Hasta La Vista…Summer (July)

arnold-terminator-almostdidnotstarHasta

We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.

I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.

So sit back, relax, and enjoy the ride read.

JulyI just wasn’t prepared for July. It hit me like a ton of bricks, a wave of cinematic excursions that made my head spin. So many movies were released that it was hard to keep track from week to week what was arriving and what was still waiting for its release date. As you can see below, I had a lot of catching-up to do

The month began with the disappointment of Terminator Genisys. I’m not sure exactly what I was expecting from the return of Arnold Schwarzenegger but it for sure wasn’t the muddled misfire that was supposed to reboot this franchise. Badly cast with shoddy special effects, this was supposed to be the beginning of something but should likely be the end (though it did do well overseas so we may yet get another one of these in a few years).

A few summers back I lamented how bad the original Magic Mike was. Trading eye candy entertainment for any semblance of watchable narrative, it was another dud (for me) from Steven Soderbergh. So you’d understand why I wasn’t keen on Magic Mike XXL because I felt we’d already been there done that. Much to my delight, the sequel was much better than its predecessor, maintaining the fun frivolity of the world of male strippers while injecting some personality into the proceedings. Quite possible the biggest surprise of the summer for me.

I learned a lot from the wise documentary Amy, chronicling the rise and fall of Amy Winehouse, the singer with the bluesy voice and broken butterfly backstory. She had a lot to overcome and the film made a compelling argument that she would still be here today had she had a better support system.

Though I loved the Minions in the Despicable Me films, I didn’t care for their solo outing with its half-baked story and less that inspired vocal work. It felt like a quick cash-grab and it looks like it accomplished its goal. Hopefully next time they’ll come back with a better story and more convincing actors.

The found footage horror movie had its death knell with The Gallows, a brainless exercise in tedium peppered with cheap scares and lousy acting. Could have (and should have) been much better.

Now we approach a stretch where I checked out for a bit – but I’m atoning for it now with these mini-reviews.

                                                        Movie Review ~ Batkid Begins
batkid_begins_the_wish_heard_around_the_world_ver2The Facts
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Synopsis: On one day, in one city, the world comes together to grant one 5-year-old cancer patient his wish. Batkid Begins looks at the ‘why’ of this flash phenomenon.
Stars: Miles Scott
Director: Dana Nachman
Rated: PG
Running Length: 87 minutes
TMMM Score: (7/10)
Review: Can I admit something to you and not have you hate me?  When I first saw the media frenzy around this back in 2013 I remember rolling my eyes are the saccharine nature of the whole endeavor.  Why would an entire city be brought to a screeching halt because of one kid’s wish to be Batman for a day?  Well, the documentary Batkid Begins showed me why and by the end I was feeling like a lout for my initial feelings and wiping away the happy tears the film easily brings forth from the viewer.  Following the planning and execution by the Make-A-Wish Foundation to give a 5 year old leukemia survivor the day of his dreams, viewers get a glimpse at what goes into even the smallest wish granted by the organization.  While it at times comes off like a big advertisement, it’s heart is most certainly in the right place and I found myself getting choked up with each good deed and promise fulfilled by a host of people involved in making the day come off without a hitch. An audience-pleasing winner.

                                                        Movie Review ~ The Overnight
overnight_ver2The Facts
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Synopsis: A family “playdate” becomes increasingly interesting as the night goes on.
Stars: Adam Scott, Jason Schwartzman, Taylor Schilling, Judith Godrèche
Director: Patrick Brice
Rated: R
Running Length: 79 minutes
TMMM Score: (7/10)
Review: There and gone in an instant, The Overnight is a film better suited for home viewing anyway.  A couple (Adam Scott and Taylor Schilling) new to the area meet Jason Schwartzman at a local playground where both of their children are playing.  Their kids have hit it off so Schwartzmann invites the family over for more fun, but when the kids go to bed Schwartzman and his wife Judith Godrèche have more interesting games to play for the unsuspecting couple.  Saying more would spoil the fun but it’s an adults only evening with oodles of twists and turns as both couples bare their secrets (and their bodies) before the night is over.  Already famous for its full frontal shots of Schwartzman and Scott (sorry, both are wearing prosthetics), at 79 minutes the movie is short but does start to feel long in the middle section.  It helps immensely that all four actors are competent and comfortable with the material…the story doesn’t hold back and neither do they.

