Synopsis: When her boyfriend dumps her, Emily persuades her ultra-cautious mom to accompany her on a vacation to Ecuador.
Release Date: May 12, 2017
Thoughts: 15 years. That’s how long it’s been since Goldie Hawn (Deceived) has been seen on the big screen (not counting midnight screenings of Death Becomes Her at revival houses) and for a Hawn fan like me, that’s far too long. The Goldie drought will end this Mother’s Day as the Oscar winning comedienne teams up with Amy Schumer (Trainwreck) in Snatched, a mother-daughter comedy directed by Jonathan Levine (Warm Bodies). While the optimist in me is hoping for the best, Schumer’s ascent to bona-fide leading lady hasn’t been totally proven and I wasn’t a fan of screenwriter Katie Dippold’s previous buddy film The Heat. Also, remember the last time we were excited for a road-trip movie with a star that now makes infrequent appearances in movies? Yeah…we wound up with The Guilt Trip. The humor looks sophomoric and the production a bit on the cheap…but I’m interested to see what silly sparks Hawn and Schumer can make.
We did it! We made it through another summer and while the outdoor heat wasn’t too bad (in Minnesota, at least) the box office was on fire.
I’ll admit that I indulged in summer fun a bit more than I should, distracting me from reviewing some key movies over the last three months so I wanted to take this opportunity to relive the summer of 2015, mentioning my thoughts on the movies that got away and analyzing the winners and losers by month and overall.
So sit back, relax, and enjoy the ride read.
Traditionally, August is the month when the wind-down begins. It never has any of the big tent pole pictures featured earlier in the summer and it can be a time when studios try to burn off some troubled pictures or try to skillfully position a sleeper hit. This August for sure had its share of high and low points, much like the summer that it capped off. I was still in frolic mode so didn’t get to as many reviews as I had wanted but sitting here now, in still sunny September, it’s time to review the movies I missed!
Movie Review ~ Shaun the Sheep Movie The Facts: Synopsis: When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it’s up to Shaun and the flock to return everyone safely to the green grass of home. Stars: Justin Fletcher, John Sparkes, Omid Djalili, Kate Harbour, Tim Hands, Andy Nyman, Simon Greenall, Emma Tate Director: Mark Burton, Richard Starzak Rated: PG Running Length: 85 minutes TMMM Score: (7/10) Review: I’m not saying that the U.S. doesn’t churn out a fine slate of family friendly films…but there’s a certain aura around the British imports that seem to work time and time again. Like Paddington earlier this year, Shaun the Sheep Movie was an unexpected delight, 85 minutes of smart comedy that’s deep enough for adults to not need a lobotomy to enjoy and zany enough to keep the attention of young tykes. Remarkable when you consider there’s not any dialogue in the movie aside from some rumbles and grumbles from human and animal characters, it’s a big screen adventure adapted from a popular television show. I wasn’t sure what to expect but I was surprisingly entertained and quite impressed by the stop-motion animation. The film didn’t have great marketing so it slipped by most people but if it’s at your bargain movie theater, pack those kids up in your minivan and get to it…or treat yourself to a solo show.
Movie Review ~ Dark Places The Facts: Synopsis: Libby Day was only seven years old when her family was brutally murdered in their rural Kansas farmhouse. Twenty-five years later, she agrees to revisit the crime and uncovers the wrenching truths that led up to that tragic night. Stars: Charlize Theron, Drea de Matteo, Nicholas Hoult, Christina Hendricks, Chloe Grace Moretz, Corey Stoll, Sterling Jerins, Tye Sheridan, Shannon Kook Director: Gilles Paquet-Brenner Rated: R Running Length: 113 minutes TMMM Score: (3/10) Review: With the huge success of Gillian Flynn’s third novel Gone Girland seeing how fast the movie rights were snapped up, it’s only natural that her other two other books would take a similar path. Dark Places is the first of these to hit theaters (Sharp Objects is arriving as a television movie) and it shows one of two things, either the third time was the charm for Flynn or something was lost in translation. Full disclosure, I haven’t read the book but I’m inclined to think that it’s the fault of the screenwriter because there are so many hazardous movie mistakes only a Hollywood writer could make. Though the mystery of a decades old killing spree coming back to haunt the sole survivor is initially intriguing, it quickly dissolves into a sticky mess that makes less sense the more secrets are revealed. It also doesn’t help that it’s badly miscast, with the usually impressive Charlize Theron relying on her ever-present trucker hat to do most of the acting for her…or maybe to hide her embarrassment at being looped into this turkey. Though it boasts a cast that typically gets the job done, no one quite seems to know what they’re doing…as if they hadn’t read the book before undertaking their scenes. The only worthwhile performance is Christina Hendricks as Theron’s murdered mom, bringing some dignity to a role that, as written, doesn’t earn it.
