The Silver Bullet ~ The King’s Man



Synopsis
: As a collection of history’s worst tyrants and criminal masterminds gather to plot a war to wipe out millions, one man must race against time to stop them.

Release Date: September 18, 2020

Thoughts: In 2014, the spy adventure Kingsman: The Secret Service was a surprise hit with audiences and critics and presented a cheeky fun alternative to the wise acre superhero franchise films that were multiplying like rabbits.  It also helped to introduce the public to Taron Egerton who would return in 2017 for the go-big-or-go-home sequel before hitting the big time with his hopefully Oscar nominated turn in 2019’s Elton John biopic Rocketman.  With Egerton’s star on the rise and booked out on other projects and with the franchise having bankable legs, 20th Century Fox was in a bit of a tough place with director Matthew Vaughn on how to continue the story of the elite gentlemen’s agency that battled boffo baddies in style.  The answer?  Go back to the beginning. Recently moved from it’s original February release date, September 2020 will now bring us The King’s Man, tracking the original formation of the organization featuring Ralph Fiennes (Official Secrets), Gemma Arterton (Quantum of Solace), Djimon Hounsou (Charlie’s Angels), and Harris Dickinson (Maleficent: Mistress of Evil).  I’m sure I’ll miss the Egerton-factor but this second trailer feels in the same spirit as the two previous films with action packed intrigue to spare.  Looks like royal fun.  

Movie Review ~ Charlie’s Angels (2019)


The Facts
:

Synopsis: When a young systems engineer blows the whistle on a dangerous technology, Charlie’s Angels are called into action, putting their lives on the line to protect us all.

Stars: Kristen Stewart, Naomi Scott, Ella Balinska, Elizabeth Banks, Patrick Stewart, Djimon Hounsou

Director: Elizabeth Banks

Rated: PG-13

Running Length: 118 minutes

TMMM Score: (7/10)

Review: Leading up to the screening of the brand-new 2019 reboot of Charlie’s Angels, all signs were pointing to something less than impressive.  Early trailers were considerably lackluster and the marketing of the film was…well, look up a few inches and check out the poster I selected to headline this review.  It’s the best one I could find and that should be saying something because it’s pretty bad on its own.  It’s like a major studio (Sony) had decided to revamp a key piece of IP and then opted to spend no creative energy or cash on seeing to its success.  If they didn’t have some faith or interest in the movie, why should I?

I had also come off a recent double-feature rewatch of the previous 2000 McG directed reboot starring Drew Barrymore, Cameron Diaz, and Lucy Liu and it’s 2003 sequel and was kind of ashamed of myself for having a poster of both films on my wall at one point. (In my defense, the first poster was a fairly sweet high quality shiny foil material.) Both movies are still cornball pieces of bubblegum entertainment but they now come off as pre-packaged raunch fests, pushing the limits of the PG-13 rating and filtered through a male gaze so much that you can almost feel your chin stubble growing as the film progresses.  And the butt shots.  Oh my goodness.  You could do a drinking game (there has to be one, right) at the amount of gratuitous gluteus shots that occupy a rump-shaking amount of the film’s running length.

So yes, I was feeling conflicted about yet another new take on Charlie’s Angels, adapted from the popular television series that ran from 1976 to 1981.  I also had some questions.  Written and directed by Elizabeth Banks (Brightburn) tackling her sophomore feature after 2015’s Pitch Perfect 2, would the star actress be able to switch from a frothy musical to a spy-adventure?  What about the involvement of Kristen Stewart? The hard to pin down indie darling isn’t wholly picky with her roles but even this seemed like an out of left field choice for her.  Overall, the movie was lacking in mega-star wattage, a big selling point of the previous revitalization.  The two other women starring with Stewart were Naomi Scott (Aladdin) and Ella Balinska, not exactly household names.  With the less than boffo box office of Ocean’s 8, would audiences line up for another female-led caper action film?

I would never advocate for arriving late at a movie because it’s rude to others around you and you might miss some important info that could come in handy down the road but in the case of Charlie’s Angels, it wouldn’t be an outright terrible idea.   That’s because the first 10 minutes of this are pretty bad.  So bad I feared all my apprehensions about the movie were being made manifest and I’d be sitting there for another 105 minutes watching the time tick by in agony.  Fear not, because after that rocky road of an opening the movie rights itself almost immediately and a rather solid film materializes right before your eyes.  One that feels of the moment and also one that’s in on the overall joke from the jump.

