31 Days to Scare ~ The Snowman

The Facts:

Synopsis: Detective Harry Hole investigates the disappearance of a woman whose pink scarf is found wrapped around an ominous-looking snowman

Stars: Michael Fassbender, Rebecca Ferguson, Charlotte Gainsbourg, Jonas Karlsson, Toby Jones, Chloë Sevigny, Val Kilmer, James D’Arcy, J.K. Simmons

Director: Tomas Alfredson

Rated: R

Running Length: 119 minutes

Trailer Review: Here

TMMM Score: (1/10)

Review: Whoa…it’s been a long time since I’ve been to a movie this bad from the get-go. Yes, The Snowman is unquestionably as terrible as you’ve heard it is and it’s likely going to wind up the worst movie released theatrically in 2017. That the film is even getting a wide release is a bit of a miracle and one has to give major chutzpah props to Universal Studios for daring to send out this not even half-baked lame thriller. What’s especially depressing is that so many talented (and Oscar-winning!) people were involved with this both in front of and behind the camera. Collectively, someone should be made to give back one of their Oscars and I’ll leave it to the group to decide who is going to part with their little gold man. A movie this incompetently made demands a sacrifice.

Based on Jo Nesbø’s international bestseller but evidentially substantially changed by the three screenwriters attributed to the script, The Snowman starts on the wrong foot and never recovers. Not that it attempts to, jumping right into introducing boozy Detective Harry Hole (Michael Fassbender, 12 Years a Slave) in Oslo as he stumbles back to the police force after a drunken bender. There’s little in the way of character introduction of any kind, the movie just happens to find recognizable faces along the way and incorporates them into the story when convenient.

There’s Rebecca Ferguson (Life) as, I think, a visiting detective with a secret agenda that still takes on local cases, such as the one with the missing woman that unites her with Harry. This investigation leads them to a possible serial killer who, Ferguson hilariously concludes, is triggered “by the falling snow”. Possible suspects include a suspicious husband of the missing woman (James D’Arcy, Cloud Atlas), a creepy doctor (David Denick, The Girl with the Dragon Tattoo), and wealthy land developer played by J.K. Simmons (Patriots Day). Simmons is just one of the cast sporting a disastrous British accent, though the entire action takes place in Norway. Are these all just a specific band of ex-pats with a killer in their midst? Nah, all the signs and newspapers are in English…even the police station features no Norwegian signage.

I’ve always said I couldn’t get enough of Chloë Sevigny (Lovelace) but she’s playing twins here and it turns out…one Sevigny is more than enough. Then there’s the mysterious case of the nearly unrecognizable Val Kilmer seen only in flashback as a detective in neighboring Bergen. Looking shockingly sickly (the actor recently survived a throat tumor) and clearly dubbed, his performance is off the rails and just another piece of a puzzle that is just not meant to fit together. I can’t even go there with Charlotte Gainsbourg (Samba) as Fassbender’s old girlfriend, especially after witnessing a clothed sex scene between the two that’s as awkwardly uncomfortable to watch as seeing a lab rat trying to mate with a St. Bernard.

Director Tomas Alfredson (Tinker Tailor Soldier Spy) has popped up in interviews saying that 15% of the script wound up not being filmed and that does not surprise me in the least. It at least explains how Oscar-winner and longtime Martin Scorsese collaborator Thelma Schoonmaker (Cape Fear) managed to piece together a movie that makes almost entirely no sense. There are no scene transitions or establishing shots so it is impossible to determine where the characters are in relation to not only the plot but each other. There’s one sequence cut so poorly that you think two actors are in the same room but are in fact miles away from each other. Ferguson’s hair changes color several times, about as many times as Fassbender’s hair gets longer then shorter from one moment to the next. While Oscar-winning cinematographer Dion Beebe (Into the Woods) captures some of the gloomier Norwegian vistas with a bit of flair, the visuals are weighed down heavily by the sterile production design from Maria Djurkovic and Tatiana Macdonald (Oscar nominees themselves for The Imitation Game) that heavily favors latte colored IKEA furnishings.

