Synopsis: Having taken her first steps into a larger world, Rey continues her epic journey with Finn, Poe and Luke Skywalker in the next chapter of the saga.
Release Date: December 15, 2017
Synopsis: Having taken her first steps into a larger world, Rey continues her epic journey with Finn, Poe and Luke Skywalker in the next chapter of the saga.
Release Date: December 15, 2017
Thoughts: Star Wars, Luke Skywalker, OMG, Amazing, Laura Dern, December Get Here Soon!, Why are you still reading my thoughts…watch the first teaser trailer now!
Synopsis: A continuation of the saga created by George Lucas and set thirty years after Star Wars: Episode VI – Return of the Jedi.
Stars: Harrison Ford, Carrie Fisher, Mark Hamill, John Boyega, Daisy Ridley, Oscar Isaac, Max von Sydow, Adam Driver, Domhnall Gleeson, Gwendoline Christie, Lupita Nyong’o, Andy Serkis, Anthony Daniels, Kenny Baker, Peter Mayhew, Crystal Clarke, Pip Anderson, Christina Chong, Miltos Yerolemou
Director: J.J. Abrams
Running Length: 135 minutes
Trailer Review: Here
TMMM Score: (9/10)
Review: Hey all you spoiler-phobic Star Wars fans…you’ve come to the right place! Have no fear, I’m not going to reveal any major plot points or ruin any of the surprises that director J.J. Abrams (Star Trek, Star Trek: Into Darkness) has in store for you. So I’m going to give you two reviews…one that is as spoiler-free as can be and another that will be slightly more descriptive (but still without any key points you aren’t already aware of). Are you ready? OK!
Totally spoiler-free review:
The wait was worth it and Star Wars fans finally have the sequel they’ve been waiting for since 1983’s Return of the Jedi. The effects are marvelous, the script tight, and the score by John Williams returns the sound of the series back to its grandly epic origins. In short, it’s a film that knows where it came from and has a vision for the future.
Now…for some more descriptive musings on Star Wars: The Force Awakens.
There’s a moment in the silent moments before Star Wars: The Force Awakens begins when my heart started to beat a little faster, my breath started catching a bit. After all this time, a direct sequel to the original trilogy of the operatic space odyssey created by George Lucas was waiting mere frames away. The time to hold grudges against the weak prequels vanished when those familiar words came up on screen… “A long time ago in a galaxy far far away…” and then…the logo, the music, the opening crawl that lays out what’s been going on since we last saw Luke, Leia, Han Solo, and other creatures great, small, or mechanical. I gotta admit, I had goosebumps from the tips of my toes to the top of my head.
With the Sith destroyed and the Empire fallen, a new enemy has surfaced that threatens the peace the Resistance has tried to bring to the galaxy. The First Order has risen from the ashes of the Empire with a new leader (Supreme Leader Snoke, Andy Serkis, Dawn of the Planet of the Apes), a new General (Hux, Domhnall Gleeson, About Time), and a new commander (Kylo Ren, Adam Driver, Frances Ha) strong with the force with ties to Darth Vader. The First Order is searching for a warrior gone missing, tracking an ace pilot for the Resistance (Oscar Isaac, A Most Violent Year) to a planet where he’s meeting with an elder (Max Von Sydow, Extremely Loud and Incredible Close) who holds a key to the warrior’s whereabouts.
In a nice tip of the hat to the original Star Wars, this important piece of information is hidden within a droid and soon finds itself in the hands of Rey (newcomer Daisy Ridley), an otherwise ordinary civilian that must travel from her planet via a familiar ship long since left for junk. Accompanied by defecting Storm Trooper Finn (John Boyega) before being joined by Han Solo (Harrison Ford, The Expendables 3) and Chewbacca (Peter Mayhew), all are thrust into an adventure that hops planets and light years.
