Movie Review ~ Beauty and the Beast (2017)


The Facts
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Synopsis: An adaptation of the Disney fairy tale about a monstrous-looking prince and a young woman who fall in love.

Stars: Emma Watson, Dan Stevens, Sir Ian McKellen, Kevin Kline, Josh Gad, Luke Evans, Gugu Mbatha-Raw, Dan Stevens, Audra McDonald, Stanley Tucci, Ewan McGregor, Emma Thompson, Hattie Morahan

Director: Bill Condon

Rated: PG

Running Length: 129 minutes

Trailer Review: Here

TMMM Score: (7/10, 7.5 on a second viewing)

Review: Let’s start with the truth, the whole truth, and nothing but the truth: I had to see this live-action version of Beauty and the Beast twice before I felt I could really give it a fair shake.  I had been so looking forward to seeing Disney’s classic tale come to life that I perhaps went in with expectations dialed too high, spending much of the first screening feeling a bit, well, let-down.  Not that the production design wasn’t glorious (it is), not that the music wasn’t stirring (Alan Menken’s score still dazzles), and not that the actors giving flesh and bone life to characters crafted in animation studios weren’t up to the task (they are…mostly), but there was something that just didn’t hit my ‘Thrill Me’ button.  Seeing it again two weeks later in 3D accompanied by rich Dolby Atmos sound, I found some magic that wasn’t there before…but many of the problems remained.

Let’s go back to 1991 when Disney hand-drawn animation reached its full renaissance and true zenith with the release of Beauty and the Beast.  A dynamite blockbuster and instant classic, it also became the first animated film to be nominated for Best Picture (other nominees that year? Bugsy, JFK, The Prince of Tides, and the winner The Silence of the Lambs) a title it held for 18 years until the list of nominees was expanded and Pixar’s Up nabbed a nom.  Disney recognized it had a property that could have a life beyond the silver screen and soon Beauty and the Beast became a highly popular and endlessly profitable Broadway musical.  With countless releases on video, DVD, BluRay and a 2012 re-release in 3D, the film is easily Disney’s bread and butter.  It’s no wonder, then, that with the popularity of Disney’s recent slate of live-action adaptations of their classic animated films (Maleficent, Cinderella, The Jungle Book), Beauty and the Beast is swooping back into theaters in a lavish new production.

You know the story, right?  Snooty, spoiled prince angers old beggar woman that’s really an enchantress in disguise.  Prince is turned into a beast and his staff are turned into various objects until the prince/beast learns to love and be loved in return.  Enter headstrong and misunderstood Belle who winds up imprisoned by the Beast but warms his cold heart.  The rest is fairy tale history.

My biggest issue with 2017’s BatB (let’s shorten it, shall we?) is its length.  The original film was a solid 84 minutes with very little in the way of excess plot, characters, or showiness but this film is 129 minutes and feels longer than it had to be.  That’s due to some baffling additions in plot and characters that feel like distractions from the action instead of support for the story.

Take Audra McDonald (Ricki and the Flash) and Stanley Tucci (Spotlight) as the castle entertainment turned into a wardrobe and a cadenza, respectively.  McDonald’s character isn’t new but the role is beefed up to ridiculous proportions, seemingly only to have an excuse to showcase McDonald’s glorious soprano.  Tucci’s piano man adds nothing to the plot and winds up taking time away from established characters Cogsworth (Sir Ian McKellen, The Wolverine, crazily underused) and Lumiere (Scotsman Ewan McGregor, A Million Ways to Die in the West, nearly nailing a French accent).  Emma Thompson’s (Saving Mr. Banks) is no Angela Lansbury but, even though an obvious choice, her warm-hearted Mrs. Potts gets the job done, delivering a sweet interpretation of the title tune.

Screenwriter Stephen Chbosky (The Perks of Being a Wallflower) has made the curious decision to provide a backstory for Belle and her father that involves Paris, a windmill, and the Black Plague.  While it may give more dimension to the character in general, it takes up too much time and again feels like it was added to introduce one of Menken’s new songs.