A competent creative team has crafted a truly incompetent film here, even the finale is botched with the suggestion of a sequel so laughably inserted that your heart aches for the Universal Studios executive that must have pleaded for it to be incorporated just in case.  I’m usually not a fan of audiences talking during a movie but as the film progressed the chatter became louder and louder as everyone began to question what in the actual hell was going on. This is terrible filmmaking, an embarrassment for every single person above and below the line.  While it’s bound to be mentioned in the same breath as other Scandinavian-set thrillers, it not even fit to be included in the belch that follows that breath.

The Silver Bullet ~ The Snowman

Synopsis: Detective Harry Hole investigates the disappearance of a woman whose pink scarf is found wrapped around an ominous-looking snowman

Release Date:  October 20, 2017

Thoughts: With the popularity of Norwegian author Jo Nesbø’s series of novels following Detective Harry Hole (yikes, a most unfortunate name), it was merely a matter of time before the hardened investigator appeared onscreen.  I’m intrigued to see Michael Fassbender (Prometheus) signed on to what could be yet another lucrative franchise, lately he’s seemed to be making a lot of interesting indie choices.  What could have attracted him to such commercial fare?  Probably it’s the money but maybe there’s promise in this mystery which also stars Rebecca Ferguson (Life), J.K. Simmons (The Accountant), and Chloë Sevigny (Lovelace).  A big screen adaptation of Nesbø’s novel Headhunters made for fun fare a few years back and with these procedural serial killer flick on the decline, let’s hope The Snowman doesn’t melt at the box office.

Movie Review ~ Assassin’s Creed

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The Facts
:

Synopsis: When Callum Lynch explores the memories of his ancestor Aguilar and gains the skills of a Master Assassin, he discovers he is a descendant of the secret Assassins society.

Stars: Michael Fassbender, Marion Cotillard, Jeremy Irons, Brendan Gleeson, Khalid Abdalla, Michael K. Williams, Charlotte Rampling, Ariane Labed

Director: Justin Kurzel

Rated: PG-13

Running Length: 115 minutes

TMMM Score: (6/10)

Review: Let’s get this out of the way at the outset.  I’ve never played Assassin’s Creed nor did I have the faintest clue what the big screen adaptation was about when I cozied myself up in a warm theater for the 10am screening.  Maybe it was the early showtime or maybe not having any pre-conceived notions helped because I quite enjoyed this futuristic historical adventure with a hard edge.

Used to be when an A-List actor took a role in a video game adaptation, it signaled a career that had run its course but Assassin’s Creed proves to be a rare unicorn.  Featuring a host of Oscar winners and nominees, I was worried the film would reek of actors slumming for a paycheck but turns out they all bring a much needed gravitas to the proceedings.  Basically, they classed up the joint.  Re-teaming with his Macbeth stars, director Justin Kurzel makes good use of Michael Fassbender’s (Prometheus) dark side and nicely exploits Marion Cotillard’s (Two Days, One Night) air of mystery to keep you off balance surrounding the motivations of the central characters.

Fassbender is a death-row convict whose execution is faked by Cotillard in order to bring him to her next-generation laboratory in Spain.  There’s some mumbo-jumbo about the Knights Templar and a fabled Apple of Eden that holds the key to the nature of evil but it’s all a way to get Fassbender into Cotillard’s machine that takes his DNA and pulls up the memories of his ancestors and allows him to relive the past.  As part of the memories of his Assassins society days, Fassbender is plunged into a conspiracy where his life hangs in the balance in both the past and the present while mankind’s future is up for grabs if he achieves his goal.