When Disney bought Lucasfilm Ltd (thereby acquiring the rights to the Star Wars franchise) for a cool $4 billion there was a general discomfort that the House of Mouse wouldn’t do right by the characters. But Disney has delivered, and delivered in a big way. The $200-million-dollar film looks amazing with top-notch special effects seamlessly blending with live action to create 135 minutes of thrilling sequence after thrilling sequence. Not all thrills come from special effects though; just try to stave off the chills of hearing John Williams stirring score or deflect the rousing excitement of Han Solo reuniting with Princess (now General) Leia (a marvelously sanguine Carrie Fisher). When Ford and Fisher are on screen together the decades absolutely melt away and screenwriters Lawrence Kasdan, Michael Arndt, and J.J. Abrams have wisely kept their banter appropriately campy and fun. Ford in particular looks like he’s having more fun on screen then he’s had in years, reminding us why he’s a movie star.
Speaking of stars, Abrams has impeccably cast the film’s two leads with Ridley being the clear stand-out. Reminding me of a younger Keira Knightly, Ridley ably handles the range of her arc which puts her in numerous precarious situations. Boyega, too, is a welcome presence and while early on the actor tries a bit too hard, he’s redeemed by the end once he relaxes into the role. Both actors bring an energetic vibrancy to the screen, we’ve just met them yet we’re on their side from the beginning. They mesh nicely with the returning cast members and other new faces (including 12 Years a Slave Oscar-winner Lupita Nyong’o as a kind of next-gen Yoda), making this an easily accessible film for longtime fans or those new to the franchise.
If I had one gripe, it’s a small-ish one and it has to do with the Serkis’ realization of Snoke. The one effect that comes off as too CGI, I wished that the larger than life baddie was introduced on a more practical level instead of being motion-captured to the high heavens into a shadowy evil from the Dark Side. Still, it’s a small complaint for a film that’s overwhelmingly enjoyable.
Before seeing this seventh episode of the Star Wars saga, I was planning on re-watching all of the films (which I hadn’t seen in, gulp, nearly a decade) to bone up on the story up until this point. Time constraints made that impossible and in a way I’m glad that I hadn’t inundated myself with previous installments because it helped me take in The Force Awakens for what it was, the beginning of the next chapter of Star Wars. And what an impressive beginning it is.
We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.
I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.
So sit back, relax, and enjoy the ride read.
Though the summer movie season has traditionally been thought of as Memorial Day through Labor Day, in the past several years studios have marked early May as the start of the summer movie wars and 2015 was no different.
Kicking things off on May 1 was Avengers: Age of Ultron and, as expected, it was a boffo blockbuster that gave fans more Marvel fantasy fun. While it wasn’t as inventive as its predecessor and relied too much on jokey bits, the movie was everything a chartbuster should be: big, loud, worth another look.
Acting as a bit of counter-programming, the next week saw the release of two very different comedies, neither of which made much of a dent in the box office take of The Avengers. Critics gnashed their teeth at the Reese Witherspoon/Sofia Vergara crime comedy Hot Pursuit but I didn’t mind it nearly as much as I thought I would. True, it set smart girl power flicks back a few years but it played well to the strengths of its leads and overall was fairly harmless. I hadn’t heard of The D Train before a screening but was pleasantly surprised how good it turned out to be, considering I’m no fan of Jack Black. The movie has several interesting twists that I didn’t see coming, proving that Black and co-star James Marsden will travel out of their comfort zones for a laugh.
Blythe Danner proved she was more than Gwyneth Paltrow’s mom in the lovely, if slight, I’ll See You in My Dreams. It may be too small a picture to land Danner on the end of the year awards list she deserves but the drama was a welcome change of pace so early in the summer.
Another early May drama was a wonderful adaptation of a classic novel…and one I forgot to review when I had the chance…here’s my brief take on it now…
Movie Review ~ Far From the Madding Crowd
Synopsis: In Victorian England, the independent and headstrong Bathsheba Everdene attracts three very different suitors: Gabriel Oak, a sheep farmer; Frank Troy, a reckless Sergeant; and William Boldwood, a prosperous and mature bachelor.
