The Silver Bullet ~ Scary Stories to Tell in the Dark


Synopsis: It’s 1968 in America. Change is blowing in the wind…but seemingly far removed from the unrest in the cities is the small town of Mill Valley where for generations, the shadow of the Bellows family has loomed large. It is in their mansion on the edge of town that Sarah, a young girl with horrible secrets, turned her tortured life into a series of scary stories, written in a book that has transcended time—stories that have a way of becoming all too real for a group of teenagers who discover Sarah’s terrifying tome.

Release Date: August 9, 2019

Thoughts: I can still vividly picture the covers of the three books that comprise the Scary Stories to Tell in the Dark canon. I can also close my eyes and remember how my mind would play tricks on me long after I had finished a story, concocting various ways for the fictional tales of terror to become reality.  Oscar-winning director Guillermo del Toro (The Shape of Water) produces this big screen adaptation directed by André Øvredal (The Autopsy of Jane Doe) and the presence of these two guys with an eye for scares tell me to brace myself for more tingles up my spine.  This first look at the period set film isn’t at all what I was expecting and it feels like the movie will have some creepy images but may struggle in…other areas.  Still, the youngster in me is more than a little excited to see these stories come to life after all these years.

The Silver Bullet ~ Once Upon a Time in Hollywood

Synopsis: A faded TV actor and his stunt double strive to achieve fame and success in the film industry during the final years of Hollywood’s Golden Age in 1969 Los Angeles.

Release Date: July 26, 2019

Thoughts: To be honest, this first look at the 9th film from Quentin Tarantino is not what I expected.  Though this movie apparently has some connection to the infamous Manson murders that occurred a half century ago, you’d never know it by watching this teaser trailer which mostly focuses on A-listers Leonardo DiCaprio (The Great Gatsby) and Brad Pitt (World War Z) as a has-been star and his wise-cracking stunt double making one last go in La La Land.  You barely see Margot Robbie (I, Tonya) as Sharon Tate and the Manson family members pass by quickly if you aren’t paying attention.  What is there smacks of a lot of “acting” going on, especially from DiCaprio (yikes, that last shot!) and a little of that can go an awfully long way.  It’s clearly a teaser trailer for something more to come but usually Tarantino (The Hateful Eight, Django Unchained) offers up something a tad more enticing as an appetizer.  Still, from the looks of it he’s recreated 1969 California as only a truly fanatic film nerd could so I’m absolutely interested in the main course.

The Silver Bullet ~ Late Night

Synopsis: A late-night talk show host is at risk of losing her long-running show right when she hires her first female who revitalizes her show and her life.

Release Date: June 7, 2019

Thoughts: Movie nerds like myself who keep their ear to the ground (or, more to the point, keep up to date with their podcasts) heard the buzziest film to come out of this year’s Sundance Film Festival was Late Night, the comedy written by Mindy Kaling and starring Emma Thompson. Snapped up by Amazon for a June release, Late Night features Thompson (Saving Mr. Banks) as an icy late night talk show host on the decline and Kaling (A Wrinkle in Time) as her new (and first) female writer.  There’s a little The Devil Wears Prada feel to this first look and I’m not hating it, but I can also tell the movie will have something more to say than just acerbic quips delivered with panache by Thompson.  I’m mostly hoping the movie can follow through with an awards-worthy performance from Thompson and make good on its festival buzz when larger crowds get a look in early summer.

The Silver Bullet ~ Tolkien

Synopsis: Explores the formative years of the orphaned author J.R.R. Tolkien as he finds friendship, love and artistic inspiration among a group of fellow outcasts at school.

Release Date: May 10, 2019

Thoughts: I love a good biopic (emphasis on good) so there’s a certain spark of excitement generated by this first full trailer for Tolkien which seeks to give us a look at the life of the famed author before he wrote the novels that would captivate readers for generations.  Long before he sketched out Middle Earth, created Hobbits, dreamed up Gollum, and conjured Gandalf, Tolkien grew up in the shadow of war and eventually found himself entrenched in it.  I’m interested how the film will tie these experiences into his writing and already am liking the look and feel generated from what I’ve seen so far.  Starring Nicholas Hoult (The Favourite) and Lily Collins (Mirror Mirror), I’m keeping my fingers crossed Fox Searchlight does better with this author biography than they did with their A.A. Milne fiasco Goodbye Christopher Robin.

