The Silver Bullet ~ A Bigger Splash

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Synopsis: The vacation of a famous rock star and a filmmaker is disrupted by the unexpected visit of an old friend and his daughter.

Release Date:  May 13, 2016

Thoughts: There’s something intoxicating about any movie Oscar winner Tilda Swinton hitches her cart to.  From a hipster vampire in Only Lovers Left Alive to the amped glam of her Trainwreck character, Swinton falls madly into her work as we gleefully fall with her.  Reteaming with her I Am Love director Luca Guadagino for some romantic intrigue in the tropical sun, Swinton’s a rock goddess on holiday with her boyfriend (Matthias Schoenaerts, The Danish Girl) visited by an old chum (Ralph Fiennes, Skyfall) and his daughter (Dakota Johnson, Fifty Shades of Grey).  Looks like a film where a lot of “Secrets Will Be Revealed” but seeing that Swinton hasn’t yet made a movie not eminently watchable, I’ll take a dive for A Bigger Splash.

Movie Review ~ The Danish Girl

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The Facts:

Synopsis: A fictitious love story inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda’s marriage and work evolve as they navigate Lili’s groundbreaking journey as a transgender pioneer.

Stars: Eddie Redmayne, Alicia Vikander, Ben Whishaw, Sebastian Koch, Amber Heard, Matthias Schoenaerts

Director: Tom Hooper

Rated: R

Running Length: 119 minutes

Trailer Review: Here

TMMM Score: (6.5/10)

Review:  I gotta say, I feel like the best way to enjoy The Danish Girl is to read nothing about it before and nothing about it after.  Reading nothing beforehand will help keep the story at the heart of the movie a secret for that much longer, allowing the rich performances to reveal themselves slowly.  Looking deeper into the real life events that led to the construction of the piece is bound to be disappointing as you learn how many liberties were taken with characters that have gained your trust over the previous two hours.

It was only after I’d seen The Danish Girl that I discovered the movie, adapted by Lucinda Coxon from David Ebershoff’s novel was a mostly fictitious retelling of the lives of Einar Wegener (Eddie Redmayne, Fantastic Beasts and Where to Find Them) and his wife Gerda (Alicia Vikander, The Man From U.N.C.L.E.).  Artists in 1920’s Denmark, the movie presents the two as a lovely young couple that support their individual work and have an open honesty that allows them to speak truths both private and painful.  A more successful artist than his wife, Einar keeps painting the same landscape over and over again while Gerda struggles with finding her own voice through her canvas.

What begins as a silly bit of harmless dress-up uncovers a secret desire Einar has harbored that will change the path not only of his life and his marriage, but the path of many men and women in the decades that followed.  Einar spends time transitioning between himself and his female alter-ego, Lili Elbe, first behind closed doors and then in public until the line between the male side and female side is blurred and the choice to live one life becomes a necessity for survival.

An Oscar winner for his stellar work in 2014’s The Theory of Everything, Redmayne takes a similar immersive approach in his portrayal of Einar/Lili.  There’s no holding back when taking on a role with a certain set of requirements and Redmayne meets all of these challenges with believable grace and dignity.  Redmayne presents Einar/Lili not as a stereotype or freak of nature but of a human being struggling with a duality of identity that there is no precedent for.  It’s become cliché to call a performance brave but that’s simply what it is.

He’s matched step-by-step with Vikander’s layered performance as a wife supportive at the outset but who begins to have doubts as her marriage takes on a new direction and the question of what it means to be female is floated between the couple.  Some of her own value as a woman is examined and Vikander takes us through each one of these stages of transformation with a realistic hand.

Director Tom Hooper (reunited with his Les Miserables star Redmayne) is a bit too focused on the production design (which, by the way, is gorgeous from the intricate set design to the period perfect costumes) and less concerned with the narrative motion of the piece.  It’s teeters into a languid stage near its middle section when it should be ramping up its pace.

Then we get to the overall validity of the story being told and, I’m sorry to say, as important as the piece is it’s just not honest and the way the movie presents itself as truth is disappointing considering it’s a story about authenticity.  Taken as fact, the movie greatly misses the mark.  Taken as a work of fiction, The Danish Girl is a strongly acted work of revisionist history.  Here’s hoping that one day down the line a more fact-based retelling is attempted.

Hasta La Vista…Summer (May)

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Hasta

We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.

I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.

So sit back, relax, and enjoy the ride read.

May

Though the summer movie season has traditionally been thought of as Memorial Day through Labor Day, in the past several years studios have marked early May as the start of the summer movie wars and 2015 was no different.

Kicking things off on May 1 was Avengers: Age of Ultron and, as expected, it was a boffo blockbuster that gave fans more Marvel fantasy fun. While it wasn’t as inventive as its predecessor and relied too much on jokey bits, the movie was everything a chartbuster should be: big, loud, worth another look.