Stars: Carey Mulligan, Matthias Schoenaerts, Michael Sheen, Juno Temple, Tom Sturridge
Director: Thomas Vinterberg
Running Length: 119 minutes
TMMM Score: (8/10)
Review: This adaptation of Thomas Hardy’s celebrated novel was a moving drama brimming with quietly powerful performances and lush cinematography. It’s a story that has been duplicated quite a lot over the years so one could be forgiven for feeling like we’ve seen this all before. Still, in the hands of director Thomas Vinterberg (The Hunt) and led by stars Carey Mulligan (Inside Llewyn Davis), Matthias Schoenaerts (Rust & Bone), & Michael Sheen (Admission) it stirred deep emotions that felt fresh. Special mention must be made to Craig Armstrong (The Great Gatsby) for his gorgeous score and Charlotte Bruus Christensen for her aforementioned picturesque cinematography. You missed this in the theater, I know you did…it’s out to rent/buy now and you should check it out pronto.
Around mid-May the summer bar of greatness was set with the arrival of Mad Max: Fury Road. The long in development fourth outing (and semi-reboot) of director George Miller’s apocalyptic hero was a movie lovers dream…pushing the boundaries of cinema and filmmaking into new places. A vicious, visceral experience, I can still feel the vibration in my bones from the robust film…a real winner.
The same week that Mad Max came back into our lives, a so-so sequel found its way to the top of the box office. Pitch Perfect 2 was a lazy film that’s as close to a standard cash grab as you could get without outright playing the original film and calling it a sequel. Uninspired and lacking the authenticity that made the first film so fun, it nevertheless made a song in receipts and a third film will be released in the next few years.
Tomorrowland and Poltergeist were the next two films to see the light of day and neither inspired moviegoers enough to gain any traction. Tomorrowland was actually the first film of the summer I saw twice…admittedly because I was curious about a new movie theater with reclining seats that I wanted to try out. As for the movie, the first half was an exciting adventure while the final act was a real mess.
I thought I’d hate the Poltergeist remake way more than I did…but I ended up just feeling bad for everyone involved because the whole thing was so inconsequential that I wished all of that energy had been directed into something of lasting value. While Sam Worthington made for a surprisingly sympathetic lead, the entire tone of the film was off and not even a few neat 3D effects could save it from being a waste.
May went out with a boom thanks to two wildly different films. If you asked me what I thought the prospects were for San Andreas before the screening I would have replied that Sia’s cover of California Dreamin’ would be the only good thing to come out of the action picture starring everyone’s favorite muscle with eyes, Dwayne Johnson. I still feel like Sia came out on top but the movie itself was a more than decent disaster epic, a little too long but made up for it with grand sequences of mayhem and destruction. Can’t imagine it will play nearly as well on a small screen but I wasn’t hating the film when the credits rolled.
A film I wasn’t too thrilled with at all was Aloha, Cameron Crowe’s own personal disaster flick. I still don’t know quite what to say about the movie because it was so dreadful that I’ve attempted to clear it from my memory. What I do remember was that it wasted its strong cast and exotic locale, as well as our time. Truly terrible.
Synopsis: When Tony Stark tries to jumpstart a dormant peacekeeping program, things go awry and it is up to the Avengers to stop the villainous Ultron from enacting his terrible plans.
Stars: Chris Evans, Samuel L. Jackson, Robert Downey Jr., Linda Cardellini, Mark Ruffalo, Andy Serkis, Thomas Kretschmann, Jeremy Renner, Don Cheadle, Paul Bettany, Stellan Skarsgård, Scarlett Johansson, Julie Delpy, Idris Elba, Cobie Smulders, Hayley Atwell, Chris Hemsworth, James Spader, Elizabeth Olsen, Aaron Taylor-Johnson, Claudia Kim
Director: Joss Whedon
Running Length: 141 minutes
Trailer Review: Here
TMMM Score: (8/10)
Review: Here’s the thing that I like most about a good smörgåsbord – there’s something for everyone. Hot food, cold food, deserts, salads…it’s all at your fingertips and you can have as much or as little as you like. When presented with so many options, the whole experience can be somewhat overwhelming…but once you’ve had the chance to survey the selections and try out some choice cuts, you usually wind up walking away feeling a sense of fulfillment.
If any movie of 2015 (or any film in recent memory, actually) can be likened to a smörgåsbord it most certainly is this hugely anticipated follow up to 2012’s The Avengers. Offering bigger thrills and higher stakes, it’s a gargantuan film that redefines the term blockbuster. Still, I have to be honest and say that while it’s an all-together overpowering outing from the get-go, it took me a good twenty minutes to acclimate myself to writer/director Joss Whedon’s awe-inspiring sequel.
