Synopsis: After splitting with the Joker, Harley Quinn joins superheroes Black Canary, Huntress and Renee Montoya to save a young girl from an evil crime lord.
Stars: Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Pérez, Chris Messina, Ewan McGregor, Ella Jay Basco, Ali Wong
Director: Cathy Yan
Running Length: 109 minutes
TMMM Score: (7/10)
Review: In the summer of 2016, hopes were high that Suicide Squad could help bring back the DC Universe from extinction after the disappointing reception of Batman v Superman: Dawn of Justice, which was released earlier that year. Seems that critics and audiences that had come to like the flashy spark of the Marvel Cinematic Universe weren’t grooving to the darker tones and turns DC was taking and while I personally thought BvS was far better than it got credit for, even I had to admit that the world needed to snap out of its mellow dankness. Trouble was, the people behind Suicide Squad (and, likely, studio execs) course-corrected too much (largely after the fact) and delivered an awful tire-fire of a comic book movie…and made it PG-13 on top of it all.
If there was one thing that emerged victorious from the rubble of that failed effort (which is getting an overhaul reboot in 2021) it was Margot Robbie’s take on Harley Quinn, the Joker’s main-squeeze. Robbie brought just the right amount of self-effacing fun and tongue-in-cheek cheekiness to the film, giving off the impression she was the only one who really understood what kind of movie she was in. It definitely set the stage for her full-blown arrival to the big leagues the next year with her Oscar-nominated turn in I, Tonya followed by her regal showing for 2018’s Mary Queen of Scots. After dominating 2019 with lauded parts in Once Upon a Time…In Hollywood and nabbing another Oscar nom for Bombshell, she’s back to make good on a deal that was sealed shortly after Suicide Squad opened to big business and stellar notices for her…a spin-off featuring Harley and a new group of female superheroes.
I admit, I first heard about this sequel while Suicide Squad was fairly fresh in my memory and I just wasn’t on board. While I liked Robbie in the movie I didn’t find myself eager to revisit this take on Gotham City if it was going to be the same tone and annoying approach. My dial wasn’t turned any more to the positive side when the full title was revealed: Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn). I mean…must we? Thankfully, we aren’t required to use the full title when discussing the film so Birds of Prey this one will be forever more. Even hearing some decent buzz from those that got an early look didn’t totally convince me.
Well…when I’m wrong I’ll say I’m wrong and I’m wrong…a little bit. The first ten minutes of Birds of Prey is exactly the kind of obnoxious experience I feared it would be. Crazy edits, arch characters, voice over narration that felt like it was written by a fourth grader. Then, just as I was settling in for a rough ride the film, written by Christina Hodson and directed by Cathy Yan, suddenly came alive and decided to find its own voice and that’s when things started to get interesting. Sure, it maintains most of the elements that make it easily identifiable as a comic book movie but it strips away anything (and anyone) extraneous and focuses simply on the characters. Don’t worry, this isn’t a Taxi Driver-esque character-study like Joker but it hits many of the same beats…just with more flair.
Harley Quinn (Robbie, The Wolf of Wall Street) has officially broken up with “Mr. J” and does so explosively (literally). Without his protection she becomes a prime target for members of the Gotham City underworld that have been waiting to get back at her…but catching her is only half the battle. Roman Sionis (Ewan McGregor, Doctor Sleep) finds this out when he nabs Harley and is about to have his henchman Zsasz (Chris Messina, Live by Night) send her to that great circus in the sky until she sweet talks her way into a deal to get him a priceless diamond from a young street-wise pickpocket (Ella Jay Basco) in police custody. Finding that girl is a cinch for Harley (a police station breakout is a highlight of the film, one many impressive action sequences) but she isn’t the only one with an interest in the teen. There’s Renee Montoya (Rosie Perez, The Dead Don’t Die) a Gotham City detective working with Sionis’ driver Dinah Lance (Jurnee Smollett-Bell) to get the jewel and save the urchin and the hooded Huntress (Mary Elizabeth Winstead, 10 Cloverfield Lane) whose own vested interest crisscrosses with all involved.
Much like she did with her script for Bumblebee, Hodson injects the film with female empowerment without laying it on thick like you’ve seen it before. Working in tandem with Yan’s smart visual eye, once Birds of Prey sheds its slimy opening layer and finds its own fun it never stops until the fireball of a finale set at a rundown boardwalk amusement park. Kudos to the production design here…a truly imaginative funhouse was created for the battle royale that closes the picture. I also appreciated that while the film wasn’t restricted to a PG-13 rating, Yan doesn’t take her R and run with it either…this is a movie that has violence but uses it in wise and, dare I say, fun ways.
Having more time to dig into Harley, Robbie sharpens her rough edges a bit more and that’s sometimes fun, other times a bit grating. Like I said, it gets better as the movie goes along but the character is inherently meant to be on the insufferable side…but what makes her such a great character is that you still like her even though she’s bad. And Robbie gets both those sides of the character right. If there’s one thing Robbie is good at, it’s knowing when to share the spotlight. It’s the sign of a confident star (and make no doubt about it, Robbie is a bona fine A-list movie star) who can yield the stage to others so they can shine and shine they do. Perez is in rare form as a dedicated detective who has played by the rules and watched others with less scruples pass her by. Skilled at comedy, Perez isn’t often asked to be on the more dramatic side and she ably holds up her end of things. Surprisingly, Winstead’s role is smaller than you’d think, with the Huntress not having much screen time until the final ¼ when her presence is all but required. I enjoyed Basco’s modern taken on a wide-eyed Artful Dodger and you’re either going to love what McGregor is doing or be completely perplexed. For me, I loved it in all its slithery nastiness. I sort of get where Messina was going in his laid back approach to the knuckles and muscle sidekick but think his performance is more Suicide Squad territory. The one to really look out for is Smollett-Bell who sings up a storm and kicks butt like a pro. Appearing in film/TV since she was a child, this feels like Smollett-Bell’s true arrival to adult roles and she’s undeniably one of the best things about the film.
It’s already known Robbie will be back for the Suicide Squad reboot next year but we’ll have to wait and see what’s next for the rest of the Birds of Prey. I think this first outing is absolutely worth the flight time and would welcome another adventure if the same team was brought together again. It can’t be a coincidence that the most successful DC Comic movies have been female centered and directed by women, right? With Wonder Woman being the spark that kept the lights on at the studio and this one impressing with its wild style, here’s hoping Wonder Woman 1984 shows everyone that we need to keep letting the women run this world.