                                                              Movie Review ~ Ant-Man
ant_man_ver3The Facts
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Synopsis: Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, con-man Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
Stars: Paul Rudd, Michael Douglas, Michael Pena, Evangeline Lilly, Corey Stoll, David Dastmalchian, T.I. , Judy Greer, Bobby Cannavale, Martin Donovan, Wood Harris, John Slattery, Gregg Turkington, Abby Ryder Fortson
Director: Peyton Reed
Rated: PG-13
Running Length: 117 minutes
TMMM Score: (6/10)
Review: Early troubles with the start of production with Ant-Man and some seriously questionable teasers/trailers didn’t get me very excited for this mid-summer superhero movie.  I think Marvel was hoping that Ant-Man would score along the lines of last summer’s Guardians of the Galaxy but it’s sadly missing the humor that made Guardians so much fun.  It’s not a total wash though because for every 10 minutes of standard origin-story developments, there’s a solid 5 minutes of exciting action sequences to wake audiences up from their slumber.  I know that with an origin story you need to cover a lot of ground and Ant-Man, to its additional credit, doesn’t waste much time in getting to the goods…but it’s a cheap-o undertaking and one that feels like a second-string entry in Marvel’s blockbuster universe.  Paul Rudd makes for a surprisingly solid action lead as does Corey Stoll as Rudd’s nemesis, but Evangeline Lilly labors too much under her severe wig (that seems to change lengths multiple times, in the middle of scenes) and isn’t a good enough actress to carry some weighty responsibilities.  A decent entry as far as Marvel films go…but I’m not clamoring for a sequel any time soon.

                                                         Movie Review ~ Irrational Man
irrational_manThe Facts
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Synopsis: A tormented philosophy professor finds a will to live when he commits an existential act.
Stars: Joaquin Phoenix, Emma Stone, Parker Posey, Jamie Blackley, Betsy Aidem, Ethan Phillips, Sophie von Haselberg
Director: Woody Allen
Rated: R
Running Length: 96 minutes
Trailer Review: Here
TMMM Score: (6/10)
Review: It happens every year and every year you never quite know what to expect.  I’m speaking, of course, of the annual Woody Allen release and like many of the directors works, it’s a hit or miss affair.  I’m constantly in awe that Allen has churned out a film a year (sometimes two a year) for the last three decades and even the really bad ones aren’t as terrible as the other dreck dumped on us during the summer.  Last year Magic in the Moonlight was dismissed as too slight even for Allen but I enjoyed its frothy charm…something that was missing from the more serious-minded Irrational Man.  As a boozy professor that gets into hot water in his New England college town, Joaquin Phoenix was perhaps the wrong choice because the actor plagues himself far too much for Allen’s light material. At least co-star Emma Stone helps keep Phoenix from the quicksand of his own creation but she can’t be in every scene and it’s when Phoenix is on his own that the film goes slack.  Then there’s Parker Posey who I’m becoming convinced is simply not of this earth and doesn’t try to hide it anymore.  Bizarre line readings and the tendency to let her mouth hang open are only the tip of Posey’s strange acting iceberg. Very much in line with the dark humor of Allen’s Crimes and Misdemeanors, Irrational Man should hold your interest for a time but it’s quickie ending feels like Allen was ready to move on to his next film rather than put a period at the end things.

                                                            Movie Review ~ Trainwreck
trainwreckThe Facts
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Synopsis: Having thought that monogamy was never possible, a commitment-phobic career woman may have to face her fears when she meets a good guy.
Stars: Amy Schumer, Bill Hader, Brie Larson, Mike Birbiglia, Colin Quinn, Tilda Swinton, Ezra Miller, John Cena, Vanessa Bayer, Jon Glaser, LeBron James, Method Man
Director: Judd Apatow
Rated: R
Running Length: 125 minutes
Trailer Review: Here
TMMM Score: (6.5/10)
Review: One of the true success stories of the summer has to have been Amy Schumer, not so much for writing and starring in Trainwreck but the collective impact she’s had on the comedy scene.  Unapologetic in her crassness and wise in her observations, Schumer is a comic moving like a shooting star and it’s nice to report that I think she’s a pretty decent actress as well. As much as I enjoy Schumer I was nervous that she was attaching herself to director Judd Apatow because Apatow, as we all know, has a way of turning in muddled work.  Unfortunately, Apatow’s influence led the film to be about 20 minutes longer than it needed to be and ultimately overstaying its welcome.  I don’t care what anyone says about the appearance of LeBron James as a bona fide supporting player, his entire storyline should have been excised and the film wouldn’t have suffered at all.  The problems get worse because Apatow likes to cast non-actors in his film and put in cameos when you least expect it…to the detriment of the flow of the narrative.  He stumbles badly in several places here but is saved by Schumer and Bill Hader as the opposites attract duo that confidently lead the film.  Special mention must, again, be made to Tilda Swinton for disappearing within her role as Schumer’s glam yet grim boss.  Worth it for Schumer, Swinton, and Hader…but watch it at home so you can fast forward through the slow Apatow-ish parts.