Acting as a bit of counter-programming, the next week saw the release of two very different comedies, neither of which made much of a dent in the box office take of The Avengers. Critics gnashed their teeth at the Reese Witherspoon/Sofia Vergara crime comedy Hot Pursuit but I didn’t mind it nearly as much as I thought I would. True, it set smart girl power flicks back a few years but it played well to the strengths of its leads and overall was fairly harmless. I hadn’t heard of The D Train before a screening but was pleasantly surprised how good it turned out to be, considering I’m no fan of Jack Black. The movie has several interesting twists that I didn’t see coming, proving that Black and co-star James Marsden will travel out of their comfort zones for a laugh.

Blythe Danner proved she was more than Gwyneth Paltrow’s mom in the lovely, if slight, I’ll See You in My Dreams. It may be too small a picture to land Danner on the end of the year awards list she deserves but the drama was a welcome change of pace so early in the summer.

Another early May drama was a wonderful adaptation of a classic novel…and one I forgot to review when I had the chance…here’s my brief take on it now…

                                         Movie Review ~ Far From the Madding Crowd
far_from_the_madding_crowd_ver2The Facts
:
Synopsis: In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
Stars: Carey Mulligan, Matthias Schoenaerts, Michael Sheen, Juno Temple, Tom Sturridge
Director: Thomas Vinterberg
Rated: PG-13
Running Length: 119 minutes
TMMM Score: (8/10)

Review: This adaptation of Thomas Hardy’s celebrated novel was a moving drama brimming with quietly powerful performances and lush cinematography. It’s a story that has been duplicated quite a lot over the years so one could be forgiven for feeling like we’ve seen this all before. Still, in the hands of director Thomas Vinterberg (The Hunt) and led by stars Carey Mulligan (Inside Llewyn Davis), Matthias Schoenaerts (Rust & Bone), & Michael Sheen (Admission) it stirred deep emotions that felt fresh. Special mention must be made to Craig Armstrong (The Great Gatsby) for his gorgeous score and Charlotte Bruus Christensen for her aforementioned picturesque cinematography. You missed this in the theater, I know you did…it’s out to rent/buy now and you should check it out pronto.

Around mid-May the summer bar of greatness was set with the arrival of Mad Max: Fury Road. The long in development fourth outing (and semi-reboot) of director George Miller’s apocalyptic hero was a movie lovers dream…pushing the boundaries of cinema and filmmaking into new places. A vicious, visceral experience, I can still feel the vibration in my bones from the robust film…a real winner.

The same week that Mad Max came back into our lives, a so-so sequel found its way to the top of the box office. Pitch Perfect 2 was a lazy film that’s as close to a standard cash grab as you could get without outright playing the original film and calling it a sequel. Uninspired and lacking the authenticity that made the first film so fun, it nevertheless made a song in receipts and a third film will be released in the next few years.

Tomorrowland and Poltergeist were the next two films to see the light of day and neither inspired moviegoers enough to gain any traction. Tomorrowland was actually the first film of the summer I saw twice…admittedly because I was curious about a new movie theater with reclining seats that I wanted to try out. As for the movie, the first half was an exciting adventure while the final act was a real mess.

I thought I’d hate the Poltergeist remake way more than I did…but I ended up just feeling bad for everyone involved because the whole thing was so inconsequential that I wished all of that energy had been directed into something of lasting value. While Sam Worthington made for a surprisingly sympathetic lead, the entire tone of the film was off and not even a few neat 3D effects could save it from being a waste.

May went out with a boom thanks to two wildly different films. If you asked me what I thought the prospects were for San Andreas before the screening I would have replied that Sia’s cover of California Dreamin’ would be the only good thing to come out of the action picture starring everyone’s favorite muscle with eyes, Dwayne Johnson. I still feel like Sia came out on top but the movie itself was a more than decent disaster epic, a little too long but made up for it with grand sequences of mayhem and destruction. Can’t imagine it will play nearly as well on a small screen but I wasn’t hating the film when the credits rolled.

A film I wasn’t too thrilled with at all was Aloha, Cameron Crowe’s own personal disaster flick. I still don’t know quite what to say about the movie because it was so dreadful that I’ve attempted to clear it from my memory. What I do remember was that it wasted its strong cast and exotic locale, as well as our time. Truly terrible.

STAY TUNED FOR JUNE, JULY, and AUGUST!

The Silver Bullet ~ The Danish Girl

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Synopsis: The remarkable love story inspired by the lives of artists Lili Elbe and Gerda Wegener. Lili and Gerda’s marriage and work evolve as they navigate Lili’s groundbreaking journey as a transgender pioneer.

Release Date: November 27, 2015

Thoughts: Could Eddie Redmayne (The Theory of Everything) be the first actor in two decades to win back-to-back Oscars? Based solely on the trailer for The Danish Girl, it may just happen. I know, it’s bold to make that serious of a suggestion so early into the awards season and only going off a 2 ½ minute trailer…but this looks like a seriously majestic performance from the young actor. Based on the true story of one of the first male-to-female gender confirmation surgeries, it’s directed by Tom Hooper (Les Miserables) and co-stars Alicia Vikander (Ex-Machina, herself getting awards buzz), Matthias Schoenaerts (Rust & Bone), and Ben Whishaw (Skyfall). With transgender people figuring so prominently into the mainstream media in the last few years, this long in development film feels timely and valuable.