The ideas in Michael Leslie, Bill Cooper, and Adam Cooper’s screenplay are loftier than one might imagine considering the source material.  Jeremy Irons (Beautiful Creatures) and Charlotte Rampling (45 Years) are Templar elders anxiously awaiting Fassbender’s find and both have fun (but not too much) with some nicely droll line readings.  The cast is rounded out by reliable character actors and an international cast of foes and friends working to either help or hinder Fassbender’s efforts.  Aside from the seemingly never-ending supply of bad guys to kill (in appropriately PG-13 non-bloody fashion), this doesn’t have the typical video game look that has weighed down similar movies.  For that, I am most grateful.

Unfortunately bound to get lost in a holiday season with bigger fish to fry (why didn’t this get a late January or February release?), Assassin’s Creed is better than it should be and more entertaining that I felt it would be.  Kurzel has now shown in two movies that he can get real dark real fast and the finale of Assassin’s Creed is a bold stroke of confidence that I hope pays off.

The Silver Bullet ~ Alien: Covenant

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Synopsis: The crew of the colony ship Covenant discover what they think is an uncharted paradise, but it is actually a dark, dangerous world, whose sole inhabitant is the synthetic David, survivor of the doomed Prometheus expedition.

Release Date:  May 19, 2017

Thoughts: Anticipation was high back in 2012 when director Ridley Scott’s mysterious Prometheus arrived veiled in secrecy.  Was it a prequel to Alien or wasn’t it?  Early previews gave few clues and neither Scott nor 20th Century Fox did much to fill in the blanks.  Prometheus sharply divided audiences and critics, some appreciating that Scott reached further back than mere prequel territory while others loathed it with a vitriol usually reserved for a Transformers sequel.  Personally, I loved it and saw it several times on the big screen; it’s cliffhanger ending only made me more curious about what would happen next.  The answer comes next May with Alien: Covenant and this first look is a neat (if overly gory/spoiler-y) intro to a film that looks very different than its predecessor.  Perhaps Scott (The Martian) and screenwriter John Logan (Skyfall, Spectre, Hugo) are trying to please the fans and detractors of Prometheus at the same time.  Riding that fine line would be good, I just hope they don’t overcompensate and make a faded copy of the original entry.  Aside from Michael Fassbender (12 Years a Slave) and Noomi Rapace (Dead Man Down) returning in their roles, star Katherine Waterston (Fantastic Beasts and Where to Find Them) certainly is going full-on Ellen Ripley and I’m interested (and a little nervous) to see how actors like Danny McBride (This Is the End) and the recently added James Franco (Sausage Party) figure into the mix. It’s worth noting that Alien: Covenant was originally intended for a release in October 2017.  It was then moved up to August before settling into a prime summer release date in May.  That’s a very good sign of a studio confident they have something big…let’s hope so.

Movie Review ~ X-Men: Apocalypse

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The Facts:

Synopsis: With the emergence of the world’s first mutant, Apocalypse, the X-Men must unite to defeat his extinction level plan.

Stars: James McAvoy, Michael Fassbender, Jennifer Lawrence, Oscar Isaac, Nicholas Hoult, Rose Byrne, Tye Sheridan, Sophie Turner, Olivia Munn, Lucas Till, Evan Peters, Kodi Smit-McPhee, Alexandra Shipp, Josh Helman, Lana Condor, Ben Hardy

Director: Bryan Singer

Rated: PG-13

Running Length: 143 minutes

TMMM Score: (8/10)

Review: Dear readers, it’s OK if you are in the throes of Superhero Movie Fatigue. I’ve been suffering symptoms of SMF for over a year now and I’m sure it’s helpful to know that you’re not alone if you suddenly find yourself recoiling at the first whiff of a CGI created villain or needing to lie down from exhaustion when you try to tie all of the various multi-film storylines together. While I don’t see a cure for SMF in the near future (both the Marvel and DC universe are mapped out for the next several years), I think we’ll learn to adjust to an onslaught of comic book adaptations that will eventually start to compete only with films from their own franchises until a death rattle finishes them all off.