The Silver Bullet ~ Rocketman

Synopsis: A musical fantasy about the uncensored human story of Elton John’s breakthrough years.

Release Date: May 31, 2019

Thoughts: If the phenomenal (and, in my mind, baffling) success of 2018’s Bohemian Rhapsody taught us anything, it’s that audiences still have a soft spot for music biopics…even if Oscar voters didn’t feel similar to the far better achievements of the musical fable of A Star is Born.  Anyway, that sore spot aside, the first trailer for Elton John’s lifestory Rocketman is out and it already looks like the type of glitzy glam spectacle Bohemian Rhapsody failed to deliver fully on.  I’m hearing the film is a more fantastical take on the material like Across the Universe and you can see hints of that in the preview.  Plus it benefits from star Taron Egerton (Kingsman: The Secret Service) actually singing in the lead role (take that, Rami Malek!) and evidently impressing Elton himself who has come out in praise of the rising star.  Directed by Dexter Fletcher who, strangely, was brought in to finish Bohemian Rhapsody when its original director was fired, I’m hoping audiences will give John the same kind of love they gave Queen.

2018 – Best of the Best, Worst of the Worst, Grand Totals

Hello!

Wow!  Here we go into our year EIGHT of The MN Movie Man.  I can’t believe it! 

Below I’ve compiled my list of the best and worst of 2018.  As is typically the case, by the time it came to make this list things became a bit of a jumble and I decided to choose the movies that I had the strongest reaction to when I saw them.  I don’t revisit movies often but anything in the Top 5 are films that I’d add to my collection.  I also cheated a little bit…but it’s my blog so I can do what I want 🙂

As always, I’ve appreciated your feedback, your patronage, and your general presence in my blog. Even if you read this everyday but have never commented or made contact I can still tell you’ve been here and that means a lot.  

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Best Wishes to you and yours for a most Happy New Year!

~Joe (The MN Movie Man)

5. A Quiet Place – John Krasinski always felt like he’d best be remembered for playing Jim on NBC’s The Office but after writing/directing this spine-chilling genre film I’d be willing to bet they’ll also mention A Quiet Place in a list of his major accomplishments.  Turning a horror film on its ear and making it a metaphor about parenting was a smart move in keeping things in unfamiliar territory to audiences.  With his wife in the leading role and two dynamite child actors as their children, Krasinksi assembled a perfect roster across the board.  It was scary, it was emotional, and it was fantastically well made with a high re-watchability factor.  Super.

4. A Star is Born (2018) – After three previous versions of A Star is Born the question everyone wanted to know was if the story of a fading rock star falling in love with a pop star as she rises to fame would work in a modern setting.  Coupled with a stellar soundtrack and the kind of movie star chemistry you rarely see in these days, Bradley Cooper’s directorial debut was a knockout.  The first hour is better than most entire films released in 2018 and even if the second half can’t quite reach those same heights the work done by Lady Gaga and Cooper (not to mention Sam Elliott) is remarkable.  It’s even better on repeat viewings.

3. If Beale Street Could Talk – when the screening of this one was over I wasn’t quite sure what I thought about it, it’s one that will stick to your bones for many days to come.  In the days and weeks that have followed since I saw this Barry Jenkins adaptation of James Baldwin’s short novel, I’ve found it hard to get it out of my mind or shake it’s unforgettable imagery.  The performances are phenomenal and haunting – the way Jenkins has many of the actors deliver their lines directly to camera has a chilling effect you won’t soon forget.  A lyrical and beautifully constructed work of art.

2. Love Simon / Crazy Rich Asians – hooray for the return of the romantic comedy!  2018 had two shining examples of excellent romantic comedies and I couldn’t be happier to have them on my best of the year list.  Though it may teeter on the side of comedic drama, Love Simon is a sweet tale of a high schooler coming to terms with his sexuality and learning to be OK with it.  Crazy Rich Asians is the mega hit that heralded the return of the outright rom-com to cinemas that wasn’t afraid to be big and bold.  Often with these movies the main characters get overshadowed by showier supporting characters and it’s true that both of these offerings have memorable supporting players – but the difference is that the lead characters are written well enough that they remain as interesting as everyone else on screen.  More of these movies, please and thank you!

