Synopsis: Fast-talking security guard Ben joins his cop brother-in-law James on a 24-hour patrol of Atlanta in order to prove himself worthy of marrying Angela, James’ sister.
Stars: Ice Cube, Kevin Hart, John Leguizamo, Bruce McGill, Tika Sumpter, Bryan Callen, Laurence Fishburne
Director: Tim Story
Running Length: 100 minutes
Trailer Review: Here
TMMM Score: (3/10)
Review: Throughout the latter half of Ride Along I’ll admit to being totally zoned out and not paying attention. Random thoughts kept floating through my mind….
Ride Along is asleep at the wheel.
Ride Along needs a jump start.
Ride Along? More like Move Along. Nothing To See Here.
Where to begin with this one?
The buddy-cop comedy genre has taken a bit of a beating lately with 2013’s The Heat the latest casualty of writers that don’t know from funny and stars that trust those same writers to do a lot of the work for them. On paper, I’m sure Ice Cube and Kevin Hart looked like a good combo to put together but in the poison pen of four (count ‘em FOUR!) screenwriters there’s less goodwill toward funny men and more musty cop jokes than you cake shake of box of powdered doughnuts at.
I’m not a huge fan of Kevin Hart to begin with which could have played a role in my feeling about the teeny-weeny comic’s manic energy threatening to vaporize everything left in his wake. With many scenes winding up feeling like an extended set from his B-side comedy routines, Hart doesn’t have the instincts of the similarly wired Eddie Murphy at his age. Murphy at least had several moments of silence in each of his films but Hart is non-stop – I halfway wondered if he kept on going so the editor would have trouble cutting away from him.
As Ben, a going nowhere security guard that spends his off work hours playing interactive videogames in a tony loft apartment he shares with his stunning girlfriend Angela (Tika Sumpter, Sparkle), Hart hits the ground running. Though it’s never explained what Angela does, it has to be a high paying job in order for the two to afford the kind of rent the spacious brick faced dwelling would demand…because Hart’s low paying job isn’t cutting it. He finds out he’s been accepted to the police academy and decides to kill two birds with one stone and impress Angela’s wary brother James (Ice Cube) who happens to be a hard-scrabble cop himself. Make nice with the brother and get some advice…a good plan
James, on the other hand, sees an opportune moment as well…he can get Ben off his back and out of his sister’s life by giving him the kind of ride along he’ll never forget. Over the course of the day they ride around Atlanta, assigned to 126’s…the most annoying cases no cop wants. Each run in Hart has with a goofy cuckoo gets less and less funny…and it only makes him try harder and louder.
Ride Along has one scene in my new favorite movie location: The PG-13 strip club where no one is naked, everyone wants to get into, and women in bikinis have hundreds of one dollar bills stuffed in their get-ups. Actually, the filmmakers don’t even fill their club inside with a lot of people…it looks like the kind of crowd that was recruited from a local dentist office.
Due to the fact that the one joke premise of James terrorizing Ben on a day long look into the life of a cop can’t last forever, the brilliant screenwriters toss in a taxing crime case for James that just happens to see a development on the very day that he’s potential brother in law is accompanying him. Early on we see that a mysterious figure named Omar is involved with something really big (could be guns, money, drugs…who knows, I forgot) but since no one has seen him, no one can locate him.
The only thing they have to go on is a picture of Omar in the eighth grade…at which point director Tim Story makes the brilliant move of panning to a picture that looks so much like Laurence Fishburne (Man of Steel) that it’s not a spoiler to say…well…guess who plays Omar? It’s these kind of dunderhead, “we’ll help you figure it out” hand-holding moments that make Ride Along not only not funny but mildly insulting as well. The comedy is shoved in your face and then your good will is tossed aside until the film needs you to laugh again.
If Kevin Hart wanted to make a cop film about a guy going to the police academy…why not attach himself to the Police Academy remake that’s been talked about for years? This movie is just incredibly lame, half-hearted, and clearly aimed to make a quick buck and pave the way for a sequel (it’s already been announced) rather than having any strong ambition to just make something funny.