Movie Review ~ Wonder Woman (2017)

The Facts:

Synopsis: Before she was Wonder Woman she was Diana, princess of the Amazons, trained warrior. When a pilot crashes and tells of conflict in the outside world, she leaves home to fight a war to end all wars, discovering her full powers and true destiny.

Stars: Gal Gadot, Chris Pine, Robin Wright, David Thewlis, Danny Huston, Connie Nielsen, Lucy Davis, Elena Anaya, Saïd Taghmaoui, Ewen Bremner, Eugene Brave Rock

Director: Patty Jenkins

Rated: PG-13

Running Length: 141 minutes

Trailer Review: Here

TMMM Score: (9/10)

Review: As a child, every few weeks my parents and I would travel 115 miles south to visit my mom’s family.  Getting up early and missing Saturday morning cartoons wasn’t that big of a deal to me…it was the Sunday return trip that caused great anxiety in our car.  You see, Sunday afternoon at 4pm is when reruns of Wonder Woman were on.  Capping off a block of programming that included The Six Million Dollar Man followed by The Bionic Woman, Wonder Woman was Must See TV for this fella and my parents came to the understanding that come hell or high water, we had to be home by four.  Now, several times this didn’t happen and let’s say…things got messy.

That context is helpful to you, dear reader, in understanding why this long planned big screen adaptation of Wonder Woman was more than just another anticipated summer blockbuster for me.  This was the arrival of a character I truly grew up with, maybe more so than Batman or my ultimate favorite, Superman.  I came to Wonder Woman via the Lynda Carter television show and not like many did by way of DC Comics.  Created by William Moulton Marston, the Amazonian Princess first appeared in 1941 and quickly became a popular symbol not only of strength but of a woman with the ideals to be a natural leader of all.

A reboot of the TV show was attempted but failed at the pilot stage several years back and while Wonder Woman was hinted at being a part of the planned Warner Brothers DC Universe at some point, it wasn’t until the character was a surprise addition to 2016’s Batman vs Superman: Dawn of Justice that fans finally saw the light at the end of a long dark tunnel.  While many (including me) had their own issues with BvS, most agreed that Gal Gadot’s Wonder Woman was a memorable highlight of that film and looked forward to the stand-alone movie that would be released before Justice League later in 2017.  Then the deplorable Suicide Squad was released late summer 2016 and people began to worry that Wonder Woman’s bright beacon of hope would be unfashionably oppressed by DC Universe’s strangely dark style.

Fear not, though, because not only does Wonder Woman make a most excellent showing in her first solo big-screen adventure, but it’s by far the best comic book adaptation in almost a decade.  Besting the best of the boys club that came before her, this heroine has brains and brawn in addition to her beauty.  It’s more entertaining than you can possibly imagine and would make even the hardest non-fan of comic book movies buckle in their resolve.

While longtime fans may be bug-eyed that the screenplay by Allen Heinberg from a story by Zac Snyder, Heinberg, and Jason Fuchs moves the action from WWII to WWI, it plays into the overall success of the picture by showing Wonder Woman’s superhero emerge at the same moment that war-time weapons took a strikingly modern leap forward.  Why wouldn’t a solider be just as amazed at a woman deflecting bullets as they would be by the automatic machine gun that’s firing them at her?

Wonder Woman is a classic origin story that manages to breeze quickly through the lore while satisfyingly hitting all the right notes at the same time.  Living among the Amazon women on Themyscira (Paradise Island), young Princess Diana is a force of nature ready to learn to fight but kept at bay by her overprotective mother (Connie Nielsen, Gladiator).  Secretly trained by her aunt (Robin Wright, Everest, buff as hell) over the ensuing years, her skills are put to good use when a plane carrying U.S. spy Steve Trevor (Chris Pine, Into the Woods) crash lands in the sky blue waters off the coast.  Soon, Diana is accompanying Steve back to jolly old England (“This place is hideous”, exclaims Diana upon seeing the gloomy London harbor) and embarking on a quest to stop a crazed General (Danny Huston, Big Eyes) and his evil scientist comrade (Elena Anaya, The Skin I Live In, frightening in a Phantom of the Opera-esque ceramic mask) from releasing a chemical weapon onto their enemies.