                                                           Movie Review ~ Mr. Holmes
mr_holmes_ver2The Facts
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Synopsis: An aged, retired Sherlock Holmes looks back on his life, and grapples with an unsolved case involving a beautiful woman.
Stars: Ian McKellen, Laura Linney, Hiroyuki Sanada, Roger Allam, Frances de la Tour, Hattie Morahan, Patrick Kennedy, Philip Davis, Milo Parker
Director: Bill Condon
Rated: PG
Running Length: 104 minutes
Trailer Review: Here
TMMM Score: (8/10)
Review:  In reality, I probably should have given Mr. Holmes a more thorough review than I’m about to give here…but I have a feeling I’ll have a chance to discuss it more over the next few months because if all is right with the world Ian McKellen will find himself nominated in a few Best Actor categories during the end of the year awards round-up.  McKellen plays an aged Sherlock Holmes living in the country, attended to by a no-nonsense housekeeper (Laura Linney) and entertained by her young son. There’s actually three Holmes on display here as the present Holmes recalls two previous cases he was involved with that had an impact on his life.  With a smart script from Jeffrey Hatcher adapted from a popular novel, it’s directed with a mellow grandeur by Bill Condon.  Condon and McKellen scored before with the fascinating Gods and Monsters and here’s hoping they go the distance with this one too.  An interesting tidbit, at one point Holmes ventures out to see a Sherlock Holmes movie…and the actor playing Holmes on screen (Nicholas Rowe) played the detective in 1986’s fun frolic Young Sherlock Holmes.

                                                            Movie Review ~ Paper Towns
paper_townsThe Facts
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Synopsis: A young man and his friends embark upon the road trip of their lives to find the missing girl next door.
Stars: Nat Wolff, Halston Sage, Austin Abrams, Cara Delevingne, Justice Smith
Director: Jake Schreir
Rated: PG-13
Running Length: 109 minutes
TMMM Score: (7/10)
Review:  After The Fault in Our Stars became a runaway hit last summer movie studios were looking for the next big alt-teen romance that could lure YA audiences away from summer action flicks.  Turns out they didn’t have to look far because Paper Towns was adapted from the novel by the same author as The Fault in Our Stars.  While Paper Towns doesn’t center around a disease that threatens to tear our lovebirds apart, it has its own mystery about it as Nat Wolff goes looking for his recently vanished neighbor (Cara Delevingne) that he’s been enamored with (or more like fascinated by) since they were children.  Following the clues she seemingly left for him, Wolff and his friends embark on a journey of discovery where they Learn Life Lessons.  The film kept my interest for most of the running length and it’s only in the final passages when all is explained does it feel a little like a letdown.  Still, there’s a smart air of riskiness that elevates the film and more often than not it lands on the good side of taking that risky step.

 

                                                                 Movie Review ~ Pixels
pixelsThe Facts
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Synopsis: When aliens misinterpret video feeds of classic arcade games as a declaration of war, they attack the Earth in the form of the video games.
Stars: Adam Sandler, Brian Cox, Kevin James, Michelle Monaghan, Peter Dinklage, Josh Gad
Director: Chris Columbus
Rated: PG-13
Running Length: 105 minutes
TMMM Score: (3/10)
Review: A movie where everyone involved should hang their head in shame.  There’s actually some semblance of a good idea here with aliens attacking earth with classic arcade games but unfortunately it gets trampled by Adam Sandler’s lazy acting, Kevin James bad acting, and Josh Gad’s awful everything.  Michelle Monaghan looks positively embarrassed to be sharing scenes (especially romantic ones) with Sandler and only Peter Dinklage comes out relatively unscathed in a campy, mullet wearing performance.  For fans of ‘80s nostalgia there are some pleasant diversions as video game characters pop up in (supposedly) comical ways and I think that director Chirs Columbus really did give the material a chance to be something interesting…but Sandler and his crew suck the life out of everything and are so devoid of any vested interest that you wonder why you should care at all either.

