Hasta La Vista…Summer (August)

arnold-terminator-almostdidnotstarHasta
We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.

I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.

So sit back, relax, and enjoy the ride read.

August

Traditionally, August is the month when the wind-down begins.  It never has any of the big tent pole pictures featured earlier in the summer and it can be a time when studios try to burn off some troubled pictures or try to skillfully position a sleeper hit. This August for sure had its share of high and low points, much like the summer that it capped off.  I was still in frolic mode so didn’t get to as many reviews as I had wanted but sitting here now, in still sunny September, it’s time to review the movies I missed!

                                                Movie Review ~ Shaun the Sheep Movie
shaun_the_sheep_ver2The Facts
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Synopsis: When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it’s up to Shaun and the flock to return everyone safely to the green grass of home.
Stars: Justin Fletcher, John Sparkes, Omid Djalili, Kate Harbour, Tim Hands, Andy Nyman, Simon Greenall, Emma Tate
Director: Mark Burton, Richard Starzak
Rated: PG
Running Length: 85 minutes
TMMM Score: (7/10)
Review: I’m not saying that the U.S. doesn’t churn out a fine slate of family friendly films…but there’s a certain aura around the British imports that seem to work time and time again.  Like Paddington earlier this year, Shaun the Sheep Movie was an unexpected delight, 85 minutes of smart comedy that’s deep enough for adults to not need a lobotomy to enjoy and zany enough to keep the attention of young tykes.  Remarkable when you consider there’s not any dialogue in the movie aside from some rumbles and grumbles from human and animal characters, it’s a big screen adventure adapted from a popular television show.  I wasn’t sure what to expect but I was surprisingly entertained and quite impressed by the stop-motion animation.  The film didn’t have great marketing so it slipped by most people but if it’s at your bargain movie theater, pack those kids up in your minivan and get to it…or treat yourself to a solo show.

 

                                                            Movie Review ~ Dark Places
dark_placesThe Facts
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Synopsis: Libby Day was only seven years old when her family was brutally murdered in their rural Kansas farmhouse. Twenty-five years later, she agrees to revisit the crime and uncovers the wrenching truths that led up to that tragic night.
Stars: Charlize Theron, Drea de Matteo, Nicholas Hoult, Christina Hendricks, Chloe Grace Moretz, Corey Stoll, Sterling Jerins, Tye Sheridan, Shannon Kook
Director: Gilles Paquet-Brenner
Rated: R
Running Length: 113 minutes
TMMM Score: (3/10)
Review: With the huge success of Gillian Flynn’s third novel Gone Girl and seeing how fast the movie rights were snapped up, it’s only natural that her other two other books would take a similar path.  Dark Places is the first of these to hit theaters (Sharp Objects is arriving as a television movie) and it shows one of two things, either the third time was the charm for Flynn or something was lost in translation.  Full disclosure, I haven’t read the book but I’m inclined to think that it’s the fault of the screenwriter because there are so many hazardous movie mistakes only a Hollywood writer could make.  Though the mystery of a decades old killing spree coming back to haunt the sole survivor is initially intriguing, it quickly dissolves into a sticky mess that makes less sense the more secrets are revealed.  It also doesn’t help that it’s badly miscast, with the usually impressive Charlize Theron relying on her ever-present trucker hat to do most of the acting for her…or maybe to hide her embarrassment at being looped into this turkey.  Though it boasts a cast that typically gets the job done, no one quite seems to know what they’re doing…as if they hadn’t read the book before undertaking their scenes.  The only worthwhile performance is Christina Hendricks as Theron’s murdered mom, bringing some dignity to a role that, as written, doesn’t earn it.