Acting as a semi-continuation of the two previous films (with a few poorly photoshopped tweaks), Charlie’s “Angels” have gone international and now have branches all around the world.  {Stick around for the post-credits to see just how star-studded the recruits have become.} Bosley is now an official rank within the organization, which is why Banks, Patrick Stewart (Green Room), and Djimon Hounsou (Serenity) are all credited by some version of the moniker in the cast list.  They are each responsible for specific areas and keep tabs on their Angels that are close by, in addition to recruiting and training new candidates. Angels come from all walks of life and are called in when their special talents are required, so it’s less like they work as a group but more as a team of experts based on the need.

The need that exists currently is to keep an eye on an engineer in Germany (Scott) who has discovered a flaw in a handheld electrical system she helped create.  Without spending more time and resources to mend the error, the tool could go to market and be used as a weapon by someone with advanced knowledge and kill anyone in close proximity.  With her company intent on moving forward with mass-producing the item and not fixing the issue she’s found, she reaches out to the Townsend Agency/Charlie to help her find a way to stop her invention from falling into the wrong hands.  Before she can pass her info off, an attempt is made on her life – which is when the Angels fly in.  Tomboy Sabina (Stewart, Personal Shopper) is an heiress that likes to live on the edge and Jane (Balinksa) is a former MI:6 agent who left the agency for mysterious reasons we’ll learn about later on.

The movie plays like an extended episode of a television show with little in the way of complex plot development, save for a couple of well-timed twists that would have coincided nicely with a commercial break.  It’s not aiming to be that deep, however, and I appreciated that it favored forward momentum instead of digging too deep under the surface.  That’s not to say Banks doesn’t ask anything of her three leads because she elicits fine performances out of all, it’s just clear that they all had a mission to create a movie that was entertaining and I think they accomplished that.  The elaborate wig and costume changes are fun but grounded and the most madcap Banks lets things get is a giggly little bit of choreographed disco led by Stewart and Balinska. (Speaking of Balinska, she’s a real find and manages to steal the movie away from her fellow Angels quite often).  Whereas the Barrymore/Diaz/Lu movie felt like it was amusing them more than anything by the end, Banks and company allow us into that fun arena on a more regular basis.

If the new Charlie’s Angels spreads its wings at the box office, Banks has set things up to be an intriguing franchise.  With the globalization of the Townsend Agency, the Angels can come from anywhere so even if, say, Stewart wasn’t available for the next film you can easily swap her out for another super spy from the opposite side of the world.  It leaves the playing field (and cast list) open for a myriad of interesting possibilities for future installments.  Just make sure to give these new Angels a chance past those first ten minutes – we’re in the culture of snap judgments now and if you stick it out I think you’ll like where this one lands.

Movie Review ~ Shazam!

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The Facts
:

Synopsis: We all have a superhero inside us, it just takes a bit of magic to bring it out. In Billy Batson’s case, by shouting out one word – SHAZAM! – this streetwise 14-year-old foster kid can turn into the adult superhero Shazam.

Stars: Zachary Levi, Asher Angel, Mark Strong, Jack Dylan Grazer, Grace Fulton, Faithe Herman, Ian Chen, Jovan Armand, Cooper Andrews, Marta Milans, Adam Brody, Djimon Hounsou

Director: David F. Sandberg

Rated: PG-13

Running Length: 132 minutes

TMMM Score: (8/10)

Review: Those poor souls over at Warner Brothers/DC Comics were likely looking at 2019 and feeling crestfallen at their prospects. With three highly anticipated Marvel films set for release and their Wonder Woman sequel pushed back to 2020, it must have felt like any hopes of getting another foothold in their franchise ladder weren’t going to happen. I’m not sure how much faith they had in Shazam! at the outset but they should have pumped this one up a bit more than they did. Sure, I saw the preview more times than I needed to before other films but going into the movie I wasn’t expecting anything vastly different than the soulless offerings they’ve been churning out in the past decade.

Thankfully, it seems like they may have stumbled onto something good.

