Synopsis: A young girl, passionate about fashion design, is mysteriously able to enter the 1960s where she encounters her idol, a dazzling wannabe singer. But 1960s London is not what it seems, and time seems to fall apart with shady consequences.
Release Date: October 22, 2021
Thoughts: I normally don’t get to have the “full” movie-going experience anymore when going to theaters. Ha… “when I go to theaters” that hasn’t happened in over a year! Sorry, let’s start again.
Back when I went to theaters, I normally didn’t get to have the “full” movie-going experience because there are rarely previews at press screenings. Movie trailers in general don’t tend to interest me anymore because I can just look at the length and know they are going to show the majority of the film, so I don’t even bother. It’s helped a great deal in going in blind, so I’ll usually just watch the first 30-60 seconds to get a feel and then shut it off.
With Last Night in Soho, I found that I wasn’t able to turn it off after 30 seconds, 60 seconds, 90 seconds…I had to watch the whole thing. An eternal caveat I need to remember is that every bad movie can be edited into a fantastic trailer but there’s something about this new Edgar Wright (The World’s End) thriller arriving in October that looks like it is up to something good. Starring exciting up and comers Anya Taylor-Joy (Radioactive) and Thomasin McKenzie (Jojo Rabbit), it shows a lot but tells a little – the perfect kind of teaser. Other trailers may arrive as the release date grows near, but I don’t need to see anything more. Along with the intriguing poster…I’m sold at first glance on Last Night in Soho.
Synopsis: An adaptation of the 1957 musical, West Side Story explores forbidden love and the rivalry between the Jets and the Sharks, two teenage street gangs of different ethnic backgrounds.
Release Date: December 10, 2021
Thoughts: While Oscar night was abuzz with much anticipation over who would win, when the news leaked the teaser trailer for Steven Spielberg’s much-anticipated remake of the 10-time Oscar-winning musical West Side Story would premiere sometime during the ceremony, movie fans and Broadway nerds alike were dancing on their respective fire escapes. Delayed a full year due to the pandemic and the director’s desire for audiences to experience the film in a theater, up until our first look the jury was still out as to how much the world needed a remake of what many considered a treasured classic. True, looking back at the 1962 film there were some odds and ends that don’t sit quite right when viewed through a lens of racially sensitive casting and a number of the leading actors were dubbed when they began to sing. Still, it’s hard to argue that the legendary dances and indelible images were burnt into many cinema-lovers memories. While a radically revisionist Broadway revival that barely got a chance to open before the health crisis shuttered theaters is likely to return sometime in 2021 (I was lucky enough to see it and it was goosebump-stunning excellent), Spielberg’s version appears to keep to the original and I think that’s wise. With just a little tease of singing (from Rita Moreno, an Oscar-winner for playing Anita in the original film, an executive producer of this version and appearing in a newly created role by screenwriter Tony Kushner), it’s a mostly visual preview and it achieves exactly what it should in the short span of a preview. If anything, I’m fairly certain it was able to create the kind of excitement that shows audiences who loved the movie that this isn’t straying far while at the same time hinting at a more visceral take on the musical update of Romeo and Juliet. I know I’m more comfortable with it all after seeing this…are you?
Synopsis: Best friends leave their small midwestern town for the first time and soon find themselves tangled up in adventure, love, and a villain’s evil plot to kill everyone in Vista Del Mar, Florida.
Release Date: February 12, 2021
Thoughts: At one point in time, I couldn’t imagine being late for a movie because it meant missing the all-important previews. This was back when they didn’t give everything away in nearly three minutes. Personally, I don’t think any trailer needs to be longer than 1:45; anything more than that tells me the movie needs extra help selling itself to audiences. Now that I exclusively watch films at home, I have the luxury of being able to skip previews but one of the last times I was in a theater I remember seeing a short teaser for Barb and Star Go to Vista Del Mar and finding it a total gas. Though I looked for it so I could do a short write-up, it never made its way online in any kind of good quality. Thankfully, with its On Demand release date approaching in February, Lionsgate has posted a brand-new preview clocking in at…wait for it, 1:47. Perfection.
