Synopsis: A loving mom becomes compelled to reconnect with her creative passions after years of sacrificing herself for her family. Her leap of faith takes her on an epic adventure that jump-starts her life and leads to her triumphant rediscovery.
Stars: Cate Blanchett, Kristen Wiig, Billy Crudup, Judy Greer, Emma Nelson, Laurence Fishburne
Director: Richard Linklater
Running Length: 103 minutes
TMMM Score: (4/10)
Review: I want to take this very public forum to officially chastise myself for not finishing Maria Semple’s popular bestseller Where’d You Go, Bernadette before the movie opened. Though the release date for the film was delayed twice, I just never got around to completing what I heard was a fun read. I literally carried the book around in my bag for months and it still was passed over in favor of other fiction I had on my list to get to. Blame summer going too fast, blame a busy schedule, but definitely blame me for not getting my butt in gear.
I’m wondering if I had finished the book what I would think of the film version that’s finally seeing the light of day after the aforementioned release date shifts. Some in Hollywood viewed this as a sign the movie was in trouble but others looked at its Oscar-nominated director, its Oscar-winning star, and the adaptation of the still popular novel as a slam dunk for a late summer sleeper hit, like Crazy Rich Asians was in about the same spot last year. While I can’t say for sure if fans of the novel will be pleased, I can say that while the film isn’t an outright misfire and has a few spirited moments, it’s suffering from a curious lack of purpose, a feeling echoed by the titular character.
From the half of the book that I did read, the film seems to hew closely to Semple’s examination of Bernadette Fox (Cate Blanchett, Blue Jasmine) a middle-aged mother living with her successful husband Elgin (Billy Crudup, Jackie) and teenage daughter Bee (Emma Nelson) in a dilapidated reform school on the outskirts of Seattle. Unlike most mothers that have children at Bee’s prestigious school, Bernadette doesn’t have time for the PTA or social activities but instead prefers to stay in her home away from the outside world. Her daughter is her best friend and her husband is her ally but not her confidant. Her only real connection is through Manjula, her assistant in India that is delegated much of the household planning.
When Bee reminds her parents they promised her she could have anything she wanted if she maintained her grades at school, she chooses a trip to Antarctica, which sets into motion a series of events that will change the Fox family forever. Socially awkward Bernadette is terrified of the thought of leaving the comfort of home, bringing back memories of her life before Bee came along when she was a sought after architect whose brilliant designs made her a top name in the business. Disappearing from her career after a highly publicized debacle, a meeting with a former colleague (Laurence Fishburne, Last Flag Flying) opens up the wounds from the past right around the same time the family is about to leave for their trip. What happens next is a journey of self-discovery not only for Bernadette but for the entire Fox clan…and disappointingly it’s not exactly the amusing mystery you think it’s going to be.
I find it fascinating that director Richard Linklater was attracted to this project. Though Linklater has shown up in different genres over the years, most recently with the genius Boyhood in 2014 to the all-out fun of Everybody Wants Some! in 2016, he feels like an odd fit for a movie about a woman experiencing a mid-life crisis. The special charm the director has in eliciting the unexpected isn’t found here, even from the usually reliable Blanchett who can’t ever decide if she’s playing high drama or marginal camp. It’s a quirky movie and I appreciated that it embraced some of its weirdness…but it didn’t go far enough in my book. A key ingredient is just not there and it feels like the movie is held back because of it, never truly finding its footing, though it does feature several rather swell sequences.
At 103 minutes, I’m wondering if Semple’s comedic meditation on a woman feeling constrained and fleeing into the most unexpected of remote hiding places might have worked better with a little more heft to it. Why not have it be a four or five episode mini-series on HBO or some streaming service that could have let Linklater and Blanchett breathe a bit more? It doesn’t feel like a project that needed to be a feature film in any way. There are enough supporting characters like Kristin Wiig’s (The Skeleton Twins) tightly-wound mom that can’t stand Bernadette, the strange appearance of Judy Greer (Halloween) feels like much of her performance was left on the cutting room floor, or any number of the small cameos from Linklater’s friends would have provide plentiful material to justify extra time. Instead of going deeper in with Bernadette and her family, we only skim the surface and that doesn’t make for a satisfying meal. What is there feels curtailed and constrained…Bee and Bernadette are supposedly close yet there are some major life events from Bernadette’s life Bee doesn’t know about?
Where the film does have strong points in calling out the struggles people feel at certain points in their life when they know they have so much going for them but can’t overcome some obstacle, be it real or imaginary. They have the kindling and matches but can’t make the fire. Bernadette knows she has a creative mind that is wasting away in her rundown manse but fear of repeating her past mistakes is keeping her locked away in the prison she’s made for herself. There’s some good reflection of that very real feeling on display and for that, I give the movie much credit. If only that clear message wasn’t surrounded by so many hazy tangents.