Starting up in the middle of the kind of go-big-or-go-home battle usually reserved for the latter half of other would-be blockbusters (the first of five jumbo battle royales featured in the 2.5 hour film), there’s no time wasted in re-introducing our friendly group of superheroes. Most of the crusaders have solidly led the way in their own films (Iron Man, Thor, and Captain America) while others have turned in noble supporting turns (Black Widow, Hawkeye, War Machine) in the same movies. Grouped together on screen, as The Avengers proved so impressively well, they can defeat schemes of world domination while rattling off Whedon’s quip-heavy banter.
Whedon knows his way around a clever turn of phrase but there’s a limit to how much witty repartee can be tossed at the audience before it begins to feel a little too astute for its own good. There seems to be an overly earnest need to kick things off on the right foot by giving us the greatest hits of Tony Stark, the master of delivering a one-liner, while storming the eastern European castle featured in the beginning battle. It’s just all a little much for this reviewer…but luckily Whedon and crew achieve a nice balance of fun and furious action in a plot that has a lot going on but never feels overstuffed.
While Avengers: Age of Ultron works in pieces as a stand-alone film, it will really pay off for the wise viewer that has already seen Iron Man, Iron Man 2, Iron Man 3, Thor, Thor: The Dark World, Captain America: The First Avenger, Captain America: The Winter Solider, and Guardians of the Galaxy. Several familiar faces from these films pop up and, as was the case in the The Avengers, it’s nice to see how many cross over characters play a part in the action without it all feeling like a ComicCon version of The Love Boat.
What’s the plot you ask? Best to let you find that out yourself so as not to spoil some of Whedon’s more elaborate set-ups. What I can relay is that it involves a villainous bit of Stark created Artificial Intelligence named Ultron spectacularly voiced by James Spader (Mannequin) managing to inject humanity with a devious sarcasm into this completely CGI role – it’s hard to imagine anyone else giving voice to the destructive machine with such flair. Ultron has big plans for The Avengers and the world as a whole from the moment he comes online with the help of a familiar piece of sought-after power. Aided by a pair of powerful twins (Aaron Taylor-Johnson & Elizabeth Olsen…both featured in last summer’s Godzilla) and a host of bad robots, Ultron keeps the hits coming right up until the grandest of grand finales of any large-scale action film I can recall. The only way it could have been bigger is if the theater set off fireworks at the end.
Returning to the fray are Robert Downey Jr. (The Judge), Chris Evans (Snowpiercer), Chris Hemsworth (Cabin in the Woods), Scarlett Johansson (Under the Skin), Mark Ruffalo (Foxcatcher), Jeremy Renner (The Bourne Legacy), Paul Bettany (Mortdecai), and Samuel L. Jackson (RoboCop) and it’s worth noting that everyone seems happy to have their moment in the sun and then let their colleagues have their time to shine too.
Marvel is just on an unstoppable roll now and with the next Captain America film due in 2016, the next Thor film due in 2017, and the two part Avengers finale arriving in the two years after that there’s a whole lot more ground to cover. Let’s not forget the other Marvel films on the big and small screen that will surely play a part in future development deals.
Avengers: Age of Ultron is Whedon’s swan song in the director’s chair and he’s followed up an adrenaline blast of a first film with a layered and just as entertaining sequel that pushes ideas and characters forward. Make sure to see it on the biggest screen possible with the best sound (the 3D is optional…I wouldn’t think it’s a requirement) to truly max out your Avengers experience.
Synopsis: A continuation of the saga created by George Lucas set thirty years after The Return of the Jedi.
Release Date: December 18, 2015
Thoughts: If you’ve been following this blog for any length of time you’ll know that I love a good, old-fashioned teaser trailer. Lately, a “teaser trailer” has been more along the lines of a 2:30 (or longer) appetizer to share rather than the kind of amuse-bouche executed so skillfully during the late 80s/early 90s.
Blessedly, our first look at the hotly anticipated next chapter in the Star Wars franchise harkens back to those fondly remembered days of yore when brief glimpses whet the whistle of movie audiences everywhere.
