31 Days to Scare ~ The Haunting (1999)

The Facts:

Synopsis: When Eleanor, Theo, and Luke decide to take part in a sleep study at a huge mansion they get more than they bargained for when Dr. Marrow tells them of the house’s ghostly past.

Stars: Liam Neeson, Catherine Zeta-Jones, Owen Wilson, Lili Taylor, Bruce Dern, Marian Seldes

Director: Jan de Bont

Rated: PG-13

Running Length:

TMMM Score: (6.5/10)

Review:  Boy, The Haunting sure brings back a lot of memories for me.  It’s 1999 and I’ve finished my first year of college.  I’d been a hardcore movie fan all through high school and middle school but with my growing independence I was able to pick what movies I wanted to take myself to and involve friends with.  The net was still in its relative infancy so to watch trailers outside of a movie theater you had to go on the web and hope your connection was strong enough to keep the preview from buffering forever.  I remember watching the original teaser trailer for The Haunting on TrailerPark.com about a hundred times because it had everything going for it.  Scary movie? Check. Famous director? Check. Popular stars? Check. Prestige producers? Check.  It was all there.  Then the movie came out.

Here’s the original teaser to jog your memory:

Speaking of memories, I remember seeing The Haunting on its opening day and being more than a bit baffled by what was going on with my sure-fire sure thing.  I mean, I had spent $20 to have the glossy double sided theatrical one-sheet poster sent to me so I could display it in my room – I didn’t spend that much money on a turkey, did I?  At the time, I felt I had.  The audiences were laughing at moments meant to be scary and the effects felt like a let-down considering the budget and who was involved.  I was so frustrated I think I saw the movie once more when it came out on DVD but hadn’t seen it in probably a decade and a half.

We’re in the season of scary movies so I figured now would be better than ever to revisit this remake of Robert Wise’s undisputed 1963 classic.  Also, seeing that the original novel by Shirley Jackson has received another remake in the form of a 10-part Netflix show, I wanted to give this one another look before diving into that new production.  Produced by Steven Spielberg’s (JAWS) studio Dreamworks SKG, aside from a few admittedly cheesy bits and those same iffy effects, I was amazed to discover that The Haunting wasn’t the corny mess I remembered it to be. Not by half.

The same day her sister announces plans to sell the apartment she shared with her recently deceased invalid mother, Nell (Lili Taylor, The Conjuring) receives a call inviting her to participate in a sleep study at a secluded mansion.  She’ll be paid well and room and board is provided.  It seems the perfect solution to her dilemma.  Arriving at the ominous Hill House, she’s transfixed by the large estates beauty and ornate interior design.  Joined by bisexual vixen Theo (Catherine Zeta-Jones, Side Effects) and all-American dude Luke (Owen Wilson, Inherent Vice), Nell settles in far easier than her fellow test subjects, seemingly unfazed by the house’s nighttime activities which involve strange noises and ghostly apparitions.

The study is being conducted by Dr. Marrow (Liam Neeson, The Commuter) and, unbeknownst to the three, the study they are participating in has less to do with their sleep patterns and more to do with their fear reflexes.  He’s chosen Hill House for its storied history of being haunted and before he knows it the ghosts truly do come out to play in increasingly aggressive methods.  Soon, Nell comes to realize there are two sets of ghosts at work in the house.  One group is steering them all to a mystery hidden within while another more malevolent force wants to make sure Nell never leaves.

The first hour or so of The Haunting is a well-constructed vice grip that continues to tighten as the people explore the house and its impressively crafted rooms.  The production design here is out of this world, rich and detailed with no two spaces looking exactly alike.  Much of the huge budget must have been devoted to these playing spaces because while you sort of always know they are sets and not practical rooms in a real mansion the overall illusion is a wonder.  From the large ballroom to a panic inducing revolving room of mirrors, each door opens up to a new feast of the eyes.  Even nearly twenty years later it’s remarkable.

Where the film tends to run off the rails (and was then savaged by critics) is in the visual effects which look one step up from Casper the Friendly Ghost-style floating images. Some of them are downright laughable, especially the wooden cherub faces that decorate Nell’s room.  One moment they are giving you the creeps as their dead eyes bore into you, the next you’re giggling when their expression changes to horror with wide eyes and their mouths forming an “O”.  The final sequence is nearly all CGI and it fails to captivate you, though cinematographer turned director Jan de Bont (Flatliners) does stir up some good camera work during the final act.

Yet for all these problems which do play a part in diminishing the overall effect The Haunting was going for, I still found myself enjoying this re-watch all these years later.  It’s well-intentioned and largely well-made with a great cast (more Lili Taylor in everything, please) and is a masterpiece of set-design.  I went in thinking it would still be that cornball loser I had written it off as being all those years ago but found myself invested in the material and characters.  Sadly, this hasn’t been released on BluRay (why the heck not?) but do yourself a favor and find an HD streaming copy to rent.  It’s worth another look.