                                                            Movie Review ~ Southpaw
southpaw_ver2The Facts
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Synopsis: Boxer Billy Hope turns to trainer Tick Willis to help him get his life back on track.
Stars: Jake Gyllenhaal, Forest Whitaker, Rachel McAdams, Curtis “50 Cent” Jackson, Clare Foley, Miguel Gomez, Victor Ortiz, Rita Ora, Naomie Harris
Director: Antoine Fuqua
Rated: R
Running Length: 123 minutes
TMMM Score: (6.5/10)
Review: By now, we know that Jake Gyllenhaal is a smart actor.  With role after role from Prisoners to Nightcrawler to End of Watch we’ve seen that he’s up for most any challenge and likes to dive deep into his roles.  So it’s not surprising that he was drawn to this tale of redemption concerning a famous boxer at the top of his game dealt a series of terrible blows (in more ways than one) and his eventual path back to himself. What is surprising is that while the performances are very good you can’t get away from the fact that the story feels recycled and originally intended for a different set of lower string stars.  I’m always on the fence regarding Forest Whitaker but as the wise boxing manager that grudgingly comes to Gyllenhaal’s aid, the actor reminds us why he so deserved his Best Actor Oscar for The Last King of Scotland.  Also turning in a great performance in Rachel McAdams (The Vow) as Gyllenhaal’s high school sweetheart, mother of his daughter, and the only one that seems to have his best interest at heart.

Southpaw was also at the center of some controversy that arose this summer about movie trailers that give away too much of the film.  If you have seen the trailer for Southpaw you know what I’m talking about…if you haven’t, please go into the movie blind.  I had a faint idea what the spoiler was and even that made the first ¼ of the film much less involving.  Worth it for the performances but gets knocked out by an also-ran plot.

                                                              Movie Review ~ Samba
samba_ver7The Facts
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Synopsis: Samba migrated to France ten years ago from Senegal, and has since been plugging away at various lowly jobs. Alice is a senior executive who has recently undergone a burn-out. Both struggle to get out of their dead-end lives. Samba’s willing to do whatever it takes to get working papers, while Alice tries to get her life back on track until fate draws them together.
Stars: Omar Sy, Charlotte Gainsbourg, Tahar Rahim, Izia Higelin, Isaka Sawadogo
Director: Olivier Nakache, Eric Toledano
Rated: R
Running Length: 118 minutes
TMMM Score: (5.5/10)
Review: Of all the movies I’m talking about in this wrap-up this is one I’d bet dollars to donuts that you’ve never heard of.  And you couldn’t be blamed because this barely made a blip on the usually forgiving art-house circuit.  From the star and directors of 2012’s dynamite The Intouchables comes this story of an immigrant man living in France who crosses paths with a burned out executive when the man is discovered to be an illegal alien.  Omar Sy (Jurassic World) and Charlotte Gainsbourg don’t have that much chemistry but in a weird way it works for the oddball romance that develops over the course of the film.  I never could get a real feel if the movie was a comedy, drama, or something in between…and neither could most of the people involved.  Slightly recommended but only if the plot or stars appeal to you.

That almost did it for July…but there was still one weekend to go!  Moving up several months from its planned December release, the fifth installment of the Mission: Impossible franchise had its brains in the right place but at times forgot to bring its brawn.  I still prefer Ghost Protocol to Rogue Nation but as long as star Tom Cruise keeps making these films interesting I’ll keep accepting future missions. Here’s hoping he brings along Rebecca Ferguson again because finally there is a female that is every bit a match to Cruise’s daring agent.

I wasn’t sold at all when I heard that Warner Brothers was planning on remaking National Lampoon’s Vacation but as time went on I heard more that it was more of a sequel than a reboot (resequel?) and I started coming around to the idea of a new Vacation.  I enjoyed Ed Helms and Christina Applegate as the hapless couple traveling cross-country with their children…but audiences and most critics didn’t.  It wasn’t a great movie and was probably too crude to be part of your Vacation marathons…but I have to say the worst part about it was when original stars Chevy Chase and Beverly D’Angelo showed up.  Still, I’m hoping it made enough money to warrant a holiday themed sequel.  In any event…it’s a damn sight better than European Vacation.

