Movie Review ~ The Lodge


The Facts
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Synopsis: A soon-to-be-stepmom is snowed in with her fiancé’s two children at a remote winter cabin. Isolated and alone, strange and frightening events threaten to summon psychological demons from her strict religious childhood.

Stars: Riley Keough, Jaeden Martell, Lia McHugh, Richard Armitage, Alicia Silverstone

Director: Severin Fiala & Veronika Franz

Rated: R

Running Length: 108 minutes

TMMM Score: (8.5/10)

Review: Living in the Midwest, we take the cold and the snow very seriously.  When the temps drop and the white stuff piles up, there’s nothing more we love doing that hunkering down indoors and waiting for summer to arrive, all the while hoping the cabin fever keeps its distance.  So you’d understand why, for me, when a movie like The Lodge comes around it doesn’t spark the same kind of instant fear that someone in, say, Malibu might have if they could think of nothing so horrible as to be stuck in a wintery retreat cut off from the outside world with malevolent forces at work.  That being said, I’m always up for a spooky little horror yarn from an independent distributor and this one was arriving with a sharp snare drum of good buzz so I made sure to bundle up and see it at a recent screening at my local Alamo Drafthouse.

Usually, you can take the pull quotes from the marketing materials with a large grain of thick kosher salt because the studio is looking for the lines from advance reviews that will catch the greatest amount of attention.  Why call a movie “scary” when you can call it “the scariest movie I’ve seen in ages!”?  Thankfully, those smart folks at Neon aren’t out to overshoot things and have found a good one to describe this new horror film from Severin Fiala and Veronika Franz: “Scary as Hell” and for once they aren’t too far away from spot-on.  This is a taut, largely unpredictable film that refuses to be put into a box early on and manages to maintain its mood and suspense far longer than it ought to.

Now, it’s going to be harder than usual to discuss this without giving away some semblance of spoilers because the set-up has some spoiler-ish elements but know that I’m weighing what I’m revealing against your overall experience.  Read on if you will – or if you truly don’t want to know anything that stop right now and come back and read this as you’re warming up after the movie.

For Aidan (Jaeden Martell, Midnight Special) and Mia (Lia McHugh, Hot Summer Nights) the holidays aren’t going to be the same as they were last year.  Their parents have split up and while their emotional fragile mom Laura (Alicia Silverstone, The Killing of a Sacred Deer) works out her own issues they are spending more time with their dad, Richard (Richard Armitage, Into the Storm) and his new girlfriend, Grace (Riley Keough, Mad Max: Fury Road).  As is the case with many children of divorced parents, the teens aren’t taking too well to dad’s new squeeze and it doesn’t make things better when he invites her along to their family cabin weekend for the Christmas holiday.

On the surface, Grace seems like she should be a good fit with the family.  Though maybe slightly too young to be both in a new relationship with Richard and a possible future stepmother, she bares a striking resemblance to Laura and that only adds fuel to the fire of Aidan and Mia’s dislike for her.  When Richard leaves for a planned weekend back in the cities for work, he leaves Grace alone with the children and that’s when things start to get…weird.  You see, Grace was the only surviving member of a mysterious doomsday cult and her sanity begins to teeter on the edge when unexplained things start to occur.  Is it the children playing a practical joke, have shadowy figures from her past come back to continue their work, or is Grace simply losing her mind and imagining it all?

There was a Q&A after the movie with the directors and they seemed to revel in the fact that this movie is as twisted as it is.  Going off of their previous film, 2014’s Goodnight Mommy, I definitely see why they would have been drawn to this as their follow-up because there are similar themes of children acting as possible manipulators on fragile adults and how their games can turn deadly.  What’s so intriguing about The Lodge is the way it builds its central mystery with such care that the solution could have been any number of outcomes.  I honestly had it in my mind it was going in one direction and had the scenes/dialogue to back-it up…only to have the directors pull the rug out from under me with another twist I didn’t see coming.

All the twists in the world wouldn’t have meant a hill of beans if they didn’t have a cast that was able to convince you to go in the wrong direction over and over again.  Martell and McHugh have tricky, tricky roles and for reasons that I can’t divulge will only say that what they are asked to do is pretty remarkable right up until the credits run.  I’m so glad to see Silverstone continue to take on challenging roles that couldn’t be further away from her Clueless days and while Armitage likely has the least interesting part of all, he manages to keep you wondering what he’s up to when he vanishes for long stretches of time. The film belongs to Keough, though, and her gradual descent into a calculated madness is well thought out and benefits from Fiala and Franz shooting the film in chronological order.  That allows Keough to chart her breakdown convincingly; giving her room to find the little ways her resolve begins to crack along the way.

