Movie Review ~ I Love My Dad

The Facts:

Synopsis: A hopelessly estranged father catfishes his son in an attempt to reconnect.
Stars: Patton Oswalt, James Morosini, Rachel Dratch, Claudia Sulewski, Ricky Velez, Lil Rel Howery, Amy Landecker
Director: James Morosini
Rated: R
Running Length: 96 minutes
TMMM Score: (8/10)
Review: In my family, summer was always leading up to the road trip. Either up to our cabin or visiting family way out yonder, there was nothing but the open road to greet us and lots of activity books to keep me busy along the way. I miss those pre-technology days when you had to converse with your loved ones, and maybe that’s why I spark to films that feature one or more parents traveling with their adult children because it recaptures something we’ve lost in this modern age. Communication. Growing apart from your parents is a natural part of becoming an adult but reconnecting through maturity is another aspect of ‘adulting’ I find an interesting area to explore.

This summer, we’ve already had one emotionally resonant familial drama involving a parent and child making a cross-country trip. While Don’t Make Me Go threw some friendly chuckles our way, it wasn’t after our funny bone. While most have been downgraded through dopey slapstick and gross-out humor, I thought we’d seen the last of the dependably entertaining road trip comedies. It turns out we just needed to add a bit of father-son drama to the mix to resurrect the genre. That’s how a gem of a movie like I Love My Dad zooms in and parks itself on your must-watch list.

Writer/director/star James Morosini uses his own life as the basis for this whale of a tale that could have abused its absurdity with out-of-place humor but instead embraces it with winning compassion. A suicidal adult son alienated from his absentee father is coaxed out of his shell by an attractive girl he meets online, opening up to her and finding that he may have found his soulmate. The trouble is, the girl of his dreams is his father (the spectacular Patton Oswalt, The Secret Life of Walter Mitty), under a fake profile in a last-ditch attempt to connect with his son, who has blocked all contact after a lifetime of disappointment.

The film handles the switcheroo nicely, with Claudia Sulewski as the imaginary girl blessedly standing in for conversations with Morosini, so we don’t have to read endless texts back and forth. I get a little cross-eyed in films that make us read the text bubbles onscreen while simultaneously watching the actor react to the same message. Likely a way to save on post-production effects, having this digital back and forth become IRL discussions adds a bit of magic to it all. It surely reduces the growing dread we have of what might happen next.

The catfish set-up is as awkward as it sounds, making the well of uncomfortable situations only grow as the film progresses as Morosini’s character decides he wants to meet his online girlfriend in person. In lesser hands, this could have turned into a raunchy yuck-o yuck fest, putting Morosini and Oswalt into situations I don’t even want to visualize. The movie resists that urge and lets the situation be the weirdest thing in the room, allowing the genuine spirit of Oswalt’s performance to come through. Often relegated to featured sidekicks, it’s terrific to see Oswalt’s talents used (and recognized) in this way; his scenes with Morosini have a great sincerity to them, while his work with Rachel Dratch is where he can turn the comic volume up. Avoiding the pitfalls of being the writer/director, Morosini feels unbiased in how he keeps things moving and genuine in his performance. 

I first saw I Love My Dad at the SXSW Film Festival in 2022 and felt then that it would be an audience pleaser. It went on to win not just the Audience Award (as predicted) but the Grand Jury Award. The sweet and sincere film well deserved the win(s), and I can tell it’s a title that will move around via word-of-mouth recommendation.  

Movie Review ~ Keeping Up with the Joneses

keeping_up_with_the_joneses
The Facts
:

Synopsis: A suburban couple becomes embroiled in an international espionage plot when they discover that their seemingly perfect new neighbors are government spies.

Stars: Zach Galifianakis, Jon Hamm, Isla Fisher, Gal Gadot, Patton Oswalt

Director: Greg Mottola

Rated: PG-13

Running Length: 105 minutes

TMMM Score: (4/10)

Review: When asked by a friend about my thoughts after screening Keeping Up with the Joneses, all I could offer up was, “It’s stupid.  Not bad, not unwatchable…just stupid.” If you’re ok with ‘stupid’ then by all means get thee to your local theater and plunk down those bucks to see a movie that gets it wrong from the get-go.

The problem is, I feel, with the cast.  Not that Zach Galifianakis (Muppets Most Wanted), Jon Hamm (Million Dollar Arm), Isla Fisher (Now You See Me), & Gal Gadot (Triple 9) are wrong for the movie…they’re just in the wrong roles.  Stick with me here, ok?  How many times have we seen movies where statuesque women and movie-star handsome men play secret agents in disguise? And in how many features do they have sidekicks that aren’t quite runway ready but are more than capable of carrying lighter material?  That’s the problem…all four actors above the title in Keeping Up with the Joneses are simply playing into expectations dictated by their Q-scores.

I think I would have enjoyed the movie more had Galifianakis and Fisher swapped roles with Hamm and Gadot because it would have afforded them (and audiences) a chance for something different.  Hamm could certainly have handled the comic bits and I think Galifianakis would have been able to smooth out some of the roughly scripted staid edges screenwriter Michael LeSieur couldn’t do himself.  And why couldn’t Fisher have been the confident super-spy that shows repressed suburban mom Gadot how to wear French cut lingerie and trade bullets with bad guys?

Sadly, no one asked my opinion so Keeping Up with the Joneses is just your standard spy comedy where everyone is simply coasting along to pick up their paycheck at the end of the week.  There’s little joy in the telling of the tale where government operatives Gadot and Hamm pose as new neighbors in a cul-de-sac populated by the employees of a local software business.  Galifianakis is the HR rep for the company and Fisher is his homemaker wife that’s the first to notice the new couple on the block is too good to be true.  When a mole offers to sell a valuable computer chip to the top bidder, the two couples become involved with a little espionage and a lot of poorly constructed action sequences.

If there is a VIP of the movie, Fisher is certainly it.  Possessing good comic instincts and a true talent for physical comedy, Fisher easily outperforms Hamm and Galifianakis, both of whom barely lift a finger to bring anything new to the party.  I wish Gadot’s role wasn’t quite so one-dimensional, though her role-reversal of power with her seemingly more macho counterpart is a nice wrinkle.  The supporting players are a collection of desperate scene stealers clearly compensated with free meals from their scenery chewing.

For all its brightly lit suburban bliss and basic cable action scenes, director Greg Mottola’s (Superbad) film looks pretty cheap.  I expected some of the sets to tip over if people leaned against them and the few special effects would have been impressive had this come out the summer after Tron did.  Keep your eyes open for a scene between Galifianakis and Hamm that was clearly a reshoot – both men are wearing wigs so fake looking you’d swear they raided the discount Halloween bin at CVS.

Possibly enjoyed as a rental down the line, Keeping Up with the Joneses isn’t worth much of an effort this fall.