Ah…the songs.  Three songs from original musical written by Menken and the late Howard Ashman were nominated for an Oscar and hearing them again with a full orchestra it’s not hard to see (or hear) why.  ‘Belle’ is still an energetic introduction not only to our heroine but to her “poor provincial town” as well.  I missed some of the eccentric townsfolk Disney animators dreamed up, they’ve been replaced by bland-ish niceties that strangely seem more sinister than their hand-drawn inspirations ever did.  ‘Be Our Guest’ remains the star centerpiece with McGregor and an entire Crate and Barrel’s worth of kitchen fare going Busby Berkley when serving dinner.  I’ve heard ‘Beauty and the Beas’t a zillion times in a million different versions but it never fails to choke me up with its grand music but tender lyrics.  Surprisingly, the songs Menken and Tim Rice wrote for the Broadway musical are jettisoned for lesser carbon copies.  I can’t quite understand why the Beast’s knock-out Act 1 closing number ‘If I Can’t Love Her’ was replaced by ‘Evermore’ which says nearly the exact same thing.  So, too, for ‘Days in the Sun’, taking the place of ‘Human Again’ without much justification.  The only semi-winner in the bunch is ‘How Can a Moment Last Forever’, sung by Emma Watson and Kevin Kline in the movie and Celine Dion over the closing credits.  It’s a clear bid for an Oscar nomination and never count Menken out to sneak in and win the prize.

Director Bill Condon (The Twilight Saga: Breaking Dawn – Part 2) has never had the lightest touch and it shows in several frenetically edited numbers that cut away when they should be pulling back and showing the choreography.  It’s interesting that the best staged number (‘Be Our Guest’) is the one largely done with CGI and not the otherwise exuberant opening number or villain Gaston’s big boastful number set in a beer hall.  I was worried that the enchanted objects would look odd and they most certainly do.  It takes a good fifteen minutes to adjust to these computer creations which are blended seamlessly into the live-action pieces.  The castle design is gorgeous and the film looks like it spent every nickel of its sizable budget.

In the title roles, Dan Stevens (Night at the Museum: Secret of the Tomb) and Emma Watson (Noah) are just dandy but don’t truly possess the ‘It” factor that would make them feel like the only possible choices.  Watson’s got a good demeanor and knows exactly who Belle is, but her singing voice is AutoTuned to an almost comical level and I so missed hearing the soaring vocals of Paige O’Hara.  Though Stevens feels slightly too old next to Watson (giving further fodder to the whole Stockholm Syndrome debate that’s followed the tale since it’s origins), he manages to create an actual character within the constraints of his motion-captured Beast creation.  He’s got a nice singing voice too.

The best of the non-professionals is Luke Evans (The Raven) as Gaston.  Though he isn’t the ‘size of a barge’ as his character indicates in song, he’s a nicely nasty villain cut-off at the knees by the independent Belle and her protective father (Kevin Kline, The Big Chill).  He’s got a rich voice and makes each of his scenes and interactions count, I like that he didn’t try to excuse Gaston’s actions or show any redeeming qualities that might make us feel sorry for him.  Then there’s Josh Gad (The Wedding Ringer), an actor I just don’t get.  I liked him in Frozen when he was heard and not seen but as Gaston’s sidekick Lefou he’s easily the most grating presence in the film.  Condon gives Gad far too much slack to modernize his character through shamelessly mugging while lip-synching terribly and though his affections for Gaston are plain as day, the “exclusive gay moment” being buzzed about is a blink and you’ll miss it beat most won’t even recognize.

There’s no doubt this is going to make Disney another trillion dollars at the box office and in clever tie-ins but for me this was the least successful live-action update so far.  It wants to have it both ways; being reverential to the original one moment and not quite as precious to it in another.  Condon wraps it up with a terrible final edit that only made me angrier the second time I saw it. Rated PG, it rides the line of being too long for little kids and pretty scary when you throw in two fairly terrifying wolf attacks.  It’s much darker than the animated film so parents should think twice before taking the tots to this – popping in the original would be my suggestion.

The Silver Bullet ~ Beauty and the Beast (2017) – Trailer 2

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Synopsis: An adaptation of the classic fairy-tale about a monstrous prince and a young woman who fall in love.