For most of these types of movies, once the Big Twist has been revealed the rest of the run time gets a little tiresome as audience members just wait for all the edges to be rounded off.  In The Lodge, Fiala and Franz make good use of what comes after to instill even more disturbing outcomes, serving up real time consequences that are tough to watch.  You can tell Fiala and Franz have affinity for their characters in the way they see them through to the finish line, but that doesn’t mean they let them off easily.  This one earns its stripes as a solid horror film but also benefits from strong film making at its core.

Hasta La Vista…Summer (May)

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Hasta

We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.

I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.

So sit back, relax, and enjoy the ride read.

May

Though the summer movie season has traditionally been thought of as Memorial Day through Labor Day, in the past several years studios have marked early May as the start of the summer movie wars and 2015 was no different.

Kicking things off on May 1 was Avengers: Age of Ultron and, as expected, it was a boffo blockbuster that gave fans more Marvel fantasy fun. While it wasn’t as inventive as its predecessor and relied too much on jokey bits, the movie was everything a chartbuster should be: big, loud, worth another look.

Acting as a bit of counter-programming, the next week saw the release of two very different comedies, neither of which made much of a dent in the box office take of The Avengers. Critics gnashed their teeth at the Reese Witherspoon/Sofia Vergara crime comedy Hot Pursuit but I didn’t mind it nearly as much as I thought I would. True, it set smart girl power flicks back a few years but it played well to the strengths of its leads and overall was fairly harmless. I hadn’t heard of The D Train before a screening but was pleasantly surprised how good it turned out to be, considering I’m no fan of Jack Black. The movie has several interesting twists that I didn’t see coming, proving that Black and co-star James Marsden will travel out of their comfort zones for a laugh.

Blythe Danner proved she was more than Gwyneth Paltrow’s mom in the lovely, if slight, I’ll See You in My Dreams. It may be too small a picture to land Danner on the end of the year awards list she deserves but the drama was a welcome change of pace so early in the summer.

Another early May drama was a wonderful adaptation of a classic novel…and one I forgot to review when I had the chance…here’s my brief take on it now…

                                         Movie Review ~ Far From the Madding Crowd
far_from_the_madding_crowd_ver2The Facts
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Synopsis: In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
Stars: Carey Mulligan, Matthias Schoenaerts, Michael Sheen, Juno Temple, Tom Sturridge
Director: Thomas Vinterberg
Rated: PG-13
Running Length: 119 minutes
TMMM Score: (8/10)

Review: This adaptation of Thomas Hardy’s celebrated novel was a moving drama brimming with quietly powerful performances and lush cinematography. It’s a story that has been duplicated quite a lot over the years so one could be forgiven for feeling like we’ve seen this all before. Still, in the hands of director Thomas Vinterberg (The Hunt) and led by stars Carey Mulligan (Inside Llewyn Davis), Matthias Schoenaerts (Rust & Bone), & Michael Sheen (Admission) it stirred deep emotions that felt fresh. Special mention must be made to Craig Armstrong (The Great Gatsby) for his gorgeous score and Charlotte Bruus Christensen for her aforementioned picturesque cinematography. You missed this in the theater, I know you did…it’s out to rent/buy now and you should check it out pronto.

Around mid-May the summer bar of greatness was set with the arrival of Mad Max: Fury Road. The long in development fourth outing (and semi-reboot) of director George Miller’s apocalyptic hero was a movie lovers dream…pushing the boundaries of cinema and filmmaking into new places. A vicious, visceral experience, I can still feel the vibration in my bones from the robust film…a real winner.

The same week that Mad Max came back into our lives, a so-so sequel found its way to the top of the box office. Pitch Perfect 2 was a lazy film that’s as close to a standard cash grab as you could get without outright playing the original film and calling it a sequel. Uninspired and lacking the authenticity that made the first film so fun, it nevertheless made a song in receipts and a third film will be released in the next few years.

Tomorrowland and Poltergeist were the next two films to see the light of day and neither inspired moviegoers enough to gain any traction. Tomorrowland was actually the first film of the summer I saw twice…admittedly because I was curious about a new movie theater with reclining seats that I wanted to try out. As for the movie, the first half was an exciting adventure while the final act was a real mess.

I thought I’d hate the Poltergeist remake way more than I did…but I ended up just feeling bad for everyone involved because the whole thing was so inconsequential that I wished all of that energy had been directed into something of lasting value. While Sam Worthington made for a surprisingly sympathetic lead, the entire tone of the film was off and not even a few neat 3D effects could save it from being a waste.

