2021 – Best of the Best, Worst of the Worst, Grand Totals

Hello!

The MN Movie Man is now 10 years young!

As quickly as 2021 began, it feels like I was gearing up to write another year-end recap – time truly does fly.  It was a busy year, though!  In addition to a renewed stream of movies released in theaters, there continued to be a nice supply of indie features and hidden gems that appeared in my inbox – an ongoing bounty from the pandemic that I am eternally grateful for.  While some studios that were so wonderful (and, frankly desperate) for support during those hard times sadly turned their backs on smaller reviewers – from the bottom of my screening soul I thank those that didn’t forget us when things began opening up again.

I also want to give a shout out to all of those studios that kept offering options to see films either at home or in theaters.  Some movies are just meant to see on the big screen while most are arguably able to get by with an at home link. Having the option, especially in an environment that continues to be in flux, shows signs of an industry that puts health and safety first.

Again, I saw far more movies at home than in theaters, but I tried to make the big screen showings count as much as possible.  I also found that I watched a number of movies more than once this year – something I rarely do in such short order.  Continuing on with reviews and screenings of smaller titles helps me stay grounded/rounded and even with a few setbacks that knocked me off my game for a few weeks (who needs a gallbladder anyway, right?) I kept on giving you more than just your regular blockbuster or reviews that paid lip service to popular entertainment.  I hope you continue to check out these titles that may be further off the radar than you are used to.

Festivals!  How could I forget!  A goal this year was to increase attendance at film festivals and wow did I luck out with invites to several key events that opened my eyes to a completely new side of the business.  Attending these (virtually) not only allowed me to widen my movie vocabulary exponentially but it helped me hone my writing as well, something I’m always looking to tweak.  It raised my numbers of overall movies watched and wound up giving me the excuse to add another category to my year end wrap up below…a Best of the Fest.  Check these out for movies to watch for in 2022 (or later!)

In closing, I’ll return to the challenge I give my fellow critics every year…“I challenge you to review on your blog/channel/page at least one movie a month that didn’t get a mainstream release.” I’m going to triple down on this again in 2022 because I think more of you can take this on.  Keep seeking out these smaller films and give indie filmmakers some exposure.  At the same time, acknowledge your fellow critics as well who do good work, tip you off to certain films, and support you throughout the year.  Off the top of my head, I’m always looking to Brian Orndorf, Tim Lammers, and Jared Huzinga to see what they’ve been watching and The Minnesota Film Critics Alliance is worth a peek as well for another roster of critics doing their thing.  This year, I’m adding Peggy at the Movies and Guy at the Movies to my list of can’t stop/won’t stop reviewers that are dedicated to writing reviews almost daily and regularly stay flexible to seeing a wide range of film genres. Give credit where credit is due!  

This is the 10th year of this blog (wow!) and it goes without saying that I’ve appreciated your feedback, your patronage, and your general presence over time.  Even if you read this everyday but have never commented or made contact I can still tell you’ve been here and that means a lot.  The number of readers and subscribers grow, the followers increase, the likes go up — it’s great to see!

If you haven’t already, make sure to follow this blog, follow me on Twitter (@joemnmovieman), follow me on Instagram, and like my Facebook page so you can help me continue spreading the news about The MN Movie Man.

Best Wishes to you and yours for a most Happy New Year!

~Joe (The MN Movie Man)

5. The Night House – I’ll be honest, I was a little surprised myself to select this one for top tier status, but The Night House is a film that’s stuck with me longer than most movies I saw in 2021. It’s also a quality example of a screener I watched twice at home in the already short viewing window…which should only highlight how impactful this creepy tale of a wife coping with the sudden death of her husband at their lakeside home is. That it’s about something more than what you think it is makes it that much more fun to dissect on a second viewing, recognizing the intricate ways director David Bruckner, screenwriters Ben Collins & Luke Piotrowski, and most especially star Rebecca Hall have built this fragile house.  Come for the scares but stay for the message that comes with them.

4. tick, tick…BOOM! – This die-hard RENT-head was way skeptical a film version of the late playwright Jonathan Larson’s lesser known work could make it as a Netflix musical under the direction of Lin-Manuel Miranda but sheesh, was I ever wrong! Cleverly re-orchestrated to tie the off-Broadway musical’s storyline even closer to Larson’s own life story, star Andrew Garfield delivered the single best film performance of the year in a role that should earn him an Oscar. The emotions this one raised were through the roof and while it had numerous surprises throughout (that diner scene!) the biggest one was how timeless the music feels even today. 