 

                                                           Movie Review ~ Fantastic Four
fantastic_four_ver3The Facts
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Synopsis: Four young outsiders teleport to an alternate and dangerous universe which alters their physical form in shocking ways. The four must learn to harness their new abilities and work together to save Earth from a former friend turned enemy.
Stars: Michael B. Jordan, Miles Teller, Kate Mara, Jamie Bell, Toby Kebbell, Tim Blake Nelson, Reg E. Cathey
Director: Josh Trank
Rated: PG-13
Running Length: 100 minutes
TMMM Score: (4/10)
Review: Well, what can I saw bout the Fantastic Four that hasn’t been said (loudly) already?  Is it a lousy movie? Yeah, probably. Could it have been better? After two attempts to bring these characters to the big screen I’m not sure we’ll ever get a decent adaptation. What went so wrong? If you believe the outspoken director, it was studio interference that took his movie from a rich origin story to an overstuffed thundercloud of action movie clichés and fairly terrible special effects.  If you are to believe the studio, it was that director Josh Trank (who debuted with the surprise hit Chronicle) disconnected from the material, a development that was costing time and money.  Watching the film with this knowledge you can see the moment that something went awry.  Because the thing is, the first 20-30 minutes of Fantastic Four is quite good, sensitive even.  It’s a slow start and, let’s face it, audiences these days don’t want a slow start.  They want their action and they want it now. The studio was happy to oblige and when it becomes a standard summer superhero movie my interest took a nosedive and it became a waiting game of the good guys defeating the bad guys so I could go home.  I think the colossal outcry from fans and critics was a little on the dramatic side, even for a superhero film, but it’s not wholly unwarranted.

 

                                                           Movie Review ~ Ricki and the Flash
ricki_and_the_flashThe Facts
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Synopsis: A musician who gave up everything for her dream of rock-and-roll stardom returns home, looking to make things right with her family.
Stars: Meryl Streep, Kevin Kline, Sebastian Stan, Mamie Gummer, Audra McDonald, Rick Springfield
Director: Jonathan Demme
Rated: PG-13
Running Length: 102 minutes
Trailer Review: Here
TMMM Score: (6.5/10)
Review: So we’ve all long agreed to the fact that Meryl Streep can do no wrong.  You can love her for it or hate her for it, but she never fails to impressive me with each new role she takes on.  From starring in The Iron Lady to taking a supporting role (cameo, really) in The Homesman, Streep seems to take a role if it speaks to her, no matter the size or commitment.  It’s not hard to see why she was attracted to the rough rocker Ricki with her tattoos and braided hair, here was another opportunity for Streep to strip away the classical actress aura and go barefoot into the wild.  She’s ably aided by Diablo Cody’s middling script, Jonathan Demme’s careful direction, and a supporting cast that don’t just play second fiddle to Streep’s lead guitar. I think there’s one too many musical numbers allowed to play longer than they should and Cody’s dialogue doesn’t have the snap that it used to.  The whole thing is worth it though for a stellar scene between Streep and Audra McDonald, the new wife of Streep’s ex-husband.  A sparring match spoken with calm and some care, the two women have an electricity between them that the film needed more of.  It falls apart swiftly in its second half, but it’s not a totally out of tune affair.

 

                                             Movie Review ~ The Man from U.N.C.L.E.
man_from_uncle_ver2The Facts
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Synopsis: In the early 1960s, CIA agent Napoleon Solo and KGB operative Illya Kuryakin participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons.
Stars: Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Jared Harris, Hugh Grant
Director: Guy Ritchie
Rated: PG-13
Running Length: 116 minutes
TMMM Score: (7.5/10)
Review: I never watched the television series on which this cool-as-can-be spy movie was based on but I’m pretty sure there weren’t the same amount of homoerotic jokes during the weekly adventures of Solo and Kuryakin.  While I feel that director Guy Ritchie relied a bit too heavily on his similar experience at the helm of two Sherlock Holmes films, he brings his A game to this big screen adaption, sparing no expense when it came to production design.  And that’s a good thing because though it’s never truly predictable, the plot is pretty thin.  So it’s up to Ritchie and his cast to sell the film and they are more than up for the challenge.  Henry Cavill (Man of Steel) is perfectly cast as the smooth Solo and he’s well matched with Armie Hammer’s (Mirror Mirror) simmering Kuryakin.  The two trade barbs rich with double entendre while protecting Alicia Vikander (The Danish Girl) from falling into the hands of a sinister villainess (the scene stealing Elizabeth Debicki, The Great Gastby).  The film looks and sounds amazing, here’s hoping costume designer Joanna Johnston gets an Oscar nomination for her impeccable suits and stunning dresses.

