Movie Review ~ Pitch Perfect 3

The Facts

Synopsis: Following their win at the world championship, the now separated Bellas reunite for one last singing competition at an overseas USO tour, but face a group who uses both instruments and voices.

Stars: Anna Kendrick, Rebel Wilson, Britanny Snow, Ruby Rose, John Lithgow, Ester Dean, Hailee Steinfeld, Elizabeth Banks, John Michael Higgins, Kelley Jakle, Hana Mae Lee, Chrissie Fit, Anna Camp, Shelley Regner, DJ Khaled

Director: Trish Sie

Rated: PG-13

Running Length: 93 minutes

TMMM Score: (3.5/10)

Review: In 2012, Pitch Perfect was an unexpected stealth weapon smash for Universal Studios.  Arriving with very little fanfare in the midst of a busy fall season, the movie relied on good word of mouth to keep audiences buying tickets and coming back for seconds.  It helps the movie was genuinely good, introducing actors and characters that were funny and appealing.  Two years later, Pitch Perfect 2 was positioned as an early summer blockbuster and the results weren’t quite as memorable.  A slack script, uninspired direction, and more than a few performances that looked like they were delivered under duress or as a way to pay off their backyard pool.  It was your typical cash-grab sequel that offered no forward motion for its players.

Here we are in the waning weeks of 2017 and Pitch Perfect 3 has arrived, supposedly as a finale of a trilogy planned on the fly.  While it corrects some structural mistakes from the first two films, it winds up suffering more than its predecessors as it falls prey to exhaustion and too-slick filmmaking.  Fans of the series will likely find major joy in the final adventures of the all-female acapella group and welcome their return, but all others might be in for a stressful 90 minutes.

It’s been two years since the Barden Bellas have sung together and the troupe has scattered to live their post-grad lives.  Becca (Anna Kendrick, The Accountant) and Fat Amy (Rebel Wilson, Bachelorette) share an apartment in the big city and while Amy spends her days on the street performing as Fat Amy Winehouse, Becca continues to pursue her dream of producing music for the stars.  Trouble is, she’s working with some less than talented characters, a troublesome position for someone clearly far more talented than the clients she serves.  At a supposed reunion of the Bellas organized by senior Emily (Hailee Steinfeld, The Homesman), the ladies express interest in signing together one last time and, wouldn’t you know it, gung-ho former leader Aubrey (Anna Camp, Café Society) remembers that there is a big USO show starting up and her high-ranking military dad might be able to get them a spot.

Flying off to join the troops on a European tour, when they arrive they learn the show is doubling as an audition to open for DJ Khaled (I mean, who wouldn’t want to open for a DJ, right?  Right?) at a big upcoming gig.  It’s not long before the Bellas realize their acapella harmonies don’t stand a chance against the other acts which include a twangy country band, a soul singer, and an all-female rock band (led by the bewitching and underused Ruby Rose) that call themselves Forever Moist (ew).  Jet lag hasn’t even set in before there’s the expected riff off between the groups and the Bellas, with the pre-recorded vocals being mimed pretty poorly by everyone in the movie, this has far less of the off the cuff energy that made the one in the original film so dazzling.

Sadly, there’s more to the movie and it involves John Lithgow (Intestellar) sporting an Australian accent so broad it should come with its own groaning laugh track and an out of left field kidnapping action film plot that feels like screenwriters Kay Cannon (How to Be Single) and Mike White (The D Train) got offered too much money to make a rumored Fat Amy spin-off happen.  Can’t forget to mention that the snide color commentators from the first two films (John Michael Higgins and Elizabeth Banks) are following the ladies around trying to make a documentary (sorry, daccamentary) about their struggles to remain relevant.

Looking less pained than the previous film, Kendrick grooves with the movie and regains her star status after taking a back seat in the more ensemble-y sequel.  Wilson is up to her usual schtick…is anyone else concerned that after all this time she’s still playing second banana in movies?  It’s time for Wilson to take the lead because she has potential that continues to be squandered on lame physical humor.  It’s nice to see Camp back in a larger role after having a glorified cameo in PP2 and Brittany Snow has a few pleasant moments as she allows her prefect outward façade to crack and show the vulnerability below the surface.  Banks (Magic Mike XXL) and Higgins (A Million Ways to Die in the West) have been reduced to grotesque, mean-spirited caricatures that began the series as well-sketched comic critics.  It’s a lowbrow end of the road for those two.

All of these quibbles might not matter because you might not be able to discern much of the action that’s taking place.  Director Trish Sie has shot and edited her film so frenzied that it feels like it was assembled by rabid piranhas.  Forget about the camera zooming back to catch the Bellas performances in widescreen. Nope, Sie favors quick shot close-up cuts and blink and you miss them wide shots.  I’m not convinced the movie wasn’t shot in some warehouse in Pasadena because aside from locales that look like old Euro sets on the Universal backlot, most of the musical numbers have a sameness to them.  Only a nice performance in the Brooklyn aquarium has any special feel to it.