Foster kid Billy Baston (Asher Angel) has found himself on the wrong side of the law for the last time when he is apprehended after obtaining information from a police database. He’d been attempting to find his mother after they were separated when he was a toddler and hasn’t given up hope that she’s out there and is looking for him as well. Taken in by another foster family that already boasts a diverse line-up of kids in similar family situations, Billy bides his time until he can run away again to continue his search.

When he’s mysteriously brought to the temple of an aging Wizard (Djimon Hounsou, Serenity) tasked with guarding the seven deadly sins, he absorbs the fading Wizard’s magic and turns into a buff superhero (Zachary Levi, Thor: The Dark World) anytime he says the Wizard’s name: Shazam. Unware of the extent of his newfound powers, Billy has the mind of a teenager in the body of a mature adult and at first doesn’t exactly use his upgrades for good. Though he runs through some trials of his abilities with his foster brother (Jack Dylan Grazer, IT), he starts to be the kind of hero that’s only looking out for himself instead of assisting others.

He’s put to the ultimate test when Sivana (Mark Strong, The Imitation Game) enters the picture. Obsessed with finding the temple of the Seven Wizards that he too visited as a young child, the grown man eventually makes his way back to the hidden dwelling and frees the sins from their prison. Now being used as their vessel for evil, Sivana sets his sights on taking the Wizard’s power from Shazam (who has become something of a local Philadelphia celebrity) and eliminating everyone he loves.

If there’s one thing that’s been sorely missing from the DC slate of superhero movies it’s a sense of humor and finally the stiff suits at the studio backed up and let wiser talents guide this process – and it’s largely successful. Though the previous credits for screenwriters Henry Gayden (Earth to Echo) and Darren Lemke (Goosebumps) might not have suggested they’d be the right choices to bring Bill Parker and C.C. Beck’s superhero to the big screen, Shazam! is a welcome change of pace from the darker-hued adventure films the studio has been greenlighting. Adding director David F. Sandberg (Lights Out, Annabelle: Creation) was another inspired choice as he’s nicely able to balance the lighter/more comedic elements of the plot with the darker edges supplied by Sivana.

Sandberg has cast the film well starting with Levi as our hero that becomes more than the sum of his bulging muscles and caped suit. Seeing that he’s actually a teen given awesome powers, Levi might overplay the sarcasm and wise-cracks a bit early on but it provides him a place to jump off from as he grows into a more responsible hero and a more understanding teenager. He has a nice rapport with Grazer and his other foster siblings, adding some layers to a character that could easily have been pretty one-dimensional. The villain role doesn’t seem to be much of a stretch for Strong at this point and while he’s perfectly fine in the part it would have been nice to see it played by someone a little less expected. It’s just too easy for Strong to slide into these wicked characters by now.

While it’s a good 10-15 minutes too long, spending unearned time with Sivana and following Levi through perhaps a few too many blunders, Sandberg and the screenwriters manage to introduce a late breaking twist that I found pretty delightful and nicely inclusive. Buoyed by strong performances by the child actors (a rarity these days) and a nice dose of humor and creativity, Shazam! is a fun right turn from the careening curve DC studios couldn’t pull out of.

Movie Review ~ Captain Marvel

 


The Facts
:

Synopsis: Carol Danvers becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races.

Stars: Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Jude Law, Lashana Lynch, Annette Bening, Gemma Chan, Djimon Hounsou, Lee Pace, Clark Gregg

Directors: Anna Boden, Ryan Fleck

Rated: PG-13

Running Length: 124 minutes

TMMM Score: (6.5/10)

Review: This should be a time of full-scale rejoicing. I mean, it only took 11 years and 21 films but Marvel Studios finally is releasing a superhero movie with a female lead. Though it may be trailing Warner Brothers’s epic Wonder Woman by a full two years, Captain Marvel is surely a welcome addition to the Marvel stable of action heroes and the studio seemed to be thoughtful in bringing the character to the big screen. Casting an Oscar winning actress as the titular character and signing on a directing team known for their independent dramas seemed like unexpected choices for an action movie of this size and unfortunately the payoff isn’t entirely worth the risk.

