The Silver Bullet ~ The 9th Life of Louis Drax

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Synopsis: A psychologist begins working with a young boy who has suffered a near-fatal fall and finds himself drawn into a mystery that tests the boundaries of fantasy and reality.

Release Date: September 2, 2016

Thoughts: French director Alexandre Aja is known for his more, ahem, extreme work (High Tension, Mirrors, Piranha 3D, Horns), so I was more than a little surprised his name was attached to this big-screen adaptation of Liz Jensen’s 2005 novel.  I mean, there doesn’t seem to be any opportunity for characters to be dispatched of in a most grisly fashion but perhaps The 9th Life of Louis Drax is an attempt to show Aja’s softer side.  Focused on a comatose boy and the secret as to why he’s in his current state, this September release might be a nice return for the carefully constructed mystery genre that’s been dormant for far too long in my book.  Starring Jamie Dornan (Fifty Shades of Grey), Sarah Gadon (Dracula Untold), Aaron Paul (Need for Speed), Barbara Hershey (Insidious: Chapter 2), and Oliver Platt (Flatliners), if Aja can withhold the bloodletting and let the story take center stage he may just have a winner on his hands.

The Silver Bullet ~ Kill the Messenger

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Synopsis: Based on the true story of journalist Gary Webb, a reporter becomes the target of a vicious smear campaign after he exposes the CIA’s role in arming Contra rebels in Nicaragua and importing cocaine into California.

Release Date:  October 10, 2014

Thoughts: Though it reeks of Jeremy Renner continuing his neverending quest for Oscar glory, there’s little doubt that the real life story serving as the basis for Kill the Messenger has potential to be a pivotal moment in his career.  Look, we all know that Renner (The Bourne Legacy, American Hustle) can act with the best of them…but I feel the actor is taking himself a bit too seriously at this point.  Working with director Michael Cuesta to bring journalist Gary Webb’s life to the big screen, Renner makes a good impression in this first trailer…though it does feel like we’ve seen this exact same story told several times each decade .

Down From the Shelf ~ Flatliners

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The Facts:

Synopsis: Medical students bring themselves near death; their experiment begins to go awry

Stars: Kiefer Sutherland, Kevin Bacon, Julia Roberts, Oliver Platt, William Baldwin

Director: Joel Schumacher

Rated: R

Running Length: 115 minutes

TMMM Score: (7/10)

Review: There are some movies that bring up a lot of memories when you hear the title and for me just hearing the name Flatliners takes me back to the summer of 1990 when I anxiously awaited the August release of this thriller.  I recall the movie was released when my family was at our cabin and I wouldn’t be able to see it until we returned to the cities but it wasn’t long until my dad took me (hey, I was still underage for an R-rated movie!) to Yorktown 3 for a weeknight showing.

Flatliners has always been a guilty pleasure film for me with its over-the-top concept, stylish direction by Schumacher, and enjoyable performances by a cast that have all gone on to bigger and better things (well, maybe Baldwin excluded).  Revisiting the film again recently, I found that it still packed a nice little punch even if my adult eyes saw many of the cracks that previously went over my head.

Schumacher was a hot director at the time and was still riding the successful high of The Lost Boys three years earlier.  His remake of a French romance (Cousins) was well-received yet Schumacher would change course again to deliver what may seem like a horror film but is really more of a drama-thriller.  Re-teaming with one of his Lost Boys (Sutherland) and nabbing shooting star Roberts (who filmed this before Pretty Woman was released in March of 1990) was a bit of a coup and both actors, along with Bacon, Platt, and Baldwin formed a nice quintet of players as medical students pushing the line between life and death.

Sutherland has always been an interesting actor (much like his father, Donald) and he turns what could have been a one note hero/anti-hero role into a guy with some depth though it’s masked by a false bravado.  Film history has established that doctors have a God-complex and that notion is played up as the medical students each take turns ‘flatlining’ in an after-hours illegal pseudo-study group.  It’s when they are brought back that, unbeknownst to them, they bring something else back with them.

Essentially, the same scenario is replayed over and over again as each of our leads has a different experience in the thin line between heaven and earth.  All of the post-revival happenings are menacing in one way or another but none are of the serial killer variety…though the film’s preview tries to trick you into thinking they are.  Sutherland begins to be terrorized by a boy from his youth, Roberts sees her dead father, and Baldwin’s seedy past comes back to haunt him.  The secret to Bacon’s struggle seems to parallel what Sutherland is going through but a surprisingly emotional twist brings the film its best scene between Bacon and someone from his past. 

This could have been made by any number of directors with any combination of actors but the group that has been assembled strongly delivers a thriller even with its definite B-movie origins.  Elevating it slightly is James Newton Howard’s alarming score and Jan de Bont’s excellent visuals.  The film was shot around Loyola University in Chicago and Schumacher mines the campus and its gothic design for all it’s worth.

Flatliners does fall, um, flat in the middle section but I’ve always responded well to the movie in my numerous viewings of it throughout the years.  Yes, the basic plot stretches the bounds of any logical credibility and in hindsight much of it doesn’t line up but I’m willing to forgive a lot from a film that has its eyes and ears in the right place.  From a visual standpoint alone the film is recommended, and if you’re looking for a slick thriller from the 90’s that isn’t too horribly dated, you can’t miss with this one.