In the meantime, 2016 has brought forth the good (Deadpool, Captain America: Civil War) and the misunderstood (Batman v. Superman: Dawn of Justice) and judging from early reaction you might feel inclined to add X-Men Apocalypse to the miscalculated pile. I’d caution you to see for yourself though because this eighth X-Men movie is big (BIG!), rather exciting, and sets the stage for a new era with a careful hand and a gentle nod.

Admittedly, I’m not the biggest X-Men fan in the world. I was slow to warm to the series and never really had much of an interest or stake in the opinion of the overall quality or the consistency that true fans seemed to find the most fault with. The first movie was decent but half-baked, the second addressed the major concerns and righted a listing ship only to have the third one stank up the joint. Venturing into solo territory, Hugh Jackman (Les Miserables) tried to get a Wolverine series off the ground but fans weren’t interested. A prequel reignited the flame and led to another Wolverine film (which I enjoyed more than most) and the 2014 time-hopping head-scratcher X-Men: Days of Future Past.

I didn’t think the franchise could stuff more into its running length but X-Men: Apocalypse is the stone soup of the bunch…it’s got a little bit of everything. It’s going to divide many a fan/critic/movie-goer and maybe I was just in the right mood for it because I found myself highly engaged and, yeah, emotionally invested in the continued adventures of Professor X (James McAvoy, Trance), Magneto (Michael Fassbender, Prometheus), Mystique (Jennifer Lawrence, Joy), and their mutant co-horts that go up against their most formidable enemy yet.

His presence was teased at the end of X-Men: Days of Future Past and an energetic prologue in Egypt shows how Apocalypse (Oscar Isaac, A Most Violent Year) came to be buried under a pyramid until he’s uncovered in the ’80s by a faction of his descendant followers. Luckily, Moira Mactaggert (Rose Byrne, Spy) is there to see it all take place and sound the alarm that something big is about to go down.

Meanwhile, Mystique is spending most of her time sans blue skin (you can just hear Lawrence negotiating ever y second she has to be in full Mystique-garb), watching out for mutants being mistreated the world over. Rescuing Nightcrawler (Kodi Smit-McPhee, ParaNorman) from a cage match with Angel (Ben Hardy), she brings him back to Professor X’s school where he falls in with Beast (Nicholas Hoult, Warm Bodies), Cyclops (Tye Sheridan, Mud), and Jean Grey (Sophie Turner). It isn’t long before the mutants find themselves under attack in their own home, culminating in a most impressive rescue sequence (it took the longest to film) led by Quicksilver (Evan Peters, The Lazarus Effect) who happened to be in the area looking for personal answers of his own.

With Apocalypse freed and intent on bringing the world back to square one by wiping the human population out, he gathers his four horsemen to assist him in his end of days plot. One will remain secret here but a young Storm (Alexandra Shipp) and Psylocke (Olivia Munn, Magic Mike) are part of the mix. Scenes of massive destruction and special effects threaten to overtake the picture but those that complain about director Bryan Singer (Jack the Giant Slayer) focusing more on computer generated mayhem instead of human heart must not realize they bought a ticket for a movie about superhero mutants fighting a doomsday villain.

On the disappointing side are McAvoy and Fassbender largely sleepwalk through the movie and Munn is totally miscast, mostly because she’s not that impressive to begin with. Isaac gets lost in his big blue bad guy but he does what he can in moon boots under all that make-up. It’s the younger generation that impresses here, with Hoult, Smit-McPhee, Sheridan, and Turner signaling that they have what’s needed to continue on with the franchise. This is reportedly Lawrence’s last spin and her absence will leave a big hole in the emotional core of the film. Even though she’s a top-tier A-List star now, Lawrence never looks down on her role or gives it anything less than her full attention.

For a PG-13 film, the movie has a questionable amount of bloody violence (especially in a sequence that involves a cameo that seems to be standard issue for any film bearing the X-Men moniker). Parents should likely see this one first before bringing young children, it’s not only heavy on viscera but at nearly 2 ½ hours it can start to feel long during its mid-section. It ramps up nicely to a whopper of a climax but even I struggled to stay alert as the film reached the two hour mark.