Reuniting Kristin Wiig (Wonder Woman 1984) and Annie Mumolo (Bad Moms), the Oscar-nominated writers of Bridesmaids who star in the film together, the film looks incredibly silly but also incredibly necessary for the current climate. A more grown-up version of Romy & Michelle’s High School Reunion, there’s not a whole lot of plot covered in the trailer because the title pretty much speaks for itself. What is on display appears to be a colorful comedy with broad broads living it up in paradise and, hopefully, uncovering the same kind of intelligent laughs found in Wiig/Mummalo’s previous outing. I’m not expecting this to be another Bridesmaids and it looks all together different but while much of the country in shivering indoors waiting out a pandemic, this could prove to be the warm burst of fresh salty sea air that gets us through to summer. My bags are packed and I’m ready for a vacation with these two.
Synopsis: Detective Hercule Poirot investigates the murder of a young heiress aboard a cruise ship on the Nile River.
Release Date: October 23, 2020
Thoughts: Only a few years back in the late summer of 2017 I was expressing my doubts that director Kenneth Branagh (Cinderella) was going to be able to remake Agatha Christie’s Murder on the Orient Express and improve upon the sterling 1974 film. Released in November of that year, it did solid business with audiences but left many critics feeling they had hopped on a slower ride than expected. I quite enjoyed the update, actually, finding Branagh’s fussy Hercule Poirot cucumber cool fun and the rest of the starry cast more than up for the devious twists and turns Christie plotted out. It was perfect winter weather viewing, the kind of film that deep armchairs and warm blankets were made for. As viewers were already aware, that film ended with Poirot being called to Egypt to investigate a “death on the Nile” and come October the promise of a sequel is finally arriving.
Itself a remake of the 1978 follow-up the blockbuster smash of Orient Express, Death on the Nile is another opportunity for Branagh to gather an impressive crew of suspects and victims that board a cruise ship headed for doom. With the sort of jaw-dropping but still believable plot machinations that only Christie truly perfected in her lifetime, some prefer the original sequel to its predecessor so I’ll be interested if Branagh can win over his original naysayers on this second round of whodunit. This downright beautiful first look certainly bodes well for it being another tantalizing mix of A-list stars (Wonder Woman 1984’s Gal Gadot, Call Me by Your Name’s Armie Hammer, Film Stars Don’t Die in Liverpool’s Annette Bening) and up and comers (Emma Mackey of Netflix’s Sex Education, Letitia Wright from Black Panther, and Furious 7’s Ali Fazal) that come under suspicion when murder drops anchor. I’m expecting another classy affair from Branagh and company…and who knows if by the end we won’t get a tease of where Poirot might be headed next. The possibilities are endless…
Synopsis: Set to a new wave ’80s soundtrack, a pair of young lovers from different backgrounds defy their parents and friends to stay together. A musical adaptation of the 1983 film.
Release Date: May 8, 2020
Thoughts: In Hollywood, the phrase ‘If it ain’t broke, don’t fix it’ doesn’t really apply…it’s more like ‘If it’s ain’t broke, remake it’ and that could explain why we’re finally getting a look at this trailer for the long in development new edition of 1983’s Valley Girl. Now, at first, I was, like, totally horrified at the thought of a true time capsule of cinema getting re-done because, like, why? Gag me with a spoon. Then I heard it wasn’t just a simple remake but would add some gnarly tuneage from the era to become a full blown musical so I was, like, open to the idea. I’m pretty sure I’ll be all ‘Whatever’ about the end product but after, like, six weeks of stay at home quarantine I have to admit the fun frolicking in Day-Glo neon on display looks like totally tubular fun right about now. Starring Jessica Rothe (Happy Death Dayand Happy Death Day 2 U) with a little cameo from Alicia Silverstone (The Lodge), I’ll probably swing by this party….but only if the apps are tasty.
Synopsis: Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster’s myth.
Release Date: June 12, 2020
Thoughts: As I recalled in my 31 Days to Scare review, 1992’s Candyman remains one of the rare movies that still manages to frighten me to this day. It scared me terribly when I first saw it and I get a little rush of sweat in my brow when I know I’m going to be seeing it again. It’s just that well-crafted of a horror film. So I was more than a little curious when a remake was announced, thinking it was just another in the long-line of ill-conceived reboots that no one asked for. It’s when Oscar-winning screenwriter and surging director Jordan Peele (Us) came on board to co-write the script and director Nia DaCosta signed on to direct that I really got interested and if this first trailer is any indication, this 2020 Candyman is going to pack that same scary sting as the original. With an enviable cast including Yahya Abdul-Mateen II (Aquaman), Teyonah Parris (Chi-Raq), Colman Domingo (If Beale Street Could Talk) and even original cast member Vanessa Williams (no, not that one) returning as what looks to be the same character this one is something to look forward to. Looking over the cast on IMDb reveals Peele is either making a sequel ala the recent Halloween or remaking the original with a twist…either way I’m in for some sweet screams.