1. The Favourite – To be honest, I’m surprised this one found its way to the top of my list, but in looking at the movies I saw last year none struck the same clarion chord of expertise in quite the way that The Favourite did.  It’s absolutely not going to be everyone’s cup of English Breakfast tea but for those that are willing to tilt their head slightly to the side and see things askew, they’ll get a kick of this bawdy trip to Queen Anne’s court.  Everything about the production is sublime, from the costumes to the set dressings all the way up to the leading performances of a trio of excellent ladies.  I still think Rachel Weisz gave one of my favorite performances of the year in a very tricky role that could have gone into high camp.

Honorable Mentions: Mary Queen of Scots, Paddington 2, A Simple Favor, Roma, Overlord, Widows, Mary Poppins Returns, Spider-Man: Into the Spider-Verse, Mission: Impossible – Fallout, Revenge

 

5. Book Club – a movie featuring talented actors Jane Fonda, Mary Steenburgen, Candice Bergen, and Diane Keaton should be smart, finely tuned, and relevant.  Book Club is none of these things.  A lame-brained comedy that feels like it came out 20 years too late puts the four women in numerous embarrassing situations and asks them to recite godawful dialogue.  I took my mom to see this on Mother’s Day and felt like I had to ask for a do over the next weekend.

4. The Happytime Murders – I’ll admit it: I laughed at this movie…because there are a few jokes so repulsively blunt that you can’t help but stammer out a guffaw at what you just heard a blue felt puppet say to similarly pilling creation from the son of Jim Henson.  Having seen the foul-mouthed musical Avenue Q on Broadway, which gleefully advertises “Full Puppet Nudity” I get that there are jokes to be made as a commentary but the difference between that Tony winning show and this future Razzie winner, is that this movie has no creative bone in its body.  It’s just a series of sex jokes that are only funny because a puppet is saying them.

3. Breaking In – I’ve been a fan of Gabrielle Union for a while now and she deserves better than bargain-basement projects like Breaking In.  A basic cable style movie that somehow was picked up by a major studio and released to unsuspecting audiences paying full price, this was a brainless effort from all that touted a poster image of Union looking ready to kick butt but instead featured her as a character that made a series of totally idiotic moves.  Worst of all was Breaking In’s arrival in the midst of the #TimesUp movement because it features horrific treatment of women and one totally unnecessary death that I’m guessing will be enough for some viewers to turn it off when watching.

2. Holmes & Watson / Tag – I’m including Holmes & Watson and Tag together on this list because both feature stupid guys doing stupid things.  Holmes & Watson is yet another opportunity for Will Ferrell to cash a check for doing the same old schtick while Tag is an exhausting exercise in toxic masculinity run amok.  Chuck both of these in the trash bin and call it a day.

1. Welcome to Marwen – It’s been a few weeks since I’ve seen Welcome to Marwen and I’m still seething mad at how bad it was.  Director Robert Zemeckis wastes a great cast in his misguided exercise bringing the documentary Marwencol to life as a feature film.  What made sense in a documentary setting completely fails to translate to a narrative feature and audiences are left to white-knuckle it through very disconcerting scenes of exploitation of women and those suffering from mental health issues.  Universal Pictures should be ashamed of themselves for distributing this one.  Total garbage.

Dis(Honorable) Mentions: Mortal Engines, Solo: A Star Wars Story, The Girl in the Spider’s Web, Christopher Robin, Fifty Shades Freed, Night School, Pacific Rim: Uprising, First Man, Red Sparrow, Tomb Raider (2018)

Most Misunderstood: Suspiria – Oh boy this was a divisive movie!  Fans of Dario Argento’s classic original were aghast at what director Luca Guadagnino did to the relatively simple outline of the original.  I, for one, was happy to see that Guadagnino dug a little deeper than Argento did and brought out even darker elements to an already pitch black tale of witchcraft running rampant at a Germany dance academy.  This was a long movie with several horrifying sequences but I found it a thrilling and exciting undertaking.  More risks like this need to be taken, even if they don’t fully succeed or, in this case, make any money.
Honorable Mention: The Meg

Joe’s Humble Pie Award of 2018 (movies that turned out differently than I expected going in): Game Night – I fully expected Game Night to be another one of Jason Bateman’s smug comedies with him rolling his eyes and having some snarky comment at every turn.  Actually, there’s a lot of that going on here but it works to Bateman’s advantage because it fits in perfectly with the tone of the film.  Buoyed by a strong supporting cast, including Rachel McAdams in a delightful turn and Jesse Plemons as a deadpan dud, and some genuine twists that keep the film from getting too far ahead of its audience, this was a more than pleasant surprise.  Several points off for spoiling one of the best jokes in the trailer, though.  Tsk Tsk.
Honorable Mention: Mamma Mia! Here We Go Again