We’re so deep into this saga that it’s almost become a requirement for audiences to have seen, or have qualified knowledge, of previous films in order to make sense out of the action and developments that take place throughout whatever hero’s adventure we’re watching. That’s even true in this first appearance of Captain Marvel, which is set in 1995, long before the events of the movies that preceded it. Make sure to bone up on your Avengers knowledge (namely watch The Avengers and Guardians of the Galaxy) because it will go a long way in getting you up to speed.

Starforce warrior Vers (Brie Larson, The Gambler) is on a mission with her team on a desolate planet when she is captured by a band of Skrulls led by Talos (Ben Mendelsohn, Darkest Hour) and taken back to their ship. Staging a daring escape, she crash lands on Earth where she meets a young Nick Fury (Samuel L. Jackson, Glass, de-aged quite nicely) and teams up with him to locate a power source integral to her own origin story…and future Avenger movies. Along the way Vers learns why she’s plagued with nightmares of a fallen comrade (Annette Bening, Film Stars Don’t Die in Liverpool) and memories of a life before her time with Starforce. The secrets she discovers help shape the hero she’ll become and reframe what she’s actually defending.

I’ll be honest and say that I couldn’t resist closing my eyes for a small section of the movie around the forty-five minute mark.   Directors Anna Boden and Ryan Fleck can’t quite keep up a solid pace and the film drags early on, even when we should be actively engaged with Vers uncovering more of her history. Things start to pick up once we meet her old Air Force buddy (Lashana Lynch) who fills in some memory gaps and helps to propel us forward into the final act. It’s when her old Starforce buddies, led by Jude Law (Side Effects), Djimon Hounsou (Serenity), and Gemma Chan (Crazy Rich Asians) show up that the film becomes unstoppable as Vers realizes the full force of her power (a moment that gave me goosebumps) and uses it against an enemy she never considered.

Working with a script from four credited screenwriters (Meg LeFauve, Nicole Perlman, Roy Thomas, Gene Colan), Captain Marvel is a bit of an odd duck because it’s an origin story for several key elements that make up the Avengers universe. There’s the obvious first steps for Vers discovering she’s really Carol Danvers, a pilot with the U.S. Air Force presumed dead after her plane went down years earlier. Then you have the beginnings of Nick Fury’s pet S.H.I.E.L.D. project as well as grudges introduced that get resolved in later installments. It’s a lot to juggle and it’s not a totally satisfying balance of storylines.

It doesn’t much help that Larson walks through the movie strangely blank-faced, rarely changing expression from one emotion to the next. She’s definitely putting the acting effort into the movie but one wishes she’d loosen up a bit and I also wonder if she’d ever seen an Avengers movie prior to signing on. Most of the films are sold with tongue planted firmly in cheek but Larson seems averse to going along with any kind of joke. She does create a pleasant chemistry with Jackson’s Fury…you can see why he’d call on her when the going gets tough in Avengers: Infinity War.  The supporting cast is what helps to keep the movie afloat, namely Mendelsohn and Lynch as two key elements to Danvers coming into her own and embracing her superpowers.

Starting off slow but gradually building to an exciting finale, right now I feel like Captain Marvel falls squarely in the middle of the Marvel canon. That being said, I’m willing to wait it out and see if time is kinder to the film over the next few years as the studio wraps up some loose ends and decides what’s next in their plans for the Avengers.

 

Marvel Cinematic Universe

Phase One
Iron Man (2008)
The Incredible Hulk (2008)
Iron Man 2 (2010)
Thor (2011)
Captain America: The First Avenger (2011)
Marvel’s The Avengers (2012)

Phase Two
Iron Man 3 (2013)
Thor: The Dark World (2013)
Captain America: The Winter Soldier (2014)
Guardians of the Galaxy (2014)
Avengers: Age of Ultron (2015)
Ant-Man (2015)

Phase Three
Captain America: Civil War (2016)
Doctor Strange (2016)
Guardians of the Galaxy Vol. 2 (2017)
Spider-Man: Homecoming (2017)
Thor: Ragnarok (2017)
Black Panther (2018)
Avengers: Infinity War (2018)
Ant-Man and The Wasp (2018)
Captain Marvel (2019)
Avengers; Endgame (2019)

Phase Four
Spider-Man: Far From Home (2019)

 

Movie Review ~ Serenity (2019)

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The Facts
:

Synopsis: The mysterious past of a fishing boat captain comes back to haunt him, when his ex-wife tracks him down with a desperate plea for help, ensnaring his life in a new reality that may not be all that it seems.

