2015 – Best of the Best, Worst of the Worst, Grand Totals

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Well hello there!  I wound up skipping my Best of 2014 list because when 2015 rolled around there were still too many “2014” movies that I hadn’t been able to catch.  Then one thing lead to another…and it was March!

So here we are starting the fifth year of this blog!  Hard to believe it and boy, does time fly.  Below I’ve compiled my list of the best and worst of 2015.  At first I was going to do a Top 10 for both because I absolutely had candidates to fill all the slots, but then I decided to stick with five each to truly highlight the best of the best and worst of the worst.

As always, I’ve appreciated your feedback, your patronage, and your general presence in my blog. Even if you read this everyday but have never commented or made contact I can still tell you’ve been here and that means a lot.  My readership and subscriptions continue to increase every month and it’s all thanks to your word of mouth, likes, and shares.  If you haven’t already, make sure to follow this blog, follow me on Twitter (@joemnmovieman), and like my Facebook page so you can help me continue spreading the news about The MN Movie Man.

Best Wishes to you and yours for a most Happy New Year!

~Joe (The MN Movie Man)

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5. Mad Max: Fury Road – like a lightning rod, the fourth Mad Max film conducted the kind of electricity that could fuel a dozen other pictures.  Director George Miller upped the ante for not only summer blockbusters but for filmmaking as a whole with his non-stop action flick that took no prisoners and left most 2015 films in its fiery dust. Starring Tom Hardy but owned by Charlize Theron, this Mad Max signaled the start of the summer season with a rocking battle cry. Truly amazing.

4. Creed – the best unexpected TKO of the year, Creed is really Rocky 7 but don’t let that stop you from entering the ring.  Star Michael B. Jordan brings a blistering intensity to the role of a young boxer trying to make a name for himself out from under the shadow of his legendary father’s career.  The biggest surprise is original star Sylvester Stallone stepping into the mentor role for his best performance since the original Rocky.  Stallone is valiant, vulnerable, and, under the direction of writer/director Ryan Coogler, fairly unforgettable.  A champion of a film.

3. Carol – anchored by two of the strongest performances of 2015, this love story between young Therese and married Carol is an achingly beautiful achievement from director Todd Haynes.  Delicate as a flower but steely enough to cut deep, it’s a picture about the understanding and acceptance of one’s own desires. Unlike anything else I’ve seen this year, it’s a gorgeous looking film that lingers in the memory long after you’ve left the theater.

2. Brooklyn – the most charming film of 2015, Brooklyn is a sweet love story set against the backdrop of Ireland and New York in the 1950’s.  It’s funny, sad, poignant, and delightfully underplayed so that by the time it reaches its emotional climax the tears it wrings from you are well earned.  Superbly acted and glowing with grace, it’s a wonderful wonderful period piece.

1. The Martian – the best film I saw in 2015 (twice) is Ridley Scott’s grand space adventure adapted from Andy Weir’s best-selling novel.  A full meal of a movie, there’s a little bit of something for everyone here from comedy to action to drama to suspense and even some surprisingly emotional arcs.  Powerfully led by Matt Damon and a small army of familiar faces, movies like The Martian are the reason why we go to movies, to be transported and changed. 

Honorable Mentions: Paddington, Kingsman: The Secret Service, Cinderella, Jurassic World, Magic Mike XXL, Far From the Madding CrowdThe Visit, Sicario, Crimson Peak, RoomStar Wars: The Force Awakens

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5. Love the Coopers – arriving like a stale piece of fruitcake, this turkey is reason enough for even the sweetest Christmas fan to say “Bah Humbug”.  It’s an obnoxious and lazy attempt at creating a warm family togetherness film with neither the direction nor the performances to help it rise from the sludge. Wasting the talents of its diverse ensemble cast, this is a White Elephant of a yuletide film.

4. Point Break – making the original 1991 film look like High Noon in comparison, this atrocious remake diverts so far from its dopey origins that it should have just ditched the title and shrugged off the obvious comparisons from its detractors.  With his unforgivable man-bun, heinous fake tattoos, and not good enough for the Sci-Fi channel acting, Luke Bracey leads the film right off a cliff sans parachute.  More focused on being an eco-message film than a heist flick, it sports beautiful cinematography but is overall a lamentable effort.

3. The Lazarus Effect – Kudos to you, Olivia Wilde.  You appeared in two of my least favorite films of the year.  Beautiful as she is, Wilde just can’t seem to find a film that suits her in the acting department and The Lazarus Effect is a prime example. Barely 80 minutes long, there’s no amount of spiritual help that could raise this one from the graveyard of bad horror thrillers.