There’s a lot going on in X-Men: Apocalypse and for those living with SMF you could find yourself stretched thin by the time the credits roll…but if you can hang on it’s highly worth seeing on the largest screen you can get to.

Movie Review ~ Macbeth

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The Facts:

Synopsis: Macbeth, a Thane of Scotland, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.

Stars: Michael Fassbender, Marion Cotillard, Paddy Considine, David Thewlis, Jack Reynor, Sean Harris, Elizabeth Debicki

Director: Justin Kurzel

Rated: R

Running Length: 113 minutes

Trailer Review: Here

TMMM Score: (7.5/10)

Review: Everyone has their favorite Shakespeare play (or they should) and while I’ve always gravitated toward the comedies more than the tragedies, if I had to pick one of his darker works I’d go with Macbeth without much hesitation. There’s something so sinister about the plot, something so overtly wicked about it that it has kept me interested in whatever iteration is released.  I’ve seen it on film, and onstage as a play and an opera and it’s malicious deeds always give me the chills.

There have been several screen adaptation of Macbeth over the years (as well as some clever twists on it, see Scotland, PA for a fun one) and they’ve all made their own mark.  Justin Kurzel’s 2015 Macbeth is the shortest adaptation so far, truncating Shakespeare’s prose down to its barest core and taking some liberties with the action that may have purists sharpening their knives.

While watching the film, I was decadently disengaged.  I went in thinking I would instantly love it, especially considering the leads were cast with two of my favorite actors working today.  Yet throughout the two hours I wasn’t able to immerse myself in the proceedings like I expected to.  It usually takes me a few minutes to acclimate to Shakespeare’s dialogue but I struggled mightily, even knowing the play fairly well.  Artfully made and shrewdly performed, it didn’t grab me.

Then I had some time to think about the film and slowly but surely I realized just how effective the piece was.  It’s not your typical Macbeth adaptation and more’s the better for it.  Sure, it’s been slashed to smithereens but what Kurzel cuts he makes up for with imagery and imagination that fill in the gaps for us.

I’d always considered Macbeth more of a pawn to his wife’s ambition but Michael Fassbender (12 Years a Slave) plays the Thane of Scotland as conflicted yet not contrite.  He may have needed the initial push from his significant other but once he gets going he finds that he can’t stop his mission to rise to power.  In typical Fassbender form, it’s an all-in approach that gives the character fearsome depth and calculated strength.

Equal to (and possible besting) her co-star, Marion Cotillard (Two Days, One Night) takes on the famous role of Lady Macbeth and chooses to add anxiety into her ambitious ways.  Her urging her husband to commit heinous acts comes from a survival instinct…but she realizes too late the machine she’s helped start will bring about their downfall instead of their ascension.  Cotillard has a thrilling monologue late in the film that’s simply shot but complex in its delivery.

The rest of the cast has to take whatever remnants screenwriters Jacob Koskoff, Michael Lesslie, and Todd Louiso have left of their roles, with Sean Harris (Prometheus, Mission: Impossible – Rogue Nation) getting the most out of his turn as Macduff.  Good cracks from Paddy Considine (The World’s End), Jack Reynor (Transformers: Age of Extinction), and a most minor appearance from Elizabeth Debicki (The Great Gatsby) round out the supporting players.

Not everyone will love this Macbeth…I sure didn’t when it was happening in front of me.  However, taking the time to ponder it in the hours/days after I found that my appreciation for the work only grew.  It wasn’t what I expected and that wound up working in its favor.

The Silver Bullet ~ Macbeth (2015)

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Macbeth

Synopsis: Macbeth, a duke of Scotland, receives a prophecy from a trio of witches that one day he will become King of Scotland. Consumed by ambition and spurred to action by his wife, Macbeth murders his king and takes the throne for himself.