Synopsis: When Greg Sestero, an aspiring film actor, meets the weird and mysterious Tommy Wiseau in an acting class, they form a unique friendship and travel to Hollywood to make their dreams come true.
Stars: James Franco, Dave Franco, Seth Rogen, Zac Efron, Josh Hutcherson, Kate Upton, Ari Graynor, Jacki Weaver, Hannibal Buress, Andrew Santino, Alison Brie, Sharon Stone
Director: James Franco
Running Length: 104 minutes
TMMM Score: (8/10)
Review: There’s a classic movie theater in my town that used to show the best Midnight Movies. Before they went digital, they often featured classic movies from the ‘70s and ‘80s in all their celluloid glory. It was at this theater I saw a print of Adventures in Babysitting, Friday the 13th, The Breakfast Club, and introduced several horrified friends to Showgirls. Then the financial realities of shipping film stock and the public need for crystal clear projections led the theater to remodel and slowly eliminate these wonderfully nostalgic screenings. While The Rocky Horror Picture Show and Serenity remained bewildering stalwarts on the roster, another movie started to be featured that I’d never heard of and didn’t have any interest in seeing. This movie was The Room.
Released in 2003 and now regarded as one of the worst movies ever made, I didn’t experience The Room until about a month ago at a screening organized in anticipation of the release of The Disaster Artist. If you’ve never seen the movie, I highly encourage you to take it in at a theater with an audience of like-minded adults. The crowd I saw it with were experienced in the jaw-dropping insanity of writer/director Tommy Wiseau’s crazy drama and their reactions pushed the overall viewing of the movie into one of my favorite nights in a theater of 2017. Yes, the movie is terrible but it’s so joyful in its awfulness that its impossible not to be hypnotized by it. I can’t imagine watching it at home with friends or, worse, alone. It’s meant to be seen in the theater.
Working with a script from Scott Neustadter and Michael H. Weber, adapted from a book written by The Room’s original co-star Greg Sestero (played here by Dave Franco, Now You See Me), director James Franco has turned in a loony albeit quite entertaining film that feels like his most sophisticated exercise to date. Franco (Sausage Party) not only excels behind the scenes, but it’s been years since he’s been as good in front of the camera as he is playing Wiseu, nailing the mysterious man’s personal tics and hard to place accent.
Charting the development of the film from Sestero’s point of view through its troubled creation to opening night, James Franco has surrounded himself with some of the best and brightest up and coming stars of today as well as featuring cameos from a treasure trove of Hollywood royalty. One minute Zac Efron (The Greatest Showman) is turning up in a brief role as a hysterically memorable character from The Room and then Sharon Stone (Lovelace) appears as Sestero’s man-eating agent. Keep your eyes out for Melanie Griffith and Bryan Cranston, too! It’s so chock full of famous faces I’ll likely need to see it a second time to catch everyone that floats by onscreen.
This is a film aimed squarely at fans of The Room so better do your homework before trekking to the theater to see it. Scenes, performances, and situations are painstakingly recreated as evidenced in the credits which put the original film and this tribute side by side to show how close Franco got to shot for shot perfection. Going in with no working knowledge of the film that inspired it will likely cause most of the jokes to go whizzing past, robbing you of the plethora of fun to be had. Some theaters are doing a double-feature and I’d suggest seeking those out and making a crazy night of it!
I don’t think anyone that heard Franco was making The Disaster Artist ever could have predicted it would come off so well, much less be in the running for several major Oscar nominations in mid-January. When you think about it, though, making a film about the making of the world’s worst movie is something that seems right up Franco’s alley. The eccentric actor seems like he’d be a kindred spirit of Wiseau and Franco never seems to shy away from challenging material…the more meta the betta, er, better.
Synopsis: A girl in a small town forms an unlikely bond with a recently-paralyzed man she’s taking care of.
Stars: Sam Claflin, Emilia Clarke, Charles Dance, Jenna Coleman, Matthew Lewis, Vanessa Kirby, Stephen Peacocke, Brendan Coyle, Janet McTeer
Director: Thea Sharrock
Running Length: 110 minutes
TMMM Score: (4/10)
Review: I’m not averse to shedding a tear or two at a movie if the mood strikes me. I’ve been known to get all misty for outright tearjerkers (Steel Magnolias, Terms of Endearment) and well up for joy/happiness (Lava,The Way Way Back, Jurassic World…yes…it happened), a little water around the eyes never hurt anyone. Still, you have to earn my tears and when a movie like Me Before You aims for the tear ducts and winds up conking me upside the head instead, I tend to be less than forgiving.
JoJo Moyes’ two hanky novel has been adapted by the author herself into a two-hour snoozer that features two ostensibly engaging stars that can’t manage to make a connection with themselves or its target audience. Sure, on the way out of the theater I saw people dabbing their teary eyes (using Kleenex that came in a box branded with the movie poster…the one truly clever detail of the experience) but they just as easily could have been wiping away an eye bogey from the nap they just woke from.