2. Aloha– pay no attention to the critics that championed this gigantic turd of a film in 2015…they’ve been blinded by a devotion to a filmmaker that has lost his way.  Cameron Crowe’s colossal misfire makes every wrong turn in the book, from casting pale Emma Stone as a Native Hawaiian with a half-Asian father to an inability to assemble a movie that makes any kind of sense.  Legendary in its production for going through titles and reshoots like candy, the final product was more of an ‘adios’ to Crowe’s storied status in Hollywood.

1. The Water Diviner – this waste of a film won three Australian Academy Awards.  Three.  And one of them was Best Picture.  Well, turnabout is fair play and I’m awarding Russell Crowe’s directing debut with Worst Picture of the year honors.  An interminable slog through an incomprehensible plot and ridiculously banal performances, I was praying for some sort of divine intervention to cut the screening short.  It’s bad from the moment it starts until it releases us from our agony.

(Dis)Honorable Mentions: Inherent Vice, Blackhat, The Boy Next Door, Woman in Gold, Terminator Genisys, The Gallows, Dark Places, American Ultra, Freeheld, Jem and the Holograms, Victor Frankenstein

 

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Most Misunderstood

Hot Pursuit – Ok, so I’m not going to sit here and waste my time telling you that Hot Pursuit is a good movie because it’s fairly derivative from countless other female buddy pictures, too broad for words, and in the end is an inconsequential blip on the careers of stars Reese Witherspoon and Sofia Vergara.  Where I took issue was how the movie was dragged through the grime by critics that would laud the same type of movie had it been released with males in the leading roles.  People took actual offense that Witherspoon went from an Oscar nominated turn in Wild to something so lightweight as Hot Pursuit and I kinda just wanted to tell ‘em all to scoot up a tree.  The film plays right into the strengths (and assets) of both leading ladies and is ultimately harmless.  It’s not great entertainment, but it’s not the garbage mess that people would have you believe.

Honorable Mention: San Andreas

Joe’s Humble Pie Award of 2015

The D Train – I’m a die-hard anti-Jack Black fan but even I had to admit that The D Train was one of the more unexpected small victories of 2015.  Black is winning as a lovable loser running his class reunion that makes a bid to get a famous-ish classmate to attend.  Flying out to California to convince the guy (James Marsden) to make an appearance, the film takes an unanticipated turn that audiences just won’t see coming.  The film has a dark charm and strong performances to justify your seeking it out.  I think you’ll be surprised…I was.

Honorable Mention: Mistress America

Movies You Probably Haven’t Seen But Should:

The Diary of a Teenage Girl

I’ll See You in My Dreams

Song of the Sea

The Hunting Ground

Beyond the Lights

Playing by Heart

Good Kill

Starry Eyes

The Taking of Deborah Logan

Click HERE for a full listing of films seen in 2015

Total Movies Seen in the Theater: 146

Total Movies Seen at Home: 176

Grand Total for 2015 (not counting films seen multiple times): 317

Where I Saw the Most Movies: Showplace ICON – 66!

Movie Review ~ The Visit (2015)

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The Facts:

Synopsis: A single mother finds that things in her family’s life go very wrong after her two young children visit their grandparents.

Stars: Kathryn Hahn, Ed Oxenbould, Deanna Dunagan, Peter McRobbie, Olivia DeJonge

Director: M. Night Shyamalan

Rated: PG-13

Running Length: 94 minutes

Trailer Review: Here

TMMM Score: (8/10)

Review: I remember seeing the preview for 2006’s Lady in the Water and when director M. Night Shyamalan’s name appeared the entire audience squealed with terrified delight.  By that time, Shyamalan had become synonymous with twist endings and scary tales more interested in the human side of horror than blood and guts.  After The Sixth Sense, Unbreakable, Signs, and The Village Shyamalan was riding high but he’d wind up drowning with Lady in the Water, a self-serving bit of poppycock that felt more like an ego trip than a fully formed movie (Shyamalan wrote, directed, and had a significant role in the film…an ill-advised move).

It was all downhill from there as Shyamalan followed up Lady in the Water with his first R-rated flick, the hysterically terrible The Happening in 2008 featuring a too-serious Mark Wahlberg having a conversation with a plastic plant he thought was out to do him and his family harm (!).  Things only got worse with 2010’s The Last Airbender before he hit rock bottom in 2013 with After Earth, starring Will Smith and his son Jaden, two actors with possibly even bigger egos than Shyamalan.  In the span of several years, Shyamalan’s name went from being the top selling point of a movie to a moniker that spelled box office poison.

