Synopsis: After the earth-shattering revelations of Insurgent, Tris must escape with Four beyond the wall that encircles Chicago to finally discover the shocking truth of what lies behind it.
Stars: Shailene Woodley, Theo James, Octavia Spencer, Naomi Watts, Jeff Daniels, Ray Stevenson, Zoe Kravitz, Miles Teller, Ansel Elgort, Maggie Q, Keiynan Lonsdale, Jonny Weston, Mekhi Phifer, Daniel Dae Kim, Nadia Hilker, Bill Skarsgård
Director: Robert Schwentke
Running Length: 121 minutes
TMMM Score: (2/10)
Review: When Divergent was released in 2014, the hope was that it would be Summit Entertainment’s answer to The Hunger Games gauntlet thrown down by Lionsgate, a rival studio. It wasn’t. Actually, Divergent was so airless that when its sequel (Insurgent) rolled out a year later I didn’t even bother to see it. What’s the point of continuing on with a series if the audience doesn’t really care about characters played by actors that don’t seem to care themselves about anything more than their paychecks and the perks of an international press tour.
In preparing for Allegiant, I went back and re-watched Divergent to see if my original feelings held up. Boy, did they ever. I still find Divergent to be a major bore, peppered with blank performances, spotty special effects, and a plot so convolutedly serpentine that it winds up feeling like it’s being made up on the fly and not adapted from the first in a series of bestsellers by Veronica Roth. I continue to have a major problem with the violence towards women, grimacing each time the film finds our heroine getting beaten about the head and face by a male peer.
Since I’m never one to skimp on my homework, I gave Insurgent an overdue spin and to my surprise found it more than marginally better than its predecessor. It’s still hopelessly devoid of point and general interest but with a new director (Robert Schwentke) and better special effects, the overall feeling of the series as a whole was that it was finding its footing (though I don’t feel like a series should ever need to take an entire first chapter to work out the kinks).
So going into Allegiant I was ready to see it improve upon the previous entry. With the same director returning along with its cast made up of representatives of young Hollywood supported by several Oscar nominated/winning veterans there was surely hope to be had.
Wrong. So very wrong.
First off is that Allegiant continues the unfortunate trend of studios with dollar-signs in their eyes and opting to split the final installment into two movies. It worked for Harry Potter, it kinda worked for Twilight, and it definitely worked for The Hunger Games…but Allegiant is not destined to be put into any marginally successfully category because it’s actually the worst entry yet. Instead of besting Insurgent, it falls far behind Divergent thanks to uninspired performances, downright lousy special effects, and the cold hard truth that the whole series is not about anything.
If you haven’t seen Insurgent yet, you best stop reading now because it’s impossible to discuss this one without letting a few spoilers slide by.
Jeanine is dead. And Kate Winslet must have been so happy she wasn’t contractually obligated (like Ashley Judd seems to be) to appear in installments after her character was shot down by Evelyn (Naomi Watts, The Impossible, acting like her life depended on it in a brunette wig). The message received at the end of Insurgent suggests that outside the wall that surrounds Chicago is a population waiting for the divergents to appear. With the faction system breaking down and naysayers unlawfully executed, it’s more important than ever to scale the massive wall and hope that what’s outside is better than what’s inside.
When her brother (Ansel Elgort, The Fault in Our Stars) is lined up to be next on the chopping block, Tris (Shailene Woodley, The Descendants) and Four (Theo James) escape with him and their friends (Zoe Kravitz, Mad Max: Fury Road, and Miles Teller, The Spectacular Now, and Maggie Q), literally walking up the wall through an electrified fence. Before going over the wall, the screenwriters trim the escapees by one in a most unceremonious fashion…losing one of the more interesting characters is a bummer for us but good for them because they’re spared from what happens next.
Outside the wall is a wasteland, a fleshy red landscape irrigated by a red rain. Why? The film never says…probably because it just looks good and goes with the costume design. Salvation comes when the group is rescued and brought to what used to be Chicago’s O’Hare Airport, though it’s been redesigned to look like the first pass of architectural model by a grade school student with no eye for functionality. Ruled by David (Jeff Daniels, The Martian, with sad eyes that tells us he can see his career fading) who’s focused on separating the “pure” from the “damaged”, a divide arises between Tris and her friends that will call into question their, um, allegiance.
To say more would be giving the wafer thin plot more time than it deserves. It’s just a bridge between Insurgent and 2017’s Ascendant so really what’s the point of catching this one in the theaters? It’s a waste of time and everyone onboard seems to know it. Schwentke is coasting in his director’s chair…so much so that he decided to jump ship and not come back to finish the series. The special effects look like they were from a computer game you’d play between commercial breaks of a new episode of The Fresh Prince of Bel-Air, and the acting is absolutely dreadful.
Woodley has been someone I’ve kept an eye on for a while now but instead of getting more acclimated to her heroine role, she seems more uncomfortable than ever. A solid dramatic actress she may be but an action star she’s not and never will be. With her huge saucer eyes and dirty blond bob, she doesn’t even look the part. James fares better as her love interest and brawn of the group, but the two have precious chemistry to suggest that we should care whether they wind up together or not. Watts, Daniels, and Octavia Spencer (Fruitvale Station) feign attentiveness while Teller hams it up with one-liners that rarely drew much of a reaction from the nearly 500 audience members I saw this with. And I can’t even go there with the dreadful extras that have been assembled. All of them look like they’ve been recruited from a pep rally in a juvenile detention center.
As I was leaving the theater I was walking behind a major fan of the series that was shaking her head and exclaiming that the filmmakers totally ruined the series with this one…so you don’t just have to take my non-fan word for it that Allegiant is a lousy waste of space.