3. The Green Knight – I came so close to missing the boat on this one and I’m so glad I got it in under the buzzer because I surely would have had to add it to my best of the year list whenever I did get around to seeing director David Lowery’s gorgeous take on the Arthurian tale of Sir Gaiwan and his encounter with The Green Knight, conjured by his own mother as a test of bravery.  I was so taken with the way the story developed episodically yet maintained a smooth flow of energy throughout.  Performances were solid and from a technical standpoint few movies came even close to achieving the same caliber of execution in production design and costume.  It’s one of several movies from 2021 I would classify as not to be missed under any circumstances.

2. C’mon C’mon – Admittedly, while I found Joaquin Phoenix’s actual performance in 2019’s Joker to be worthy of the Best Actor that he won, the film itself left a terrible taste in my mouth I wasn’t sure I’d ever be rid of.  Following up that dark journey with this tender movie by Mike Mills, Phoenix delivers an even better showcase of what he is capable of doing.  I wish we were living in a time when more people were venturing out to the movies because I think a film as simple and heartfelt as C’mon C’mon would speak to a lot of viewers out there that feel overwhelmed at life, underwhelmed at how they are valued, and anyone seeking to matter to someone else in a small way.  Featuring a fabulous turn by former child star Gaby Hoffman as mother to the brilliant newcomer Woody Norman, I can’t imagine anyone walking away from this film unchanged.

1. West Side Story – You only need to do a quick search of the films I saw in the theater to get an idea of why this might have topped my list.  I don’t even remember the last time I saw a movie four times in its initial run but Steven Spielberg’s remake of the Best Picture from 1961 is about as fantastic a reason as any…and I’d see it more if I could.  The big screen is honestly what this version calls for, with Tony Kushner’s carefully rethought screenplay giving more voice to the minority characters and fleshing out what had been in the past perhaps less obvious or too thin.  It doesn’t alter anything drastically, nor does it set out to.  Composer Leonard Bernstein’s music soars through the theater and hits the right nerves, while Spielberg and cinematographer Januz Kaminski provide extraordinary visuals, the likes of which musicals haven’t been afforded in years.  It blew me away as much the fourth time as it did the first time.  Many tears have been shed by me watching it and I expect it to be that way each time I watch it in the future.  It’s not just my favorite movie of 2021, it’s a new all-time favorite that I would count among one of the highest accomplishments in the careers of all involved.  Yes, it’s a remake, but it’s so stupendously entertaining that by the end it won’t matter what came before or after.  This is singular.

Honorable Mentions: 8-Bit Christmas, Barb and Star Go to Vista del Mar, Belfast, Blood Red Sky, Boss Level, Candyman (2021), CODA, Derek DelGaudio’s in & of Itself, I’m Your Man, In the Heights, Initiation (2021), No Time to Die, Our Friend, Ride the Eagle, The Harder They Fall, Together Together

5. Red Notice / SAS: Red Notice – With movies as bland and forgettable as these two, having them boast similar titles made combining them for recognition as worst of the year that much easier.  Maybe Red Notice is the worse of the two because it has three A-list stars, charming by all accounts, barely awake through a routine heist thriller which isn’t ever compelled to color outside the lines. Or perhaps it’s SAS: Red Notice, a badly made and overly long chunk of cheese with mediocre stars that shows occasional signs of life but ultimately can’t drum up enough interest for anyone, least of all viewers, to care. Either way, early on in both movies I was ready to wave the white flag.

4. Cinderella (2021) / Dear Evan Hansen – In large part, musicals did well this past year (see the Best of above) but when they hit the wrong notes, oh were they ever sour! Take these two ill-advised ones from the class of 2021, both earning more laughs than applause. If you didn’t know Camila Cabello could sing before watching her as the title character in Cinderella, you might be wondering what the big deal was because the pop star is all over the vocal map warbling out a number of oddly chosen contemporary songs roughly shoehorned into the plot. Highly advertised Billy Porter as the Fabulous Godmother is barely in the film while there’s too much of people we don’t want to hear sing, like Pierce Brosnan and James Corden. If there’s one thing positive to say about Dear Evan Hansen, it’s that there are more decent singers in it, but the core plot is so flawed to begin with that it was always going to face an uphill climb.  While star Ben Platt has already been skewered enough by commentators far better than I (like this brilliant and fair deconstruction), it must be said that the total cluelessness of the actor and filmmakers to how ridiculous the performance would be is a sign that no one was tending the shop.  At least Julianne Moore’s speak-singing works better than it could have. 