Movie Review ~ Fantastic Four The Facts: Synopsis: Four young outsiders teleport to an alternate and dangerous universe which alters their physical form in shocking ways. The four must learn to harness their new abilities and work together to save Earth from a former friend turned enemy. Stars: Michael B. Jordan, Miles Teller, Kate Mara, Jamie Bell, Toby Kebbell, Tim Blake Nelson, Reg E. Cathey Director: Josh Trank Rated: PG-13 Running Length: 100 minutes TMMM Score: (4/10) Review: Well, what can I saw bout the Fantastic Four that hasn’t been said (loudly) already? Is it a lousy movie? Yeah, probably. Could it have been better? After two attempts to bring these characters to the big screen I’m not sure we’ll ever get a decent adaptation. What went so wrong? If you believe the outspoken director, it was studio interference that took his movie from a rich origin story to an overstuffed thundercloud of action movie clichés and fairly terrible special effects. If you are to believe the studio, it was that director Josh Trank (who debuted with the surprise hit Chronicle) disconnected from the material, a development that was costing time and money. Watching the film with this knowledge you can see the moment that something went awry. Because the thing is, the first 20-30 minutes of Fantastic Four is quite good, sensitive even. It’s a slow start and, let’s face it, audiences these days don’t want a slow start. They want their action and they want it now. The studio was happy to oblige and when it becomes a standard summer superhero movie my interest took a nosedive and it became a waiting game of the good guys defeating the bad guys so I could go home. I think the colossal outcry from fans and critics was a little on the dramatic side, even for a superhero film, but it’s not wholly unwarranted.
Movie Review ~ Ricki and the Flash The Facts: Synopsis: A musician who gave up everything for her dream of rock-and-roll stardom returns home, looking to make things right with her family. Stars: Meryl Streep, Kevin Kline, Sebastian Stan, Mamie Gummer, Audra McDonald, Rick Springfield Director: Jonathan Demme Rated: PG-13 Running Length: 102 minutes Trailer Review:Here TMMM Score: (6.5/10) Review: So we’ve all long agreed to the fact that Meryl Streep can do no wrong. You can love her for it or hate her for it, but she never fails to impressive me with each new role she takes on. From starring in The Iron Lady to taking a supporting role (cameo, really) in The Homesman, Streep seems to take a role if it speaks to her, no matter the size or commitment. It’s not hard to see why she was attracted to the rough rocker Ricki with her tattoos and braided hair, here was another opportunity for Streep to strip away the classical actress aura and go barefoot into the wild. She’s ably aided by Diablo Cody’s middling script, Jonathan Demme’s careful direction, and a supporting cast that don’t just play second fiddle to Streep’s lead guitar. I think there’s one too many musical numbers allowed to play longer than they should and Cody’s dialogue doesn’t have the snap that it used to. The whole thing is worth it though for a stellar scene between Streep and Audra McDonald, the new wife of Streep’s ex-husband. A sparring match spoken with calm and some care, the two women have an electricity between them that the film needed more of. It falls apart swiftly in its second half, but it’s not a totally out of tune affair.
Movie Review ~ The Man from U.N.C.L.E. The Facts: Synopsis: In the early 1960s, CIA agent Napoleon Solo and KGB operative Illya Kuryakin participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons. Stars: Henry Cavill, Armie Hammer, Alicia Vikander, Elizabeth Debicki, Jared Harris, Hugh Grant Director: Guy Ritchie Rated: PG-13 Running Length: 116 minutes TMMM Score: (7.5/10) Review: I never watched the television series on which this cool-as-can-be spy movie was based on but I’m pretty sure there weren’t the same amount of homoerotic jokes during the weekly adventures of Solo and Kuryakin. While I feel that director Guy Ritchie relied a bit too heavily on his similar experience at the helm of two Sherlock Holmes films, he brings his A game to this big screen adaption, sparing no expense when it came to production design. And that’s a good thing because though it’s never truly predictable, the plot is pretty thin. So it’s up to Ritchie and his cast to sell the film and they are more than up for the challenge. Henry Cavill (Man of Steel) is perfectly cast as the smooth Solo and he’s well matched with Armie Hammer’s (Mirror Mirror) simmering Kuryakin. The two trade barbs rich with double entendre while protecting Alicia Vikander (The Danish Girl) from falling into the hands of a sinister villainess (the scene stealing Elizabeth Debicki, The Great Gastby). The film looks and sounds amazing, here’s hoping costume designer Joanna Johnston gets an Oscar nomination for her impeccable suits and stunning dresses.