 

                                                         Movie Review ~ End of the Tour
end_of_the_tourThe Facts
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Synopsis: The story of the five-day interview between Rolling Stone reporter David Lipsky and acclaimed novelist David Foster Wallace, which took place right after the 1996 publication of Wallace’s groundbreaking epic novel, ‘Infinite Jest.’
Stars: Jesse Eisenberg, Jason Segel, Joan Cusack, Mamie Gummer, Anna Chlumsky, Mickey Sumner
Director: James Ponsoldt
Rated: R
Running Length: 106 minutes
TMMM Score: (8/10)
Review: I never thought I’d say the words “potential Oscar nominee Jason Segel” in a work of non-fiction…but then again I didn’t think two-time Oscar nominee Jonah Hill was possible either and look what happened there.  Yes, Segel’s work as tormented writer David Foster Wallace is worthy of acclaim as the actor digs deep within and bypasses his comedic instincts to find the truth of the man behind the epic novel Infinite Jest.  Jesse Eisenberg (who also pops up in American Ultra) turns in strong work as well, though he’s really just a prop for Segel to react off of.  Their five day road trip interview for Rolling Stone is the basis for the movie and it leads the men and the audience into interesting territory.  It’s a movie you watch once, appreciate, then file away as something you can recommend to people and feel like you’ve done them a favor.  One thing that must be said…Eisenberg needs to learn how to smoke a cigarette.  Here and in American Ultra he looks a child does when they are mimicking their parent.  Many things about Eisenberg annoy me and this is just another thing to add to the list.

                                             Movie Review ~ The Diary of a Teenage Girl
diary_of_a_teenage_girl_ver2The Facts
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Synopsis: A teen artist living in 1970s San Francisco enters into an affair with her mother’s boyfriend.
Stars: Bel Powley, Alexander Skarsgård, Christopher Meloni, Kristen Wiig
Director: Marielle Heller
Rated: R
Running Length: 102 minutes
TMMM Score: (7.5/10)
Review: It’s nice to go into a movie with only a basic logline and a list of the actors featured.  I didn’t know what to expect from The Diary of a Teenage Girl but whatever I thought, the movie surprised me in the best ways.  The story of a young girl’s sexual awakening in San Francisco is gloriously set in the mid ‘70s, an era of freedom and discovery.  While some may be off put by the relationship between an older man and an underage girl (star-in-the-making Bel Powley is older than she looks, thankfully), they’d be missing the point of Phoebe Gloeckner’s autobiographical graphic novel on which the film is based.  It’s a frank flick that frequently finds its actors in the buff but doesn’t feel gratuitous because these characters are coming into themselves, marveling at a new experience they never knew existed.  I appreciated that the film pulled no punches in showing nudity and discussing sexual situations and director Marielle Heller shows respect for all people involved.  It’s a bold film with animated sequences, a killer soundtrack, and splendid performances.

The dog days of summer brought three other notable releases to theaters, though I’m guessing by the poor box office returns of two of them that the studios (and actors) wish the films had just quietly gone away.

I hadn’t heard a thing about American Ultra until two weeks before it was due to arrive, strange considering it starred Kirsten Stewart and Jesse Eisenberg.  The two aren’t serious box office draws but they do have a fanbase that might have helped build more buzz for the stoner comedy.  Not that it would have made the film any better because at its best it was a mildly diverting mix of comedy and gratuitous violence and at its worst it was a merely the thing you watched because you’d seen everything else at the theater and wanted some time in the air conditioning.  It’s bad when you don’t know what the movie is about, but it’s worse when it feels like the filmmakers don’t have a clue either.

I’ve gone on record as no fan of director Noah Baumbach and very on the fence for actress Greta Gerwig so I wasn’t at all looking forward to their latest collaboration, Mistress America.  Once again, the universe has a way of loving to see me humbled and I emerged from the screening not only in a damn fine mood but the desire to see it again.  That rarely happens with any movie, let alone a Baumbach/Gerwig joint so that should tell you something about the quality of this movie that is firmly in a New York state of mind.  Sure, it has its share of problems but they don’t ultimately detract from the overall enjoyment the film brings.