3. Midnight in the Switchgrass – With an astounding NINE movies released in 2021, several critics have filled almost their entire “Worst of” list with Bruce Willis movies this year but thankfully I only endured one of them…and it easily made my list. Willis barely registers as alert in this dreadful serial killer “thriller” that also features Megan Fox (who otherwise had a nice year flying solo in Till Death). Several odious storylines are brought together in director Randall Emmett’s bargain-basement production and if you wondered what it would be like to see Fox and Machine Gun Kelly in a sleazy hotel room together, look no further.  Notable for Willis being sedentary for most of his scenes and for one big ‘ole slice of turd pie where he and Fox sit across from each other in a diner and trade F-bombs for several minutes.  David Mamet, this ain’t.

2. Home Sweet Home Alone – it’s one thing to have the cojones to use the tagline “Holiday classics were meant to be broken” because you’re drawing a line in the sand which I respect even though I hate it at the same time.  At least the screenwriters got the finished film somewhere in the ballpark because this, I don’t even know what you’d call it, “reboquel?”, is a broken-down pile of reindeer droppings masquerading as holiday entertainment.  More about the married dunderheads trying to break into the mansion where a young boy has been left behind by his family, it’s like everyone involved forgot what made the original Home Alone so charming.  No one wants to watch a movie about the burglars. Especially one that’s so very badly made as this one.  It’s total rubbish.

1. Vanquish – As bad as all of the movies I’ve mentioned above and as moderately disappointing as the Dis(Honorable) Mentions below, nothing came close to how bad Vanquish was. Defying belief, I may have seen “worse” movies over the course of this past year but considering the studio that released this trash and the fact that it had a modicum of talented individuals involved…it turning out so insufferably stupid is almost a miracle in a way.  Morgan Freeman (THE Morgan Freeman) is the Chief Stink-a-roo in this mess, followed by Ruby Rose as a woman dragged back into a life of violence in order to save her daughter. It’s morally vacuous, technically banal, and the minutes you spend watching it are ones you’ll never EVER get back…just remember that I warned you.

Dis(Honorable) Mentions: Apache Junction, Body Brokers, Boogie, Great White (2021), Halloween Kills, Lady of the Manor, Music (2020), Needle in a Timestack, PVT Chat, Queen Bees

6. Hit the Road / Great Freedom (57th Chicago International Film Festival) – My first festival from 2020, it was fun to return to the CIFF in 2021 and catch another round of well-curated selections. My favorites were this family road dramedy and a film about a man serving time in a German prison over a number of years for being gay.  Hit the Road was from Iran and featured a terrific multi-generational cast that was alternately hysterical and moving as they headed toward a destination that will change all of their lives forever.  Great Freedom is one I think we’ll hear more about as the Oscars come up. It’s hard to watch (as most movies depicting violent prison life are) and has genuinely transformative performance from Franz Rogowski.

5. Porcupine (Nashville Film Festival 2021) – I’ve sort of grown up watching Jena Malone and felt that she never truly got her due as a lead in movies.  Don’t get me wrong, she routinely knocks it out of the park any time she shows up and any film she’s in is the better for it…but I wanted to see her get the recognition of a lead. That comes with Porcupine, a bittersweet film about a woman without ties who seeks out a family she can be a part of.  It’s a film that is as surprising as Malone’s sensitive performance.

4. The Daphne Project (2021 Bentonville Film Festival) – As a lifelong theater nerd and semi-retired stage actor, I know people like the character Zora Iman Crews is playing in The Daphne Project. Styled like a mockumentary around a self-obsessed actress as she takes over a very off-Broadway production of a Greek tragedy, Crews and her co-director/co-writer Alec Tibaldi sustain the laughs long enough to make you want to see more Daphne adventures in the future. True laugh-out-loud moments were hard to come by in 2021 but Crews and Tibaldi gave lucky festival views a huge supply.