Saucer-eyed Emilia Clarke (Terminator Genisys) is Lou, a cheerful working class pixie in town on the outskirts of London. Stuck at home helping to support her family by working odd jobs, she’s just lost employment at a local café when she’s sent by a temp agency to care for a quadriplegic at the stately Traynor house. Well, it’s not so much a house as it is a castle at the center of town. Something about her spunky attitude convinces Camilla (Janet McTeer, Albert Nobbs) to hire her on the spot and soon enough Lou is face to face with Camilla’s son, Will (Sam Claflin, The Hunger Games: Mockingjay – Part 2).
Injured in a rainy accident on a London street, Will is confined to a wheelchair without the use of most of his limbs and wouldn’t you know it, he’s not entirely happy about his new situation. So we have this cheerful but poor girl meeting a handsome but broken prince in a castle and you’d think that the fairy tale sparks would fly and a whimsical romance would develop that cures all the woes before reaching a happy ending, right? Not so my friends.
Now I can’t deny there’s something oddly watchable about Clarke but what it boils down to is that her performance is comprised mostly of puzzled blinks, nervous gulps, and strained smiles. Lou is a Free Spirit, something the filmmakers never fail to remind us of with each new set of off the wall shoes, zany tights, and granny chic outfits she turns up in. It’s not hard to see why Will finds her ray of sunshine aura a bit much to take at first, I certainly understood his antipathy toward her. When they inevitably fall in love, it feels false and merely a story development rather than any real feeling that’s been believably developed.
For his part, Claflin is far more successful as the former devil may care party guy that water skied like a madman now in a wheelchair prison from which there is no escape. Claflin takes the role seriously, perhaps a bit too seriously, but ultimately his commitment gives the film its only true authenticity as we watch Will struggle with sickness and setbacks. As he sees his former flame marry his best friend, the pain he hides feels relatable and understandable which makes it all the more unfortunate that he can’t find a way to develop chemistry with his leading lady.
First time director Thea Sharrock comes from the theater world and it shows with much of the film feeling stagey and confined to simply constructed scenes with rarely more than two characters interacting at once. The views of the countryside are gorgeous and I guess it’s a technically well-made picture, but one that’s unfortunately missing an emotional center and a willingness to see things through. Characters are introduced only to disappear for long stretches of time and a late in the run game changer is only danced around instead of confronted head-on. Here was a chance to say something about life and the power of choice but Sharrock and Moyes are more interested in flying the lovers off to exotic locales as Lou tries to show Will that his current state doesn’t mean he can’t enjoy life to its fullest.
And then we get back to where we started…tears. By the time it gets to the moments where the tears should fall I felt like the movie made a desperate plea to wring water from a stone after so many ramshackle constructs along the way. I found the final fifteen minutes and especially the epilogue quite irritating, placing a Mr. Smiley sticker over moments that deserved to be more composed and thoughtful.
Moyes has already published a sequel and depending on how well this movie fares in the wake of so many recent and future summer blockbusters, if there is another opportunity to drop in on these characters I hope it can be a more honest visit.
We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.
I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.
So sit back, relax, and enjoy the ride read.
I just wasn’t prepared for July. It hit me like a ton of bricks, a wave of cinematic excursions that made my head spin. So many movies were released that it was hard to keep track from week to week what was arriving and what was still waiting for its release date. As you can see below, I had a lot of catching-up to do
The month began with the disappointment of Terminator Genisys. I’m not sure exactly what I was expecting from the return of Arnold Schwarzenegger but it for sure wasn’t the muddled misfire that was supposed to reboot this franchise. Badly cast with shoddy special effects, this was supposed to be the beginning of something but should likely be the end (though it did do well overseas so we may yet get another one of these in a few years).
A few summers back I lamented how bad the original Magic Mike was. Trading eye candy entertainment for any semblance of watchable narrative, it was another dud (for me) from Steven Soderbergh. So you’d understand why I wasn’t keen on Magic Mike XXL because I felt we’d already been there done that. Much to my delight, the sequel was much better than its predecessor, maintaining the fun frivolity of the world of male strippers while injecting some personality into the proceedings. Quite possible the biggest surprise of the summer for me.
I learned a lot from the wise documentary Amy, chronicling the rise and fall of Amy Winehouse, the singer with the bluesy voice and broken butterfly backstory. She had a lot to overcome and the film made a compelling argument that she would still be here today had she had a better support system.
Though I loved the Minions in the Despicable Me films, I didn’t care for their solo outing with its half-baked story and less that inspired vocal work. It felt like a quick cash-grab and it looks like it accomplished its goal. Hopefully next time they’ll come back with a better story and more convincing actors.