Stars: Matthew McConaughey, Anne Hathaway, Diane Lane, Jason Clarke, Djimon Hounsou, Jeremy Strong

Director: Steven Knight

Rated: R

Running Length: 106 minutes

TMMM Score: (2/10)

Review: When you’ve been following movies as long as I have, you tend you get a feel for when a stinker is approaching. Take Serenity as a prime example. Here you have a movie headlined by two Oscar winners featuring an additional two Oscar nominees in supporting roles written and directed by another Oscar nominated filmmaker arriving in cinemas with no promotion and no buzz. Even more curious is that it’s being released the same week Oscar nominations were announced, typically a popular weekend for audiences to catch up on films going for the gold. This is a movie everyone, including the fledgling studio that produced it, is clearly hoping will go away quietly.

Set on a small island community where the days are hot and the nights wet, the film opens with a heavy dose of overbaked Hemmingway finding fishing captain Baker Dill (Matthew McConaughey, Magic Mike) obsessing over a monster tuna that continually evades him. Audiences prepped for a steamy thriller by the previews are in for an off-kilter start as tuna talk takes up a good twenty minutes at the offset with McConaughey jabbering on about this fish to his first mate (Djimon Hounsou, The Legend of Tarzan), the town floozy (Diane Lane, Man of Steel), and anyone else within earshot. It’s not until a blonde bombshell from his past (Anne Hathaway, The Intern) enters the picture that the cash strapped Dill gets lured away from the titan tuna and hooked into a murder plot that leads to several large twists.

Written and directed by Steven Knight, who earned an Oscar nomination for 2002’s Dirty Pretty Things and was responsible for the hackneyed script for 2018’s The Girl in the Spider’s Web, the crux of Serenity hinges on a plot twist so bonkers that when I figured out it was coming I was almost begging for it not to be true. Even though it makes the film harder to review, I won’t spoil it for you. The twist comes from such a strange place and is at times so outright bizarre that I could see it almost working had Knight fully committed to it from the beginning. When it’s revealed around the halfway mark it just doesn’t hold up if you carefully replay the first part of the movie back in your mind.

That’s not to say Serenity might not have been a moderately enjoyable bit of C-movie trash had it been released as a Netflix original film with a lesser lauded cast. There’s something about the gathering of this caliber of talent that instantly elevates the movie to a higher level of prestige and, in doing so, invites a closer scrutiny of everyone involved. If the film starred Chris Pine and Mila Kunis in place of McConaughey and Hathaway, for example, I don’t think we’d be running the film through the same wringer. Knight’s script is heavy to the point of Mel Brooks spoofing on noir symbolism (though admittedly there’s a reason for that) and he’s given everyone at least one doozy of a line they have to deliver with a straight face. Example, from Hathaway: “You gave me this ring and said, ‘With this stupid ring, I thee wed, baby’…I memorized that.” Really? She memorized that? I mean, it’s not Shakespeare but…

Thinking about the performances after the fact, I’m wondering if only one actor knew about the twist. How else to explain the disconnect between what we know as an audience and what is being happening on screen. McConaughey plays things so deadly serious that you can’t help but laugh at his misguided intensity at the most minor of emotions. His reaction to catching a fish is pretty much in line with deciding whether or not to kill Hathaway’s abusive husband (a snarling Jason Clarke, All I See Is You). He’s either drunkenly stumbling around the island or cliff jumping naked into a deep blue vision quest. Some may find it worth the price of admission just for the gratuitous shots of McConaughey’s rump, which I think gets more screen time than Diane Lane.

Hathaway doesn’t seem like much of a femme fatale in my book and though she admirably goes for it here, I prefer her taking on bad girl roles that have a sly wink to them (think Oceans 8) instead of the cold calculation of her character here. I often wondered why Lane wasn’t playing this part instead – she seemed like a better fit for the role. As the lone voice of reason in an increasingly crazed cast of characters, Hounsou does what he can with his thankless role and Jeremy Strong (The Judge) kept my attention as a mysterious man following McConaughey’s every move.