On the positive side, the movie is 20 minutes shorter than the first two films and wisely keeps the men (including Adam DeVine, Skylar Astin, and Ben Platt) out of the mix.  For a series that has nicely sung the merits of female empowerment, it was always strange that men played such a pivotal role up to this point.  I’m even willing to forgive the inclusion of a leering producer with his eye on Becca because he factors so little into her overall arc.

Much like fans of Marvel, DC, and the Star Wars saga, the devotees of the Pitch Perfect series don’t want to hear the negative and that’s OK too.  These three films have brought some musicality back to movie theaters and that’s totally fine in my book…I just wish these last two films had the same spirit of originality that launched the first one into the repeat viewing category.

Movie Review ~ Goosebumps


The Facts:

Synopsis: A teenager teams up with the daughter of young adult horror author R.L. Stine after the writer’s imaginary demons are set free on the town of Greendale, Maryland.

Stars: Jack Black, Amy Ryan, Dylan Minnette, Odeya Rush, Jillian Bell, Ryan Lee, Ken Marino,

Director: Rob Letterman

Rated: PG

Running Length: 103 minutes

Trailer Review: Here

TMMM Score: (6/10)

Review: Before YA fiction was solely developed as a target market for the next big cinematic franchise there were actual stories to be read.  I was a voracious reader when I was younger (who has the time now?) and I loved latching on to a series of books that I could develop a rapport with.  There was a certain safety in finding multiple volumes of a continuing story or interconnected adventures that made reading exciting.

I read a lot of R.L. Stine’s more teen centered fare when I was at the target age and his Goosebumps series was developed for a slightly younger crowd.  Short, sweet, and filled with any number of nightmarish happenings that didn’t feel all that scary, these were thin page-turners that helped prep youngsters to sleep without a nightlight and explore loftier fare as they grew older.  I went back and read a few of the early works in advance of the big screen adaptation of Goosebumps and found them to be energetic, creative, and breezy reads.  No wonder they’ve spawned several spin off novels, a T.V. series, and a handful of T.V. movies.

So the time had finally come to make a Goosebumps movie and the question was, which of the hundreds of stories to tell?  In a smart move, screenwriters Mike White and Darren Lemke (Jack the Giant Slayer) mashed many of the memorable monsters together in one film, front-loading their movie with fan favorites and several of the lesser known creepies that Stine thought up over the years.  In a further meta-twist, R.L. Stine would actually be a central character in the film, with the plot involving the secretive author helping teens in a small town after they accidentally release a bevy of ghoulish delights that escaped from Stine’s library.

Director Rob Letterman has cast the film with a strong roster of young and old talent and the movie has a Jumanji-like feel to it that made it a perfect choice for an early fall evening.  I was surprised at how much I was enjoying the film for the first hour or so until some budget conscious special effects took center stage and the movie became less interesting with each passing oogy-boogy moment.  What starts as a pleasantly genuine mystery/adventure turns into another run-of-the-mill everything-but-the-kitchen sink kinda experience.

As R.L. Stine, Jack Black (The D Train) is mostly amusing until you realize that he’s on auto-pilot, recycling the same manic seriousness that is his fallback whenever he’s feeling less than challenged. Employing his strange British accent (the real Stine hails from Ohio) and wide-eyed double takes, Black at least believes every line he says and commits fully.  Still, I find myself longing for the actor to continue to take steps outside of his usual shtick…like his stellar work in Bernie shows he is more than capable of.

Dylan Minnette (Prisoners) is a nice all-American teenager next door, a big city transplant to the small town where his mother (an underused Amy Ryan, Bridge of Spies) is the new vice principal.  Living next door to Stine he becomes enamored with his daughter (Odeya Rush, The Gift) who has secrets of her own.  The comic relief of the film comes from Jillian Bell (22 Jump Street) as Ryan’s flighty aunt and Ryan Lee (This is 40) as Minnette’s buck-toothed buddy.  Coming off as a young Don Knotts, Lee steals every scene he’s in, providing some genuine belly laughs along the way.

Though rated PG, this is one that parents should consider watching first before letting their younger tykes screen it.  I found the film to be fairly frightening and a little intense when the monsters get loose.  It’s one thing to read about these creepy crawlies but it’s another thing altogether to see them come to life on a very big screen (in 3D if you’re willing to pay for it).  Judging by the squeals and shrieks from the young audience I saw it with, parents will want to tread carefully.

Even with some misguided moments near the end, the film is welcome fall fare and nice counter programming to the scary adult offerings October usually brings.

