Synopsis: The story follows a family moving to a small town, where they learn more about who they are and the secrets of the town itself.
Release Date: July 10, 2020
Thoughts: In 2016, Paul Feig tried to do something different in continuing/rebooting the Ghostbusters franchise. Reducing that effort to just being the ‘female Ghostbusters’ seems entirely reductive so I’ll tread carefully and say that the movie didn’t work and not because of any gender switching that happened. It failed to capture the tone of the original films and, more than that, didn’t capitalize on the talents of it’s skilled stars – instead choosing to forcefully make them work in roles they weren’t suited for. Unfortunately, it fed the hungry bellies of the haters already poised to take it down.
Unwilling to give up on a reboot of their precious franchise so easily, Sony pivoted in a rather clever way by enlisting Jason Reitman (Labor Day), the son of original co-writer/director Ivan Reitman (Kindergarten Cop), to write and direct a true sequel to the original films and our first look at the highly anticipated summer 2020 film has arrived. Let me say, there’s a point in this two and a half minute trailer where a little tingle started deep in my spine and quickly rose through the top of my head like an exaggerated thermometer in one of those Bugs Bunny cartoons. I get the feeling Reitman, having grown up around this world, is the right person to take the reins on this series and with the rumored return of many of the original stars (who showed up in the 2016 movie but mostly as different characters) I’m truly happy to this resurrected again.
Synopsis: Fast forward to the 1980s as Wonder Woman’s next big screen adventure finds her facing an all-new foe: The Cheetah.
Release Date: June 5, 2020
Thoughts: THIS IS HOW YOU MAKE A TRAILER AND GET PEOPLE EXCITED!
Let’s face it, when Wonder Woman rolled into theaters in 2017 the odds weren’t exactly stacked in her favor thanks to the recent efforts from DC Studios. Yet the film was an unimpeachable knockout, with smart direction from Patty Jenkins and led by Gal Gadot (Keeping Up with the Joneses) to critical, audience, and box office success. True, subsequent DC films failed to build upon the good example Wonder Woman set so in summer of 2020 expectations are even higher for Wonder Woman 1984 to get things back on track.
From the looks of this trailer, we’re in for a rad delight with Jenkins and Gadot leaping ahead several decades to a story set in 1984 that finds Wonder Woman reunited with Steve Trevor (Chris Pine, A Wrinkle in Time) and dealing with super villains Barbara Minerva (aka Cheetah) (Kristin Wiig, Where’d You Go, Bernadette) and Max Lord (Pedro Pascal, If Beale Street Could Talk). The full plot is unknown but is it too much to hope they’ll take a page from Cheetah on the Prowl, the read-along book I had as a kid (see below)? 🙂 Everything about this preview is on point and gave me the kind of goosebump chills of excitement I used to feel when I was a teen waiting for the next ‘90s summer blockbuster. Love the editing, love the music choice, already looking forward to Wonder Woman’s visit to an ’80s mall. This just jumped to the top of my most anticipated list of 2020.
Synopsis: A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.
Release Date: December 20, 2019
Thoughts: Ever since the first trailer for CATS dropped in July, it’s been the talk of the town and not in the way Universal Studios had hoped it would be. The initial reaction to the starry cast including Jennifer Hudson (The Three Stooges), Judi Dench (All is True), James Corden (Into the Woods), Taylor Swift (The Lorax), Idris Elba (Molly’s Game), Rebel Wilson (The Hustle), and Ian McKellen (Beauty & the Beast) being turned into digital felines was a mixture of hilarity and horror but once that first round of shock wore off I think there was a general curiosity to how exactly the movie would turn out. Insiders had underestimated the power of a family-friendly feel-good holiday musical before and The Greatest Showman is a perfect example of that. Still, CATS is a different beast and even though it continues to have it’s strong supporters (I’m a ride or die Rumpleteazer fan and will not apologize) plenty will line up to tear it down. I was hoping this second trailer would smooth things out a bit and put some of those naysayers in their place but this is another weird looking swirl of kitty kat mayhem. I mean, I’m fascinated more than ever to see it but it didn’t exactly calm my nerves. The proportions are strange and the bodies seem weirdly matched to the heads…it’s all just so bizarre. My mind is just…amazed.