3. Nr. 10 / She Will / The Execution (Fantastic Fest 2021) – Three excellent films that I can barely talk about because the more you know going in, the less surprises you’ll get to experience on your own.  Just know that with Nr. 10, you’ll never in a million years (maybe a billion) guess where the film is headed based on how it begins.  That it’s so entertaining on both ends says something about the writing and directing.  Alice Krige has been a long-time favorite of mine and she gets a dandy lead in She Will as an actress recovering from cancer-surgery at a secluded retreat.  While there, she begins to experience a strange new power in her dreams, a power that gives her control over those that have wronged her. Already vengeful in nature while awake, what will she do with this new power in her sleep?  The Execution may be slightly overlong, but it takes its time with its story of a police detective tracking a serial killer in multiple timelines.  It’s one you have to pay attention to visually, made slightly more cumbersome with the subtitles, because the pieces fit together perfectly…but miss one and it may become a head-scratcher.

2. All the Moons / Hellbender (2021 Fantasia International Film Festival) – Two beautifully made films about young women coming into their gifts.  All the Moons is just a dandy treat and one that will definitely get a red-carpet rollout befitting this vampire tale set in the 19th century. Often more concerned with human emotion instead of violence and death, it doesn’t skimp on the scares either.  Made by an entire family of talented filmmakers, Hellbender finds a mother-daughter duo living off the grid and sustained by the forest who run into trouble after the daughter taps into her primal instincts after getting a taste for meat.  Not the first film from the Adams family but certainly a new high bar, especially from Toby Poser as the “cool mom” harboring a dark secret.

1. The Novice / Catch the Fair One (Tribeca Film Festival) – Either one of these movies could have been on my Top 5 of the year list and it’s largely because of that I had to create this special category.  Both certainly have the two best female performances of the year and if there were any justice, Isabelle Fuhrman would land and Oscar nomination for her Black Swan-ish work in The Novice as a college rowing student obsessed with being the best at all costs.  Her acting, along with Lauren Hadaway’s skilled direction, are unforgettable.  Champion boxer Kali Reis makes a lighting strike debut providing the story for Josef Kubota Wladyka’s dangerous thriller Catch the Fair One, finding Reis seeking out her missing sister and punishing anyone along the way that has had a hand in her disappearance.  Both roles are soul-bearing spectacles, delivered with sincerity…and in films that back them up wonderfully.

Most Misunderstood: Last Night in Soho – director Edgar Wright’s trippy horror film found its way onto a surprising amount of Top 10 lists, especially considering how many reviewers commented at how slack the third act was.  This barely missed the cutoff for my favorite films as well but thought it worked better here, only because I was shocked at the hate directed toward it for something so trivial as a commercially minded dénouement that made perfect sense within the world Wright created.  It looked great, was spooky, and has decent replay value.  I have a feeling this is one that will gain in popularity over the years and even those that picked it apart will come around to its accomplished creative energy.
Honorable Mention: Prisoners of the Ghostland– For star Nicolas Cage to call this this “The wildest movie I’ve ever made” has to say something about this post-apocalyptic fantasy that’s ultra-violent and campy (with several performances that are legit terrible) but which works far more than it fails. It only gains steam as it chugs along and builds to a climax that it earns. Not for the faint of heart or spirit but fully in line with Cage and his fan club.

Joe’s Humble Pie Award of 2021 (movies that turned out differently than I expected going in): Pig – The number of ways this could have gone wrong…I just can’t even tell you.  Yet Pig was an example of why it’s so good to go into a movie with as little knowledge and expectation as possible.  Even those thinking they knew what would develop halfway through the film would be surprised at how it turns out and who would have predicted the performance Nicolas Cage would give?  When it was released, I was convinced Cage was on his way back to the Academy Awards to surely pick up his prize. Unless a miracle happens, that won’t be the case but it doesn’t diminish the phenomenal work being done here or the overall impact of the movie, which sticks with you long after you’ve finished it.
Honorable Mention: Wrong Turn (2021) – updates/remakes/reboots are just so hit or miss, I had no reason to believe that Mike P. Nelson’s fresh take on the long-running Wrong Turn franchise would be anything but a dry rehash of the numerous sequels that had diluted the mythology. Well, turns out Nelson had a solid film ready to go with its own set of rules that effectively added energy back to title that was gasping for life.  Pay attention to this director and what’s coming next.

Two Movies You Probably Haven’t Seen But Should: Golden Arm and The Empty Man – The two movies I’m mentioning here couldn’t be more different but I am cheating here so I can talk about them both briefly.  Golden Arm is a female buddy movie about arm wrestling that got the briefest of releases and is bound to (hopefully) be discovered on streaming services down the line as the hidden gem we all slept on.  I didn’t – I knew it was a winner when I first saw it!  When the thriller The Empty Man debuted in theaters, no one was interested in seeing an overlong horror film that asked people to think as well as scream…but they missed the opportunity for a severely scary tale that manages to be a rare example of a fright flick that gets more terrifying as it goes on.  Great cinematography and a solid lead performance from James Badge Dale only gives greater street cred to this one that’s routinely buried deep in the horror queues of your favorite service.