Release Date: March 17, 2017

Thoughts: No, YOU teared up when you were watching this look at Beauty and the Beast…ok…I did too.  One of Disney’s most beloved animated fairy tales comes to live action life from director Bill Condon (The Twilight Saga: Breaking Dawn – Part 2) in 2017 and it looks like, well, a beauty.  We all know the story so even seeing some spoilerific scenes doesn’t deter me from counting down the days until this one gets released.  Boasting an impressive cast with Emma Watson (The Bling Ring), Kevin Kline (The Big Chill), Emma Thompson (Beautiful Creatures), Sir Ian McKellen (X: Men – Days of Future Past), Josh Gad (Frozen), Luke Evans (The Raven), Stanley Tucci (The Hunger Games), and Ewan McGregor (Salmon Fishing in the Yemen) all signing and dancing up a storm, anticipation is high for Beauty and the Beast to be another jewel in Disney’s recent slate of live action remakes of their cartoon classics.

View the teaser trailer here: Beauty and the Beast – Teaser Trailer

The Silver Bullet ~ Beauty and the Beast (2017)

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Synopsis: An adaptation of the classic fairy-tale about a monstrous prince and a young woman who fall in love.

Release Date: March 17, 2017

Thoughts: Gosh darn it, there’s no denying that Disney is sure on a winning streak with re-purposing their animated fairy-tale canon as live action films. After the winning success of 2015’s Cinderella and the eye-popping visuals of The Jungle Book, Disney is unleashing the big guns in 2017 with their production of Beauty and the Beast.  Already well represented in the flesh in a Broadway show and touring companies around the world, the stars are aligning for this to be one beauty of a movie. This first teaser gave me legit goosebumps, mostly due to the creative use of Alan Menken and Howard Ashman’s haunting score and the briefest of first looks at Emma Watson (The Bling Ring) as Belle and the voices of Ian McKellen (The Wolverine) and Ewan McGregor (August: Osage County) as Cogsworth and Lumiere, respectively.  In future trailers I’m sure we’ll see more of Dan Stevens (Night at the Museum: Secret of the Tomb) as Beast, Luke Evans (Dracula Untold) as Gaston, Audra McDonald (Ricki and the Flash) as Garderobe, Emma Thompson (Saving Mr. Banks) as Mrs. Potts, and Kevin Kline (The Big Chill) as Maurice.  Directed by Bill Condon (Mr. Holmes), I’m praying it’s light on gimmicky CGI and retains the heart that made the animated film such an instant classic.

Movie Review ~ Night at the Museum: Secret of the Tomb

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The Facts:

Synopsis: Larry spans the globe, uniting favorite and new characters while embarking on an epic quest to save the magic before it is gone forever.

Stars: Robin Williams, Ben Kingsley, Steve Coogan, Ben Stiller, Owen Wilson, Ricky Gervais, Rebel Wilson, Dan Stevens

Director: Shawn Levy

Rated: PG

Running Length: 97 minutes

Trailer Review: Here

TMMM Score: (5/10)

Review:  I believe the statute of limitations has run out by now so I can say to you now that I snuck into the first Night at the Museum on Christmas Day 2006.  My family had caught the first showing of Dreamgirls and I stuck around to see another flick while my parents started making the rounds to all of our relatives.  That first film was a pleasant, if silly, fantasy that provided good opportunities for its cast to do their thing while interacting with the kind of special effects that aren’t summer blockbuster “wow” worthy but succeeded on their own merits.

The sequel, released as summer entertainment in 2009 was the very definition of a movie studio and cast cashing in and making a quick buck.  The jokes were stale, the actors checked out, the direction given over to the special effects teams, and a higher emphasis on potty humor and gross gags made it nearly an intolerable watch.

I didn’t even know a second sequel was in the works until I caught the teaser trailer for Night at the Museum: Secret of the Tomb in early 2014 and by the looks of it I gleaned we were in for more of the same tired quips and even more screen time for the wily capuchin that delights in urinating on anything that gets in its way.   Seeing a Christmas release date it wasn’t hard to put the equation together that another “just for the paycheck” experience awaited all those willing to plunk down their greenbacks at the box office.

The third (supposedly final) entry in the series winds up being better than its predecessor but still falls short of the wonder the original brought forth.  Yes, it’s a near retread of the other films with scenes filled with characters seemingly chosen via random lottery (or whoever was willing to work the cheapest) and star Ben Stiller (The Secret Life of Walter Mitty) couldn’t be less invested if he tried but a compact plot keeps the action moving and largely contained to a single night of adventure.