The found footage horror movie had its death knell with The Gallows, a brainless exercise in tedium peppered with cheap scares and lousy acting. Could have (and should have) been much better.
Now we approach a stretch where I checked out for a bit – but I’m atoning for it now with these mini-reviews.
Movie Review ~ Batkid Begins The Facts: Synopsis: On one day, in one city, the world comes together to grant one 5-year-old cancer patient his wish. Batkid Begins looks at the ‘why’ of this flash phenomenon. Stars: Miles Scott Director: Dana Nachman Rated: PG Running Length: 87 minutes TMMM Score: (7/10) Review: Can I admit something to you and not have you hate me? When I first saw the media frenzy around this back in 2013 I remember rolling my eyes are the saccharine nature of the whole endeavor. Why would an entire city be brought to a screeching halt because of one kid’s wish to be Batman for a day? Well, the documentary Batkid Begins showed me why and by the end I was feeling like a lout for my initial feelings and wiping away the happy tears the film easily brings forth from the viewer. Following the planning and execution by the Make-A-Wish Foundation to give a 5 year old leukemia survivor the day of his dreams, viewers get a glimpse at what goes into even the smallest wish granted by the organization. While it at times comes off like a big advertisement, it’s heart is most certainly in the right place and I found myself getting choked up with each good deed and promise fulfilled by a host of people involved in making the day come off without a hitch. An audience-pleasing winner.
Movie Review ~ The Overnight The Facts: Synopsis: A family “playdate” becomes increasingly interesting as the night goes on. Stars: Adam Scott, Jason Schwartzman, Taylor Schilling, Judith Godrèche Director: Patrick Brice Rated: R Running Length: 79 minutes TMMM Score: (7/10) Review: There and gone in an instant, The Overnight is a film better suited for home viewing anyway. A couple (Adam Scott and Taylor Schilling) new to the area meet Jason Schwartzman at a local playground where both of their children are playing. Their kids have hit it off so Schwartzmann invites the family over for more fun, but when the kids go to bed Schwartzman and his wife Judith Godrèche have more interesting games to play for the unsuspecting couple. Saying more would spoil the fun but it’s an adults only evening with oodles of twists and turns as both couples bare their secrets (and their bodies) before the night is over. Already famous for its full frontal shots of Schwartzman and Scott (sorry, both are wearing prosthetics), at 79 minutes the movie is short but does start to feel long in the middle section. It helps immensely that all four actors are competent and comfortable with the material…the story doesn’t hold back and neither do they.
Movie Review ~ Ant-Man The Facts: Synopsis: Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, con-man Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world. Stars: Paul Rudd, Michael Douglas, Michael Pena, Evangeline Lilly, Corey Stoll, David Dastmalchian, T.I. , Judy Greer, Bobby Cannavale, Martin Donovan, Wood Harris, John Slattery, Gregg Turkington, Abby Ryder Fortson Director: Peyton Reed Rated: PG-13 Running Length: 117 minutes TMMM Score: (6/10) Review: Early troubles with the start of production with Ant-Man and some seriously questionable teasers/trailers didn’t get me very excited for this mid-summer superhero movie. I think Marvel was hoping that Ant-Man would score along the lines of last summer’s Guardians of the Galaxybut it’s sadly missing the humor that made Guardians so much fun. It’s not a total wash though because for every 10 minutes of standard origin-story developments, there’s a solid 5 minutes of exciting action sequences to wake audiences up from their slumber. I know that with an origin story you need to cover a lot of ground and Ant-Man, to its additional credit, doesn’t waste much time in getting to the goods…but it’s a cheap-o undertaking and one that feels like a second-string entry in Marvel’s blockbuster universe. Paul Rudd makes for a surprisingly solid action lead as does Corey Stoll as Rudd’s nemesis, but Evangeline Lilly labors too much under her severe wig (that seems to change lengths multiple times, in the middle of scenes) and isn’t a good enough actress to carry some weighty responsibilities. A decent entry as far as Marvel films go…but I’m not clamoring for a sequel any time soon.