Hasta La Vista…Summer (May)



We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.

I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.

So sit back, relax, and enjoy the ride read.


Though the summer movie season has traditionally been thought of as Memorial Day through Labor Day, in the past several years studios have marked early May as the start of the summer movie wars and 2015 was no different.

Kicking things off on May 1 was Avengers: Age of Ultron and, as expected, it was a boffo blockbuster that gave fans more Marvel fantasy fun. While it wasn’t as inventive as its predecessor and relied too much on jokey bits, the movie was everything a chartbuster should be: big, loud, worth another look.

Acting as a bit of counter-programming, the next week saw the release of two very different comedies, neither of which made much of a dent in the box office take of The Avengers. Critics gnashed their teeth at the Reese Witherspoon/Sofia Vergara crime comedy Hot Pursuit but I didn’t mind it nearly as much as I thought I would. True, it set smart girl power flicks back a few years but it played well to the strengths of its leads and overall was fairly harmless. I hadn’t heard of The D Train before a screening but was pleasantly surprised how good it turned out to be, considering I’m no fan of Jack Black. The movie has several interesting twists that I didn’t see coming, proving that Black and co-star James Marsden will travel out of their comfort zones for a laugh.

Blythe Danner proved she was more than Gwyneth Paltrow’s mom in the lovely, if slight, I’ll See You in My Dreams. It may be too small a picture to land Danner on the end of the year awards list she deserves but the drama was a welcome change of pace so early in the summer.

Another early May drama was a wonderful adaptation of a classic novel…and one I forgot to review when I had the chance…here’s my brief take on it now…

                                         Movie Review ~ Far From the Madding Crowd
far_from_the_madding_crowd_ver2The Facts
Synopsis: In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
Stars: Carey Mulligan, Matthias Schoenaerts, Michael Sheen, Juno Temple, Tom Sturridge
Director: Thomas Vinterberg
Rated: PG-13
Running Length: 119 minutes
TMMM Score: (8/10)

Review: This adaptation of Thomas Hardy’s celebrated novel was a moving drama brimming with quietly powerful performances and lush cinematography. It’s a story that has been duplicated quite a lot over the years so one could be forgiven for feeling like we’ve seen this all before. Still, in the hands of director Thomas Vinterberg (The Hunt) and led by stars Carey Mulligan (Inside Llewyn Davis), Matthias Schoenaerts (Rust & Bone), & Michael Sheen (Admission) it stirred deep emotions that felt fresh. Special mention must be made to Craig Armstrong (The Great Gatsby) for his gorgeous score and Charlotte Bruus Christensen for her aforementioned picturesque cinematography. You missed this in the theater, I know you did…it’s out to rent/buy now and you should check it out pronto.

Around mid-May the summer bar of greatness was set with the arrival of Mad Max: Fury Road. The long in development fourth outing (and semi-reboot) of director George Miller’s apocalyptic hero was a movie lovers dream…pushing the boundaries of cinema and filmmaking into new places. A vicious, visceral experience, I can still feel the vibration in my bones from the robust film…a real winner.

The same week that Mad Max came back into our lives, a so-so sequel found its way to the top of the box office. Pitch Perfect 2 was a lazy film that’s as close to a standard cash grab as you could get without outright playing the original film and calling it a sequel. Uninspired and lacking the authenticity that made the first film so fun, it nevertheless made a song in receipts and a third film will be released in the next few years.

Tomorrowland and Poltergeist were the next two films to see the light of day and neither inspired moviegoers enough to gain any traction. Tomorrowland was actually the first film of the summer I saw twice…admittedly because I was curious about a new movie theater with reclining seats that I wanted to try out. As for the movie, the first half was an exciting adventure while the final act was a real mess.

I thought I’d hate the Poltergeist remake way more than I did…but I ended up just feeling bad for everyone involved because the whole thing was so inconsequential that I wished all of that energy had been directed into something of lasting value. While Sam Worthington made for a surprisingly sympathetic lead, the entire tone of the film was off and not even a few neat 3D effects could save it from being a waste.

May went out with a boom thanks to two wildly different films. If you asked me what I thought the prospects were for San Andreas before the screening I would have replied that Sia’s cover of California Dreamin’ would be the only good thing to come out of the action picture starring everyone’s favorite muscle with eyes, Dwayne Johnson. I still feel like Sia came out on top but the movie itself was a more than decent disaster epic, a little too long but made up for it with grand sequences of mayhem and destruction. Can’t imagine it will play nearly as well on a small screen but I wasn’t hating the film when the credits rolled.

A film I wasn’t too thrilled with at all was Aloha, Cameron Crowe’s own personal disaster flick. I still don’t know quite what to say about the movie because it was so dreadful that I’ve attempted to clear it from my memory. What I do remember was that it wasted its strong cast and exotic locale, as well as our time. Truly terrible.