Release Date:  TBD 2015

Thoughts: If you search IMDB for Macbeth you’ll get around 200 results for countless film and TV adaptations as well as films that were inspired by Shakespeare’s tragedy that has more than stood the test of time.  The newest take on the Bard’s Scottish anti-hero is also supposedly the shortest, which no doubt may upset Shakespeare purists that want their five hour Macbeth in all its gory glory.  Critics at the Cannes film festival didn’t seem to mind because the film received raves for its star performances from Michael Fassbender (Prometheus) and Marion Cotillard (Two Days, One Night) and its director Justin Kurzel.  Our first tease foretells of a visceral film that maintains the brutality of ambition that Shakespeare sketched so well.  High up on my most anticipated films of the year.

The Silver Bullet ~ Steve Jobs

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Synopsis: Set backstage at three iconic product launches and ending in 1998 with the unveiling of the iMac, the film takes us behind the scenes of the digital revolution to paint an intimate portrait of the brilliant man at its epicenter.

Release Date:  October 9, 2015

Thoughts: Less than two years after another biopic of the late Apple wunderkind was released, another look into the life of Steve Jobs is coming our way.  After the cool reception and workmanlike effort of Jobs, I was wondering if we actually needed another film on the same life so soon.  Turns out, we did.

The first trailer for Steve Jobs is out and looks like something to get, if not excited by, then overly interested in.  Directed by Danny Boyle (Trance) from a script penned by Aaron Sorkin (The Social Network), the film is comprised of just three scenes set at the unveiling of key products that Jobs had a hand in creating.  A bold structure to be sure but it’s different enough than the earlier film that any comparison will hopefully just be on who did the better interpretation of several key characters.  Though Leonardo DiCaprio (The Wolf of Wall Street) was set to reteam with his The Beach director Boyle, another film (Revenant) took him from the project.  Replacing him is Michael Fassbender (Prometheus) and he looks like a better fit anyway…and let’s not forget Kate Winslet (Divergent), Seth Rogen (The Guilt Trip), and Sorkin favorite Jeff Daniels (Arachnophobia) are part of the team as well.

Movie Review ~ X-Men: Days of Future Past

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The Facts:

Synopsis: The X-Men send Wolverine to the past in a desperate effort to change history and prevent an event that results in doom for both humans and mutants

Stars: Patrick Stewart, Ian McKellen, Hugh Jackman, Michael Fassbender, James McAvoy, Jennifer Lawrence, Halle Berry, Nicholas Hoult, Ellen Page, Shawn Ashmore, Peter Dinklage, Omar Sy, Daniel Cudmore, Fan Bingbing, Boo Boo Stewart, Adan Canto, Evan Peters, Josh Helman, Lucas Till, Evan Jonigkeit

Director: Bryan Singer

Rated: PG-13

Running Length: 131 minutes

TMMM Score: (7.5/10)

Review:  Ok, I believe by now we’ve established the kind of reader-critic relationship that allows me to be as open and honest with you as I possibly can.  So, I the spirit of putting it all out there on the table I need to tell you that the X-Men and all their variations have never really been my thing.  Aside from a childhood desire to beat the SEGA game, I’ve never truly warmed to Professor X and his motley crew of mutant heroes and villains…even after seven films.

Though the overreaching message of the film (we’re all mutants in some form or another and that’s ok) is a positive one that has the ability to speak to anyone, there’s something about the over eagerness of the filmmakers to constantly “get it right” that I find myself enjoying the spectacle at a distance.

It doesn’t help that the quality of the movies hasn’t maintained any sort of consistency since X-Men was released in 2000.  The first sequel improved upon its predecessor but when original director Bryan Signer vacated the series for Superman Returns the third entry landed with a thud.  Spinning off the series into a poorly executed Wolverine origin story further dug a hole for the franchise before 2011’s X-Men: First Class saved a listing ship.  I didn’t dislike 2013’s The Wolverine as much as my colleagues but by that point fans were a little sensitive to their mutants getting less than stellar cinematic adventures.