Sometimes a movie is so bad I feel like recommending it just so we can have that shared experience of saying we survived it together. Right now, with the way our country is going and the amount of problems we’re facing…adding Serenity to that list seems irresponsible. It’s a movie you absolutely should avoid at all costs and skip over when it inevitably pops up on your streaming service in a month or so. Everyone involved is capable of better – even the title needed more thought.

Movie Review ~ The Legend of Tarzan

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The Facts:

Synopsis: Tarzan, having acclimated to life in London, is called back to his former home in the jungle to investigate the activities at a mining encampment.

Stars: Alexander Skarsgård, Margot Robbie, Samuel L. Jackson, Christoph Waltz, Djimon Hounsou

Director: David Yates

Rated: PG-13

Running Length: 109 minutes

Trailer Review: Here

TMMM Score: (8/10)

Review: Two full months into the summer season and we finally have a blockbuster worth talking about. Don’t get me wrong, strong entries have been made with Captain America: Civil War, Finding Dory, and X-Men: Apocalypse but The Legend of Tarzan represents everything a popcorn film should be. It’s an exciting, action-packed thrill ride that’s been given grand treatment not only from its director and cinematographer but from it’s surprisingly nimble cast. I went into the film being mildly interested in another retelling of the classic Tarzan tale and left with the kind of energized good-will that made me feel like swinging from vine to vine singing its praises.

Thankfully, The Legend of Tarzan isn’t merely an origin story of how young John Clayton lost his parents to the wilds of Africa and was raised by a caring ape before joining society after falling in love with Jane. This story is there but it’s interspersed throughout the first half of the picture as well-timed glimpses into a past Clayton both longs for and recognizes he needs to move forward from. Married to his love and living in his Greystoke estate, Clayton is asked back to Africa under false pretenses and becomes the victim of a villainous power-hungry jewel smuggler.

What sets The Legend of Tarzan apart from similarly styled blockbusters is that it has an actual plot at its core.  Screenwriters Craig Brewer (Hustle and Flow) and Adam Cozad (Jack Ryan: Shadow Recruit) ping off of the stories laid out by Edgar Rice Burroughs as they craft a story around Tarzan returning to his roots and saving the people and land he loves from mercenaries, slave traders, and land developers. It’s not heavy-handed stuff but it feels like it means something, much more than a superhero going after a stone with special powers.

As Tarzan, Alexander Skarsgård (The East) is the true vison of what his creator must have had in mind. In impeccable shape but still bearing the signs of a life in the wild, Skarsgård Tarzan is soft-spoken and curious, only jumping into action when he or his family is threatened. He’s matched nicely with Margot Robbie (The Wolf of Wall Street) as Jane, still plucky and headstrong but perhaps a tad bit on the underdeveloped side. While she’s given some swell heroine moments, I still felt like she was given less important hurdles to navigate than her male counterparts.

At first I was scratching my head at the presence of Samuel L. Jackson’s (The Hateful Eight) supporting turn as a Civil War veteran sent by the US President to England in hopes of exposing slave trade in the Congo. Jackson’s cooler-than-you swagger is kept at bay here, with the actor getting mighty physical as he tries to keep pace with Tarzan. Even if he uses a few too many modern turns of phrase (was “screwed” a popular term in the late 1800s?), he easily gets the most positive audience reaction and seems game for whatever Yates and company throws his way.

I’ve about had it with Christoph Waltz (Big Eyes, Django Unchained) playing a soft-spoken smarmy villain outfitted in pristine attire. The two-time Oscar winner feels like he’s coasting on his initial popularity but is managing only to lull us into slumber. Feeling like a half-hearted extension of his Spectre bad guy, Waltz never grooves with the other actors and feels miscast. It’s always nice to see Djimon Hounsou (Furious 7) in anything and he’s utilized well as the chief of a tribe with a personal vendetta against Tarzan.

On the production side, the score from Rupert Gregson-Williams (Winter’s Tale) is tone appropriate whether it be a full-throttle action scene or a more somber moment between Tarzan and his ape brethren. Cinematographer Henry Braham’s stunning vistas are a seamless blend of live-action and CGI that make quite the impact when seen in 3D (note that the 3D adds appropriate depth for items that appear to extend past the screen).

