stars: Chris Pine, Ben Foster, Gillian Jacobs, Eddie Marsan, Florian Munteanu, Kiefer Sutherland, Nina Hoss, Amira Casar, Fares Fares, J. D. Pardo
Director: Tarik Saleh
Running Length: 103 minutes
TMMM Score: (6/10)
Review: The Contractor. The Contractor? Really? Will they ever learn? Here we go again with a more than decent film saddled with the most cardboard brown-colored title you can imagine, though it was filmed under one that had a little more flair. When actors Chris Pine, Ben Foster, and Gillian Jacobs signed on to Tarik Saleh’s muscle-y military film, it was for a script named Violence of Action. Still, it was not entirely descriptive or exemplary enough to set it far apart from the direct to video junk starring a washed-up fourth-billed actor from a late ‘90s cop show, but…at least it had some movement to it. The Contractor could be any movie.
Title qualms aside, and I had to put them aside, this is a surprisingly brisk and engaging action thriller that deservedly was bumped from a wide theatrical release in favor of a streaming debut. It doesn’t have the full-bodiness to warrant that trip to the cinema but fits nicely with the new niche carved out for starry vehicles that need a home. Orphaned by its original studio, Paramount snapped this one up, and they’ve made a wise purchase. While it won’t ever be high on the resume for anyone involved, it acquits itself nicely as an otherwise engaging action thriller that keeps moving and doesn’t sag under easy-to-spot oncoming twists.
Sidelined from service due to a bum knee, Special Forces Sergeant James Harper (Pine, A Wrinkle in Time) struggles to provide for his family and is watching the bills pile up. When he meets up with old army bud Mike (Foster, The Finest Hours), who appears to be living beyond his means, he finds out about Mike’s side work running covert jobs for Rusty Jennings (Kiefer Sutherland, Flatliners). Bringing his friend into the fold, Mike leaves out a few key details. James figures these out quickly as he’s thrown into a dangerous mission exposing shady alliances that put his life and the well-being of his wife (Jacobs, Life of the Party) and child in jeopardy.
Six years after their runaway hit Hell or High Water, Pine and Foster have skilled onscreen chemistry, making them an ideal pair. Director Saleh doesn’t have to spend much time establishing their history because both actors play their roles so convincingly that we don’t need a lot of backstories to understand their relationship. That takes The Contractor only so far, though, and eventually, audiences will have only the standard plot mechanics of J.P. Davis’ script to carry them forward. It’s not that Davis hasn’t crafted a strong three-act action-thriller; it’s just that nothing you can’t see coming a mile down the road happens.
Compelling enough to not feel like a waste of time but routine in overall execution, The Contractor is best when it’s letting Pine and Foster continue to develop their non-action dramatics. Once the mission takes over, interest starts to wane, and you’re in overly familiar territory. The upside? You’re likely watching it for free (or far less than usual prices) at home, so you haven’t sunk movie theater prices on the watch.