Finally, there’s the sad, sad case of We Are Your Friends, Zac Efron’s latest attempt to be a serious dramatic actor.  While I think it’s Efron’s best dramatic performance to date and didn’t totally hate the film, audiences sure did and it became the third biggest box office failure of all time…pretty stunning considering how many other bad movies have been released and made at least a few million during its opening weekend.  I think the film got a bum rap and just was released at the wrong time, but it should hopefully send a message to Efron that he needs to spend some time figuring out exactly where his place is in Hollywood because he is, like his character here, totally lost.

SO THERE YOU HAVE IT!  THE SUMMER OF 2015!

CHECK OUT MAY & JUNE & JULY

Movie Review ~ And So It Goes

and_so_it_goes

The Facts:

Synopsis: A self-centered realtor enlists the help of his neighbor when he’s suddenly left in charge of the granddaughter he never knew existed until his estranged son drops her off at his home.

Stars: Michael Douglas, Diane Keaton, Sterling Jerins, Frankie Valli, Scott Shepherd, Frances Sternhagen, Andy Karl, Annie Parisse

Director: Rob Reiner

Rated: PG-13

Running Length: 94 minutes

TMMM Score: (2/10)

Review: Instead of a straight-forward review, here’s how I imagine Rob Reiner pitched And So It Goes to Diane Keaton:

Rob Reiner: Hey Diane, I have a movie I think you should be in with Michael Douglas. It’s about –

Diane Keaton: Rob, I’m just going to stop you right there.  I have some questions.

RR: Um, ok…is it about the movie?

DK: Sure.  First things first.  Can I wear only cream, taupe, and ivory shirts with large collars?

RR: Well…yes, I think that would work.  See, you’d be playing a-

DK: Great! Yes, I love those shirts, they are so comfortable and I really feel I can be myself in them, y’know?

RR: Yes. I know.  Now that we have that straightened out –

DK: Ooooo!  And skirts!  I need to wear skirts that end above the knee and are five times the circumference of my body.  At all times.  I could maybe go for pants but only in inclement weather.

RR: I’m not sure the skirts would make sense to the character…

DK: Great!  And I’ll want to hike the skirts up under my armpits so it looks like I’m being consumed from the waist up. And belts…the bigger the better.

RR: Let’s talk more about that later, I’d like to tell you what the movie is about.  You’d be playing a widowed lounge singer living next door to a grumpy old guy played by Michael.  The whole plot revolves around him being forced to take care of his granddaughter abandoned by his prison bound son.

DK: I was in the original Broadway cast of Hair…did you know that?

RR: I did…and you were great.

DK: I know, right?  I’ll sing torch songs, then?

RR: Yes, and I’d be playing your pianist because I can’t NOT be in a movie I’m directing.  I think, however, that I’ll wear a toupee so people won’t recognize me.

DK: Why don’t YOU wear a big skirt and a belt?

RR: No, I think the toupee is enough of a challenge for me.

DK: OK.  Y’know Rob, I was thinking.

RR: About the character?

DK: (laughs) No!  I don’t think I’m totally sold on your idea of just dressing in beige colors the whole time.  I think we need to throw in some reds and polka dots…and red polka dots.

RR: Diane, you suggested the color palette.

DK: (laughs again) Noooo…I think that was your suggestion.  So I’m playing a romantic at heart that convinces this old codger next door that you’re never too old to change?  Hmmmm…sounds an awful lot like As Good As It Gets with my old Reds costar Jack Nicholson.

RR: Well that’s probably because Mark Andrus wrote the screenplays for both.

DK: Ah…so it’s a sequel?

RR: No, no…just a painfully clumsy re-working of that film, lacking any sort of humor, warmth, or honest emotion.

DK: Yikes…sounds pretty bad.  Didn’t you direct Stand By Me, Misery, A Few Good Men, and When Harry Met Sally… those were great films, Rob!

RR: Yeah…I know.  I think Sally Struthers put some sort of curse on me.