Others to Consider:  Some of these are titles released in 2021, some are films I saw for the first time in 2021, some are titles I revisited in 2021 — all are worth a look but didn’t quite fit into any other category above!

All that Jazz
Broadway Danny Rose
Class of 1984
Dead of Night (1945)
Doc Hollywood
Dog Day Afternoon
Don’t Tell Mom the Babysitter’s Dead
Dragonslayer
Green Card
Imitation of Life (1959)
Knight Moves
Magnificent Obsession (1954)
Miracle on 34th Street (1947)
Mystic Pizza
On Golden Pond
Ordinary People
Pollyanna (1955)
Pride & Prejudice (2005)
Razorback
Rolling Thunder
Room for One More
The American President
The Family Stone
The Father (2021)
The Joy Luck Club
The Mole Agent

Click HERE for a full listing of films seen in 2021
Total Movies Seen in the Theater: 29
Total Movies Seen at Home: 627
Grand Total for 2021 (not counting films seen multiple times): 656
Where I Saw the Most Movies – At home!

Bond-ed For Life ~ No Time to Die

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The Facts:

Synopsis: James Bond has left active service and is enjoying a tranquil life in Jamaica. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help. The mission to rescue a kidnapped scientist turns out to be far more treacherous than expected, leading the former MI6 agent onto the trail of a mysterious villain armed with dangerous new technology.

Stars: Daniel Craig, Rami Malek, Léa Seydoux, Lashana Lynch, Ralph Fiennes, Ben Whishaw, Naomie Harris, Jeffrey Wright, Christoph Waltz, Billy Magnussen, Ana de Armas, David Dencik, Rory Kinnear

Director: Cary Joji Fukunaga

Rated: PG-13

Running Length: 163 minutes

Trailer Review: Here

TMMM Score: (9/10)

Review: So…here we are.  After a long, very long, extremely long, wait…the new 007 film has arrived.  It’s also the last time Daniel Craig will don the James Bond suits, drive the fancy cars, and play with the cool gadgets, so it’s understandable why the producers and studio behind No Time to Die kept firm with their decision to push back the release date over and over again so audiences could only experience this important chapter in theaters.  This, after the movie was initially delayed on its way to the screen because of a departing director (Oscar-winner Danny Boyle left after disagreements on how the story should go), cast injuries, and damage to the filming studio.  For a time, it looked like James Bond would NOT return, to riff on the famous last words at the end of each previous films’ closing credits.  A release date was finally locked in but then…pandemic.

All that is behind us because the movie is arriving and now the question for the viewer will likely be two-fold.  1) was it worth the wait and 2) is it a fulfilling sequel?  For me, as a life-long Bond fan and with a certain affinity for most of this last cycle of Bond movies with Craig as the star I will tell you what I responded when both the studio and my friend asked me what I thought.  To me, when the 163-minute No Time to Die was over I felt like I had eaten a nine-course meal of my favorite dishes and then topped it off with an extra dessert.  After something so huge, you need time to digest so I was happy to have over a week to think more about it.  Craig’s tenure as Bond has had its highs (Skyfall, Casino Royale) and lows (Quantum of Solace, Spectre) and I would place No Time to Die smack dab in the center of them all, leaning strongly toward high praise for the elegant way it manages to close this part of what has already been a long adventure.

For the first time, a James Bond opening begins in the past and doesn’t even feature Bond at all.  This intro becomes a key piece in action and location later in the movie and is but the beginning of the longest pre-credit sequence in any Bond film yet.  By the time Daniel Kleinman’s haunting opening credit sequence pays over Billie Eilish’s spine-tingling title track (I originally found this song to be slow and boring but, in the context of the movie, the tone and purpose make it near perfect), retired 00-agent Bond and his love Madeleine Swann (Léa Seydoux, The Grand Budapest Hotel) have faced down a vicious attack in Southern Italy and in the process revealed certain secrets from the past that have come back to snap at both of their hearts.  Five years later, Bond is alone in Jamaica when he is visited by both his old friend Felix Leiter (Jeffrey Wright, The Good Dinosaur) from the CIA and an MI6 agent (Lashana Lynch, Captain Marvel) who has been assigned his 007 number in the field.  Both are interested in Bond getting involved with Project Heracles, a chemical weapon that has been stolen by a rogue villain.  The CIA wants Bond’s help, 007 wants him to stay out of her way.