Wow – July didn’t skimp on variety, did it?  Arguably the hottest month for releases, it carried over the promise of May and June and laid a path for August to do quite well…but could it top the three months that came before it?

STAY TUNED FOR AUGUST

CHECK OUT MAY & JUNE!

Movie Review ~ Big Eyes

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The Facts:

Synopsis: A drama about the awakening of the painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.

Stars: Amy Adams, Christoph Waltz, Danny Huston, Jason Schwartzman, Terence Stamp, Krysten Ritter

Director: Tim Burton

Rated: PG-13

Running Length: 105 minutes

Trailer Review: Here

TMMM Score: (5/10)

Review: When I was young I was always frightened of these two paintings in my grandmother’s house.  They were tall, slim paintings each of a ballerina with large eyes and I made it a point to skirt by them without making eye contact with their black orbs.  Now, I’m not sure if these were paintings by Margaret Keane or entries from the numerous knock-offs that came about after the phenomenal success of the Keane Big Eyes movement; but seeing Tim Burton’s film on the life of the woman behind the eyes brought back these memories in full force.

It’s nice to see Tim Burton (Dark Shadows, Frankenweenie) make a film featuring not one actor he’s worked with before (thanks for sitting this one out, Johnny Depp and Helena Bonham-Carter) based on a subject that has some curio cultural significance.  However, the film feels de-Burton-ized so much that it’s hard to pick out much of anything that indicates the man behind Batman, Beetlejuice, or his much better biopic Ed Wood was running the show here.

Early buzz indicated that Amy Adams (American Hustle, Her) would land another Oscar nomination and win for her role as painter Margaret Keane and she just may have stood a fighting chance had the script from Scott Alexander & Larry Karaszewski not presented Keane as such a wet noodle.  As the picture opens she’s leaving her husband and taking her young daughter hundreds of miles away to San Francisco with no real prospects.  In that time that would have been considered a fairly gutsy move so it’s odd that no sooner has she set up a home, a job, and a weekend painting gig in a local park that she’d succumb to the charms of the first man that comes calling.  Adams is a bright presence on screen but comes off rather dull here.

Margaret’s relationship with Walter Keane (Christoph Waltz, Django Unchained…more on him later) may have been a saving grace for the young mother but when he starts to indicate to the outside world that he is responsible for the big eyed waif paintings she’s created it’s an amazement that it takes her over a decade to break free of his slimy grip and even longer to lay claim to her work.  Keane herself acknowledges that she was fairly complicit in the charade but the film always makes it seem like she was under duress (literally being locked in an attic with a paintbrush and easel) and helpless.

If anything really puts a pin in the underwhelming nature of it all it’s Waltz’s bizarre performance as the duplicitous Walter.  The usually reliable Waltz is totally on a raft out to sea here, barely hiding his German accent (Walter was born in Nebraska) and devouring every bit of scenery and several of Colleen Atwood’s (Into the Woods) striking costumes.  By the time we get to a courtroom denouement Waltz is in full Joan Crawford mode, acting the hell out of a cross-examination of himself as he’s acting as his own attorney.

Burton’s penchant for CGI effects is thankfully kept on a tight leash here and the picture is lovely to look at, but it’s an overall shallow affair that finds Adams gamely treading water through a Waltz storm of melodramatic acting.

The Silver Bullet ~ Big Eyes

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Synopsis: A drama centered on the awakening of the painter Margaret Keane, her phenomenal success in the 1950s, and the subsequent legal difficulties she had with her husband, who claimed credit for her works in the 1960s.

Release Date:  December 25, 2014

Thoughts: Tim Burton (Dark Shadows, Frankenweenie) is a director that I’ve admired for quite some time.  Bouncing from the lunacy of Pee-Wee’s Big Adventure and Beetlejuice to the dramas of Big Fish and Ed Wood, I’ve always been more drawn to his work that doesn’t involve (or rely) on special effects and it’s nice to see the director taking a break from his collaborations with Johnny Depp.  That’s why Big Eyes looks so promising to me; not only does it sport two honest-to-goodness A-listers as leads but the true life tale of artist Margaret Keane is one that seems right up Burton’s alley.  Those early Oscar hounds are saying this might be the movie that Amy Adams (Her) takes home an Oscar for and, wrong or not, the role seems tailor-made for the actress.  Joined by two time Oscar winner Christoph Waltz (Django Unchained), I’d be on the lookout for this one if I were you.

