Synopsis: After a sudden global event wipes out all electronics and takes away humankind’s ability to sleep, chaos quickly begins to consume the world. Only Jill, an ex-soldier with a troubled past, may hold the key to a cure in the form of her own daughter.
Stars: Gina Rodriguez, Ariana Greenblatt, Jennifer Jason Leigh, Frances Fisher, Barry Pepper, Gil Bellows, Shamier Anderson
Director: Mark Raso
Running Length: 96 minutes
TMMM Score: (6.5/10)
Review: Blame Sandra Bullock and that darn Bird Box but ever since the 2018 film premiered on Netflix and created a massive amount of publicity for the streaming service, a number of imitators centered on a massive world event have tried to capture that film’s same energy. It’s not that the original movie was all that special, but it hit at just the precise moment when audiences needed that particular kind of escapist entertainment and didn’t mind some of its sillier plot mechanics. The point was, it was led by an A-list, Oscar-winning actress who may have brought people in initially, but who eventually stuck around for the effective scares. Any attempt to duplicate that would be a bit pointless…but oh did people try.
At first glance, you may look at the new Netflix film Awake and chalk it up to another Bird Box wannabe, but any doubt of its intentions wears off within the first few minutes and you realize this is no mere imitation but a different kind of beast with its own plan of attack. Like Bird Box, it can’t quite figure out how to untangle itself from third act problems and takes a bit of a nosedive just when it should be accelerating to the finish line. Up until that point, it’s a breathless thriller that succeeds on the merit of the performances and the skill of the filmmaking.
Recovering veteran and single mom Jill (Gina Rodriguez, Kajillionaire, an excellent actress that always seems to be one role shy of truly breaking through) is putting her life back together working as a security guard for a government run psychiatric unit while repairing the fractured relationship with her two children. While she occasionally lifts unused pills from her job so she can sell them in order to make ends meet, she’s largely on the level, which is beginning to earn back trust from her former mother-in-law (Frances Fisher, Titanic) and daughter Matilda (Ariana Greenblat, A Bad Moms Christmas), though her son Noah (Lucius Hoyos, What If) remains wary that his mom has truly turned over a new leaf.
After a solar flare creates an enormous electromagnetic pulse, wiping out all electronic devices and means of transportation, at first the family believes they need to just wait out this incredible inconvenience. However, soon it becomes apparent that the unexplained phenomena triggered something else within the human race, rendering them unable to sleep. Returning to her workplace, Jill finds the unit in chaos and her boss (Jennifer Jason Leigh, Single White Female) scrambling to relocate their operation to The Hub, a secret facility where they can study what has happened and, using a mysterious woman who has been able to fall asleep, figure out a way to fix it.
What Jill fails to tell them is that Matilda can also sleep, something her mother-in-law has already figured out and told their local pastor (Barry Pepper, Crawl) who, in turn, has told his congregation. Already whipped into a frenzy due to their lack of sleep, the prospect of having one in their midst that might hold the key to getting back their slumber becomes too much for them and violence erupts. That’s about where Awake reaches the first of its numerous points of no return and as an audience member you’re going to have to either love it or leave it as Jill and her family go on the run from all kinds of sundry sorts over the next 90 minutes. Encountering car thieves (two different sets of them!), a highway full of nude cultists, and, in one of the film’s eeriest looking moments, a small town with streets full of wandering prison inmates in orange jumpsuits, there’s danger down every highway for this household.
It’s a lot to handle, but Canadian director Mark Raso (who wrote the film along with his brother Joseph) keeps the pieces moving in a rather orderly fashion the majority of the time. Raso isn’t above putting young Matilda in as much danger as possible but managing to do it in a way that has a sort of cinematic thrill to it. That sounds weird. Let me explain. There’s a scene where Jill, Matilda, Noah, and a passenger who I won’t reveal are all in a car and attacked from the outside. In one camera move (or meant to look like one) we are inside the car, front and center, for the attack and it feels real and raw. All this intensity works up unto a point near the end and that’s when Awake veers off course into territory that’s more messy than structured. The final act may be a letdown after such a promising start, but it doesn’t completely overshadow the skill in which Raso constructs the setup.
Rumors abound that a Bird Box 2 is happening sometime in the future but until then we are going to have to be satisfied with films that run a similar route to that earlier movie. Awake is one of the better Netflix films to arrive and wholly worth keeping your eyes open for. I don’t believe the Rasos intended to create a film to outpace the popular Netflix film Bird Box, but they’ve wound up with one that could easily be mentioned in the same breath and draw some favorable comparisons.
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