Movie Review ~ Irrational Man The Facts: Synopsis: A tormented philosophy professor finds a will to live when he commits an existential act. Stars: Joaquin Phoenix, Emma Stone, Parker Posey, Jamie Blackley, Betsy Aidem, Ethan Phillips, Sophie von Haselberg Director: Woody Allen Rated: R Running Length: 96 minutes Trailer Review:Here TMMM Score: (6/10) Review: It happens every year and every year you never quite know what to expect. I’m speaking, of course, of the annual Woody Allen release and like many of the directors works, it’s a hit or miss affair. I’m constantly in awe that Allen has churned out a film a year (sometimes two a year) for the last three decades and even the really bad ones aren’t as terrible as the other dreck dumped on us during the summer. Last year Magic in the Moonlight was dismissed as too slight even for Allen but I enjoyed its frothy charm…something that was missing from the more serious-minded Irrational Man. As a boozy professor that gets into hot water in his New England college town, Joaquin Phoenix was perhaps the wrong choice because the actor plagues himself far too much for Allen’s light material. At least co-star Emma Stone helps keep Phoenix from the quicksand of his own creation but she can’t be in every scene and it’s when Phoenix is on his own that the film goes slack. Then there’s Parker Posey who I’m becoming convinced is simply not of this earth and doesn’t try to hide it anymore. Bizarre line readings and the tendency to let her mouth hang open are only the tip of Posey’s strange acting iceberg. Very much in line with the dark humor of Allen’s Crimes and Misdemeanors, Irrational Man should hold your interest for a time but it’s quickie ending feels like Allen was ready to move on to his next film rather than put a period at the end things.
Movie Review ~ Trainwreck The Facts: Synopsis: Having thought that monogamy was never possible, a commitment-phobic career woman may have to face her fears when she meets a good guy. Stars: Amy Schumer, Bill Hader, Brie Larson, Mike Birbiglia, Colin Quinn, Tilda Swinton, Ezra Miller, John Cena, Vanessa Bayer, Jon Glaser, LeBron James, Method Man Director: Judd Apatow Rated: R Running Length: 125 minutes Trailer Review:Here TMMM Score: (6.5/10) Review: One of the true success stories of the summer has to have been Amy Schumer, not so much for writing and starring in Trainwreck but the collective impact she’s had on the comedy scene. Unapologetic in her crassness and wise in her observations, Schumer is a comic moving like a shooting star and it’s nice to report that I think she’s a pretty decent actress as well. As much as I enjoy Schumer I was nervous that she was attaching herself to director Judd Apatow because Apatow, as we all know, has a way of turning in muddled work. Unfortunately, Apatow’s influence led the film to be about 20 minutes longer than it needed to be and ultimately overstaying its welcome. I don’t care what anyone says about the appearance of LeBron James as a bona fide supporting player, his entire storyline should have been excised and the film wouldn’t have suffered at all. The problems get worse because Apatow likes to cast non-actors in his film and put in cameos when you least expect it…to the detriment of the flow of the narrative. He stumbles badly in several places here but is saved by Schumer and Bill Hader as the opposites attract duo that confidently lead the film. Special mention must, again, be made to Tilda Swinton for disappearing within her role as Schumer’s glam yet grim boss. Worth it for Schumer, Swinton, and Hader…but watch it at home so you can fast forward through the slow Apatow-ish parts.
Movie Review ~ Mr. Holmes The Facts: Synopsis: An aged, retired Sherlock Holmes looks back on his life, and grapples with an unsolved case involving a beautiful woman. Stars: Ian McKellen, Laura Linney, Hiroyuki Sanada, Roger Allam, Frances de la Tour, Hattie Morahan, Patrick Kennedy, Philip Davis, Milo Parker Director: Bill Condon Rated: PG Running Length: 104 minutes Trailer Review:Here TMMM Score: (8/10) Review: In reality, I probably should have given Mr. Holmes a more thorough review than I’m about to give here…but I have a feeling I’ll have a chance to discuss it more over the next few months because if all is right with the world Ian McKellen will find himself nominated in a few Best Actor categories during the end of the year awards round-up. McKellen plays an aged Sherlock Holmes living in the country, attended to by a no-nonsense housekeeper (Laura Linney) and entertained by her young son. There’s actually three Holmes on display here as the present Holmes recalls two previous cases he was involved with that had an impact on his life. With a smart script from Jeffrey Hatcher adapted from a popular novel, it’s directed with a mellow grandeur by Bill Condon. Condon and McKellen scored before with the fascinating Gods and Monsters and here’s hoping they go the distance with this one too. An interesting tidbit, at one point Holmes ventures out to see a Sherlock Holmes movie…and the actor playing Holmes on screen (Nicholas Rowe) played the detective in 1986’s fun frolic Young Sherlock Holmes.
Movie Review ~ Paper Towns The Facts: Synopsis: A young man and his friends embark upon the road trip of their lives to find the missing girl next door. Stars: Nat Wolff, Halston Sage, Austin Abrams, Cara Delevingne, Justice Smith Director: Jake Schreir Rated: PG-13 Running Length: 109 minutes TMMM Score: (7/10) Review: After The Fault in Our Stars became a runaway hit last summer movie studios were looking for the next big alt-teen romance that could lure YA audiences away from summer action flicks. Turns out they didn’t have to look far because Paper Towns was adapted from the novel by the same author as The Fault in Our Stars. While Paper Towns doesn’t center around a disease that threatens to tear our lovebirds apart, it has its own mystery about it as Nat Wolff goes looking for his recently vanished neighbor (Cara Delevingne) that he’s been enamored with (or more like fascinated by) since they were children. Following the clues she seemingly left for him, Wolff and his friends embark on a journey of discovery where they Learn Life Lessons. The film kept my interest for most of the running length and it’s only in the final passages when all is explained does it feel a little like a letdown. Still, there’s a smart air of riskiness that elevates the film and more often than not it lands on the good side of taking that risky step.