I’m not sure what happened in the last few years but Shyamalan must have taken a long hard look at his career and made some changes for the better.  He scored as the producer and occasional director of Fox’s eerie mystery show Wayward Pines and he’s back in top form with The Visit, a keep-the-lights-on at night thrill ride that could have gone very wrong but winds up hitting (almost) all the right notes.

I must admit that when I heard The Visit was a found footage film my heart sank a bit for Shyamalan…what was he doing tapping into the genre that has two feet, hips, and a chest already in the ground (see the wretched The Gallows if you don’t believe me)? While I still marvel at the fact that even in moments of high horror the person holding the camera manages not only to keep a hold of the device but also frame things like a recent film school grad, I have to say that Shyamalan makes good use of the found footage angle and finds a few new ways to exploit the trope.

Opening with Kathryn Hahn (We’re the Millers) nervously sending her kids off to her estranged parents’ house for a week, Shyamalan offers just enough back story to push off from, choosing not to linger too much in history.  We know that Hahn’s single-mom hasn’t seen her parents in 15 years and her two children have never met them.  They’ve tracked her down and want to meet their grandchildren and, as a way to make-up for her behavior when she left home, she agrees.

That’s fine and dandy for her kids Becca (Olivia DeJonge) and Tyler (Ed Oxenbould, Alexander and the Terrible Horrible No Good Very Bad Day) because they want their mom to spend time with her new boyfriend and also to help build a bridge between the grandparents they’ve never known and their mom who carries a heavy burden of guilt that she won’t speak about.  It’s nice to report that DeJonge and Oxenbould are not only good child actors but that Shyamalan didn’t sketch them in the typical annoying kid kinda way…these are normal, decent kids with big hearts.

Arriving in a rural Pennsylvania town, they’re greeted by Nana (Deanna Dunagan, excellent) and Pop-Pop (character actor Peter McRobbie) and aside from some awkward first meeting jitters, all are soon settled in a quaint farmhouse near a frozen lake.  Nana makes good meals and Pop-Pop seems interested in the kids and what their life has been like.  It all goes swimmingly until…well, things get weird.

Over the next several days and nights red flags start to pop up that give the siblings cause for some concern.  I have to be careful what I say because the last 2/3 of the movie is full of spoiler-heavy turns that keep you on the edge of your seat as you try to figure out what exactly is so off about the grandparents. The “big twist” that Shyamalan is so well-known for is fairly easy to predict, but even if I did have some notion of how it was all going to turn out Shyamalan throws in interesting curveballs that throw you off along the way.

And did I mention it’s scary?  Like, legitimately scary.  I’ll easily jump as much as the next person if there’s a jolt of loud music or something leaps out at you, but Shyamalan has cleverly crafted sequences with the kind of sustained scares rare to not only the found footage genre but the horror genre in general.  More than once I had a rash of goosebumps emerge and felt my cheeks flush with an uneasiness that was exciting/scary/fun all at the same time.  Amidst all the expected shrieks there’s one highly effective scare and another gross out moment that had our audience rightfully speechless.

If the film has some flaws, it’s in a few more light-hearted moments that can throw off the balance of the tone of the film.  I can absolutely see why Shyamalan would want to toss in a few comedic moments to ease some of the tension (Oxenbould’s rapping skills are put to good use…maybe one too many times) but they are oddly placed in the middle of some fairly frightening moments, creating the feeling that it’s all one big joke to the director.

No matter, even these small moments don’t detract from a film that winds up being about more than just scaring you but manages to teach a small (if heavy-handed lesson) before the credits roll.  If this is the new Shyamalan, then I welcome him back with open (and slightly petrified) arms.

The Silver Bullet ~ The Visit (2015)

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Synopsis: A single mother finds that things in her family’s life go very wrong after her two young children visit their grandparents.

Release Date:  September 11, 2015

Thoughts: It’s been rough going for director M. Night Shyamalan these past years.  The once-hot director went from being an Oscar nominated A-lister to a joke of an easy target after releasing wacky yarns that didn’t play as well as his earlier work like The Sixth Sense, Signs, and Unbreakable.  I remember a time when the appearance of his name in the trailer would cause the audience to shriek…first with terror with first looks at The Village and later in laughter with The Happening.  It got to a point where his name wouldn’t be in any of the promotional materials because he had such a stigma following him around.  Shyamalan’s latest film employs the tired hand-held camera angle but part of me thinks this could be a nifty little horror morsel if Shyamalan is able to put a decent plot and solid scares ahead of any big twist he may be planning.  Cautiously optimistic about this one…