2015 – Best of the Best, Worst of the Worst, Grand Totals

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Well hello there!  I wound up skipping my Best of 2014 list because when 2015 rolled around there were still too many “2014” movies that I hadn’t been able to catch.  Then one thing lead to another…and it was March!

So here we are starting the fifth year of this blog!  Hard to believe it and boy, does time fly.  Below I’ve compiled my list of the best and worst of 2015.  At first I was going to do a Top 10 for both because I absolutely had candidates to fill all the slots, but then I decided to stick with five each to truly highlight the best of the best and worst of the worst.

As always, I’ve appreciated your feedback, your patronage, and your general presence in my blog. Even if you read this everyday but have never commented or made contact I can still tell you’ve been here and that means a lot.  My readership and subscriptions continue to increase every month and it’s all thanks to your word of mouth, likes, and shares.  If you haven’t already, make sure to follow this blog, follow me on Twitter (@joemnmovieman), and like my Facebook page so you can help me continue spreading the news about The MN Movie Man.

Best Wishes to you and yours for a most Happy New Year!

~Joe (The MN Movie Man)

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5. Mad Max: Fury Road – like a lightning rod, the fourth Mad Max film conducted the kind of electricity that could fuel a dozen other pictures.  Director George Miller upped the ante for not only summer blockbusters but for filmmaking as a whole with his non-stop action flick that took no prisoners and left most 2015 films in its fiery dust. Starring Tom Hardy but owned by Charlize Theron, this Mad Max signaled the start of the summer season with a rocking battle cry. Truly amazing.

4. Creed – the best unexpected TKO of the year, Creed is really Rocky 7 but don’t let that stop you from entering the ring.  Star Michael B. Jordan brings a blistering intensity to the role of a young boxer trying to make a name for himself out from under the shadow of his legendary father’s career.  The biggest surprise is original star Sylvester Stallone stepping into the mentor role for his best performance since the original Rocky.  Stallone is valiant, vulnerable, and, under the direction of writer/director Ryan Coogler, fairly unforgettable.  A champion of a film.

3. Carol – anchored by two of the strongest performances of 2015, this love story between young Therese and married Carol is an achingly beautiful achievement from director Todd Haynes.  Delicate as a flower but steely enough to cut deep, it’s a picture about the understanding and acceptance of one’s own desires. Unlike anything else I’ve seen this year, it’s a gorgeous looking film that lingers in the memory long after you’ve left the theater.

2. Brooklyn – the most charming film of 2015, Brooklyn is a sweet love story set against the backdrop of Ireland and New York in the 1950’s.  It’s funny, sad, poignant, and delightfully underplayed so that by the time it reaches its emotional climax the tears it wrings from you are well earned.  Superbly acted and glowing with grace, it’s a wonderful wonderful period piece.

1. The Martian – the best film I saw in 2015 (twice) is Ridley Scott’s grand space adventure adapted from Andy Weir’s best-selling novel.  A full meal of a movie, there’s a little bit of something for everyone here from comedy to action to drama to suspense and even some surprisingly emotional arcs.  Powerfully led by Matt Damon and a small army of familiar faces, movies like The Martian are the reason why we go to movies, to be transported and changed. 

Honorable Mentions: Paddington, Kingsman: The Secret Service, Cinderella, Jurassic World, Magic Mike XXL, Far From the Madding CrowdThe Visit, Sicario, Crimson Peak, RoomStar Wars: The Force Awakens

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5. Love the Coopers – arriving like a stale piece of fruitcake, this turkey is reason enough for even the sweetest Christmas fan to say “Bah Humbug”.  It’s an obnoxious and lazy attempt at creating a warm family togetherness film with neither the direction nor the performances to help it rise from the sludge. Wasting the talents of its diverse ensemble cast, this is a White Elephant of a yuletide film.

4. Point Break – making the original 1991 film look like High Noon in comparison, this atrocious remake diverts so far from its dopey origins that it should have just ditched the title and shrugged off the obvious comparisons from its detractors.  With his unforgivable man-bun, heinous fake tattoos, and not good enough for the Sci-Fi channel acting, Luke Bracey leads the film right off a cliff sans parachute.  More focused on being an eco-message film than a heist flick, it sports beautiful cinematography but is overall a lamentable effort.

3. The Lazarus Effect – Kudos to you, Olivia Wilde.  You appeared in two of my least favorite films of the year.  Beautiful as she is, Wilde just can’t seem to find a film that suits her in the acting department and The Lazarus Effect is a prime example. Barely 80 minutes long, there’s no amount of spiritual help that could raise this one from the graveyard of bad horror thrillers.