Movie Review ~ Pixels The Facts: Synopsis: When aliens misinterpret video feeds of classic arcade games as a declaration of war, they attack the Earth in the form of the video games. Stars: Adam Sandler, Brian Cox, Kevin James, Michelle Monaghan, Peter Dinklage, Josh Gad Director: Chris Columbus Rated: PG-13 Running Length: 105 minutes TMMM Score: (3/10) Review: A movie where everyone involved should hang their head in shame. There’s actually some semblance of a good idea here with aliens attacking earth with classic arcade games but unfortunately it gets trampled by Adam Sandler’s lazy acting, Kevin James bad acting, and Josh Gad’s awful everything. Michelle Monaghan looks positively embarrassed to be sharing scenes (especially romantic ones) with Sandler and only Peter Dinklage comes out relatively unscathed in a campy, mullet wearing performance. For fans of ‘80s nostalgia there are some pleasant diversions as video game characters pop up in (supposedly) comical ways and I think that director Chirs Columbus really did give the material a chance to be something interesting…but Sandler and his crew suck the life out of everything and are so devoid of any vested interest that you wonder why you should care at all either.
Movie Review ~ Southpaw The Facts: Synopsis: Boxer Billy Hope turns to trainer Tick Willis to help him get his life back on track. Stars: Jake Gyllenhaal, Forest Whitaker, Rachel McAdams, Curtis “50 Cent” Jackson, Clare Foley, Miguel Gomez, Victor Ortiz, Rita Ora, Naomie Harris Director: Antoine Fuqua Rated: R Running Length: 123 minutes TMMM Score: (6.5/10) Review: By now, we know that Jake Gyllenhaal is a smart actor. With role after role from Prisoners to Nightcrawler to End of Watch we’ve seen that he’s up for most any challenge and likes to dive deep into his roles. So it’s not surprising that he was drawn to this tale of redemption concerning a famous boxer at the top of his game dealt a series of terrible blows (in more ways than one) and his eventual path back to himself. What is surprising is that while the performances are very good you can’t get away from the fact that the story feels recycled and originally intended for a different set of lower string stars. I’m always on the fence regarding Forest Whitaker but as the wise boxing manager that grudgingly comes to Gyllenhaal’s aid, the actor reminds us why he so deserved his Best Actor Oscar for The Last King of Scotland. Also turning in a great performance in Rachel McAdams (The Vow) as Gyllenhaal’s high school sweetheart, mother of his daughter, and the only one that seems to have his best interest at heart.
Southpaw was also at the center of some controversy that arose this summer about movie trailers that give away too much of the film. If you have seen the trailer for Southpaw you know what I’m talking about…if you haven’t, please go into the movie blind. I had a faint idea what the spoiler was and even that made the first ¼ of the film much less involving. Worth it for the performances but gets knocked out by an also-ran plot.
Movie Review ~ Samba The Facts: Synopsis: Samba migrated to France ten years ago from Senegal, and has since been plugging away at various lowly jobs. Alice is a senior executive who has recently undergone a burn-out. Both struggle to get out of their dead-end lives. Samba’s willing to do whatever it takes to get working papers, while Alice tries to get her life back on track until fate draws them together. Stars: Omar Sy, Charlotte Gainsbourg, Tahar Rahim, Izia Higelin, Isaka Sawadogo Director: Olivier Nakache, Eric Toledano Rated: R Running Length: 118 minutes TMMM Score: (5.5/10) Review: Of all the movies I’m talking about in this wrap-up this is one I’d bet dollars to donuts that you’ve never heard of. And you couldn’t be blamed because this barely made a blip on the usually forgiving art-house circuit. From the star and directors of 2012’s dynamite The Intouchables comes this story of an immigrant man living in France who crosses paths with a burned out executive when the man is discovered to be an illegal alien. Omar Sy (Jurassic World) and Charlotte Gainsbourg don’t have that much chemistry but in a weird way it works for the oddball romance that develops over the course of the film. I never could get a real feel if the movie was a comedy, drama, or something in between…and neither could most of the people involved. Slightly recommended but only if the plot or stars appeal to you.
That almost did it for July…but there was still one weekend to go! Moving up several months from its planned December release, the fifth installment of the Mission: Impossible franchise had its brains in the right place but at times forgot to bring its brawn. I still prefer Ghost Protocol to Rogue Nation but as long as star Tom Cruise keeps making these films interesting I’ll keep accepting future missions. Here’s hoping he brings along Rebecca Ferguson again because finally there is a female that is every bit a match to Cruise’s daring agent.