DK: Is there anything of value in the movie?

RR: I’m thinking of casting Frances Sternhagen in a thankless role that she could do in her sleep.  And ever since Frankie Valli was passed over to play himself in the movie version of Jersey Boys

DK: Ooo…I think that movie is going to bomb…looks terrible.

RR: Totally!  Anyway…now Frankie has the acting bug…I’ll just give him one awkward scene and that’ll shut him up.

DK: What about the granddaughter, is she cute at least?

RR: Not really…she has the bad habit of looking directly into the camera…but if I have time after my toupee lessons I’ll try to break her of that.

DK: Well Rob, I gotta tell ya…this sounds like a pretty bad film from the outset.  The kind that should go straight to Netflix instead of playing in the theaters.  The type of movie that people may say “What are Michael Douglas and Diane Keaton doing in this garbage?”  The sort of experience moviegoers young and old will find impossible to relate to filled with characters no one can sympathize with.  I’ll just bet that the script is illogical, incoherent, insipid, contradictory, and clichéd at every possible turn.  I mean, next thing you’ll tell me is that Michael’s character will deliver a baby with his bare hands and I’ll film a sex scene miraculously wearing more make-up than I did before the humping started two minutes earlier.

RR: Well…what if I promise you can wear a red polka dotted neckerchief in two scenes?

DK: I’m in!!!!

 

Movie Review ~ The Conjuring

conjuring_ver3

The Facts:

Synopsis: Paranormal investigators Ed and Lorraine Warren work to help a family terrorized by a dark presence in their farmhouse. Forced to confront a powerful entity, the Warrens find themselves caught in the most terrifying case of their lives.

Stars: Vera Farmiga, Patrick Wilson, Ron Livingston, Lili Taylor, Joey King, Shanley Caswell, Haley McFarland, Mackenzie Foy, Kyla Deaver, Sterling Jerins

Director: James Wan

Rated: R

Running Length: 112 minutes

Trailer Review: Here & Here

TMMM Score: (9/10)

Review: It’s fun to be scared, isn’t it?  I know many people that would disagree with that statement but I’ve always found a base thrill in any amount of fright that I can find be it at the hands of a ghoul in a haunted house, a towering rollercoaster that looks more than a tad bit rickety, and in a dark movie theater watching the latest horror flick designed to scare the pants off of you. 

Even after hearing early positive buzz on The Conjuring and liking what I’d seen/read up until it was released, I was still wary that my expectations were raised too high to get out of the film the kind of entertainment I was looking for.  That all changed frame one as the Warner Brothers logo appeared along with Joseph Bishara’s ominous music and I just knew…this is going to be one scary flick.  And it was.  And I loved it.

The Conjuring represents a full feast of fright after sparse offerings in theaters over the last year.  For my money, it’s the scariest movie released in theaters in some time and the scares it provides are well earned and long-lasting.  Moments of good old fashioned dread exist in the movie that are genuine and cleverly constructed for maximum impact.  Not merely content to scare you once, director James Wan (Saw, Dead Silence, Insidious) applies the pressure and maintains it for long stretches of time, creating several truly harrowing sequences.

Based on the true story of Perron family from the files of paranormal investigators Ed and Lorraine Warren, The Conjuring opens with a dandy of an intro to the kind of work that Ed (Patrick Wilson, Prometheus) and Lorraine (Vera Farmiga) do.  I wouldn’t dream of spoiling this opening but will say that it plays a nice twist on the kind of opening that Scream introduced so well and that has been oft-copied ever since. 

It’s 1971 and Carolyn (Lili Taylor, Being Flynn) and Roger (Ron Livingston, The Odd Life of Timothy Green) Perron have moved their five daughters (including Joey King from White House Down and Oz, The Great and Powerful) to a large farmhouse nestled in the boondocks of New England.   Though the actual events took place over 10 years, for cinematic purposes the timeline is several weeks…compressing years worth of occurrences is something the movie pretty much had to do.   It’s not long before the family gets to know their house a bit better; finding a boarded up cellar filled with cobwebs and antique toys that provide a few cursory scares. 