Bond can’t help but be curious and when he travels to Cuba to investigate, he’s teamed with new CIA agent Paloma (Ana de Armas, reuniting with her Knives Out co-star Craig) to infiltrate a secret SPECTRE party where they find an old friend has been keeping a watchful eye over them all.  The deeper Bond seeks the truth, the more he finds that Project Heracles has ties not just to his old foe Ernst Blofeld but to a new enemy, Safin (Rami Malek, Bohemian Rhapsody), as well as Madeleine.  And all three are about to re-enter his life in a big way…with a number of surprises yet to come.

As is usually the case, there are a stable of screenwriters credited for this 25th Bond film but it doesn’t feel slap-a-dash or story by committee.  Aside from usual suspects Neil Purvis and Robert Wade, director Cary Joji Fukunaga (Jane Eyre) contributed to the final script, and it’s widely known that Emmy winner Phoebe Waller-Bridge was brought in to punch up some of the dialogue and give the film some humor.  Hold that wince if you are thinking there’s an extra dose of comedy that’s been shaken and stirred…yes there is more of a sense of humor to the proceedings, but they are small touches here and there which result in the characters feeling more fleshed out than anything. 

It’s great to see the players back in action, from Ben Whishaw’s (Cloud Atlas) tech-guy Q to Naomie Harris’s (Rampage) Moneypenny.  I’m glad the writers gave Ralph Fiennes (Dolittle) as M a bit more depth this time around because in Spectre there seemed to be a bit of stunted growth after being introduced so nicely in Skyfall.  (Note, make sure to keep your eyes open for a scene where M is sitting in a portrait gallery and observe the paintings – it’s just one of several nice touches that callback not just to other Craig films, but all the way back to the beginning.) Waltz (Big Eyes) had his chance in the previous film to make an impression and he was sort of just…Waltz.  There’s little more to elaborate on than that.  Of the new crop, Lynch has the best success in a role that feels like a good step forward for the series but, like Halle Berry’s Jinx who played opposite Pierce Brosnan in Die Another Day, the character becomes a second thought once Bond decides to get back in on the action.  Per usual, I’m not entirely sure what Malek is up to in performance or accent but it’s one of the weaker villains in the Bond franchise…yet he has one of the deadliest lairs.  The appeal of Billy Magnussen (Into the Woods) is totally lost on me.  So, there’s that.

Fans have been waiting eons for Bond to return and he’s come back with a high-wire epic that delivers maximum bang for your buck.  It’s a hefty movie with a generous run time so be prepared to settle in and I’d advise skipping any/all bathroom breaks so you don’t miss any action.  Things change on a dime in the life of a secret agent and despite the constant aural reminder of another title tune from an older Bond film, you do not have all the time in the world to take it in.  When the stakes are this high, there’s no time to wait for No Time to Die.

The Silver Bullet ~ No Time to Die

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Synopsis: Bond has left active service. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help, leading Bond onto the trail of a mysterious villain armed with dangerous new technology.

Release Date:  April 8, 2020

Thoughts: Fans of James Bond have had to wait a little longer than usual for the 25th adventure of the international spy…but at this point we should be counting our blessings No Time to Die is arriving at all.  Star Daniel Craig (Skyfall) famously had become a bit grumpy with playing the role and it took some convincing for him to return to finish off his contract and it’s now been confirmed this will be his last outing as Bond.  When Craig finally signed on, the film went through several directors, which further pushed back its release date.  Script problems, onset injuries, and other maladies surrounding the production continued to delay Bond’s return.

Thankfully, this first look at No Time to Die appears to find Bond back in fighting form with the five-year gap between Spectre and this film hopefully worth the wait.  Plot details are thin but we know recent Oscar-winner Rami Malek (Bohemian Rhapsody) is the villain and Lashana Lynch (Captain Marvel) and Ana de Armas (Knives Out) have been added to the cast as strong females Bond has to contend with.  Directed by Cary Joji Fukunaga who was behind season 1 of HBO’s True Detective and with a script punched up by Emmy winner Phoebe Waller-Bridge (Solo: A Star Wars Story), my excitement for this one was already brewing but now the heat is definitely starting to rise.

Now…who is singing the theme song??