I wasn’t sold at all when I heard that Warner Brothers was planning on remaking National Lampoon’s Vacation but as time went on I heard more that it was more of a sequel than a reboot (resequel?) and I started coming around to the idea of a new Vacation. I enjoyed Ed Helms and Christina Applegate as the hapless couple traveling cross-country with their children…but audiences and most critics didn’t. It wasn’t a great movie and was probably too crude to be part of your Vacation marathons…but I have to say the worst part about it was when original stars Chevy Chase and Beverly D’Angelo showed up. Still, I’m hoping it made enough money to warrant a holiday themed sequel. In any event…it’s a damn sight better than European Vacation.
Wow – July didn’t skimp on variety, did it? Arguably the hottest month for releases, it carried over the promise of May and June and laid a path for August to do quite well…but could it top the three months that came before it?
Synopsis: Hazel and Gus are two teenagers who share an acerbic wit, a disdain for the conventional, and a love that sweeps them on a journey.
Stars: Shailene Woodley, Ansel Elgort, Willem Dafoe, Nat Wolff, Laura Dern, Sam Trammell, Mike Birbiglia, Lotte Verbeek, Emily Peachey
Director: Josh Boone
Running Length: 125 minutes
TMMM Score: (8.5/10)
Review: After reading several early rapturous reviews of John Green’s 2012 novel The Fault in Our Stars I, like all my good bandwagon hopping peers, snapped up a hardcover copy to say I owned it and then let it sit on the shelf where it gained a fine layer of dust. When it was announced in 2013 that the film version of the novel was hitting theaters in 2014 I dusted off the book and carried it around with me with the best of reading intentions…only to see it make its way back onto the shelf, unread.
Suddenly, it’s 2014, I’m seeing the film in a week, and my guilty procrastinating personality kicks into high gear and I finally crack open the book. The rest is history…the kind of superior reading experience that maybe I was always destined to have. Green’s novel, told from the matter-of-fact perspective of a girl dying of lung cancer, was a humorous, heart-string tugger that never felt sorry for itself or resorted to cliché to keep its audience tearing through the pages. In the novel, love is found between protagonist Hazel and charming Augustus at the very worst time…when death is standing at the door.
Too many films adapted from popular novels suffer by comparison because they either fail to capture what made the action on the page so special or change too much so the product is unrecognizable to fans. That’s not the case here, thankfully, so while it does retain some of the more problematic passages that made the novel perfectly imperfect, its devotion to being faithful made me respect it even more.
I can’t say for sure, but had I not known while reading that Shailene Woodley (The Descendants, The Spectacular Now) was playing the lead I think I would have always imagined her in the role. As it is, after seeing Woodley’s sensitive take on the character I can’t imagine any actress out there today could have done the role justice as well as she does here. As in the novel, Woodley’s Hazel is strong yet vulnerable, direct but caring, and wise well beyond her young years. When she meets Augustus (Ansel Elgort, last seen playing Woodley’s brother in Divergent) in a cancer support group, she finds a kindred spirit that shows her she’s got a lot of living left to do…and wants to live it with her.
Director Josh Boone teams with screenwriters Scott Neustadter and Michael H. Weber in bringing this sentimental tear-jerker to audiences without letting the film with such a melancholy subject feel too heavy. The beats are all in the right place and the film enjoys a good hour of splendid magic before veering (like the novel) into a subplot that (like the novel) just didn’t work for me. To say what this tangent is would be to betray what happens later in the film so I’ll merely say home is where the heart is.
As far as differences between the novel and the film, most are too small to report back on. Even though the flash-forward opening moments of the movie had me on edge, it wasn’t the deal breaker it could have been in less devoted hands and thankfully, Boone and co. have figured out a way to smooth over (not change) the ending to be more cinematically sound. As Hazel’s dad, Sam Trammell isn’t as weepy as the novel implies, bringing a welcome stoicism absent on the page that makes him more equal partners with his wife and daughter. It’s hard to believe there was a time I wasn’t a fan of Laura Dern, never really warming to her performances. However Dern (Smooth Talk, The Master, Jurassic Park) delivers moving work here as Hazel’s mom, further cementing my admiration for her talent.
Woodley and Elgort have chemistry for days, something the movie would have been D.O.A. without. Largely thanks to Woodley’s earthy presentation of a dying girl and Elgort’s laid-back approach to a devil may care boy The Fault in Our Stars becomes more than a disease of the week three hanky weeper. A well made film crafted by people who obviously cared about the book quite a lot, there’s little fault to be found here. A nice bit of counter-programming for audiences already weary with effects heavy blockbusters.