Making it past the awful first 20 minutes is key here.  As is the case with sequels, a heavily populated opening is an easy way to give audiences a view of their favorite returning characters before finding a way to justify their absence in the latter half of the film.  Here we have night security guard Larry (Stiller) traveling to London with, among others, Teddy Roosevelt (the late Robin Williams, Lee Daniels’ The Butler), a Neanderthal doppelgänger of Larry (also played by Stiller), Jedidiah (Owen Wilson, The Internship) and Octavius (Steve Coogan, Philomena) to discover why the magical Tablet of Ahkmenrah is corroding and causing mayhem.

It’s at London’s British Museum that Larry and company encounter a bumbling security guard (Rebel Wilson, Pitch Perfect, proving once again that a little of her goes a long way), Lancelot (Dan Stevens, Downton Abbey), Ahkmenrah’s Pharoah Papa (Ben Kingsley, Iron Man 3), and a nasty serpent in their quest to save the tablet from destruction.

The film holds a few surprises, the best being a funny and finely timed cameo by an eternally game superstar known for his singing chops as well as his action hero status.  It’s nice to see the likes of Bill Cobbs (The Bodyguard), Mickey Rooney (who also passed away in 2014), and especially Dick Van Dyke as the old security guards from the first film.  The first time we see Van Dyke probably gave me one of the best laughs of 2014…in much the same way his appearance in Alexander and the Terrible, Horrible, No Good, Very Bad Day did in October.  Though the main baddie is somewhat bland, there’s ample opportunity for moments of creativity that are too often stymied by pee jokes and the stubborn need to flesh out a coming of age story for Stiller’s son.  All are distractions (along with Stiller’s oddly changing haircut) from what could have been a nice holiday adventure.

For a moment, the film seems to be heading off into the sunset in fine form…until a total unnecessary epilogue ruins it all.  Director Shawn Levy (This Is Where I Leave You) either was under pressure from the studio to leave the franchise door slightly ajar or just couldn’t resist one more chance to let his special effects team run amok…either way it turned a warm send-off into a chilly finale that was most disappointing.

The Silver Bullet ~ Night at the Museum: Secret of the Tomb

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Synopsis: Larry leaves New York City for London on a quest to save the magic before it is gone forever.

Release Date: December 19, 2014

Thoughts: I usually keep decent tabs on movies but I must have been asleep when a second sequel to 2006’s Night at the Museum was announced…that or else the film was greenlit when no one was looking. While the original reminded me of the type of fun Disney may have rolled out in the early 70s, the sequel was a cash-grab from all involved…adding nothing but loud noises and special effects. Can’t say the third film looks to be anything different with star Ben Stiller (The Secret Life of Walter Mitty) returning alongside director Shawn Levy (This Is Where I Leave You) and the rest of the crazy characters that come to life when the museum is closed. Looking at the positive, one can be hopeful that the film inspires the youngins to take a more active interest in history and their local museums.

The Silver Bullet ~ A Walk Among the Tombstones

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Synopsis: Private investigator Matthew Scudder is hired by a drug kingpin to find out who kidnapped and murdered his wife.

Release Date: September 19, 2014

Thoughts: I saw the poster for this adaptation of Lawrence Block’s bestselling series of novels before I took in the trailer below and felt a tad dejected.  Here we go again with another gristle and knuckle rock ‘em sock ‘em film from Liam Neeson (Non-Stop, A Million Ways to Die in the West, The Grey) and it would be light on logic and heavy on Neeson trying his best to whisper in a basso profundo.  Then I dug a little deeper and watched the preview and while I’m still not holding my breath this will help reestablish Neeson as more than a strong arm action hero this grim looking thriller may have the one element so many of his films don’t…smarts. 

The Silver Bullet ~ Vamps

Synopsis: Two female vampires in modern-day New York City are faced with daunting romantic possibilities.

Release Date:  November 2, 2012

Thoughts: Oh dear.  Well, being a big Amy Heckerling fan (even National Lampoon’s European Vacation!) I had been waiting for this one for a while.  Long delayed for a theatrical release, Vamps was recently announced as going direct-to-video.  After viewing the silly trailer I can see why.  Featuring a nice supply of actors that know how to do light comedy, I’m a bit surprised this looks as bad as it does.  Who knows, perhaps this one will be a guilty pleasure but I’m guessing it’ll be a toothless comedy lacking bite.