No matter how well The Legend of Tarzan does, director David Yates is bound to have a great 2016 overall. With Fantastic Beasts and Where to Find Them arriving November, Yates is at the helm of two potential franchise starters after lovingly guiding the last four Harry Potter films to their conclusion. Even if you aren’t swayed by the actors or the story, Yates has brought forth a sharp looking film that looks like an old-fashioned epic.

The Silver Bullet ~ The Legend of Tarzan

tarzan

Synopsis: Tarzan, having acclimated to life in London, is called back to his former home in the jungle to investigate the activities at a mining encampment.

Release Date:  July 1, 2016

Thoughts: Fans of 1984’s Greystoke: The Legend of Tarzan, Lord of the Apes that have been waiting for a sequel for these past three decades, I have some sad news for you.  Edgar Rice Burroughs classic vine swinging hero is getting a reboot with two sexy stars as Tarzan and Jane along with some Academy Award nominated/winning character actors playing various allies and foes. Before you write this one off as another CGI-heavy trifle, keep in mind that David Yates is at the helm of it all and having shepherded four handsome looking Harry Potter films (the most difficult ones, no less), he sure knows how to keep the humanity of characters that are put into perilous computer rendered worlds.  Alexander Skarsgård (The East), Margot Robbie (The Wolf of Wall Street), Samuel L. Jackson (Django Unchained), Christoph Waltz (Big Eyes), & Djimon Hounsou (Furious 7) will head into the jungle next July.

Movie Review ~ Furious 7

furious_seven_ver3

The Facts:

Synopsis: Deckard Shaw seeks revenge against Dominic Toretto and his family for the death of his brother.

Stars: Paul Walker, Jason Statham, Lucas Black, Tyrese Gibson, Michelle Rodriguez, Jordana Brewster, Vin Diesel,Djimon Hounsou, Kurt Russell, Tony Jaa, Dwayne Johnson,Nathalie Emmanuel, John Brotherton, Iggy Azaela

Director: James Wan

Rated: PG-13

Running Length: 137 minutes

Trailer Review: Here

TMMM Score: (7.5/10)

Review:  While preparing to write my review of the seventh film in the lucrative Fast and the Furious franchise, I went back to my review of 2013’s Furious 6 to make sure I didn’t self-plagiarize that entry.  Turns out I was in for a challenge because reading over my thoughts on the previous chapter confirmed my suspicions…that Furious 7 is nearly the exact same film.

Now if this were the newest release in any other long-running series I likely would have gone after the filmmakers for lack of creativity or the general laziness that can befall a cash-cow like these films have been for Universal Studios.  What started in 2001 as a run of the mill action film with a lack of brain cell activity has come a long way, arguably getting better and more assured with each passing episode.  There’s a decidedly set formula in the way the Fast & the Furious vehicles are assembled and why mess with something that works so well?  The answer to that question?  You don’t.

Before we move forward I need to put a disclaimer that it’s impossible to discuss Furious 7 without giving away some spoilers on events that happened in the first six films.

Picking up not quite where Furious 6 left off (but before the third entry The Fast and the Furious: Tokyo Drift takes place – figure THAT one out!) it’s not long before Dom (Vin Diesel, Riddick), Brian (Paul Walker), Letty (Michele Rodriguez, Turbo), Hobbs (Dwayne Johnson, Hercules) and the rest of their comrades are targeted by the brother of the villain featured in the last film.  Proving that revenge is a dish best served at 180mph, Deckard Shaw (Jason Statham, The Expendables 3) is mad as hell and out for blood against those who nearly killed his baby brother (Luke Evans, Dracula Untold).

What I’ve enjoyed so much about these movies over the years is their ability to maintain a consistent crew of familiar faces that keep coming back film after film.  Maybe introduced as a minor character originally, each entry seems to shift the power around and plays off the strengths of what each actor brings to the table.  Not that this is high art requiring application of the Meisner technique to each line of dialogue, but even with certain limitations on acting expertise no one embarrasses themselves…well, almost.