2. Aloha– pay no attention to the critics that championed this gigantic turd of a film in 2015…they’ve been blinded by a devotion to a filmmaker that has lost his way.  Cameron Crowe’s colossal misfire makes every wrong turn in the book, from casting pale Emma Stone as a Native Hawaiian with a half-Asian father to an inability to assemble a movie that makes any kind of sense.  Legendary in its production for going through titles and reshoots like candy, the final product was more of an ‘adios’ to Crowe’s storied status in Hollywood.

1. The Water Diviner – this waste of a film won three Australian Academy Awards.  Three.  And one of them was Best Picture.  Well, turnabout is fair play and I’m awarding Russell Crowe’s directing debut with Worst Picture of the year honors.  An interminable slog through an incomprehensible plot and ridiculously banal performances, I was praying for some sort of divine intervention to cut the screening short.  It’s bad from the moment it starts until it releases us from our agony.

(Dis)Honorable Mentions: Inherent Vice, Blackhat, The Boy Next Door, Woman in Gold, Terminator Genisys, The Gallows, Dark Places, American Ultra, Freeheld, Jem and the Holograms, Victor Frankenstein

 

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Most Misunderstood

Hot Pursuit – Ok, so I’m not going to sit here and waste my time telling you that Hot Pursuit is a good movie because it’s fairly derivative from countless other female buddy pictures, too broad for words, and in the end is an inconsequential blip on the careers of stars Reese Witherspoon and Sofia Vergara.  Where I took issue was how the movie was dragged through the grime by critics that would laud the same type of movie had it been released with males in the leading roles.  People took actual offense that Witherspoon went from an Oscar nominated turn in Wild to something so lightweight as Hot Pursuit and I kinda just wanted to tell ‘em all to scoot up a tree.  The film plays right into the strengths (and assets) of both leading ladies and is ultimately harmless.  It’s not great entertainment, but it’s not the garbage mess that people would have you believe.

Honorable Mention: San Andreas

Joe’s Humble Pie Award of 2015

The D Train – I’m a die-hard anti-Jack Black fan but even I had to admit that The D Train was one of the more unexpected small victories of 2015.  Black is winning as a lovable loser running his class reunion that makes a bid to get a famous-ish classmate to attend.  Flying out to California to convince the guy (James Marsden) to make an appearance, the film takes an unanticipated turn that audiences just won’t see coming.  The film has a dark charm and strong performances to justify your seeking it out.  I think you’ll be surprised…I was.

Honorable Mention: Mistress America

Movies You Probably Haven’t Seen But Should:

The Diary of a Teenage Girl

I’ll See You in My Dreams

Song of the Sea

The Hunting Ground

Beyond the Lights

Playing by Heart

Good Kill

Starry Eyes

The Taking of Deborah Logan

Click HERE for a full listing of films seen in 2015

Total Movies Seen in the Theater: 146

Total Movies Seen at Home: 176

Grand Total for 2015 (not counting films seen multiple times): 317

Where I Saw the Most Movies: Showplace ICON – 66!

Hasta La Vista…Summer (May)

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Hasta

We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.

I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.

So sit back, relax, and enjoy the ride read.

May

Though the summer movie season has traditionally been thought of as Memorial Day through Labor Day, in the past several years studios have marked early May as the start of the summer movie wars and 2015 was no different.

Kicking things off on May 1 was Avengers: Age of Ultron and, as expected, it was a boffo blockbuster that gave fans more Marvel fantasy fun. While it wasn’t as inventive as its predecessor and relied too much on jokey bits, the movie was everything a chartbuster should be: big, loud, worth another look.

Acting as a bit of counter-programming, the next week saw the release of two very different comedies, neither of which made much of a dent in the box office take of The Avengers. Critics gnashed their teeth at the Reese Witherspoon/Sofia Vergara crime comedy Hot Pursuit but I didn’t mind it nearly as much as I thought I would. True, it set smart girl power flicks back a few years but it played well to the strengths of its leads and overall was fairly harmless. I hadn’t heard of The D Train before a screening but was pleasantly surprised how good it turned out to be, considering I’m no fan of Jack Black. The movie has several interesting twists that I didn’t see coming, proving that Black and co-star James Marsden will travel out of their comfort zones for a laugh.

Blythe Danner proved she was more than Gwyneth Paltrow’s mom in the lovely, if slight, I’ll See You in My Dreams. It may be too small a picture to land Danner on the end of the year awards list she deserves but the drama was a welcome change of pace so early in the summer.