Movie Review ~ End of the Tour The Facts: Synopsis: The story of the five-day interview between Rolling Stone reporter David Lipsky and acclaimed novelist David Foster Wallace, which took place right after the 1996 publication of Wallace’s groundbreaking epic novel, ‘Infinite Jest.’ Stars: Jesse Eisenberg, Jason Segel, Joan Cusack, Mamie Gummer, Anna Chlumsky, Mickey Sumner Director: James Ponsoldt Rated: R Running Length: 106 minutes TMMM Score: (8/10) Review: I never thought I’d say the words “potential Oscar nominee Jason Segel” in a work of non-fiction…but then again I didn’t think two-time Oscar nominee Jonah Hill was possible either and look what happened there. Yes, Segel’s work as tormented writer David Foster Wallace is worthy of acclaim as the actor digs deep within and bypasses his comedic instincts to find the truth of the man behind the epic novel Infinite Jest. Jesse Eisenberg (who also pops up in American Ultra) turns in strong work as well, though he’s really just a prop for Segel to react off of. Their five day road trip interview for Rolling Stone is the basis for the movie and it leads the men and the audience into interesting territory. It’s a movie you watch once, appreciate, then file away as something you can recommend to people and feel like you’ve done them a favor. One thing that must be said…Eisenberg needs to learn how to smoke a cigarette. Here and in American Ultra he looks a child does when they are mimicking their parent. Many things about Eisenberg annoy me and this is just another thing to add to the list.
Movie Review ~ The Diary of a Teenage Girl The Facts: Synopsis: A teen artist living in 1970s San Francisco enters into an affair with her mother’s boyfriend. Stars: Bel Powley, Alexander Skarsgård, Christopher Meloni, Kristen Wiig Director: Marielle Heller Rated: R Running Length: 102 minutes TMMM Score: (7.5/10) Review: It’s nice to go into a movie with only a basic logline and a list of the actors featured. I didn’t know what to expect from The Diary of a Teenage Girl but whatever I thought, the movie surprised me in the best ways. The story of a young girl’s sexual awakening in San Francisco is gloriously set in the mid ‘70s, an era of freedom and discovery. While some may be off put by the relationship between an older man and an underage girl (star-in-the-making Bel Powley is older than she looks, thankfully), they’d be missing the point of Phoebe Gloeckner’s autobiographical graphic novel on which the film is based. It’s a frank flick that frequently finds its actors in the buff but doesn’t feel gratuitous because these characters are coming into themselves, marveling at a new experience they never knew existed. I appreciated that the film pulled no punches in showing nudity and discussing sexual situations and director Marielle Heller shows respect for all people involved. It’s a bold film with animated sequences, a killer soundtrack, and splendid performances.
The dog days of summer brought three other notable releases to theaters, though I’m guessing by the poor box office returns of two of them that the studios (and actors) wish the films had just quietly gone away.
I hadn’t heard a thing about American Ultra until two weeks before it was due to arrive, strange considering it starred Kirsten Stewart and Jesse Eisenberg. The two aren’t serious box office draws but they do have a fanbase that might have helped build more buzz for the stoner comedy. Not that it would have made the film any better because at its best it was a mildly diverting mix of comedy and gratuitous violence and at its worst it was a merely the thing you watched because you’d seen everything else at the theater and wanted some time in the air conditioning. It’s bad when you don’t know what the movie is about, but it’s worse when it feels like the filmmakers don’t have a clue either.