Movie Review ~ The Grand Budapest Hotel

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The Facts
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Synopsis: The adventures of Gustave H, a legendary concierge at a famous European hotel between the wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.

Stars: Ralph Fiennes, Tony Revolori, F. Murray Abraham, Mathieu Amalric, Adrien Brody, Willem Dafoe, Jeff Goldblum, Jude Law, Bill Murray, Edward Norton, Saoirse Ronan, Jason Schwartzman, Tilda Swinton, Tom Wilkinson, Owen Wilson

Director: Wes Anderson

Rated: R

Running Length: 99 minutes

Trailer Review: Here

TMMM Score: (10/10)

Review:  In the interest of total transparency, I wanted to let you know that I’m not a dyed in the wool devotee of Wes Anderson.  Sure, I devoured The Royal Tenenbaums as fast as the next art house hound but I started to have my doubts with The Life Aquatic with Steve Zissou and, full disclosure, didn’t even bother with The Darjeeling Limited.  Meryl Streep got me back to Anderson providing a voice for the clever clever clever The Fantastic Mr. Fox and my journey was complete with 2012’s Moonrise Kingdom, one of my top films of that year.

It’s March now but I saw The Grand Budapest Hotel in February and knew even then that another Anderson film would be near the top of my list for 2014 because this film represents the filmmaker at his most imaginative, most focused, most comedic, and most free from the convention and chumminess that I felt stymied some if not all of his pre Moonrise Kingdom works.

Here’s a director with that rarest of rare gifts…a point of view.  You don’t even need to know this is a Wes Anderson film to know it’s a Wes Anderson film.  His use of color and his attention to symmetric detail demonstrates a skill very few directors possess and Anderson continues to lead the way.  It says something that in Hollywood’s copy happy climate I can’t recall another studio or director that has even attempted the kind of precision and whimsy Anderson makes look effortless.

His new adventure (and it’s truly an adventure) takes place in three different time periods (and, if your theater is heeding the filmmakers instructions, three different aspect ratios) and charts the goings on of the titular lodging and it’s charismatic concierge that made it famous   Inspired by the writings of Austrian Stefan Zweig, Anderson’s film has a little bit of everything from campy farce to murder mystery foibles.  Behind every door of the hotel could lie danger or a lusty encounter with lord knows who.

Priding himself on his exceptional service in and out of the bedroom, randy would-be sophisticate concierge Gustave H (an inspired Ralph Fiennes, Skyfall) mentors young lobby boy Zero Moustafa (perfectly etched by Tony Revolori in the past and F. Murrary Abrahm in the almost present) in the ways of love and lodge, eventually embroiling him in a family squabble after a rich old lady (a marvelously brief cameo by Tilda Swinton, We Need to Talk About Kevin) kicks the bucket under suspicious circumstances and leaves a prized painting to the concierge that warmed her bed.

Chock full of familiar Anderson players, some are seen briefly while others have meatier roles that allow them to go all out.  All are standouts but notables are Adrien Brody (The Pianist) as Swinton’s son wanting his just reward, Willem Dafoe (Out of the Furnace) drawing on his Shadow the Vampire character to play a ghoulish thug, Jeff Goldblum (Jurassic Park, The Big Chill) odd as ever as a family lawyer, Jude Law (Side Effects) as a curious writer, Edward Norton (Moonrise Kingdom) turning up as a detective while Saoirse Ronan (How I Live Now, The Host), Jason Schwartzman (Saving Mr. Banks), Tom Wilkinson (The Lone Ranger), Owen Wilson (The Internship), and of course Bill Murray (The Monuments Men) pop up when you least expect them to.

No big surprise that Anderson’s film is given the grandest of grand production designs courtesy of production designer Adam Stockhausen (Oscar nominated in 2013 for 12 Years a Slave), art directors Stephen O. Gessler (Cloud Atlas), Gerald Sullivan (The Dark Knight Rises), & Steve Summersgill, set decorator Anna Pinnock (Life of Pi), and three time Oscar-winning costume designer Milena Canonero (Carnage).  Frequent collaborator Alexandre Desplat composes a typically tonally perfect score that sets the mood with style.  Count on all to be recognized with Oscar nominations a little less than a year from now.