The Silver Bullet ~ Goosebumps (2015)


Synopsis: A young kid teams up with the niece of young adult horror author R.L. Stine after the writer’s imaginary demons are set free on the town of Greendale, Maryland.

Release Date:  October 16, 2015

Thoughts: The series of novels from which this new Jack Black fantasy is based on was a little after my time.  I grew up in the days of Christopher Pike and Lois Duncan suspense novels and R.L. Stine’s Goosebumps page-turners were geared toward the grades below my interest level.  Truth be told, the movie has my curiosity slightly piqued…but then again I’m a fan of campy creepers like The Monster Squad and Waxwork.  If I had to draw another comparison based on this first look at the October release, I’d toss Jumanji out there…and we all know how that one turned out.  Still, it’s rare to have a Halloween film aimed squarely at the PG set so the inner child in me won’t mind sidling up to the scares…however light they appear to be.

Movie Review ~ The D Train


The Facts:

Synopsis: The head of a high school reunion committee travels to Los Angeles to track down the most popular guy from his graduating class and convince him to go to the reunion.

Stars: James Marsden, Jack Black, Jeffrey Tambor, Mike White, Kathryn Hahn, Henry Zebrowski, Kyle Bornheimer, Adria Tennor, Russell Posner

Director: Andrew Mogel, Jarrad Paul

Rated: R

Running Length: 97 minutes

TMMM Score: (7/10)

Review: I used to be a movie-goer that loved to see previews of coming attractions sometimes more than the feature presentations themselves.  I’d consider being late to a movie if even one preview had unspooled…but over time the fifteen minutes worth of trailers took their toll on me and I was exhausted before the movie even began.  A nice part of being a critic and seeing screenings of films in advance is quite often there won’t be any previews before a movie…cutting down on my exasperated saturation of seeing the same teaser over and over and over again.

I mention this right away in my review of The D Train because it was one of those rare flicks I went into without ever having seen a preview or reading much about it.  All I knew was that it starred Jack Black (Bernie), James Marsden (Robot & Frank), and Kathryn Hahn (Bad Words) and that was good enough for me.  While not the biggest Jack Black fan in existence (his shtick having long since worn out its welcome on me in the mid-2000s) I’ve come to appreciate that the actor has taken some risks at this stage in his career.

The D Train is another risk that’s paid off not only for Black but Marsden too.  While not graced with the most profound character arcs thanks to writer/director Andrew Mogel & Jarrad Paul’s almost fully formed script, the two actors deliver surprisingly effective performances that are even-keeled and grounded even with some unexpected twists and turns that pop up.

Black plays another middle-aged everyman but this time the actor makes his Average Joe a human being and not some overgrown man-child.  The head (more figurehead) of his high-school reunion committee, Black works for a non-descript boss (Jeffrey Tambor, The Hangover Part III) at a non-descript job in a non-descript office that isn’t even wired for high-speed internet.  Though he has a loving, high-school sweetheart wife (Hahn) and kids he’s flatlining and knows it.

That all changes when he catches a commercial late at night featuring a high-school classmate (Marsden) that moved to LA shortly after graduating.  Hatching a plan to up the reunion attendance and at the same time becoming a local hero by convincing the “star” classmate to attend the reunion, Black travels to California to reconnect with an old pal that can’t remember him.

Up to this point, Mogel and Paul have kept things pretty standard fare.  Even a hackneyed scheme for Black to get his company to pay for his trip out west seems like something out of an ‘80s comedy checklist.  When Black arrives in LA, though, things take an unexpected turn that I wouldn’t dream of giving away.  Needless to say, it instantly ups the ante of Black and Marsden’s comedic stock and elevates the picture from being just another screw-up-makes-good farce.

That’s not to say it’s totally smooth sailing from then on out.  There’s more than a few slow sections in the third act of the film and the resolution seems a bit too pat considering all the carefully placed turns that came before; however at the end of the day I was more impressed with the comedy than I thought I would be.  There’s a certain sweetness to it and Black makes for a charmingly hapless sad sack dealing with a lot of feelings he hadn’t planned on exploring.  Marsden is one of the gamest actors out there, willing to play against type and trade on his looks if the part calls for it.  Make no mistake, though, the actor is always 100% aware of what he’s doing, which at times means you can see him stretching to be acknowledged for coloring outside the lines.  While she’s become known for being a gifted comic actress, Hahn has dramatic chops to counter the laughs and those are put to good use here as well.

With its retro synth score and overall old school ambiance, The D Train would be a film I’d think ‘80s maestro John Hughes would have given his stamp of approval to.  In a season getting stuffed with big budget action lollapaloozas and high concept studio comedies, you’re encouraged to hop on the indie goodness of The D Train.