Movies You Probably Haven’t Seen But Should

A Star is Born (1937)
A Star is Born (1954)
Alpha 
Apostle
BlacKkKlansman 
Can You Ever Forgive Me? 
Eighth Grade
Film Stars Don’t Die in Liverpool 
Ghost Stories
Grand Canyon
Lean on Pete
Pick of the Litter
Rocky
Rocky II
Rocky Balboa
Searching 
Strong Island
The Harvey Girls

Click HERE for a full listing of films seen in 2018
Total Movies Seen in the Theater: 128
Total Movies Seen at Home: 184
Grand Total for 2018 (not counting films seen multiple times): 309
Where I Saw the Most Movies – AMC Southdale (35!)

31 Days to Scare ~ Anna and the Apocalypse (2018) – Trailer

Synopsis: A zombie apocalypse threatens the sleepy town of Little Haven – at Christmas – forcing Anna and her friends to fight, slash and sing their way to survival, facing the undead in a desperate race to reach their loved ones.

Release Date: November 30, 2018

Thoughts: In all honesty, zombie movies are just so not my thing. You can keep your walking dead and brain loving slow walkers for all I care unless you’re going to do something different with the material.  Zombie movies like Warm Bodies gave us a unique slant to a familiar story which is another reason why the zombie musical Anna and the Apocalypse looks like it might be one to keep an eye (and ear) out for.  Anytime a movie is compared to Shaun of the Dead and La La Land well, you have to take notice.  With a nice buzz coming out of the early fall festivals, this might be a bloody brilliant movie or another non-starter that played better with festival audiences geared toward this kind of material.  I’m thinking it looks like a riot…but I’ve been fooled before.  For now, count on my attendance to this apocalypse.

31 Days to Scare ~ Escape Room (2019) – Trailer

Synopsis: Six strangers find themselves in circumstances beyond their control, and must use their wits to survive.

Release Date: January 4, 2019

Thoughts: Even if Escape Room has a concept that feels like a less extreme version of what was first cooked up in the Saw films, I have to say this teaser trailer definitely has me intrigued.  Over the past few years escape rooms have popped up all over the country to growing popularity so it seems natural that sooner or later someone would play off of the confusion and frustration of these diabolical rooms.  I’ve been in several and if there was a horror movie made of my experience it would just be 60 minutes of me growing frustrated while trying to unlock a safe that has nothing in it.  I have confidence in director Adam Robitel who gave us the freaky gift The Taking of Deborah Logan and helmed Insidious: The Last Key, and Escape Room feels like it could be the jumping off point for a clever new franchise.

31 Days to Scare ~ The Curse of La Llorona (2019) – Trailer

Synopsis: Ignoring the eerie warning of a troubled mother suspected of child endangerment, a social worker and her own small kids are soon drawn into a frightening supernatural realm.

Release Date: April 19, 2019

Thoughts: It appears that director James Wan is creating his own cottage industry (not to mention an expanding horror universe) in horror films like The Curse of La Llorona. Wan was behind The Conjuring and all it’s various off shoots (most recently represented with the box office smash The Nun) which have been gigantically profitable even though they were made for very little. After going outside his neighborhood for Lights Out he returns with this spooky tale based on a story from Mexican folklore. This first teaser has some spiffy moments in it while not giving away so much (take a page from the Warner Brothers marketing team, Halloween) that further scares will be spoiled.

The Silver Bullet ~ Destroyer (2018)

Synopsis: A police detective reconnects with people from an undercover assignment in her distant past in order to make peace.

Release Date: December 25, 2018

Thoughts: Wow, Nicole Kidman continues to just be on a roll. It’s so interesting to see this actress continue to grow and flourish with each year, constantly surprising audiences with her choices and performances.  Her bets may not always pan out but her films are never not worth noting.  Coming out of its debut at several fall film fests, the buzz for Destroyer is that it’s another strong performance from Kidman (The Killing of a Sacred Deer) in an otherwise troubled film but this first look has got me hooked to know more.  Directed by Karyn Kusama (check out her spooky The Invitation on Netflix pronto!) and co-starring Sebastian Stan (I, Tonya) and Toby Kebbell (Dawn of the Planet of the Apes), it’s another transformative role for Kidman and one I’m quite intrigued to see.