With a little over a month left before the film opens, we’ll be getting more and more teases of CATS and that started last week with the release of a new song written for the movie by Taylor Swift and Andrew Lloyd Weber. With the movie rumored not to be ready in time for early awards consideration (think Golden Globes), the song may be the best bet the picture has at getting an Oscar nomination. Listen to it below.
Synopsis: As a collection of history’s worst tyrants and criminal masterminds gather to plot a war to wipe out millions, one man must race against time to stop them.
Release Date: September 18, 2020
Thoughts: In 2014, the spy adventure Kingsman: The Secret Service was a surprise hit with audiences and critics and presented a cheeky fun alternative to the wise acre superhero franchise films that were multiplying like rabbits. It also helped to introduce the public to Taron Egerton who would return in 2017 for the go-big-or-go-home sequel before hitting the big time with his hopefully Oscar nominated turn in 2019’s Elton John biopic Rocketman. With Egerton’s star on the rise and booked out on other projects and with the franchise having bankable legs, 20th Century Fox was in a bit of a tough place with director Matthew Vaughn on how to continue the story of the elite gentlemen’s agency that battled boffo baddies in style. The answer? Go back to the beginning. Recently moved from it’s original February release date, September 2020 will now bring us The King’s Man, tracking the original formation of the organization featuring Ralph Fiennes (Official Secrets), Gemma Arterton (Quantum of Solace), Djimon Hounsou (Charlie’s Angels), and Harris Dickinson (Maleficent: Mistress of Evil). I’m sure I’ll miss the Egerton-factor but this second trailer feels in the same spirit as the two previous films with action packed intrigue to spare. Looks like royal fun.
Synopsis: Two young British soldiers during the First World War, are given an impossible mission: deliver a message, deep in enemy territory, that will stop their own men, and Blake’s own brother, from walking straight into a deadly trap.
Release Date: December 25, 2019
Thoughts: Every year around this time it becomes pretty clear who the Oscar front runners are and the pundits start to put their ballots together with ballpoint pen. There’s always those last slots they keep open, though, for the movies that don’t screen until very late in the season and that’s where a movie like 1917 will play a big factor. Last time I checked, no one had seen this World War I film from Oscar-winning director Sam Mendes (Skyfall) yet and that’s fairly unheard of in mid-November. That creates a bit of an electric excitement because there’s hope this could be a game changer and knock a few sure things off their paths to Oscar gold. Paired again with the legendary cinematographer Roger Deakins (who finally won an Academy Award for Blade Runner 2049) and supposedly shot to look like it was filmed in one continuous take, Mendes appears to have something fairly mighty on his hands and history buffs are hoping 1917 can succeed where another anticipated war film like 2017’s Dunkirk couldn’t and snag some top prizes come year end.
Synopsis: When Cecilia’s abusive ex commits suicide and leaves her fortune, she suspects his death was a hoax. As a series of coincidences turn lethal, Cecilia’s works to prove she is being hunted by someone nobody can see.
Release Date: February 20, 2020
Thoughts: In 2017, Universal Studios had big plans to create their own tentpole franchise by resurrecting their classic monsters in a new Dark Universe where stories/characters could crossover. Announcements were made with A-list stars signed on and release dates staked out – this sounded like it could be something to get excited about and a nice alternative to the superhero series that had been dominating the box office. Then, The Mummy starring Tom Cruise came out and completely tanked…uh oh. As expected in this risk-averse era, everyone got cold feet and all the grandiose plans for the Dark Universe were scrapped.
It’s interesting, then, to see this first trailer for The Invisible Man make its debut. Written and directed by Leigh Whannell (Insidious: Chapter 3) and starring Elisabeth Moss (Us), it appears this was made by Universal Studios without any restriction on future sequels or how it might fit into larger plans for existing projects. That means it could be a nice little mystery building off of the name of the novel by H.G. Wells, though it doesn’t seem to share many similarities to 1933’s The Invisible Man. I worry the trailer is a tad too long and wish it left a little more to the imagination…but there’s something intriguing about this concept and it makes me think of those slick ‘90s thrillers we don’t seem to get on the big screen anymore.
Synopsis: A group of students are stalked by a stranger during their Christmas break. A remake of the 1974 horror film Black Christmas.
