Synopsis: Bond has left active service. His peace is short-lived when his old friend Felix Leiter from the CIA turns up asking for help, leading Bond onto the trail of a mysterious villain armed with dangerous new technology.
Release Date: April 8, 2020
Thoughts: Fans of James Bond have had to wait a little longer than usual for the 25th adventure of the international spy…but at this point we should be counting our blessings No Time to Die is arriving at all. Star Daniel Craig (Skyfall) famously had become a bit grumpy with playing the role and it took some convincing for him to return to finish off his contract and it’s now been confirmed this will be his last outing as Bond. When Craig finally signed on, the film went through several directors, which further pushed back its release date. Script problems, onset injuries, and other maladies surrounding the production continued to delay Bond’s return.
Thankfully, this first look at No Time to Die appears to find Bond back in fighting form with the five-year gap between Spectre and this film hopefully worth the wait. Plot details are thin but we know recent Oscar-winner Rami Malek (Bohemian Rhapsody) is the villain and Lashana Lynch (Captain Marvel) and Ana de Armas (Knives Out) have been added to the cast as strong females Bond has to contend with. Directed by Cary Joji Fukunaga who was behind season 1 of HBO’s True Detective and with a script punched up by Emmy winner Phoebe Waller-Bridge (Solo: A Star Wars Story), my excitement for this one was already brewing but now the heat is definitely starting to rise.
Don’t retreat to your lake cabins yet or focus solely on training for a fall marathon because July is just getting started and if Dawn of the Planet of the Apes is any indication, summer is about to heat up. The sequel to 20th Century Fox’s 2011 surprise hit franchise reboot manages to be a hell of a good ride, emerging as a film that knows what it wants to achieve and uses it’s talent, budget, and running length wisely.
Three years ago I didn’t get much of a rise out of Rise of the Planet of the Apes. Though the motion capture technology produced some impressively lifelike rendering of apes, it was bogged down by saggy leads (James Franco and Freida Pinto) and focused too much time on the human side of things. It’s when the apes took center stage that the movie found its shape…but by that time the movie was nearly over. Luckily, director Matt Reeves (Let the Right One In, Cloverfield) came onto the project wanting to make it an apes-first film so the sequel jettisons what didn’t work previously and gives us more time with the simian nation.
I’ll admit that the first 20 nearly wordless minutes of the picture had me squirming in my seat. See, I’ve been trained so far in 2014 for my summer action flicks to come out swinging so it was jarring (but welcome) for a film of this magnitude to make the bold choice of starting off quiet, letting the audience get used to a world ravaged by disease where apes are the dominant species. The beginning of the sequel re-introduces us to several hairy friends we got to know back in 2011, finding them communicating mostly in sign language (over half the film is subtitled) until they learn to literally raise their voices.
Meanwhile, Caesar battles rebellion within his own tribe as those less trusting plot to launch a deadly strike at the humans before they can destroy the apes. With his scarred body and milky eye, vengeful rebellion leader Koba looks straight out of a nature run amok horror movie, which makes sense because he’s the scariest villain I’ve seen in quite some time. Like Caesar, Koba is no ordinary ape and his subversive rampage is more Shakespearean in nature than paint-by-numbers evil-doer.
What I enjoyed most about the film wasn’t the nearly seamless blending of visual effects and live action but in the way it found room for good storytelling as well. If we’re being honest, the plot isn’t much more than the oft-told mutinous parable of dissention within but it’s in the way that screenwriters Rick Jaffa, Amanda Silver, and Mark Bomback (The Wolverine) weave parallel themes of family, trust, and honor throughout the film that makes it more than your standard action sequel.
The motion capture technology has come a long way in the past three years, allowing Serkis and a full range of gifted performers free range to flesh out their primate characters. While Serkis’ Caesar and Toby Kebbell’s Koba sometimes look a tad too animated, there are moments when the visuals are truly astounding and you start to wonder how Reeves directed two wild animals to perform with such vigor. Best of show goes (once again) to orangutan Maurice who is not only amazingly played by Karin Konoval but rendered with 100% believability by the gigantic visual effects team.
If I’ve left out talking about the humans, it’s only because reviews sometimes have to leave out secondary characters which Clarke, Oldman, Russell, et. al certainly are. Not knocking their talent or value to the overall effect of the picture but Reeves and his screenwriters have purposefully kept all humans on the sidelines and I’m positive that’s why the film works as well as it does.
Packed with action sequences that will keep you on the edge of your seat (check out the bravura and dizzying 360 degree shot on top of an armored tank and a high wire battle late in the film) and with an assured eye on the prize attitude from all involved, Dawn of the Planet of the Apes is another step in the right direction for this happily burgeoning franchise. I’m interested to see what’s next…as long as the future chapters keep those damn dirty humans at bay.
Synopsis: A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier. They reach a fragile peace, but it proves short-lived, as both sides are brought to the brink of a war that will determine who will emerge as Earth’s dominant species.