Mysterious bruising, the unexplained nightly stopping of all clocks at 3:07am, and other spooky bumps in the night don’t signal much of a warning until all hell breaks loose one night in the first of many masterfully filmed passages of piled on horror. 

Though we’ve already met the Warrens and seen their suburban home life (including a locked room full of creepy items from their various cases), they finally step center stage when Carolyn begs them for help.  When the Warrens arrive and start looking into the house and its dark past, they discover a history of horrifying events that shed some light on the present happenings.  The deeper they dig, the more danger they unearth not only for the family but themselves as well.

Even the best made horror film is largely at the mercy of the actors that are involved and Wan has assembled a crack mix of interesting actors to take on these roles.  Wilson may be a tad milquetoast in the role but he never overplays it, wisely playing second banana to Farmiga.  Ah yes, Farmiga.  Aside from the treasure trove of terror, the chief pleasure of The Conjuring is Farmiga’s multi-dimensional and fully committed take on the role of a clairvoyant who sees/feels more than we could ever imagine.  This is a smart actress who keeps us interested in the movie even if, like most horror films centered on a mystery, the more we know about the “why” behind the terror the less we are scared of it. 

Just a slight step below Farmiga is Taylor, one of the best actresses of her generation that continues to take on a range of roles in mainstream and indie films.  Largely absent from the horror genre since the turkey remake of The Haunting back in 1999, Taylor is perfectly cast as a normal wife and mother that’s pitched into a nightmare she can’t wake from.  Farmiga and Taylor are a dynamic duo, bravely enduring the wringer that Wan and screenwriters Chad and Carey Hayes put them through.

The Conjuring has no nudity, no explicit language, and a modest modicum of blood so it landed an R from the MPAA due to its “sequences of disturbing violence and terror”.  There’s something revelatory about a movie earning that restriction based solely because it’s too scary – and earn it it does.  This hopefully will be a perennial classic that finds its way on the shelf next to films like Halloween, The Changeling, and Poltergeist.  If your spine needs a good tingling, The Conjuring is just the medicine the doctor ordered.

The Silver Bullet ~ The Conjuring (Trailer #2)

conjuring_ver2

Synopsis: Paranormal investigators Ed and Lorraine Warren work to help a family terrorized by a dark presence in their farmhouse. Forced to confront a powerful entity, the Warrens find themselves caught in the most terrifying case of their lives.

Release Date:  July 19, 2013

Thoughts:  I don’t normally post a second trailer for a movie so close to the time that I posted the first trailer, but this new preview for July’s The Conjuring rustles up more than a few scary moments that I wanted to share.  Though we’ve had many horror films that were “based on a true story”, the premise of The Conjuring intrigues me as its inspired by the case files of paranormal investigators Ed and Lorraine Warren who were famous for their involvement in more than a few high profile haunting inquiries (they were consulted on the famous Amityville Horror case).  I always get nervous when a film shows so many key moments and hope that some scares are put on reserve for paying audience members.  I like the cast assembled here and it’s old-school style should play a part in creating an atmosphere rich with potential.

The Silver Bullet ~ The Conjuring

conjuring

Synopsis: A family encounters spirits living among them in their New England farmhouse.

Release Date:  July 19, 2013

Thoughts: It’s so easy to put a shine on a dull coin so I always take movie posters and previews with a grain of salt.  Even a trailer for the worst movie can be edited to look like an Oscar contender while true award-worthy material can be hidden by a so-so preview.  Even knowing this, I have to say that the recently released poster and trailer for the summer scare-a-thon The Conjuring gives me high hopes.  It’s directed by James Wan who was behind the camera for Saw, the strangely underrated Dead Silence, and Insidious…even if those films weren’t quite your cup of tea I’d argue that they had more style/cinematic flair than many of the films in its genre.  Another bonus is the cast – Lili Taylor and Vera Farmiga are two of the more interesting actresses in Hollywood so when you add Ron Livingston and Patrick Wilson to the mix you have a quirky quartet that might just work.

Though the trailer may seem to give away a nifty scare for free I’ll be waiting patiently until July to see what thrills this team can conjure up for us.