Hopefully, Anderson, Fiennes, and the picture itself aren’t too distant of a memory when the award nominations are announced at the end of the year.  It would have been so easy for Anderson to toss this jewel of a picture into the 2013 award race but I think it was a wise choice for Fox Searchlight to hold this one back a bit and let audiences come down from their American Hustle and Gravity highs to start their new season off with a bang.

A film of numerous superlatives, The Grand Budapest Hotel is, for my money, Wes Anderson’s finest film to date.  Energetic, often hysterically funny, and excellent from the first frame to the last it’s as close to a perfect film experience as I’ve had in some time.  For some, it may be too left of center to feel the same way but I was bowled over with little reservation.

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The Silver Bullet ~ The Grand Budapest Hotel

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Synopsis: The adventures of Gustave H, a legendary concierge at a famous European hotel between the wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.

Release Date: March 7, 2014

Thoughts: Are you ready for The Grand Budapest Hotel?  No, really, are you ready?  Because I have the inkling the first great movie of 2014 will arrive once Wes Anderson’s follow-up to Moonrise Kingdom opens its doors in early March.  Anderson is an acquired taste and truth be told it’s taken me a while to really warm up to his style but if it’s half as precise as Moonrise Kingdom this one’s going to be another strong entry in Anderson’s growing list of cinematic treasures.  As is always the case for an Anderson film, the trailer is more of an excuse to introduce the slam-dunk cast on board than it is to reveal plot details…I found myself saying “Like him, like her, love him, like him, love her…” as this second preview played on.  Highly anticipated to the point where it may not meet expectations, I’m trying to keep a lid on this one until I see it for myself.

Movie Review ~ Saving Mr. Banks

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The Facts:

Synopsis: Author P. L. Travers reflects on her difficult childhood while meeting with filmmaker Walt Disney during production for the adaptation of her novel, Mary Poppins.

Stars: Emma Thompson, Tom Hanks, Colin Farrell, Paul Giamatti, Jason Schwartzman, Bradley Whitford, Annie Rose Buckley, Ruth Wilson, B.J. Novak, Rachel Griffiths, Kathy Baker

Director: John Lee Hancock

Rated: PG-13

Running Length: 125 minutes

Trailer Review: Here

TMMM Score: (8.5/10)

Review: I have to be honest and say that I was probably pre-destined to enjoy Saving Mr. Banks.  As a huge fan of all things Disney (especially the early days) and growing up watching Mary Poppins I was looking forward to seeing how the studio that produced the classic film would handle a tell-all tale surrounding its creation.  Would it be a warts and all expose of the dark side of the House of Mouse or would it be a toothless feature length ad for the BluRay release of Mary Poppins?

While there are no warts to be found in the film and the sappy quotient is kept to a minimum, the overall effect of Saving Mr. Banks is one evoking a certain nostalgia for the golden age of filmmaking and Disney itself.  Who knows exactly how “honest” the script from Kelly Marcel and Sue Smith is but I can tell you that as a viewer I was moved and as a fan I was impressed.

Saving Mr. Banks is really two films in one.  The first follows Poppins author P.L. Travers (Emma Thompson, Beautiful Creatures) as she travels from England to California to attend working sessions during the pre-production stage of the film version of Mary Poppins.  It’s well documented that Travers flinched at the idea of her beloved novels being turned into childish films and when Walt Disney (Tom Hanks, Joe Versus the Volcano) finally got her to agree to a meeting after over a decade of trying to get the rights he found the writer’s demanding requests to go down more like ipecac than a spoonful of sugar.

The second film springs from the mind of Travers as she recalls her childhood in Australia and the interaction she has with a father she idealized (Colin Farrel, Dead Man Down).  An alcoholic, her father was the center of her world and even through his failures he remained on a pedestal for her entire life.  We see how elements of her upbringing inspired the Mary Poppins books and can see why she so kept her novels so fiercely protected from those that would sully the memory of not only her creations but her beloved father.