May went out with a boom thanks to two wildly different films. If you asked me what I thought the prospects were for San Andreas before the screening I would have replied that Sia’s cover of California Dreamin’ would be the only good thing to come out of the action picture starring everyone’s favorite muscle with eyes, Dwayne Johnson. I still feel like Sia came out on top but the movie itself was a more than decent disaster epic, a little too long but made up for it with grand sequences of mayhem and destruction. Can’t imagine it will play nearly as well on a small screen but I wasn’t hating the film when the credits rolled.

A film I wasn’t too thrilled with at all was Aloha, Cameron Crowe’s own personal disaster flick. I still don’t know quite what to say about the movie because it was so dreadful that I’ve attempted to clear it from my memory. What I do remember was that it wasted its strong cast and exotic locale, as well as our time. Truly terrible.

STAY TUNED FOR JUNE, JULY, and AUGUST!

Movie Review ~ Mad Max: Fury Road

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The Facts:

Synopsis: In a stark desert landscape where humanity is broken, two rebels just might be able to restore order: Max, a man of action and of few words, and Furiosa, a woman of action who is looking to make it back to her childhood homeland.

Stars: Tom Hardy, Charlize Theron, Megan Gale, Nicholas Hoult, John Howard, Nathan Jones, Zoe Kravitz, Richard Carter, Rosie Huntington-Whiteley, Hugh Keays-Byrne, Riley Keough, Abbey Lee Kershaw, Courtney Eaton, Josh Helman, Jennifer Hagan, iOTA , Angus Sampson, Joy Smithers, Gillian Jones, Melissa Jaffer, Melita Jurisic

Director: George Miller

Rated: R

Running Length: 120 minutes

Trailer Review: Here & Here

TMMM Score: (10/10)

Review:  Forgive me, but it’s been three days since I caught Mad Max: Fury Road and I’m still a bit speechless but this giant juggernaut of a film.  It’s been 30 years since the last time Max Rockatansky raced across movie screens in Mad Max Beyond Thunderdome and a full 36 years since the character was introduced in George Miller’s cult favorite Mad Max (the sequel Mad Max 2: The Road Warrior arrived in 1981).  Though Miller had tried to get a fourth entry off the ground with Mel Gibson in early 2003, an agreement over budget and filming couldn’t be reached and the idea was scrapped.  Interest was again stirred around 2012 and that brings us to the awesome power of Mad Max: Fury Road.

The 70 year old Miller has spent the time between Max movies directing an impressive variety of films from The Witches of Eastwick to Babe to Happy Feet…but more than a little Mad Max-ness was still kicking around for the director and it’s a joy to see what he’s produced here with a new star and a sky high budget that thankfully isn’t all tossed away on CGI effects.  What Miller does is nothing short of a modern miracle of cinema and one that positively shouldn’t have worked as well as it has.

What you have here is really a two hour long car chase film with only the occasional rest stop to relieve the tension.  Giving the middle finger to the traditional film structure, it’s clever and full throttle entertainment, not for the faint of heart or hearing.  Miller assumes you’re well versed in the Mad Max universe (and if you aren’t, what’s wrong with you?) and doesn’t waste a millisecond getting you acclimated to the current state of affairs.  From frame one you’re thrust back into the apocalyptic wasteland (the Namib Desert in Africa, standing in for the Outback which was too wet for filming) where Max (Tom Hardy, The Dark Knight Rises) calls home.  Captured by a gang of marauders and imprisoned as a human blood bag for sickly warriors, the future doesn’t look very good for our hero of few words.

Enter Imperator Furiosa (Charlize Theron, Snow White and the Huntsman, sporting a shaved head and bionic arm) a trusted disciple of Immortan Joe (Hugh Keays-Byrne, who also played the villain Toecutter from Mad Max) the ruler of the appropriately named Wasteland.  Immortan Joe is an evil dictator who enslaves women either to produce milk for his War Boys or breed new children to add to his royal family.  When Furiosa makes off with Immortan Joe’s prized Five Wives, a race ensues that puts several bands of very bad men on the hunt for Furiosa and her booty of women, water, and gasoline.

If we’re being honest, this is really Furiosa’s movie with Max along for the ride.  How he gets involved with Furiosa and her cargo is best left for you to find out but Miller has correctly given Max an equal that seeks the same justice he does.  I find it interesting that Mad Max: Fury Road has come under fire from men (of all people) that are upset a woman leads the way…claiming they were duped into thinking this was a “man’s movie”.  If you’ve seen any Mad Max film to date, you’d know that Max has always been a character that aids the disenfranchised and, somewhat begrudgingly, comes to their aid.