Synopsis: Forced to venture into the unknown, the Abbott family realize the creatures that hunt by sound are not the only threats that lurk beyond the sand path.
Release Date: March 20, 2020
Thoughts: When A Quiet Place debuted in 2018, it became a sleeper hit and earned co-writer/director/star John Krasinski major kudos in Hollywood for delivering an old-fashioned thriller that capitalized on restraint. One strong point about it is that is Krasinksi and his team wrapped things up so well it felt like a sequel wasn’t necessary…but you know how a movie studio desperate for a non-franchise hit reacts when a minor budgeted film strikes gold. Yep…another chapter of A Quiet Place is completed and waiting for its March release and here is the first full trailer.
Sneaking a small teaser into theaters several weeks ago, I sort of thought that might be a nice place to end the marketing and preserve some mystery. After all, we knew who was coming back (Emily Blunt, Mary Poppins Returnswho nearly earned an Oscar nomination for the first film), Noah Jupe (Ford v. Ferrari) and Millicent Simmonds (Wonderstruck) so aside from that we didn’t totally need the lengthy preview that Paramount just released. If you haven’t seen the first film or want to keep Part II spoiler-free, I suggest you refrain from watching this…as nicely put together as it is, I’m not sure I wanted to know certain things before seeing the finished movie.
Synopsis: An action epic revolving around international espionage, time travel, and evolution.
Release Date: July 17, 2020
Thoughts: Shrouded in mystery, if you’ve been to the movies the last few months you may have caught a super exclusive theatrical-only preview for Tenet, the new thriller from Christopher Nolan (Dunkirk, Interstellar) but the time has finally come for a full trailer to be released. Starring John David Washington (BlacKkKlansman) and Robert Pattinson (The Rover), little is known what exactly is up Nolan’s tricky tricky sleeves and this first look appears to leave viewers with even more questions. In other words, it’s a pretty fantastic way to get people excited for the July release – here’s hoping Nolan can maintain that secrecy until it opens.
Synopsis: A bodega owner has mixed feelings about closing his store and retiring to the Dominican Republic after inheriting his grandmother’s fortune.
Release Date: June 26, 2020
Thoughts: By now, most fans of the musical phenomenon Hamilton are well-aware of creator Lin-Manuel Miranda’s previous Broadway success story, In the Heights. Also a celebrated piece of theatrical entertainment and winner of multiple awards, when I saw the show in its national tour it didn’t quite land with me as much as I thought it would. That’s why I’m especially interested to see the film adaptation arriving next summer which is getting a flashy treatment from Warner Brothers. I think this is going to transfer well to the screen and by the looks of the first trailer of the big-time movie musical directed by Jon M. Chu (Crazy Rich Asians) and starring Anthony Ramos (A Star is Born) taking on the role Miranda (Mary Poppins Returns) originated, this could be a hot ticket come June. While we wait for the inevitable film version of Hamilton, fingers crossed In the Heights shows how easy it is for Miranda’s work to soar in a different medium.
Synopsis: The story follows a family moving to a small town, where they learn more about who they are and the secrets of the town itself.
Release Date: July 10, 2020
Thoughts: In 2016, Paul Feig tried to do something different in continuing/rebooting the Ghostbusters franchise. Reducing that effort to just being the ‘female Ghostbusters’ seems entirely reductive so I’ll tread carefully and say that the movie didn’t work and not because of any gender switching that happened. It failed to capture the tone of the original films and, more than that, didn’t capitalize on the talents of it’s skilled stars – instead choosing to forcefully make them work in roles they weren’t suited for. Unfortunately, it fed the hungry bellies of the haters already poised to take it down.
Unwilling to give up on a reboot of their precious franchise so easily, Sony pivoted in a rather clever way by enlisting Jason Reitman (Labor Day), the son of original co-writer/director Ivan Reitman (Kindergarten Cop), to write and direct a true sequel to the original films and our first look at the highly anticipated summer 2020 film has arrived. Let me say, there’s a point in this two and a half minute trailer where a little tingle started deep in my spine and quickly rose through the top of my head like an exaggerated thermometer in one of those Bugs Bunny cartoons. I get the feeling Reitman, having grown up around this world, is the right person to take the reins on this series and with the rumored return of many of the original stars (who showed up in the 2016 movie but mostly as different characters) I’m truly happy to this resurrected again.