Proving that maybe more females should be in charge of high caliber action films, director Patty Jenkins should be lauded for crafting one of the best entries in recent memory.  Not only does she stage her battle scenes with grand flare but she manages to never over sexualize her star as I fear her male colleagues would have.  There’s no gratuitous shots looking up at Wonder Woman (and up her skirt in the process), no scenes framed with her cleavage taking center stage, no temptation to give fanboys an opportunity to linger too long on the exposed skin.  Instead, she presents Wonder Woman and all of the characters (male and female) as equals in the eyes of the camera.  In fact, the most skin on display here is from Pine as he emerges from a healing spring on Themyscira, providing for some fun dialogue between Diana and Steve.

Gadot (Keeping Up with the Joneses) was a star on the rise going into this film but she firmly cements her justified ascent with a fully layered flesh and blood performance.  Her delightful naiveté when entering the modern world reminded me of Daryl Hannah’s fish out of water exuberance as a mermaid on dry land in 1984’s Splash.  We’ve seen this stranger in a strange land done before but never with such charm.  As she grows to see that humans are deeply flawed, Gadot admirably portrays the disappointment of someone learning the truth after realizing they had believed too long in fiction.

Though he already has a strong foothold in the Star Trek franchise, Pine turns in one of his best performances as the American solider striving to do what’s best for his country.  Pine and Gadot have excellent chemistry and when the inevitable sparks begin to fly, it turns into a courtship during combat that feels well earned.  As for the bad guys and gals, Huston is his typical smarmy villain while Anaya memorably makes for a more interesting foe to our heroes.

The film has a lot packed into its 141 minute run-time but never feels long or taxing.  Yes, the last half hour delves into the kind of special effects heavy finale that tends to assist my eyes in glazing over at double speed but so much was excellent up until then that Wonder Woman’s battle royale (with an enemy revealed in a nice twist)  managed to hold me at the edge of my seat.  While there’s no post-credit scene, the film doesn’t need one because the correct edges have been rounded off and just the right amount of loose ends remain for future installments to easily pick up and run with.

Some say that summer blockbusters begin in May but for me the summer has truly begun in June with Wonder Woman’s much appreciated arrival.  There’s no regret to be had for seeing this one in the biggest theater possible with a packed audience.  Enjoy!

The Silver Bullet ~ Wonder Woman (2017)

wonderwoman

Synopsis: An Amazonian princess leaves her island home to explore the world and, in doing so, becomes one of the world’s greatest heroes.

Release Date: June 2, 2017

Thoughts: Wonder Woman’s journey to the big screen has taken a looooooooooooong time. The popular female superhero has had life on the small screen but hasn’t used her lasso of truth to snag a major motion picture until now. While many audiences and critics reviled Batman v. Superman: Dawn of Justice (not me, I thought it was great), the one consensus was that Gal Gadot’s Wonder Woman was the highlight of that film.  Gadot (Keeping Up with the Joneses) made good use of her brief screen time and boy does this new trailer for her origin pic look like a winner. Directed by Patty Jenkins and co-starring Chris Pine (People Like Us), June 2017 seems so far away…but it seems like the wait will be worth it.  Fingers crossed.

The Silver Bullet ~ 3 Days to Kill

three_days_to_kill

Synopsis: A dying Secret Service Agent trying to reconnect with his estranged daughter is offered an experimental drug that could save his life in exchange for one last assignment.

Release Date:  February 21, 2014

Thoughts: When I first saw the trailer for 3 Days to Kill I kept thinking what a great Liam Neeson impression Kevin Costner was doing.  Then I started to wonder if Neeson had turned this one down.  Then I thought about the plight of the Black rhinoceros.  Then the preview was over and I went on with my life.

It sort of makes sense that this looks like the kind of Euro-trashy action film that Neeson would have sunk his teeth into because both 3 Days to Kill and Neeson’s Taken films were written by Luc Besson (The Family), a director that favors style over any sort of substance.  The beginning of this trailer has a few good moments before forgetting totally what kind of film its trying to market itself as.  The once bankable Costner is clearly hoping for the kind of career renaissance Neeson enjoyed but taking his also-rans isn’t going to get the job done.