What sets Mad Max: Fury Road apart is that Furiosa largely doesn’t need Max’s help to get the job done.  Yes, he’s there to help her on multiple occasions but she’s got things under control, no doubt.  The fun of the film is watching Hardy and Theron lock horns, band together, and wreak havoc on all that get in their way.

Good support is offered from a bevy of interesting actors that pop up throughout the film.  Nicholas Hoult (X-Men: Days of Future Past) is whacked out as an amped up War Boy hot on the heels of Max and Furiosa that could become their greatest ally.   Zoe Kravitz (Divergent), Rosie Huntington-Whiteley, and Riley Keough (Magic Mike), are three of the Five Wives that prove their value as Furiosa’s tanker clanks and clashes around canyons and sandstorms, trying to avoid the grasp of Immortan Joe and his crew that are accompanied, hysterically, by a convoy including six timpani banging War Boys and a mutant guitarist with an electric guitar that shoots fire.

It could be said that Miller doesn’t know when to quit and that’s a very, very good thing.  From the opening titles to the totally insane action sequences, there’s not a moment that doesn’t feel in motion and the effect is often so overwhelming you feel the need to close your eyes to get your bearings.  Then you remember that if you close your eyes you may miss something…and you solider through it.

For fans of the Mad Max films, there are nice touches here and there that reference the previous three films.  Nothing too apparent or instantly obvious, but trinkets there to reward those that have stuck with Miller and his gang over the years.  Each Mad Max film has been a standalone story and with Tom Hardy signing on for at least three more Max films you can bet that once Miller has had a chance to catch his breath, he’ll hit the ground running with another escapade for his legendary hero.  The bar has been set so very very high with Mad Max: Fury Road…but Miller knows how to surprise us.

Mad Max: Fury Road puts all other summer blockbusters to shame.  It’s gorgeously shot, ferociously edited (culled from a staggering 480 hours of footage), and thrillingly produced with an insane level of detail in the costume and make-up design.  A second viewing is almost required to catch all of the inventive design Miller and his crew have worked up.  Not to be missed…and if I were you I’d plan on seeing it twice.

The Silver Bullet ~ Mad Max: Fury Road (Trailer #2)

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Synopsis: An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities of life

Release Date: May 15, 2015

Thoughts: So many trailers commit the cardinal sin of not being interesting enough to ensnare audiences into returning to see the final product…and then there are trailers like Mad Max: Fury Road. Like the first preview released in July, it’s clear that this will be one highly original futuristic film that takes no prisoners with its over the top theatricality. Providing more excitement and jaw-dropping moments in 2:30 than most films can muster at their feature length best, it’s a glorious reminder that movies can transport you to another world and thrill you with innovation. In short, Mad Max: Fury Road looks to be one bad ass sock-knocker-offer.   Directed by George Miller (who also helmed the original three Mad Max films) and starring Tom Hardy (The Dark Knight Rises), Charlize Theron (Prometheus), and Nicolas Hoult (Jack the Giant Slayer), I can’t wait to hit the road with this one.

The Silver Bullet ~ Mad Max: Fury Road

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Synopsis: An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and most everyone is crazed fighting for the necessities of life.

Release Date: May 15, 2015

Thoughts: It’s been 30 years since Mad Max: Beyond Thunderdome and it feels like this follow-up/reboot has been filming for nearly the same amount of time.  It always amazes me the gestation period for certain blockbuster movies and Mad Max: Fury Road has been in utero long past its intended release way back in 2009.  With returning director George Miller and a new Max (Tom Hardy, This Means War), this first look at the action adventure set for release in May 2015 looks heavy on sand, style, violence, and atmosphere…all keeping in line with the series Miller started in 1979.  Add the always intriguing Charlize Theron (A Million Ways to Die in the West) to the mix and Warner Brothers already has a furious head start on laying claim to the summer of 2015.

The Silver Bullet ~ Kiss of the Damned

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Synopsis: Beautiful vampire Djuna tries to resist the advances of the handsome, human screenwriter Paolo but eventually gives in to their passion. When her troublemaker sister Mimi unexpectedly comes to visit, Djuna’s love story is threatened, and the whole vampire community becomes endangered.

Release Date:  May 3, 2013

Thoughts: The name Cassavetes reminds most film savvy audiences of a particular style of film from the 70’s and 80’s and though John Cassavetes isn’t with us any longer, his legacy lives on not only in his films but in the works of his offspring.  Son Nick has directed several high profile films (including directing his mom Gena Rowlands in The Notebook) and now comes a film from his daughter Xan (Alexandra).  Though we don’t really need another vampire movie, this looks like a film that would make her dad proud.  Moody and atmospheric, Kiss of the Damned has its feet firmly planted in a stylized cinematic world that I’m intrigued to explore.