Release Date: July 11, 2014
Thoughts: I find that my fear of primates grows with each new “crazy ape” film I subject myself to. Officially gone are the days when I cried at the end of King Kong Lives and wished that Project X had turned out differently. Though I think 2011’s Rise of the Planet of the Apes was notable mostly for the amazing motion-capture work from Andy Serkis as smart ape Caesar, there was enough decent material remaining to warrant a sequel now three years later. James Franco and the awful Frida Pinto are thankfully gone, replaced by new leads Jason Clarke (The Great Gatsby, Lawless) and Keri Russell (Austenland) with some added support from Gary Oldman (The Dark Knight Rises). This first teaser may not make you pound your chest in ecstasy but it’s a nice whetting of your whistle for more ape antics coming in July.
Review: Lately, the side effects of a Steven Soderbergh film are usually indifference so it doesn’t come as a huge shock that Side Effects follows suit. In 2012 Oscar winning director Soderbergh released two vastly different pictures. The first was January’s Haywire, an action showcase for its star Gina Carano and I wound up liking it more than I probably should have. The second film was the wildly popular and wholly awful Magic Mike (it made my worst of the year list) which may have set tongues a-waggin but left me a-gaggin. Entering 2013, Soderbergh has delivered another peculiar puff of a movie featuring A-list stars in an agonizingly ordinary script.
Familiarity is the name of the game here with Soderbergh re-teaming with his Contagion screenwriter Scott Z. Burns for this iffy thriller with a plot ripped from any number of Law and Order episodes. Contagion was an interesting film that played well in the moment but disintegrated if you really sat down and thought about it. With Side Effects, no thinking is required. There’s nothing original here so your enjoyment of the movie is entirely dependent on how much you like the stars that pass through the glossy world filmed (under his usual pseudonym Peter Andrews) by Soderbergh himself.
Though Tatum receives high billing, he’s more of a supporting player in the story of a psychiatrist (Law) put through the wringer by one of his patients (Mara) as she deals with a depression that remerges when her husband (Tatum) is released from prison after serving time for insider trading. Yes friends, right off the bat we’re supposed to buy that Tatum is playing a character savvy enough to be a financial crook while living in a luxurious mansion in Greenwich. Don’t get me wrong, Tatum is a better actor than we all first believed but a high level business executive? I don’t think so.
Mara employs the same wild eyed chilly detachment which made her Oscar nominated turn as the title character in 2012’s The Girl With the Dragon Tattoo so successful. Here, though, that same approach comes off as sleepy…maybe it’s the fact that her eyebrows have grown back. Though she has an interesting take on the character, she can’t really get to where she needs to be when the film requires it so she winds up as someone running after a train that’s taken off without her.
Ten years ago, Law may have played Tatum’s character but he’s an engaging centerpiece to the trivial plot twists the film employs. Law plays his role pretty close to the chest for the first hour or so until he must give way to the script and hop in line with his heretofore ethical character suddenly changing his tune. He’s married to a woman (Shaw, Hocus Pocus) that’s about as loyal as the day is long and soon he’s left to fend for himself against some increasingly unbelievable situations.
The best scenes are probably the scant few between Law and Zeta-Jones (Rock of Ages) as a previous therapist of Mara’s character. The two actors crackle together and Zeta-Jones especially lets every dippy piece of dialogue coo out of her mouth with pleasure. I especially liked a brief moment outside of a restaurant when Zeta-Jones goes after Law with unusual rage…it’s the most real moment in the whole picture that’s beneath the talents of all involved.
If I’m being deliberately cagey about what kind of film Side Effects breaks down into it’s because even though the plot is beyond also-ran it still is entertaining in a strange way. It’s pretty much the perfect length and doesn’t overstay its welcome too much, although you may be tempted to glance at your watch occasionally. Soderbergh and co. keep things zipping along at a nice jaunt so even though you can see the finish line halfway through the race, you still are involved enough to stick with it.
Synopsis: A woman turns to prescription medication as a way of handling her anxiety concerning her husband’s upcoming release from prison.
Release Date: February 8, 2013
Thoughts: Well, if there’s one thing that you can say about Steven Soderbergh it’s that he doesn’t like to pin himself down in any one genre. That can be frustrating at times for fans of his work as he’s been on an interesting run of inconsistent films in the past few years. I for one still think Magic Mike was a piece of crap but I did enjoy Haywireand Contagion. Re-teaming with his Contagion writer, Soderbergh has assembled a familiar stable of actors including Channing Tatum (The Vow, Magic Mike), Catherine Zeta-Jones (Rock of Ages), Rooney Mara (The Girl with the Dragon Tattoo), and Jude Law (the upcoming Anna Karenina). I get the feeling we’ll be in familiar territory with this film…so here’s hoping that the wobbly Soderbergh style doesn’t take over what looks to be a decent thriller.