Directed by J.J. Abrams (who successfully rebooted another Star franchise with Star Trek and Star Trek: Into Darkness) and co-written by Lawrence Kasdan (continuing his long history with the franchise after scripting The Empire Strikes Back and Return of the Jedi) it’s an understatement to say that whatever countdown fans have had for a new outer space adventure has officially started now that this satisfying peak has been released. My only concern as of now is that with Abrams on board it will look similar to the Star Trek films and rely too much on the director’s flare for the, well, solar flare camera work he’s become infamous for.
Grumble grumble quibble quibble…right? When all is said this, along with Jurassic World, are two of my most anticipated films of 2015.
Synopsis: A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier.
Stars: Andy Serkis, Jason Clarke, Gary Oldman, Keri Russell, Toby Kebbell, Kodi Smit-McPhee, Enrique Murciano, Kirk Acevedo, Judy Greer, Karin Konoval
Director: Matt Reeves
Running Length: 130 minutes
Trailer Review: Here
TMMM Score: (8/10)
Review: Okay, so we’re halfway through the summer movie season and, like every May-early August that has come before it, I think we’ve had our shares of high highs (Godzilla, Edge of Tomorrow, The Fault in Our Stars) and lowly lows (Jersey Boys, A Million Ways to Die in the West, Blended). Some have incorrectly scoffed that Transformers: Age of Extinction will bring about the end of humanity but I say those critics just forgot to change out of their fuddy duddy pants. Then there’s Tammy, the worst of the worst…the bubonic plague of the summer.
Don’t retreat to your lake cabins yet or focus solely on training for a fall marathon because July is just getting started and if Dawn of the Planet of the Apes is any indication, summer is about to heat up. The sequel to 20th Century Fox’s 2011 surprise hit franchise reboot manages to be a hell of a good ride, emerging as a film that knows what it wants to achieve and uses it’s talent, budget, and running length wisely.
Three years ago I didn’t get much of a rise out of Rise of the Planet of the Apes. Though the motion capture technology produced some impressively lifelike rendering of apes, it was bogged down by saggy leads (James Franco and Freida Pinto) and focused too much time on the human side of things. It’s when the apes took center stage that the movie found its shape…but by that time the movie was nearly over. Luckily, director Matt Reeves (Let the Right One In, Cloverfield) came onto the project wanting to make it an apes-first film so the sequel jettisons what didn’t work previously and gives us more time with the simian nation.
I’ll admit that the first 20 nearly wordless minutes of the picture had me squirming in my seat. See, I’ve been trained so far in 2014 for my summer action flicks to come out swinging so it was jarring (but welcome) for a film of this magnitude to make the bold choice of starting off quiet, letting the audience get used to a world ravaged by disease where apes are the dominant species. The beginning of the sequel re-introduces us to several hairy friends we got to know back in 2011, finding them communicating mostly in sign language (over half the film is subtitled) until they learn to literally raise their voices.
Caesar (performed by a flawless Andy Serkis, The Hobbit: An Unexpected Journey, The Hobbit: The Desolation of Smaug) is king of the colony of apes that escaped to the California forests 10 years ago. In their getaway a deadly virus was unwittingly released, ravaging the majority of humanity that wasn’t genetically immune. After a decade of toil, human and ape meet up once again when a small band of survivors led by Jason Clarke (Lawless, The Great Gatsby, Zero Dark Thirty), Gary Oldman (RoboCop, The Dark Knight Rises) & Keri Russell (Austenland) venture into the forest in hopes of using technology inside an abandoned dam to help power their dying city.
Meanwhile, Caesar battles rebellion within his own tribe as those less trusting plot to launch a deadly strike at the humans before they can destroy the apes. With his scarred body and milky eye, vengeful rebellion leader Koba looks straight out of a nature run amok horror movie, which makes sense because he’s the scariest villain I’ve seen in quite some time. Like Caesar, Koba is no ordinary ape and his subversive rampage is more Shakespearean in nature than paint-by-numbers evil-doer.
What I enjoyed most about the film wasn’t the nearly seamless blending of visual effects and live action but in the way it found room for good storytelling as well. If we’re being honest, the plot isn’t much more than the oft-told mutinous parable of dissention within but it’s in the way that screenwriters Rick Jaffa, Amanda Silver, and Mark Bomback (The Wolverine) weave parallel themes of family, trust, and honor throughout the film that makes it more than your standard action sequel.