Now we’ve arrived in the present with X-Men: Days of Future Past…but we won’t stay there long as the enjoyable seventh entry of the series is more interested in looking back than moving forward.  There’s a lot (A LOT) going on in Simon Kinberg’s script…so much so that I often found myself struggling to remember how all the pieces fit, who is who, and what decade we’re in.  After an opening in a desolate not-too-distant future, Wolverine (Hugh Jackman, Prisoners, who must have been paid in how many bicep veins are present) is sent back to the early 70’s by Professor X (Patrick Stewart) and Magneto (Ian McKellen, The Hobbit: An Unexpected Journey, The Hobbit: The Desolation of Smaug) to prevent rouge Mystique (Jennifer Lawrence, American Hustle) from setting a series of events into motion in the past that will have a deadly impact for the future.

Juggling two separate time frames, returning director Bryan Singer manages to keep everything in balance for the most part.  Having watched X-Men: First Class directly before seeing this new film, I was impressed that Singer and Kinberg carved out a new path while keeping continuity through some difficult loose ends previous director Matthew Vaughn left for the new crew to figure out.

Less impressive is an overall humdrum feeling the movie left me with after all was said and done.  I’m not suggesting the movie isn’t terrific popcorn entertainment or doesn’t contain a handful of impressively filmed sequences (like Evan Peters as Quicksilver showing off his talents while Jim Croce’s “Time in a Bottle” plays in the background) but it all feels overly calculated, designed to allow the franchise to continue without really having to answer for past mistakes.

With Lawrence’s star gone supernova since the last installment, her part is significantly beefed up here.  Mystique has never been so front and center and Lawrence manages to eek out some nice moments under her full body make-up.  As the younger Professor X and Magneto, James McAvoy (Trance) and Michael Fassbender (12 Years a Slave) don’t seem quite as invested this time around, but then again there’s not the same kind of character discovery available to them.  Jackman can play the role in his sleep…and by now it looks like he is.

Moving fast through its 131 minute running length, the end of the film sets up the next volume of X-Men escapades nicely…but then again if you really think about it that’s all the movie seemed interested in in the first place.  Fairly and frequently violent for a PG-13 film, parents should think twice before bringing young children along…Godzilla has less death/carnage in it.

With all my griping about overall ulterior motives, I’ll admit the movie fits neatly into the mode of summer blockbuster by combining all the right elements into the mix.  I think fans will look back and see the mechanics of the script in years to come…but by that time these will be the true days of future past.

Oscar Predictions 2014

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Hello!

Well, though I always find it difficult to nail down my Oscar selections pre-nomination day because I feel like I’m somehow cosmically jinxing  potential favorites, I’m taking part in The 2014 Oscar Contest over at Film Actually because…well…it’s just the right thing to do 🙂

This being a contest and all I threw in a few dark horse candidates and left out some bigger names just to keep it interesting.  I don’t necessarily think there will be 10 nominees for Best Picture but ultimately I couldn’t make up my mind on which ones to remove from my list…

I hope there are a few surprises tomorrow morning, though….even if it means I lose a few points in the contest 🙂

Below are my predictions for who will go to bed tomorrow night an Oscar nominee…

BEST PICTURE
12 Years a Slave
American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
Her
Nebraska
Philomena
Saving Mr. Banks
The Wolf of Wall Street

BEST DIRECTOR
Alfonso Cuarón, Gravity
Spike Jonze, Her
Steve McQueen, 12 Years a Slave
Alexander Payne, Nebraska
David O. Russell, American Hustle

BEST ACTOR
Bruce Dern, Nebraska
Chiwetel Ejiofor, 12 Years a Slave
Tom Hanks, Captain Phillips
Matthew McConaughey, Dallas Buyers Club
Robert Redford, All is Lost