Movie Review ~ Need for Speed

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The Facts
:

Synopsis: Fresh from prison, a street racer who was framed by a wealthy business associate joins a cross country race with revenge in mind.

Stars:  Aaron Paul, Imogen Poots, Dominic Cooper, Ramon Rodriguez, Rami Malek, Harrison Gilbertson, Scott ‘Kid Cudi’ Mescudi, Michael Keaton, Dakota Johnson

Director: Scott Waugh

Rated: PG-13

Running Length:131 minutes

Trailer Review: Here

TMMM Score: (6.5/10)

Review: Though I want you to read the whole review, let me say right off the bat that there’s no real need to see Need for Speed.  It’s a hare-brained, noisy, overlong film that most will probably find subpar in comparison to other muscles and muscle car films like Fast & Furious 6.  Even with that disclaimer, I’ll tell you that I found myself enjoying Need for Speed more than I thought I would/could.

Based on a popular game from Electronic Arts, Need for Speed has a rather lenghty set-up that takes up a good half hour of your time but ably covers a lot of bases you’ll need to get something out of the final 100 minutes.  Tobey Marshall (Aaron Paul) is a good ole boy living in the kind of quaint small time town that so many city denizens would long to visit…for a weekend.  Taking over an auto-body shop from his recently deceased dad, he’s seeing the bills pile up and begrudgingly takes an offer from rival Dino Brewster (Dominic Cooper) to soup up a car to be sold at auction.

Said car is a beaut and attracts the attention of a Julia, a comely associate (Imogen Poots) of a wealthy business man…and leads to a dangerous situation that sees Tobey imprisoned for a crime he didn’t commit.  Upon his release he sets out for revenge, bringing Julia and a bunch of emotional baggage along for the ride.

A gigantically silly film, I couldn’t help but just sit back and enjoy the ride that the 3D converted film provides.  Needing to make it cross-country in less than 48 hours, Tobey burns rubber though scenic vistas while avoiding the police and an array of roadblocks both literal and figurative.  Culminating in an illegal street race across the beautiful coast of California, Need for Speed should be credited with never slowing down…because it’s only after the lights come up that you realize how ludicrous the whole thing is.

Compensating for his tiny facial features by pitching his gravely voice to the Christian Bale basement level and over emoting the simplest of line readings, Paul isn’t nearly as impressive here as he was in his award-winning turn on TV’s Breaking Bad.  He’s better than Cooper (Dead Man Down, Abraham Lincoln: Vampire Hunter), though, who isn’t the formidable foe the character and movie calls for.  Michael Keaton (recently seen in 2014’s failed Robocop reboot) must have filmed his scenes in a day and laughed all the way to the bank as a hyper mastermind behind the final race.

The grand prix winner of the film is Poots who works the same kind of magic she did with That Awkward Moment earlier in 2014 by effectively stealing the role out from under her male counterparts.  I had forgotten she was in this so when she appeared on screen I had the feeling the movie was about to be kicked into a higher gear…and I was right.

Though it hits the skids plot-wise as it nears the finish line, director Scott Waugh stages some mighty fine action sequences that don’t fall victim to repetition.  Using very little in the way of visual effects, Waugh is able to up the ante on race films without coming off as showboating.  It adds a considerable amount of realism to a non-realistic flick and I enjoyed his employment of interesting camera angles.

This is a film I wish was released later in the summer when I could have seen it at a drive-in movie theater.  Though set in present day it has a pleasingly retro-vibe to it even if it lacks the overall cool factor that made classics like Bullitt so monumental in the race genre.  If you’re in the mood to put your brain on cruise control and can take your hands off the wheel, Need for Speed could be a road trip worth taking.

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The Silver Bullet ~ Despicable Me 2

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Synopsis: Gru is recruited by the Anti-Villain League to help deal with a powerful new super criminal.

Release Date:  July 3, 2013

Thoughts: I was a surprising fan of 2010’s Despicable Me, finding its skewed humor fit nicely within the animation created by Dreamworks Studios.  Like the penguins from Madagascar, the tiny yellow imps that are the secondary characters here threaten to steal the film out from under our main hero/villain and that’s AOK with me.  After the bomb that was The Incredible Burt Wonderstone, Steve Carell must be thanking his lucky stars he has this film coming up in June because this one is a sure-fire bet to clean-up at the box office.

The Silver Bullet ~ The Croods

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Synopsis: The world’s very first prehistoric family goes on a road trip to an uncharted and fantastical world.

Release Date:  March 22, 2013

Thoughts:  I guess I kinda liked it better when it was called The Flintstones.  Well ok, the family of Neanderthals featured in The Croods may be a little pre-Flinstonian time but there’s a strange déjà vu feeling about this that doesn’t hold much appeal.  Even the vocal presence of Cage is annoying, proving that being heard and not seen can’t save his plummeting star status.  The one thing that may tip the scales on this one is a script with contirubtions from John Cleese and (aside from Cage) a nice voice cast with Ryan Reynolds, Emma Stone, Catherine Keener, and Cloris Leachman.