Synopsis: The uncompromising Tony and Emmy Award-winner is showcased both on and off stage via rare archival footage and intimate cinema vérité.
Stars: Elaine Stritch, Tina Fey, James Gandolfini, Cherry Jones, Alec Baldwin, Nathan Lane, Rob Bowman
Director: Chiemi Karasawa
Running Length: 80 minutes
Trailer Review: Here
TMMM Score: (8/10)
Review: The Oscar winner for Best Documentary this year was 20 Feet From Stardom, the melodic and inspiring look into the lives of the back-up singers heard on history making songs. It bested the haunting The Act of Killing which centered on the genocide in Indonesia during the early 60’s. Both documentaries had striking value but sentimentality seemed to win out in the end. I’m not sure that Elaine Stritch: Shoot Me is going to wind up on any Oscar shortlist next year, but it possesses the same joie de vivre 20 Feet From Stardom had while holding up a painful mirror to the passage of time.
I liked the film so much I watched my screener twice, almost back to back, but talking with a friend who was less impressed later he pointed out that making an entertaining movie about Broadway’s irascible character Elaine Stritch wasn’t exactly hard work. In fact, it’s akin to shooting fish in a barrel. Almost from the first frame, Stritch is on fire, traipsing around the streets of NYC in her huge fur coat and comically large glasses that look like two see through dinner plates glued to two black shoehorns.
Over the course of a too short 80 minutes, director Chiemi Karasawa follows Stritch as she prepares for her final shows at the Café Carlyle, the famous NYC cabaret housed in the The Carlyle Hotel which Stritch has held residence in for several decades. We meet people from her past through excellent archival footage and photographs along with several of the famous faces that our leading lady calls friends.
What makes the film so interesting is that we’re as aware of the cameras as Stritch is. One of my favorite moments sees Stritch discussing her new show and without missing a beat hysterically dressing down a camera man that got too close for her comfort. Brutally honest but directing the most fatally barbed comments to herself, there’s a refreshing honesty that comes naturally to her, making the octogenarian instantly relatable to any age group.
I’ve seen Elaine Stritch in her one woman show (Elaine Stritch: At Liberty) and thought I knew all when it came to her upbringing and career but this new documentary reveals yet another layer. There’s a bit of a downward spiral Stritch is undertaking and though she’s giving it all she’s got you can tell she sees the very faint writing on the wall. Perhaps that’s why she’s let the cameras follow her and capture some pretty vulnerable moments.
Overflowing with humor with a few dashes of pathos, it’s not the downer of a film I may have made it out to be. I’d watch Stritch read the phone book so I knew I was bound to like this one – and if you’ve ever heard Stritch on a cast recording or caught her on 30 Rock you’ll probably wind up liking this one too.