Another early May drama was a wonderful adaptation of a classic novel…and one I forgot to review when I had the chance…here’s my brief take on it now…

                                         Movie Review ~ Far From the Madding Crowd
far_from_the_madding_crowd_ver2The Facts
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Synopsis: In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
Stars: Carey Mulligan, Matthias Schoenaerts, Michael Sheen, Juno Temple, Tom Sturridge
Director: Thomas Vinterberg
Rated: PG-13
Running Length: 119 minutes
TMMM Score: (8/10)

Review: This adaptation of Thomas Hardy’s celebrated novel was a moving drama brimming with quietly powerful performances and lush cinematography. It’s a story that has been duplicated quite a lot over the years so one could be forgiven for feeling like we’ve seen this all before. Still, in the hands of director Thomas Vinterberg (The Hunt) and led by stars Carey Mulligan (Inside Llewyn Davis), Matthias Schoenaerts (Rust & Bone), & Michael Sheen (Admission) it stirred deep emotions that felt fresh. Special mention must be made to Craig Armstrong (The Great Gatsby) for his gorgeous score and Charlotte Bruus Christensen for her aforementioned picturesque cinematography. You missed this in the theater, I know you did…it’s out to rent/buy now and you should check it out pronto.

Around mid-May the summer bar of greatness was set with the arrival of Mad Max: Fury Road. The long in development fourth outing (and semi-reboot) of director George Miller’s apocalyptic hero was a movie lovers dream…pushing the boundaries of cinema and filmmaking into new places. A vicious, visceral experience, I can still feel the vibration in my bones from the robust film…a real winner.

The same week that Mad Max came back into our lives, a so-so sequel found its way to the top of the box office. Pitch Perfect 2 was a lazy film that’s as close to a standard cash grab as you could get without outright playing the original film and calling it a sequel. Uninspired and lacking the authenticity that made the first film so fun, it nevertheless made a song in receipts and a third film will be released in the next few years.

Tomorrowland and Poltergeist were the next two films to see the light of day and neither inspired moviegoers enough to gain any traction. Tomorrowland was actually the first film of the summer I saw twice…admittedly because I was curious about a new movie theater with reclining seats that I wanted to try out. As for the movie, the first half was an exciting adventure while the final act was a real mess.

I thought I’d hate the Poltergeist remake way more than I did…but I ended up just feeling bad for everyone involved because the whole thing was so inconsequential that I wished all of that energy had been directed into something of lasting value. While Sam Worthington made for a surprisingly sympathetic lead, the entire tone of the film was off and not even a few neat 3D effects could save it from being a waste.

May went out with a boom thanks to two wildly different films. If you asked me what I thought the prospects were for San Andreas before the screening I would have replied that Sia’s cover of California Dreamin’ would be the only good thing to come out of the action picture starring everyone’s favorite muscle with eyes, Dwayne Johnson. I still feel like Sia came out on top but the movie itself was a more than decent disaster epic, a little too long but made up for it with grand sequences of mayhem and destruction. Can’t imagine it will play nearly as well on a small screen but I wasn’t hating the film when the credits rolled.

A film I wasn’t too thrilled with at all was Aloha, Cameron Crowe’s own personal disaster flick. I still don’t know quite what to say about the movie because it was so dreadful that I’ve attempted to clear it from my memory. What I do remember was that it wasted its strong cast and exotic locale, as well as our time. Truly terrible.

STAY TUNED FOR JUNE, JULY, and AUGUST!

Movie Review ~ Aloha

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The Facts:

Synopsis: A celebrated military contractor returns to the site of his greatest career triumphs and re-connects with a long-ago love while unexpectedly falling for the hard-charging Air Force watchdog assigned to him

Stars: Bradley Cooper, Rachel McAdams, Emma Stone, John Krasinski, Danny McBride, Alec Baldwin, Bill Murray

Director: Cameron Crowe

Rated: PG-13

Running Length: 105 minutes

Trailer Review: Here

TMMM Score: (2/10)

Review: One of the more interesting e-mails to emerge from the Sony data breach in 2014 were private conversations between top studio execs bemoaning how bad Cameron Crowe’s latest dramedy was.  You can read the story here but I’ll summarize and say that from the moment the film was first screened (under its original clunker of a title Deep Tiki) it was contending with bad audience reactions and a filmmaker that didn’t seem to want to change anything.  In other words, a disaster waiting to happen.

Originally planned for a Christmas 2014 release but moved to May to allow for writer/director Crowe (We Bought a Zoo) to tweak his film, the final product is maybe the hammiest thing to hit Hawaii since SPAM became an island favorite food.  Considering the reliable track record of the A-List talent involved I can only blame Crowe’s inability to make sense of his own script which in turn leaves his actors totally adrift, trying to create something out of nothing.

