Synopsis: A hopelessly estranged father catfishes his son in an attempt to reconnect.
Stars: Patton Oswalt, James Morosini, Rachel Dratch, Claudia Sulewski, Ricky Velez, Lil Rel Howery, Amy Landecker
Director: James Morosini
Running Length: 96 minutes
TMMM Score: (8/10)
Review: In my family, summer was always leading up to the road trip. Either up to our cabin or visiting family way out yonder, there was nothing but the open road to greet us and lots of activity books to keep me busy along the way. I miss those pre-technology days when you had to converse with your loved ones, and maybe that’s why I spark to films that feature one or more parents traveling with their adult children because it recaptures something we’ve lost in this modern age. Communication. Growing apart from your parents is a natural part of becoming an adult but reconnecting through maturity is another aspect of ‘adulting’ I find an interesting area to explore.
This summer, we’ve already had one emotionally resonant familial drama involving a parent and child making a cross-country trip. While Don’t Make Me Go threw some friendly chuckles our way, it wasn’t after our funny bone. While most have been downgraded through dopey slapstick and gross-out humor, I thought we’d seen the last of the dependably entertaining road trip comedies. It turns out we just needed to add a bit of father-son drama to the mix to resurrect the genre. That’s how a gem of a movie like I Love My Dad zooms in and parks itself on your must-watch list.
Writer/director/star James Morosini uses his own life as the basis for this whale of a tale that could have abused its absurdity with out-of-place humor but instead embraces it with winning compassion. A suicidal adult son alienated from his absentee father is coaxed out of his shell by an attractive girl he meets online, opening up to her and finding that he may have found his soulmate. The trouble is, the girl of his dreams is his father (the spectacular Patton Oswalt, The Secret Life of Walter Mitty), under a fake profile in a last-ditch attempt to connect with his son, who has blocked all contact after a lifetime of disappointment.
The film handles the switcheroo nicely, with Claudia Sulewski as the imaginary girl blessedly standing in for conversations with Morosini, so we don’t have to read endless texts back and forth. I get a little cross-eyed in films that make us read the text bubbles onscreen while simultaneously watching the actor react to the same message. Likely a way to save on post-production effects, having this digital back and forth become IRL discussions adds a bit of magic to it all. It surely reduces the growing dread we have of what might happen next.
The catfish set-up is as awkward as it sounds, making the well of uncomfortable situations only grow as the film progresses as Morosini’s character decides he wants to meet his online girlfriend in person. In lesser hands, this could have turned into a raunchy yuck-o yuck fest, putting Morosini and Oswalt into situations I don’t even want to visualize. The movie resists that urge and lets the situation be the weirdest thing in the room, allowing the genuine spirit of Oswalt’s performance to come through. Often relegated to featured sidekicks, it’s terrific to see Oswalt’s talents used (and recognized) in this way; his scenes with Morosini have a great sincerity to them, while his work with Rachel Dratch is where he can turn the comic volume up. Avoiding the pitfalls of being the writer/director, Morosini feels unbiased in how he keeps things moving and genuine in his performance.
I first saw I Love My Dad at the SXSW Film Festival in 2022 and felt then that it would be an audience pleaser. It went on to win not just the Audience Award (as predicted) but the Grand Jury Award. The sweet and sincere film well deserved the win(s), and I can tell it’s a title that will move around via word-of-mouth recommendation.