BEST ACTRESS
Amy Adams, American Hustle
Cate Blanchett, Blue Jasmine
Sandra Bullock, Gravity
Judi Dench, Philomena
Emma Thompson, Saving Mr. Banks

BEST SUPPORTING ACTOR
Barkhad Abdi, Captain Phillips
Daniel Brühl, Rush
Michael Fassbender, 12 Years a Slave
James Gandolfini, Enough Said
Jared Leto, Dallas Buyers Club

BEST SUPPORTING ACTRESS
Sally Hawkins, Blue Jasmine
Jennifer Lawrence, American Hustle
Lupita Nyong’o, 12 Years a Slave
June Squibb, Nebraska
Julia Roberts, August: Osage County

BEST EDITING
Jay Cassidy, Crispin Struthers, American Hustle
Joe Walker, 12 Years a Slave
Christopher Rouse, Captain Phillips
Alfonso Cuarón, Mark Sanger, Gravity
Jeff Buchanan, Eric Zumbrunnen, Her

BEST ORIGINAL SCREENPLAY
Woody Allen, Blue Jasmine
David O. Russell and Eric Singer, American Hustle
Joel & Ethan Coen, Inside Llewyn Davis
Spike Jonze, Her
Bob Nelson, Nebraska

BEST ADAPTED SCREENPLAY
John Ridley, 12 Years a Slave
Tracy Letts, August: Osage County
Julie Delpy, Ethan Hawke, Richard Linklater, Before Midnight
Steve Coogan, Jeff Pope, Philomena
Terence Winter, The Wolf of Wall Street

BEST FOREIGN LANGUAGE FILM
The Broken Circle Breakdown, Belgium
The Hunt, Denmark
The Grandmaster, Hong Kong
The Great Beauty, Italy
The Notebook, Hungary

BEST CINEMATOGRAPHY
Sean Bobbitt, 12 Years a Slave
Emmanuel Lubezki, Gravity
Bruno Delbonnel, Inside Llewyn Davis
Phedon Papamichael, Nebraska
Roger Deakins, Prisoners

BEST PRODUCTION DESIGN
Adam Stochausen & Alice Baker, 12 Years a Slave
Judy Becker & Heather Loeffler, American Hustle
Catherine Martin & Beverly Dunn, The Great Gatsby
Jess Gonchor & Susan Bode, Inside Llewyn Davis
Michael Corenblith & Susan Benjamin, Saving Mr. Banks

BEST SOUND MIXING
Captain Phillips
Gravity
Inside Llewyn Davis
Lone Survivor
Rush

BEST SOUND EDITING
All is Lost
Captain Phillips
Gravity
Lone Survivor
Rush

BEST COSTUME DESIGN
Catherine Martin, The Great Gatsby
Patricia Norris, 12 Years a Slave
Daniel Orlandi, Saving Mr. Banks
Michael Wilkinson, American Hustle
Mary Zophres, Inside Llewyn Davis

BEST ORIGINAL SCORE
Alex Ebert, All is Lost
Thomas Newman, Saving Mr. Banks
Steven Price, Gravity
John Williams, The Book Thief
Hans Zimmer, 12 Years a Slave

BEST DOCUMENTARY FEATURE
20 Feet from Stardom
The Act of Killing
The Crash Reel
Stories We Tell

The Square

BEST ANIMATED FEATURE
The Croods
Despicable Me 2

Frozen
Monsters University
The Wind Rises

BEST VISUAL EFFECTS
Gravity
The Hobbit: The Desolation of Smaug
Iron Man 3
Pacific Rim
Star Trek: Into Darkness

BEST MAKEUP & HAIRSTYLING
American Hustle
Dallas Buyers Club
The Lone Ranger


BEST ORIGINAL SONG
“Amen”, All is Lost
“Let It Go”, Frozen
“The Moon Song”, Her
“Ordinary Love”, Mandela: Long Walk to Freedom
“Young & Beautiful”, The Great Gatsby