Release Date: December 13, 2019
Thoughts: Though Halloween has often worn the crown as the original stalk and slash holiday film, 1974’s Black Christmas beat it to theaters by a solid four years. Though it failed to make serious waves in its first release, the effective chiller (made by the same guy who gave us A Christmas Story!) has become a classic with countless imitators over the years. It’s been remade once before in 2006 when rebooting old chestnuts was all the rage and didn’t do much but make audiences long for the simplicity of the original. Now comes a 2019 version that seems to chuck everything but the title and the thin premise out the door. While I’m most certainly down for any wintery horror arriving smack dab in the middle of Oscar season, I’m disappointed to once again see a trailer that gives away so dang much of the movie – where’s the restraint? Starring Imogen Poots (Green Room) and Cary Elwes (The Princess Bride), my interest dropped a few notches after seeing the preview and only because I feel like I’ve caught the gist of the entire film.
Synopsis: A young teacher discovers her troubled student’s father and younger brother harbor a deadly supernatural secret. Taking the boy into her care, the teacher must fight for their survival against horrors beyond imagination.
Release Date: TBD 2020
Thoughts: Never judge a book by it’s cover and never judge a movie by its title. The first time I heard about a horror film coming out called Antlers, I wrote it off as another nature run amok schlock fest.
Wait though, take a look at that poster. It’s kind of creepy and a little intriguing. Ooo…it’s produced by Oscar-winner Guillermo del Toto (Scary Stories to Tell in the Dark)? It’s starring Keri Russell (Dawn of the Planet of the Apes) and Jesse Plemons (Game Night), two interesting actors that seemingly make intelligent, thoughtful choices on their projects? Hey now, you say it’s directed by Scott Cooper, the same guy that gave us Crazy Heart and Out of the Furnace and it’s being distributed by indie offshoot Fox Searchlight? Ok, but let’s wait and see about the trailer.
(Watches trailer with its eerie imagery and scant details that give little about the plot away that hasn’t already been provided in the promotional materials.)
OK. I’m sold.
Synopsis: A few women decide to take on Fox News boss Roger Ailes and the toxic male culture he presided over at the network.
Release Date: December 20, 2019
Thoughts: In case anyone was worried the 2019 competing projects surrounding the scandal at Fox News would create a Volcano vs. Dante’s Peak situation, it’s safe to say the muted reception of Showtime’s The Loudest Voice is a good indicator Bombshell may strike gold this December. Though boasting Noami Watts as anchor Gretchen Carlson and disgraced CEO Russell Crowe as Roger Ailes, the Showtime limited series was a non-event and has barely made headlines. Counter that with the, let’s just say it, riveting teaser trailer for Bombshell in which Oscar winners Charlize Theron (Atomic Blonde) as Megyn Kelly and Nicole Kidman (Boy Erased) as Carlson share elevator space with Oscar nominee Margot Robbie (I, Tonya) as Kayla Pospisil and you can see why pundits are wondering if the Best Actress statue might have to be divided into thirds this year. Theron, in particular, looks eerily like her real-life counterpart…I’m dying to see how this movie turns out.
Synopsis: A crew of underwater researchers must scramble to safety after an earthquake devastates their subterranean laboratory.
Release Date: January 10, 2020
Thoughts: Watching the preview for Underwater, I kept wanting to shout out “This trailer knows me, it really, really knows ME!” Horror movie? Check. Underwater horror movie? Check check. Underwater horror movie with creatures from the deep picking off the crew of a felled sea lab? Check check check! As excited as I was to see this, I can’t help but feeling a little nervous at the same time. I just finished reading an exhaustive profile of star Kristen Stewart (Personal Shopper) and though it talked about several of her upcoming projects, there was not a peep about this one – strange, right? Also, its January release date is either a smart move of counter-programming to clear out the post-holiday stuffiness or a keen way for Disney to quietly burn off a 20th Century Fox film that came with the studio when they purchased it. I did a quick check online and until today there had been next to no news this movie even existed…much less that it had already received a PG-13 rating and a locked in release date. Yet, nerves aside, I’m pulling for this one…if only to help me relive some 1989 nostalgia and resurrect some interest in titles like DeepStar Six and Leviathan.