The motion capture technology has come a long way in the past three years, allowing Serkis and a full range of gifted performers free range to flesh out their primate characters. While Serkis’ Caesar and Toby Kebbell’s Koba sometimes look a tad too animated, there are moments when the visuals are truly astounding and you start to wonder how Reeves directed two wild animals to perform with such vigor. Best of show goes (once again) to orangutan Maurice who is not only amazingly played by Karin Konoval but rendered with 100% believability by the gigantic visual effects team.
If I’ve left out talking about the humans, it’s only because reviews sometimes have to leave out secondary characters which Clarke, Oldman, Russell, et. al certainly are. Not knocking their talent or value to the overall effect of the picture but Reeves and his screenwriters have purposefully kept all humans on the sidelines and I’m positive that’s why the film works as well as it does.
Packed with action sequences that will keep you on the edge of your seat (check out the bravura and dizzying 360 degree shot on top of an armored tank and a high wire battle late in the film) and with an assured eye on the prize attitude from all involved, Dawn of the Planet of the Apes is another step in the right direction for this happily burgeoning franchise. I’m interested to see what’s next…as long as the future chapters keep those damn dirty humans at bay.
Synopsis: A growing nation of genetically evolved apes led by Caesar is threatened by a band of human survivors of the devastating virus unleashed a decade earlier. They reach a fragile peace, but it proves short-lived, as both sides are brought to the brink of a war that will determine who will emerge as Earth’s dominant species.
Release Date: July 11, 2014
Thoughts: I find that my fear of primates grows with each new “crazy ape” film I subject myself to. Officially gone are the days when I cried at the end of King Kong Lives and wished that Project X had turned out differently. Though I think 2011’s Rise of the Planet of the Apes was notable mostly for the amazing motion-capture work from Andy Serkis as smart ape Caesar, there was enough decent material remaining to warrant a sequel now three years later. James Franco and the awful Frida Pinto are thankfully gone, replaced by new leads Jason Clarke (The Great Gatsby, Lawless) and Keri Russell (Austenland) with some added support from Gary Oldman (The Dark Knight Rises). This first teaser may not make you pound your chest in ecstasy but it’s a nice whetting of your whistle for more ape antics coming in July.
Synopsis: A curious Hobbit, Bilbo Baggins, journeys to the Lonely Mountain with a vigorous group of Dwarves to reclaim a treasure stolen from them by the dragon Smaug
Stars: Ian McKellen, Martin Freeman, Cate Blanchett, Orlando Bloom, Ian Holm, Christopher Lee, Hugo Weaving, Elijah Wood, Evangeline Lilly, Andy Serkis
Director: Peter Jackson
Running Length: 169 minutes
TMMM Score: (6/10)
Review: Several months ago, I posted the teaser poster for The Hobbit: An Unexpected Journey and said “I’m not ready to admit how much I’m looking forward to this.” As a huge fan of the original trilogy of The Lord of the Rings I, like many, have been counting down the days, hours, minutes to the release of this first entry in another trilogy of films based on J.R.R. Tolkien’s The Hobbit. It had been years since I read the book so I picked it up again in the last few weeks to reorient myself with Tolkien’s world and the various characters that he introduced us to. As I read, I couldn’t help but notice how light the book was, how episodic it felt, and how sparse it seemed. How would they make three whole movies out of this?
Now, I know (and you probably know) that there’s more to this Hobbit than just what happens in the novel. A troupe of screenwriters (including director Jackson and would-be director Guillermo del Toro) went back to Tolkien’s appendices, notes, and maybe laundry lists to stretch the shortest of his Middle Earth novels into three films. With The Lord of the Rings, this method would have made sense…but with this first part of The Hobbit it pulls a bit too tightly and instead of the truly satisfying experience the original trilogy was we have a fairly decent but by no means exceptional fantasy adventure.