The star of the show where action is concerned continues to be Vin Diesel and, bless his heart, he tries so dang hard in this one to bolster his cred by delivering his lines with sincerity.  However, with his cue ball cranium and muscles that can’t be contained in any shirt large or small, he’s maybe the one person that swings and misses while attempting to be the dramatic heavy.  With the tragic death of co-star Paul Walker halfway through filming, it’s evident that large parts of the script were re-written and I’m guessing Diesel was tapped to lay the groundwork for the film’s touching send-off and, to his credit, Diesel is never anything less than totally committed to getting the job done.

This isn’t a film that has the ghost of Paul Walker hovering above it, however, even though you can easily tell which scenes were shot with a double with his face being CGI-ed in later.  The overall feeling of the movie is onward and upward and I think Walker would have been proud of how it all turned out.  He’s involved with several of the film’s crazy action sequences, passages that include souped-up cars being dropped from airplanes and flying through skyscrapers.  These are impressively staged, totally ridiculous, and supremely enjoyable.

It’s when the film slows down that there are problems.  With director James Wan (The Conjuring, Insidious) taking over for Justin Lin there seems to be an effort on Wan’s part to balance high-impact action with treacly familial drama…and who knows how much of that was influenced by Walker’s death.  Seems like poor Jordana Brewster (who seems to add two new teeth with each film, I swear she has 32 teeth on the top row alone) suffered the most, with the script sequestering her away from the action to protect her pregnancy…which is a ludicrous sham they don’t even bother to make believable.  Brewster is supposedly far enough along to know the sex of the baby but has a stomach so flat you could play Jenga on it.

Wan’s trademark loop-de-loop cinematography seems like a nice match with the action onscreen though it’s overdone in the lengthy finale that has our gang racing around a downtown cityscape straight out of Grand Theft Auto as they try to keep a valuable piece of technology out of the hands of a villainous terrorist (Djimon Hounsou, How to Train Your Dragon 2) while avoiding getting run down by Statham.  I’m skipping over a lot of plot twists and turns that I simply don’t have the time or the word count to explain in full…it’s beside the point anyway because the film is really about getting to that next action sequence.

I’ve no doubt that eighth, ninth, and tenth entries of this series will be produced and if they can maintain the forward motion of their predecessors I’m all in favor.  Leaving several loose ends dangling while tying up one big one, there’s more gas in this Furious tank and I’m happy to buckle up for more.

The Silver Bullet ~ Furious 7

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Synopsis: Ian Shaw seeks revenge against Dominic Toretto and his crew for the death of his brother.

Release Date:  April 3, 2015

Thoughts: Hi, my name is Joe and I’m a fan of the Fast and the Furious franchise.  This wasn’t as hard to admit as one might think and it’s an admission made easier by the fact that what started as a B-movie rip off of Point Break (trading surfboards for cars) has evolved into an engaging action series that improves with each passing installment.  Sure, 2 Fast 2 Furious stumbled and I may be the only one that enjoyed The Fast and the Furious: Tokyo Drift but the last three films (especially 2013’s breathless Fast & Furious 6)  have upped the ante without turning the whole affair into a self-aware camp fest.  Though the dark cloud of star Paul Walker’s tragic passing will likely hang heavy over the film, I’m hoping that the extra production time allowed director James Wan (The Conjuring) and writer Chris Morgan (47 Ronin) to orchestrate a fitting torch passing that allows the series to continue.

The Silver Bullet ~ Seventh Son

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Synopsis: Young Thomas is apprenticed to the local Spook to learn to fight evil spirits. His first great challenge comes when the powerful Mother Malkin escapes her confinement while the Spook is away.

Release Date: February 6, 2015

Thoughts: In this day and age where movies are saturating the cinemas week after week, I’ve taken to not paying much attention when a film gets its release date moved in order to steer clear of getting lost in the wake of another. Still, with a film like Seventh Son it’s hard to ignore the smell of turkey from this wizards and witches saga based on the novel The Spook’s Apprentice by Joseph Delaney. Some chalk up its long delay to the dissolution of a partnership between Warner Brothers and the production company Legendary Studios but I think it’s because the film looks positively goofy. I can’t for the life of me understand why Jeff Bridges (Iron Man) and Julianne Moore (Non-Stop) consented to this; though both actors have made some off-the-wall choices in between more celebrated works as of late. The day of reckoning for all will come in early February; I hope we have other things to distract us that weekend.