Director John Lee Hancock (The Blind Side, The Rookie) weaves together both stories in a nicely seamless way, keeping the movie afloat through some rough waters near the end when the movie starts to lay it on thick.  Overall, I didn’t mind that extra dose of syrup because it brought me back to the salad days of the studio when they had contract players and churned out many live-action classics. 

The film provides an interesting peek into the studio system that existed on the Disney lot in the 50’s and 60’s and the period design from Michael Corenblith is right on the money.  It was nice to see the Disney park recreated in the way guests would have seen it back then and the film historian in me loved seeing early production sketches of Poppins essentials that have stood the test of time.

Performance wise, Hancock has assembled the right cast…many of whom turn in surprisingly effective turns.  That’s never truer than in Thompson’s commanding performance as the chilly Travers.  She’s so cross and mean-spirited at times that it takes an actress of Thompson’s class to keep her this side of biddy without making her cartoonishly mean.  There’s Oscar buzz around Thompson and it’s completely warranted for her steel jawed ice queen that may not ever totally melt but thaws nicely.

Tom Hanks proves a bit more troublesome in his role as Walt Disney. Perhaps it was too much to hope that someone could truly portray Uncle Walt as good as the real deal but still I just never felt like Hanks got the job done.  The actor is so good-natured and easy to like but I had a hard time warming up to his off the mark Missouri-cadence and squinty stare…though he does muster up that same twinkle Mr. Disney had when addressing an audience. 

With each passing film I become more impressed with how Farrell has turned his movie career around.  He’s gone from Next Big Thing to Yesterday’s News and has come back nicely with a string of roles that are unexpected and unexpectedly sincere.  He’s wonderful here as the trouble father of Travers and gets the right emotional oomph out of his final scenes.  There’s nice work from Ruth Wilson (Anna Karenina, The Lone Ranger) as Travers exhausted mother, Rachel Griffiths (Muriel’s Wedding) as a late in the game familiar visitor, and B.J. Novak and Jason Schwartzman (Moonrise Kingdom) as the songwriting team of The Sherman Brothers who suffer the most wrath from Travers red pen.  Not usually a fan of Paul Giamatti (12 Years a Slave), I’ll say that his role as Travers’ chauffer has perhaps the most emotional payoff in the film and I enjoyed his performance quite a lot.

Though mysteriously rated PG-13 (for a few scary moments involving some blood), this is one film you can bring the whole family to.  Pair it with Mary Poppins when you get home and you’ll have a practically perfect double feature.

The Silver Bullet ~ Saving Mr. Banks

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Synopsis: Author P.L. Travers travels from London to Hollywood as Walt Disney adapts her novel Mary Poppins for the big screen.

Release Date:  December 20, 2013

Thoughts: It’s not a huge Hollywood secret that getting Mary Poppins to the big screen wasn’t an easy task.  In fact, it wasn’t an easy task to get the woman who wrote the book that inspired the classic Disney tale to even meet with Walt Disney about his long held wish to bring the magical tale of a nanny to life.  By all accounts, P.L. Travers was fiercly protective of her creation and it was only when faced with some thin funds that she finally relentented….much to her eventual chagrin.  No fan of the finished product, Travers liked the screen adaptation of Mary Poppins about as much as Stephen King liked the 1980 film based on his novel The Shining.  This Christmas tale about Disney and Travers is made by the House of Mouse itself so I’ll be interested to see how warts and all they make it.  I’ll admit that only the last half of the trailer really caught my attention when it becomes more about the reasons why Travers was so close to the material…but coupled with a nice production design and canny performances, this should be a nice way to end 2013.

The Silver Bullet ~ A Glimpse Inside the Mind of Charles Swan III

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Synopsis: A graphic designer’s enviable life slides into despair when his girlfriend breaks up with him.

Release Date: February 8, 2013

Thoughts:  Blech, somebody call Wes Anderson (Moonrise Kingdom) and let him know that his frequent collaborator Roman Coppola is copying his obtuse, askew style for his second feature film.  Coppola’s last film, CQ, was an absolute nightmare to sit through so I can’t imagine what A Glimpse Inside the Mind of Charles Swan III has in store for us.  I’m not sure what appeal Charlie Sheen has left that could be capitalized on as his disastrous last few years haven’t done him any favors, though his new TV show is amazingly doing well in the ratings.  As for this film, you can put me on the Not Interested list and pronto.  Even if the reviews of this are stellar, I’m going to have tough time making any kind of commitment to see it.