There’s really three films happening at once and if you believe what you read, a healthy chunk has been sliced out of Crowe’s original plot (excising whole characters and a subplot involving island mysticism) and what’s left is 105 minutes of incoherent scenes with incongruous characters.  The marketing will have you believe Aloha centers around a love triangle between Bradley Cooper (Silver Linings Playbook), his ex Rachel McAdams (The Vow), and Air-Force upstart Emma Stone (Magic in the Moonlight) but in reality McAdams appears in about fifteen minutes and the love story between Cooper and Stone is awkwardly shoehorned in apparently for the sake of Crowe’s carefully chosen film soundtrack.

Crowe originally set the film up with Ben Stiller in Cooper’s role and Reese Witherspoon in Stone’s and after the two actors (wisely) left, he didn’t bother to tailor the script for his new stars.  Stone’s entire performance feels like an impersonation of the type of square-jawed task master that Witherspoon would have flourished in.  Stone is an actress with definite charisma but it’s absent without leave here, robbing the Oscar nominee of chances to show the dramatic range we know she has.  I suspect, again, that this has to do with Crowe’s editing after the fact…he’s done Stone no favors the way he cut her role.

While I don’t feel like McAdams has quite the range of Stone she’s well cast as Cooper’s long lost love that fell quickly into the arms of a pilot (John Krasinski, Promised Land, who probably could have thrived in Cooper’s role) after Cooper chose work over her.  Trouble is, she’s such a non-presence in the movie that when she does pop up we don’t quite remember why she’s important…until she reveals a Big Secret that you’ll see coming a mile away.

While Cooper knocked my socks off in American Sniper, he fumbles badly here and comes off unlikable…a problem when the entire film depends on a redemption that is never fully explained or earned.  Twisted up in Crowe’s baffling plot that involves assisting a megalomaniac millionaire (a badly badly miscast Bill Murray, Hyde Park on Hudson) in manipulating native Hawaiians out of their land so he can launch a satellite into space (I’m not kidding), Cooper can’t find his way out of the mess and starts to phone it in pretty quickly.

Since it’s been in the news so much as its release date drew near, I feel I must mention the accusations that in terms of casting the film eschews native Hawaiians for the “pretty” actors from Hollywood.  It’s not a claim that’s unfounded, sadly.  Relegating native Hawaiians only to roles seen as obstacles is a bad misstep…made more embarrassing by Stone’s tanned blonde character telling everyone she comes in contact with she’s ¼ Hawaiian…as if that somehow fills a quota.  It’s not totally white-washed ala any Nancy Meyers movie (for shame!) but there’s a definite lack of racially diverse casting at play…and that’s quite unfortunate.

It’s fitting that Crowe favors shots of people looking backward over their shoulders because it’s hard to believe that the writer/director of such true blue classics like Jerry Maguire and Say Anything… could have developed such a tin ear for dialogue.  There are a few classic Crowe turns of phrase but the random bon mots can’t save the film from being an absolute disaster and a huge chore to sit through.  In typical Crowe fashion the film is stuffed to the brim with music (some from composers Jónsi & Alex are quite pleasing) so much so that the soundtrack credits go on for a full minute in the end…if you make it that far.

Depressingly bad, Aloha will be another in a long line of failures from Crowe…and considering he’s only directed eight feature films that’s not a great track record.  Who knows what would have happened if Crowe was able to release the film he originally shot and maybe one day we’ll see his version of Aloha…but until that time comes this is one Hawaiian vacation you should decline.

The Silver Bullet ~ Aloha

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Synopsis: A celebrated military contractor returns to the site of his greatest career triumphs and re-connects with a long-ago love while unexpectedly falling for the hard-charging Air Force watchdog assigned to him.

Release Date: May 29, 2015

Thoughts: Had I not known before seeing this first look at Aloha who wrote and directed it, I can honestly say that I would have said to myself “Wow, this looks like a Cameron Crowe film…” and that says something about the type of movie Crowe is known for making. For his eighth film (and first in four years after the disappointing We Bought a Zoo), Crowe appears to have returned to the type of storytelling that first put him on the map.  In the first trailer for Aloha you can tell that he’s created real people, not some focus-group tested summary of average humans. And what about that cast? Bradley Cooper (American Sniper) and Emma Stone () are Oscar nominated red hot A-Listers with stars in an unparalleled ascent, joined by the likes of Rachel McAdams (The Vow), John Krasinksi (Big Miracle), Alec Baldwin (Still Alice), and the always interesting (if eternally grumpy) Bill Murray (Moonrise Kingdom). Originally referred to as The Untitled Hawaii Project, then Deep Tiki (shudder to think!) before blessedly settling into its current Hawaiian moniker, this could easily wind up in the saccharine melodrama bin…but I get the feeling Crowe has a warm welcome waiting for audiences.