Being totally objective and taking my love of the novels/films out of it, I would be remiss if I didn’t mention that the movie is only really good for the final 1/3 and even then you may be so exhausted from the dizzying visuals and lengthy slow sections that it may be too little too late. I’m a fairly forgiving audience member with films that start off slowly and end with a bang and this almost makes its case with a rousing finale…but in the days following my screening of the film I can’t get over a tad bit of melancholy that The Hobbit: An Unexpected Journey wasn’t the experience I wanted.
Maybe the problems really started with the arduous journey the movie had in getting to the big screen. Behind the scenes squabbling by its parent studios kept director Guillermo del Toro out of the director seat (don’t cry for him, Bilbo Baggins, he has Pacific Rim coming out next year and it looks like a doozy!) and as years stretched between the last Lord of the Rings film (which won Best Picture and Best Director for Jackson) it seemed like all hope was lost. Originally not interested in directing, Jackson finally came onboard and the rest was history…well all except for the fact that what was originally conceived as a two-part adventure was hurriedly split into three. I still have big problems with this decision because based on this first part, there’s not enough meat to go around the feast.
Ok, ok…it’s not a bad film…let’s be clear. It’s possible, though, that expectations were so high that anything even remotely wrong with the film would be put under an intense magnification making it seem like it was a much bigger deal than it really is. So the film takes a while to get going, pondering around in the shire of Bilbo Baggins as he is swept into an adventure involving wizards, dwarves, elves, goblins, and one dragon quite protective of his own turf…what of it? Every story needs a good introduction, right? Well…kinda. The opening of the film winds up feeling like the Extended Edition which will inevitably follow when it’s released for home viewing.
Though the first part of the film taking place in Bilbo’s shire is capped off nicely with an all hands on deck story-song that Jackson films impeccably, it’s largely uninteresting because nothing much is happening. It’s only when Bilbo (Freeman) hits the road with Gandalf (McKellan…beyond reproach) that the film gets moving too and despite a few creaky bits along the way the film gets better with each new digital creature acting on a virtual landscape of Jackson’s creation.
Let’s talk about the much hyped new filming technique that Jackson has employed here. In addition to being released in 3D, audiences have the choice to see the film in HFR (High Frame Ratio). In an attempt to reduce blur and flickering in a film, Jackson has piloted an industry first of shooting the film at 48 frames per second instead of the usual 24. What this creates is a quite lifelike display of action…almost uncomfortably so. The fourth wall is seemingly broken and I’d liken it to a state of the art HD television. Some of this works and some of this doesn’t…any scene taking place in the daylight looks almost too realistic while sequences at night seem to capture the technique the best. HFR provides some astonishing clarity but when it’s coupled with heavy digital effects and 3D, I found myself having to close my eyes so I didn’t get dizzy. That’s never happened to me with any film until know so it has to be the overall impact of the HFR that caused it. As with any progression of filmmaking, HFR is going to take some time to get used to. It’s hard to describe it if you haven’t seen it – but it’s up to you if you want to shell out the extra money for it (I saw the film in the evening, in a VIP section at the Icon, and in HFR3D and paid $19).
In all honestly, I think I need to see the film again to really make up my mind how I feel about it. This review represents my initial reaction to the film and HFR and perhaps over time I’ll change my opinion when I can compare it to the films that are coming in the next two years (The Hobbit: The Desolation of Smaug is due one year from now and The Hobbit: There and Back Again follows in summer 2014). I only hope that in the time he has until the next film is released Jackson listens to the feedback on the pace and edits the next entries accordingly.
Synopsis: A curious Hobbit, Bilbo Baggins, journeys to the Lonely Mountain with a vigorous group of Dwarves to reclaim a treasure stolen from them by the dragon Smaug.
Release Date: December 14, 2012
Thoughts: As December draws ever near we inch closer and closer to the release of the next trilogy from Peter Jackson featuring middle earth, hobbits, dragons, wizards, and one shiny ring. Boasting some incredible visuals by mere trailer standards, The Hobbit: An Unexpected Journey promises so much more in sheer epic-ness with a new filming technique said to be almost uncomfortably life-like and non-cinematic. I don’t really want to let on how much I’m looking forward to this because then it will all be too real and before I know it I’ll be waiting another year for Part 2. Whereas the first trailer for this was metered and intense, the new preview injects some lighter levity into the mix while still showcasing the grandly excellent vistas Jackson has in store for us.