Review: The best thing about seeing July’s The Bling Ring was getting to see the first preview of The Spectacular Now and ever since that time I’d been counting down the days until I’d be able to get my butt into the seat. Harkening back to the early days of John Hughes (I’m talking Pretty in Pink era, not Curly Sue thank you very much) yet possessing a style and confidence all its own, The Spectacular Now may not have wound up being the perfect film of 2013 (that honor still goes to The Way, Way Back) but it makes it to the winner circle thanks to two incredible lead performances and director James Ponsoldt’s smart, attention-to-details direction.
Based on the novel by Tim Tharp and coming armed with an observant screenplay by (500) Days of Summer writers Scott Neustadter and Michael H. Weber, there’s a lot to like within the 95 minute journey that The Spectacular Now takes viewers on. “Like” may be just too…easy of a word. “Relate to”, “empathize with”, “agree upon” could be the better way to say it because there seems to be something at the core of the movie and the lives of the people we meet that will speak to anyone regardless if you’ve been home schooled or passed through the walls of the famed “high school experience” so often put on celluloid.
What sets this movie apart from its contemporaries is how un-clichéd the story develops and how impressive it is that it manages to maintain this for all but a scintilla of time as it nears its conclusion. Though it does rely on the oft-used voiceover narration/college essay as a framing device, I didn’t mind the commentary as much as I normally do because the narration makes sense in the context of the story being told.
High school charmer Sutter (Miles Teller, Rabbit Hole) is living the teenage dream. He’s popular, has a great girlfriend, has a long leash of freedom from his mother (Jennifer Jason Leigh), and generally deals with each new life situation with a can-do spirit. The trouble is, all of that positive energy and care for others is masking some inner conflict he’s not ready to deal with. We’ve all had to face these moments when we look around to see that we may possess everything we could ever want yet are frightened to recognize that maybe having it all doesn’t equal happiness…or at least what we thought happiness was meant to be.
Sutter is also an alcoholic…a hard subject for a teen romance to deal with yet an important one to call out as it’s a growing problem in our schools. In their small town, Sutter has no trouble finding liquor or going to work with a flask to freshen up what’s really being held in his Big Gulp. As the movie begins, a misunderstanding has caused a rift between Sutter and his girlfriend (Brie Larson) and after a night of hard partying he wakes up on the lawn of a home on Aimee’s (Shailene Woodley, The Descendants) paper route.
A classmate he’s never noticed, Sutter befriends Aimee and a relationship soon develops. Is Sutter using Aimee as a rebound, as a way to get back at his girlfriend who has moved on, or does Aimee’s understanding and sensitivity to the pain she sees beneath his surface mean that Sutter can finally be seen and loved for who he truly is? These are the very adult questions being asked in a movie that could be carelessly classified as just another trivial teen romance.
It’s Teller and Woodley’s dynamic chemistry together and apart that make the movie really ignite. Teller fits the bill for his character but never lets Sutter drift into maudlin sentimentality just because he’s finding new corners of himself. Woodley too shows an introspective maturity that far exceeds her years as she takes Aimee through first love to heartache and back again. Though Aimee takes some selfless, hard turns that are tough to watch and may be frustrating to some, they all feel like they are coming from the right place and have an earthy truth that side-steps hitting a false note.
If anything, it’s the supporting characters that don’t live up to the performances of Teller and Woodley. The young actors that portray other members of Sutter and Aimee’s social circle don’t come across with the same confidence and it’s not just how they’re written. They seemed to be playing catch-up in a race that Teller and Woodley were always destined to win. Leigh has a nice turn as Sutter’s sometimes distant mom and Kyle Chandler gets the job done as Sutter’s estranged father.
The movie trips a bit when it gets to these scenes with Sutter and his father because it appears the writing is on the wall as to the cycle that Sutter seems to be on. Thankfully, the script is smart enough to take a flimsy contrivance and spin it into, if not gold, a solid silver of an ending.
With a few genuinely surprising elements, The Spectacular Now is absolutely a movie to seek out and soak in. The lead performances are some of the best you’ll see all year from two rising stars and Ponsoldt is quickly establishing himself as a director with depth and a keen eye for casting. Worth a serious look from viewers that don’t mind a little heartbreak at the hands of honest men and women.
Synopsis: A hard-partying high school senior’s philosophy on life changes when he meets the not-so-typical “nice girl.”
Release Date: August 2, 2013
Thoughts: Yet another reason why you should never be late for a movie…because you may wind up missing a preview like The Spectacular Now. Like The Way, Way Back the preview suggests a film that feels fresh and bold with a strong cast of young talent that doesn’t wind up feeling like something we’ve seen before. Miles Teller (Rabbit Hole) and Shailene Woodly (a knockout in The Descendants) are the romantic leads in a cast that also includes Jennifer Jason Leigh and Kyle Chandler. From the same writers as the dynamite (500) Days of Summer, I found a certain magic to the trailer…leading me to think/hope this could turn out to be a sleeper hit come August.