I’ve gone on record as no fan of director Noah Baumbach and very on the fence for actress Greta Gerwig so I wasn’t at all looking forward to their latest collaboration, Mistress America. Once again, the universe has a way of loving to see me humbled and I emerged from the screening not only in a damn fine mood but the desire to see it again. That rarely happens with any movie, let alone a Baumbach/Gerwig joint so that should tell you something about the quality of this movie that is firmly in a New York state of mind. Sure, it has its share of problems but they don’t ultimately detract from the overall enjoyment the film brings.
Finally, there’s the sad, sad case of We Are Your Friends, Zac Efron’s latest attempt to be a serious dramatic actor. While I think it’s Efron’s best dramatic performance to date and didn’t totally hate the film, audiences sure did and it became the third biggest box office failure of all time…pretty stunning considering how many other bad movies have been released and made at least a few million during its opening weekend. I think the film got a bum rap and just was released at the wrong time, but it should hopefully send a message to Efron that he needs to spend some time figuring out exactly where his place is in Hollywood because he is, like his character here, totally lost.
Synopsis: In 1988, a teenage girl’s life is thrown into chaos when her mother disappears.
Release Date: September 25, 2014
Thoughts: Star Shailene Woodley has been on a roll ever since making an impressive bid for stardom opposite George Clooney in The Descendants. In 2014 alone she’s been an action star (in the otherwise forgettable Divergent), broke YA hearts (as a cancer teen in The Fault in Our Stars) and now takes on another dramatic role in Gregg Araki’s coming of age tale White Bird in a Blizzard. With Araki’s history of putting the squeaky clean youth of Hollywood through his adult blender, expect Woodley to mine new ground and bare all (literally) as a teen affected by the disappearance of her unbalanced mother (Eva Green, Cracks) in the late 80s.
Synopsis: The town’s most hard-boiled citizens cross paths with some of its more reviled inhabitants.
Release Date: August 24, 2014
Thoughts: Not exactly striking while the iron was hot, this sequel to 2005’s technically sound but pretty darn moody Sin City finally makes it to the big screen after almost a decade of false starts and other production delays. Again directed by Robert Rodriguez and graphic novelist Frank Miller (also at the pen for 300 and 300: Rise of an Empire) this looks to have the same dark flash as its predecessor while introducing a new roster of shady characters like Joseph Gordon-Levitt (Don Jon), Eva Green (Cracks, Dark Shadows), and Josh Brolin (Oldboy, Labor Day) along with returning stars Bruce Willis (Color of Night), Mickey Rourke (Iron Man 2), and Jessica Alba. The first film broke new ground with its visuals…but it’s 10 years later and what was one revolutionary is now standard. What more does this film have to offer…and will it be too little, too late?
Synopsis: A young itinerant worker is forced to confront his secret extraterrestrial heritage when Earth is invaded by members of his race.
Stars: Henry Cavill, Amy Adams, Michael Shannon, Kevin Costner, Diane Lane, Laurence Fishburne, Antje Traue, Ayelet Zurer, Christopher Meloni, Russell Crowe, Michael Kelly, Harry Lennix, Richard Schiff
Review: I love 1978’s Superman: The Movie. I figured I’d get that out of the way off the bat so you know where I’m coming from. Richard Donner’s big budget epic was bolstered by the tagline: “You’ll Believe a Man Can Fly”…and audiences did…in droves. Capturing the all-American charm of one Clark Kent aka Superman, Donner’s film successfully moved characters that had long lived on the pages of comic books and a television show to the silver screen with impressive results.
So perhaps it was a bit too much to hope that 2013’s Man of Steel could provide some of that same magic in kicking off yet another reboot of the superhero with a giant S on his chest. The trouble is that this updated hero is too aloof, too troubled a searching soul to mine any joy out of the proceedings. It’s a chilly film with precious little in the way of true blue charm and moxie. Instead, it’s largely a showcase for director Zack Snyder (Sucker Punch, Watchmen) to puff his special effects chest out and screenwriter David S. Goyer (Batman Begins, The Dark Knight, The Dark Knight Rises) to put a Bruce Wayne-style glum-ness on the picture.
Perhaps that solemnity also comes courtesy of producer Christopher Nolan who successfully reshaped the Batman franchise into a lean and mean money making machine. What worked for Nolan and Goyer on the Batman films unfortunately doesn’t work here and mores the pity because several other key elements of the film are strikingly on point.
Take Henry Cavill for instance. The Brit is possessing of a well toned eight pack to go along with his All-American features and cheekbones that could cut kryptonite. The script never allows him to emerge too far from his gloomy gus hole but there are moments especially near the end where we can see a glint in Cavill’s eye that brings a little Christopher Reeve to mind. In his newly redesigned suit, which does look better than the near neon colors in previous Superman films, Cavill is a convincing hero that has real potential.
I also found a lot to like about Kevin Costner and Diane Lane as refreshingly earthy incarnations of Jonathan and Martha Kent, Superman’s earth bound adoptive parents that provide stability even when his powers threaten to overwhelm their found child. Most of their performances are relegated to flashbacks and much of the film is presented in a non-linear fashion as Clark wanders from job to job, only moving on when his powers put him in danger of being discovered.
Costner has some of the best scenes in the film as he alternatively counsels his son and quietly fears for him if the outside world knew what he can do. I’ve often found Costner to be too mannered of an actor, always holding back what he’s really feeling but here he’s given nice material that helps him shine.
The same can’t be said for poor Amy Adams (The Master) who is terribly miscast as ace reporter Lois Lane. Though it’s well documented she has auditioned/lobbied for this role on three occasions, it’s a shame she didn’t do more with the role when she finally got a crack at it. I missed the plucky verve that Margot Kidder to the role and it’s something I’m disappointed Adams didn’t tap into more – that being said she’s light years more interesting than Kate Bosworth was in 2006’s Superman Returns.
I’m still not totally sure how I feel about Michael Shannon (The Iceman) as Superman’s main nemesis Captain Zod. Talking out of the side of his mouth and sounding like he has a Lifesaver he wants to keep under his tongue, Shannon is an unlikely choice for the role and even wearing a costume that looks like a hand me down from KISS he manages to give the character more depth than was probably necessary. Russell Crowe’s (Les Miserables) Jor-El can’t hold a candle to the “I can’t believe this works as well as it does” casting of Marlon Brando in Donner’s film but there’s a solid whiff of nobility given off by Crowe…and thank the Lord he doesn’t sing in this one.
Snyder is known for putting a rich visual spin on his films and that’s what almost saved his disastrous Sucker Punch from being totally relegated to the waste bin. In Man of Steel the special effects gets the better of him though with too much of the film looking more cartoony than visually impressive. Sure, the flying sequences are solidly entertaining and some of the larger action sequences (including a much too long go-for-broke finale) look mighty fine but it only adds to a strange hollowness to the entire film.
I may be a bigger fan of Superman than any other comic book character so I was very much looking forward to seeing where the next generation of Superman movies will take us. This wasn’t the movie I really wanted to see and that’s a bummer…but then I remember that I wasn’t totally taken with Batman Begins either when I first saw it. Time will tell if Cavill and company will find a way to truly take flight in their next outing but it’s possible that with more focus on the good and less on the glum a better franchise starter will emerge.
Synopsis: The life story of Jackie Robinson and his history-making signing with the Brooklyn Dodgers under the guidance of team executive Branch Rickey.
Release Date: April 12, 2013
Thoughts: Now that football season has drawn to a close it’s time to look forward to the summer and America’s Greatest Pastime: baseball. Though the sport has historically provided the setting for many a great film, there seems to be a renewed interest in one of the greatest players to have ever swung a bat. That would be Jackie Robinson and 42 looks like it could be a home run as a biopic of the player that battled racism and personal struggles to become a legend. I think that gruff Harrison Ford will make a winning Branch Rickey thanks to writer/director Brian Helgeland’s slick style and solid ear for dialogue. Though baseball season is still several months away, this April release could be a well-timed hit for those eager to be taken out to the ballgame…cinematically at least.
Synopsis: An alien infant is raised on Earth, and grows up with superhuman abilities. He sets out to use these abilities to guard his adopted world.
Release Date: June 14, 2013
Thoughts: As a huge fan of the original Superman and a nicely developed origin story, this new trailer for June’s surefire blockbuster delivers the goods with a taste to whet the whistle of rabid Superman fans and even the most casual of movie-goers. After the modest morsel of a teaser, I was already excited for what lies ahead in Man of Steel. I only hope that director Zack Snyder can restrain himself enough to let the story tell itself rather than bombard us with his trademark eye-popping visuals. Not that there isn’t a place for that…but with a Superman reboot I want to see the humanity more than just impressive flying effects. With The Dark Knight Rises director Christopher Nolan on board as a producer, I think we’re in good hands.